As the foundation of our modern world, innovation has generated a seemingly endless ocean of new products, new processes, new thoughts, and new ways of doing things. Every day, we enhance our innovation and its effects – and we advance, accomplish and constantly seek even more! Generally, we tend to live well based on our innovation outputs. This suggests that we think we know what we are doing, and that we know where we are headed. We do know what we’re doing, don’t we? Most would say: yes, we do; indeed, we are inclined to be certain of it. But: can we be certain about what we know about innovation? To address this question, we search for evidence of any useful outputs of the work of philosophy. Such outputs should help us better understand if we can, indeed, be certain about what we do, and where we are going. Is there any evidence of this? Alas! – philosophy is nowhere to be found! As a tool of rigorous reflection and understanding, even where some of the most exciting and forward-looking innovation enterprise in science, engineering and organizational structuring takes place, philosophy seems to have vanished – if it was ever there in the first place. Today, this seems somehow normal, and quite all right. But is it? Of course, we are aware that our history of philosophy illuminates the earlier pathways we once followed to achieve our modernity, and that is fine; but, where is philosophy and its work today? Where has philosophy gone? In this book we explore these questions, and more: why is philosophy vanishing, or even entirely absent from our world today? What has happened? If, at one time, philosophy was so very important, why would it no longer be much in evidence, if it is there at all? Where is the work of philosophy today as we push forward with innovation in our astonishing, leading-edge realms? Do we really understand what we are doing? Do we have any idea where we are going? And, most chillingly, regardless of the answers – does it matter? The claim is made in this book that the disappearance of philosophy does matter, and alarm bells ought to be ringing. Why? Because the work of philosophy, work we seem to have forgotten, is essential for us to know where we are going. If we are truly serious about surviving and thriving, especially by being so innovative in so many spectacular and challenging ways, we cannot afford to have philosophy and its works disappear and then be forgotten. Said plainly, we cannot deny and then lose the maps and compass of philosophy applied to the challenges of today and tomorrow. If we do, we lose any reason for any journey, anywhere. And, more broadly, we are in danger of losing reason generally. To continue denying philosophy – and then, in the end, to deny that very denial – is a move with no hope of benefit. But, the lack of evidence for the work of philosophy indicates that move is underway. We are destroying any useful link between innovation and philosophy. In so doing, we are seriously reducing the value of innovation (no matter how wonderful we think it might be) while blindly forgetting the critical importance of philosophy and its work. This move will guarantee that the path to our future will be fraught with unnecessary hardship and difficulty, and then, if it is permanent, will deal a fatal blow. If we truly wish to thrive and persevere, we are compelled to avoid the fatal error of philosophical denial. To do so, we must rediscover, revitalize and apply anew the rigorous work of philosophy to innovation in our modern era.
As the foundation of our modern world, innovation has generated a seemingly endless ocean of new products, new processes, new thoughts, and new ways of doing things. Every day, we enhance our innovation and its effects – and we advance, accomplish and constantly seek even more! Generally, we tend to live well based on our innovation outputs. This suggests that we think we know what we are doing, and that we know where we are headed. We do know what we’re doing, don’t we? Most would say: yes, we do; indeed, we are inclined to be certain of it. But: can we be certain about what we know about innovation? To address this question, we search for evidence of any useful outputs of the work of philosophy. Such outputs should help us better understand if we can, indeed, be certain about what we do, and where we are going. Is there any evidence of this? Alas! – philosophy is nowhere to be found! As a tool of rigorous reflection and understanding, even where some of the most exciting and forward-looking innovation enterprise in science, engineering and organizational structuring takes place, philosophy seems to have vanished – if it was ever there in the first place. Today, this seems somehow normal, and quite all right. But is it? Of course, we are aware that our history of philosophy illuminates the earlier pathways we once followed to achieve our modernity, and that is fine; but, where is philosophy and its work today? Where has philosophy gone? In this book we explore these questions, and more: why is philosophy vanishing, or even entirely absent from our world today? What has happened? If, at one time, philosophy was so very important, why would it no longer be much in evidence, if it is there at all? Where is the work of philosophy today as we push forward with innovation in our astonishing, leading-edge realms? Do we really understand what we are doing? Do we have any idea where we are going? And, most chillingly, regardless of the answers – does it matter? The claim is made in this book that the disappearance of philosophy does matter, and alarm bells ought to be ringing. Why? Because the work of philosophy, work we seem to have forgotten, is essential for us to know where we are going. If we are truly serious about surviving and thriving, especially by being so innovative in so many spectacular and challenging ways, we cannot afford to have philosophy and its works disappear and then be forgotten. Said plainly, we cannot deny and then lose the maps and compass of philosophy applied to the challenges of today and tomorrow. If we do, we lose any reason for any journey, anywhere. And, more broadly, we are in danger of losing reason generally. To continue denying philosophy – and then, in the end, to deny that very denial – is a move with no hope of benefit. But, the lack of evidence for the work of philosophy indicates that move is underway. We are destroying any useful link between innovation and philosophy. In so doing, we are seriously reducing the value of innovation (no matter how wonderful we think it might be) while blindly forgetting the critical importance of philosophy and its work. This move will guarantee that the path to our future will be fraught with unnecessary hardship and difficulty, and then, if it is permanent, will deal a fatal blow. If we truly wish to thrive and persevere, we are compelled to avoid the fatal error of philosophical denial. To do so, we must rediscover, revitalize and apply anew the rigorous work of philosophy to innovation in our modern era.
