The Cold of May Day Monday offers an indvidual view of the history of Irish literature from its very earliest phases up to the present day, more or less, with discussions of major writers such as Friel, Heaney, Derek Mahon, McGahern, and John Banville. Robert Welch traces the roots of Irish literature in myth and legend and explores ancient and pre-Celtic deposits and remembrances; saga literature, as well as devotional writing; the bardic heritage and the cycles of tales of early Ireland; the importance and survival of folklore; and the later phases of Irish literature, from the seventeenth century onwards. Welch frames his study around themes and clusters rather than chronology, seeking to retain coherence by means of a sustained attention to the thematic strains. Substantial attention is paid to the figure of the Hag in Irish literary culture. The often deeply troubled relations between Ireland and England inevitably call for treatment as well, most notably in chapters examining the Great Famine and its consequences for literature and cultural expression. Yeats is one of the key figures, as are O'Casey and Synge, but the focus is on their literary output, not their political experiences (though these are not overlooked).Robert Welch offers a readable account of a fascinating literary history, providing insights into the connections between Irish legend and literature, and accounts of the some of the best Irish writers of the twentieth century.
The Cold of May Day Monday offers an indvidual view of the history of Irish literature from its very earliest phases up to the present day, more or less, with discussions of major writers such as Friel, Heaney, Derek Mahon, McGahern, and John Banville. Robert Welch traces the roots of Irish literature in myth and legend and explores ancient and pre-Celtic deposits and remembrances; saga literature, as well as devotional writing; the bardic heritage and the cycles of tales of early Ireland; the importance and survival of folklore; and the later phases of Irish literature, from the seventeenth century onwards. Welch frames his study around themes and clusters rather than chronology, seeking to retain coherence by means of a sustained attention to the thematic strains. Substantial attention is paid to the figure of the Hag in Irish literary culture. The often deeply troubled relations between Ireland and England inevitably call for treatment as well, most notably in chapters examining the Great Famine and its consequences for literature and cultural expression. Yeats is one of the key figures, as are O'Casey and Synge, but the focus is on their literary output, not their political experiences (though these are not overlooked).Robert Welch offers a readable account of a fascinating literary history, providing insights into the connections between Irish legend and literature, and accounts of the some of the best Irish writers of the twentieth century.
Comparative Education examines the common problems facing education systems around the world as the result of global economic, social, and cultural forces. Issues related to the governance, financing, provision, processes, and outcomes of education systems for differently situated social groups are described and analyzed in specific regional, national, and local contexts.
In his acclaimed bestselling book, Bowling Alone: The Collapse and Revival of American Community, Robert Putnam described a thirty-year decline in America's social institutions. The book ended with the hope that new forms of social connection might be invented in order to revive our communities. In Better Together, Putnam and longtime civic activist Lewis Feldstein describe some of the diverse locations and most compelling ways in which civic renewal is taking place today. In response to civic crises and local problems, they say, hardworking, committed people are reweaving the social fabric all across America, often in innovative ways that may turn out to be appropriate for the twenty-first century. Better Together is a book of stories about people who are building communities to solve specific problems. The examples Putnam and Feldstein describe span the country from big cities such as Philadelphia, San Francisco, and Chicago to the Los Angeles suburbs, small Mississippi and Wisconsin towns, and quiet rural areas. The projects range from the strictly local to that of the men and women of UPS, who cover the nation. Bowling Alone looked at America from a broad and general perspective. Better Together takes us into Catherine Flannery's Roxbury, Massachusetts, living room, a UPS loading dock in Greensboro, North Carolina, a Philadelphia classroom, the Portsmouth, New Hampshire, naval shipyard, and a Bay Area Web site. We meet activists driven by their visions, each of whom has chosen to succeed by building community: Mexican Americans in the Rio Grande Valley who want paved roads, running water, and decent schools; Harvard University clerical workers searching for respect and improved working conditions; Waupun, Wisconsin, schoolchildren organizing to improve safety at a local railroad crossing; and merchants in Tupelo, Mississippi, joining with farmers to improve their economic status. As the stories in Better Together demonstrate, bringing people together by building on personal relationships remains one of the most effective strategies to enhance America's social health.
Islamic artists channelled their energies not into easel painting and large-scale sculpture, but rather into what Western scholars, obeying a very different hierarchy of art forms, rather disparagingly term the decorative arts or even the minor arts. In point of fact, some of the greatest masterpieces of Islamic art are in the media of ceramics, metalwork, textiles, ivory and glass. Often the images they bear express a complex set of meanings, for Islam inherited much material from the iconographic systems of earlier civilizations, notably those of the ancient Near East and of the classical world. Islam also developed its own distinctive vocabulary of signs and symbols. Accordingly, questions of iconography and meaning bulk large among the studies gathered together in the present volume. These studies, written over a period of almost thirty years, and taken from a wide variety of published sources, deal with aspects of the decorative arts from Spain to India and from the 7th to the 17th century. They focus in turn upon ceramics and metalwork; on coins, carpets and calligraphy; and on carving in wood and ivory. They are arranged under three headings. The first comprises general surveys of the field covering the content of these arts and confronting the challenges they present, such as the Islamic approach to three-dimensional sculpture. The second deals with questions of iconography and meaning, while the third comprises a series of studies devoted to specific media such as ivory, woodwork and numismatics. This volume therefore offers not only a general introduction to some of the problems posed by Islamic art, but also readings of key objects in an attempt to explore their meaning; and finally, an in-depth focus on individual objects representing specific genres and media.