The Baroque period was crucial for the development of art theory and the advancement of the artistic academy. This collection of primary sources brings this important period to life with significant documents and texts. It conveniently assembles major texts, which are otherwise available only in scattered publications. The lives of leading artists--Caravaggio, El Greco, among others---are discussed by their contemporaries, while Bellori, Galileo, Pascoli, and others write on art theory and practice. The documents provide fascinating glimpses of the period's artistic self-image.
This pre-eminent work has developed over six editions in response to man's attempts to climb higher and higher unaided, and to spend more time at altitude for both work and recreation. Building on this established reputation, the new and highly experienced authors provide a fully revised and updated text that will help doctors continue to improve the health and safety of all people who visit, live or work in the cold, thin air of high mountains. The sixth edition remains invaluable for any doctor accompanying an expedition or advising patients on a visit to altitude, those specialising in illness and accidents in high places, and for physicians and physiologists who study our dependence on oxygen and the adaptation of the body to altitude.
Throughout 1943, the German army, heirs to a military tradition that demanded and perfected relentless offensive operations, succumbed to the realities of its own overreach and the demands of twentieth-century industrialized warfare. In his new study, prizewinning author Robert Citino chronicles this weakening Wehrmacht, now fighting desperately on the defensive but still remarkably dangerous and lethal. Drawing on his impeccable command of German-language sources, Citino offers fresh, vivid, and detailed treatments of key campaigns during this fateful year: the Allied landings in North Africa, General von Manstein's great counterstroke in front of Kharkov, the German attack at Kasserine Pass, the titanic engagement of tanks and men at Kursk, the Soviet counteroffensives at Orel and Belgorod, and the Allied landings in Sicily and Italy. Through these events, he reveals how a military establishment historically configured for violent aggression reacted when the tables were turned; how German commanders viewed their newest enemy, the U.S. Army, after brutal fighting against the British and Soviets; and why, despite their superiority in materiel and manpower, the Allies were unable to turn 1943 into a much more decisive year. Applying the keen operational analysis for which he is so highly regarded, Citino contends that virtually every flawed German decision-to defend Tunis, to attack at Kursk and then call off the offensive, to abandon Sicily, to defend Italy high up the boot and then down much closer to the toe-had strong supporters among the army's officer corps. He looks at all of these engagements from the perspective of each combatant nation and also establishes beyond a shadow of a doubt the synergistic interplay between the fronts. Ultimately, Citino produces a grim portrait of the German officer corps, dispelling the longstanding tendency to blame every bad decision on Hitler. Filled with telling vignettes and sharp portraits and copiously documented, The Wehrmacht Retreats is a dramatic and fast-paced narrative that will engage military historians and general readers alike.
To the victors belong the spoils" is a time-honored cliche. When in 1865 northern armies defeated the greatest challenge ever posed to the Union, issues of spoils and peace terms dominated public debate. But precisely what did the victorious North want from the Reconstruction process? Historians generally have shown far less interest in northern goals than in what terms southerners were willing to accept. Robert Sawrey now seeks to redress the balance by examining the post-Civil War attitudes of a representative northern state, Ohio. Sawrey's probing study explores precisely what the key issues were for politically active Ohioans and what they sought in a Reconstruction policy. Through extensive research in contemporary newspapers, manuscripts, legislative debates, and diaries, he offers the most complete picture ever presented of northern attitudes on the two crucial issues of Reconstruction—the terms of readmission and the fate of the former slaves. Ohioans' struggle to find an equation for restoring a Union that now included nearly four million free blacks was complicated, he finds, by their prejudices and their belief in white superiority. Because they regarded the "planter conspiracy" as a primary cause of the war, they sought to assure future peace through control of the planters—a position that compelled them to advocate basic rights for ex-slaves. At the same time, they continued to support white supremacy throughout the nation. To reconcile these contradictory positions was a daunt-ing task. Yet by 1870, Sawrey finds, most politically involved Ohioans believed Reconstruction had secured their basic goals. Dubious Victory offers a fresh approach to understanding the limits of what was achievable during Reconstruction. It also explains why the achievements of the period now seem to have been so limited.