This book challenges the adequacy of identifying religious identity with confessional identity. The Reformation complicated the issue of religious identity, especially among Christians for whom confessional violence at home and religious wars on the continent had made the darkness of confessionalization visible. Robert E. Stillman explores the identity of “Christians without names,” as well as their agency as cultural actors in order to recover their consequence for early modern religious, political, and poetic history. Stillman argues that questions of religious identity have dominated historical and literary studies of the early modern period for over a decade. But his aim is not to resolve the controversies about early modern religious identity by negotiating new definitions of English Protestants, Catholics, or “moderate” and “radical” Puritans. Instead, he provides an understanding of the culture that produced such a heterogeneous range of believers by attending to particular figures, such as Antonio del Corro, John Harington, Henry Constable, and Aemilia Lanyer, who defined their pious identity by refusing to assume a partisan label for themselves. All of the figures in this study attempted as Christians to situate themselves beyond, between, or against particular confessions for reasons that both foreground pious motivations and inspire critical scrutiny. The desire to move beyond confessions enabled the birth of new political rhetorics promising inclusivity for the full range of England’s Christians and gained special prominence in the pursuit of a still-imaginary Great Britain. Christian Identity, Piety, and Politics in Early Modern England is a book that early modern literary scholars need to read. It will also interest students and scholars of history and religion.
Illuminating one thousand years of history, The Pilgrim Art explores the remarkable cultural influence of Chinese porcelain around the globe. Cobalt ore was shipped from Persia to China in the fourteenth century, where it was used to decorate porcelain for Muslims in Southeast Asia, India, Persia, and Iraq. Spanish galleons delivered porcelain to Peru and Mexico while aristocrats in Europe ordered tableware from Canton. The book tells the fascinating story of how porcelain became a vehicle for the transmission and assimilation of artistic symbols, themes, and designs across vast distances—from Japan and Java to Egypt and England. It not only illustrates how porcelain influenced local artistic traditions but also shows how it became deeply intertwined with religion, economics, politics, and social identity. Bringing together many strands of history in an engaging narrative studded with fascinating vignettes, this is a history of cross-cultural exchange focused on an exceptional commodity that illuminates the emergence of what is arguably the first genuinely global culture.
On June 2nd, 1947, the Basketball Association of America (BAA) and the National Basketball League (NBL) held the first college basketball draft in the history of the sport. The two leagues selected a combined 100 college seniors, including future Hall of Famers Harry Gallatin, Andy Phillips, and Jim Pollard. Since then, over 9,000 draft choices have been made by the major professional basketball leagues. The Basketball Draft Fact Book is the first detailed and comprehensive listing of all professional basketball drafts in the history of the sport, from the first draft in 1947 to the present. In The Basketball Draft Fact Book, each season’s draft is summarized, noting significant events and circumstances pertinent to that year and providing insight into the unique conditions and notable players involved. Following the summary is a complete list of all players drafted that season. This book includes not only the NBA, but the American Basketball League, American Basketball Association, and the Women’s National Basketball Association, as well. Additional sections cover expansion and dispersal drafts, international players selected in the draft, the processes used to determine the order of the drafts, the impact of trades, and more. The Basketball Draft Fact Book provides an authoritative history of basketball drafts in the U.S., with more complete and accurate information than any other source. Containing corrections to hundreds of errors in the draft information currently available, this volume is a valuable resource for basketball fans, historians, writers, and researchers.
This book is one of the first to integrate psychological and medical anthropology with the methodologies of visual anthropology, specifically ethnographic film. It discusses and complements the work presented in Afflictions: Culture and Mental Illness in Indonesia, the first film series on psychiatric disorders in the developing world, in order to explore pertinent issues in the cross-cultural study of mental illness and advocate for the unique role film can play both in the discipline and in participants’ lives. Through ethnographically rich and self-reflexive discussions of the films, their production, and their impact, the book at once provides theoretical and practical guidance, encouragement, and caveats for students and others who may want to make such films.
The Lyon in Mourning is a collection of Journals, Narratives, and Memoranda relating to the life of Prince Charles Edward Stuart at the subsequent to the Jacobite Rebellion of 1745. The Formation of this collection was to a great extent the life-work of the Rev. Robert Forbes, M.A., Bishop of Ross and Caithness. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.