Fearless and incorruptible, Andrew Trevayne is a self-made millionaire, former undersecretary of state, and current head of one of the nation’s most prestigious foundations. Now, at the express wish of the president, Trevayne undertakes an investigation into the “secret government”—and is soon swept up in a tidal wave of intrigue and danger. Beyond the corridors of official power he discovers a nightmare maze where billionaires mingle with Mafia dons, where sinister forces are poised to enact a chilling conspiracy, where Congress and even the presidency itself can be bought and sold, where survival hinges on a hair trigger. In this world, a man like Trevayne can easily become a pawn, an enemy—or a king. Praise for Robert Ludlum and Trevayne “A taut novel that spares no one.”—The New York Times “Brilliant . . . a story of power, intrigue, ambition, greed, corruption, and horror.”—King Features Syndicate “Don’t ever begin a Ludlum novel if you have work the next day.”—Chicago Tribune “A fascinating, meaty spine tingler.”—Library Journal
To the victors belong the spoils" is a time-honored cliche. When in 1865 northern armies defeated the greatest challenge ever posed to the Union, issues of spoils and peace terms dominated public debate. But precisely what did the victorious North want from the Reconstruction process? Historians generally have shown far less interest in northern goals than in what terms southerners were willing to accept. Robert Sawrey now seeks to redress the balance by examining the post-Civil War attitudes of a representative northern state, Ohio. Sawrey's probing study explores precisely what the key issues were for politically active Ohioans and what they sought in a Reconstruction policy. Through extensive research in contemporary newspapers, manuscripts, legislative debates, and diaries, he offers the most complete picture ever presented of northern attitudes on the two crucial issues of Reconstruction -- the terms of readmission and the fate of the former slaves. Ohioans' struggle to find an equation for restoring a Union that now included nearly four million free blacks was complicated, he finds, by their prejudices and their belief in white superiority. Because they regarded the "planter conspiracy" as a primary cause of the war, they sought to assure future peace through control of the planters -- a position that compelled them to advocate basic rights for ex-slaves. At the same time, they continued to support white supremacy throughout the nation. To reconcile these contradictory positions was a daunt-ing task. Yet by 1870, Sawrey finds, most politically involved Ohioans believed Reconstruction had secured their basic goals. Dubious Victory offers a fresh approach to understanding the limits of what was achievable during Reconstruction. It also explains why the achievements of the period now seem to have been so limited.
In this fifth edition, we not only have kept the standard 741 op amp but also have shown many circuits with newer, readily available op amps because these have largely overcome the dc and ac limitations of the older types. We preserved or objective of simplifying the process of learning about applications involving signal conditioning, signal generation, filters, instrumentation, and control circuits. But we have oriented this fifth edition to reflect the evolution of analog circuits into those applications whose purpose is to condition signals from transducers or other sources into form suitable for presentation to a microcontroller or computer. In addition, we have added examples of circuit simulation using PSpice throughout this edition."--Introduction.
Leon Battista Alberti (1404-72) - writer, painter and sculptor, mathematician and, most famously, architectural theorist and architect - came closer than anyone to the Renaissance ideal of the 'complete man'. Recognised by his contemporaries as an extraordinary person, he helped to shape, through his writings and his practical example in the arts, the way in which the natural and artificial world was perceived and represented during the Renaissance.
This books focus is on the European side of his fathers line in England and maybe France, while his mothers side is from France and Germany, and not discussed very much. Most of the content is from documents mostly in the County Suffolk, England area and the book begins with the history of this PAGE line in Normandy, France area around the year 900 to the arrival of PAGE Family C in Virginia in the middle 1600s. He published CAROLINA PAGEs in 1990 which was about his PAGE line that arrived in Virginia in middle 1600s as they moved to North Carolina, then South Carolina, then Georgia, then Florida where he was born. Since DNA arrived on the scene in early 2000, much of the paper trail has been verified. DNA has provided about 15 different PAGE lines and around 44 individuals most of which have the surname PAGE in the PAGE Line C. Photographs are provided of the many English houses that the PAGE family lived in beginning in early 1400 to date.
An Illustrated History of British Theatre and Performance chronicles the history and development of theatre from the Roman era to the present day. As the most public of arts, theatre constantly interacts with changing social, political and intellectual movements and ideas, and Robert Leach’s masterful work restores to the foreground of this evolution the contributions of women, gay people and ethnic minorities, as well as the theatres of the English regions, and of Wales and Scotland. Highly illustrated chapters trace the development of theatre through major plays from each period; evaluations of playwrights; contemporary dramatic theory; acting and acting companies; dance and music; the theatre buildings themselves; and the audience, while also highlighting enduring features of British theatre, from comic gags to the use of props. This first volume spans from the earliest forms of performance to the popular theatres of high society and the Enlightenment, tracing a movement from the outdoor and fringe to the heart of the social world. The Illustrated History acts as an accessible, flexible basis for students of the theatre, and for pure fans of British theatre history there could be no better starting point.
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