Artist Robert Amos gives readers a fascinating insider’s tour of studios on Vancouver Island and the Gulf Islands where some of Canada’s best-known artists create works. Spanning more than 15 years of interviews and photographs, Amos has created panoramic collages of these artists' creative spaces, and even more revealing images with his words. Not merely biography, Amos includes examples of completed works, and the insight that only another artist, and talented arts writer, can. Artists in Their Studios is both a stunning compilation of our Canadian artistic heritage, and proof that art work in progress is art in itself. Enter the studios of: Robert Amos, Colin Graham, Ron Parker, Sarah Amos, Ted Harrison, Myfanwy Pavelic, Nixie Barton, Harry Heine, Jerry Pethick, Robert Bateman, Martin Honisch, Geoffrey Rock, Pat Martin Bates, E.J. Hughes, Carole Sabiston, Maxwell Bates, Fenwick Lansdowne, Duncan Regehr, Maarten Schaddelee, Zhang Bu, Grant Leier, Phyllis Serota, Emily Carr, Miles Lowry, Godfrey Stephens, Pat Cook, Judy McLaren, Norman Yates, Len Gibbs, Wayne Ngan, Jimmy Wright, Jim Gordaneer, Peggy Walton Packard.
Robert Coote describes the stages of growth of the book of Amos, discussing the process of the book's gradual formation. Chapter One introduces Coote's approach, rationale, and method for his analysis. Chapter Two deals with the oracles of doom, basically the oral legacy of the prophet himself. Chapter Three shows how the words of Amos were reactualized and composed in their seventh century setting. Chapter Four comes to grips with the book of Amos as a theological whole, as it now stands in the biblical canon. This book also serves as a useful resource for understanding pre-exilic prophecy because of the many similarities between Amos's message and other prophetic traditions which Coote highlights.
In the book of Amos the language about land is used extensively, including terms and ideas such as Zion, YHWH’s bringing of Israel into the land, references to various sanctuaries and places, harvest and famine, the relationship between the northern kingdom and Judah, and references to the land of other nations. However this subject of the land has never been studied as a theological topic in its own right, but only as part of other themes. This work follows a synchronic reading of Amos and employing textual, literary and historical criticism the author carries out a careful theological analysis of the land. Although the findings are set in the context of the entire book of Amos, the study focuses on chapters 7-9 to explore the topic with closer detail.
Here in a straightforward and readable way S. Paul Re'emi takes us into the experience of exile in Lamentations, while Robert Martin-Achard takes us behind that moment into Amos's confrontations with Israel which preceded her exile. The commentaries enable the reader to appreciate much of the prayer and the challenge that these two books expressed, and encourage us to see them as not merely ancient texts but theological resources for the modern world." — John Goldingay St. John's College, Nottingham
A retrospective on one of BC’s most famous artists that features beautifully reproduced landscape paintings from all over mainland BC, and unveils new photographs, sketches, and ephemera from the artist’s estate. E. J. Hughes (1913–2007) is British Columbia’s best-loved landscape painter. His unashamedly picturesque views of the province are appreciated by art professionals and the public alike. Following the success of his previous volume, E. J. Hughes Paints Vancouver Island, author and artist Robert Amos now follows the footsteps of the artist as Hughes travelled throughout mainland British Columbia from Stanley Park to Savary Island, from Fraser Valley to the Okanagan, and from the Kootenays to the Rockies between the 1930s and 1970s. Working the with Estate of E. J. Hughes, Amos has created a nuanced representation of the activities and life of this extraordinarily talented and very private man. Both biography and monograph, this book features full-page, full-colour reproductions of Hughes’s finest paintings, many of them published here for the first time. Each painting is accompanied by supporting sketches, drawings, and photographs from Hughes’s personal archive.
The latest instalment in the award-winning series on the life and work of E. J. Hughes brings the reader into this very private artist’s home and studio on Shawnigan Lake. In the most intimate volume yet about prolific Canadian painter E. J. Hughes, the artist’s official biographer Robert Amos brings us Life at the Lake, capturing the years Hughes and his wife Fern spent at their home on Shawnigan Lake, Vancouver Island. Following Hughes’s service as a war artist, in 1946 he and Fern looked for a place to buy in Victoria. Then, in 1951, they spotted an ad for a property on Shawnigan Lake, about 40 kilometres north of the city. The quiet lakeside existence he and Fern established suited his temperament and artistic needs perfectly. In addition to reproductions of all of his Shawnigan-themed oils and watercolours, the book includes dozens of sketches, colour notes, local news clippings, letters, and illuminating excerpts from recorded interviews with Pat Salmon, Hughes’s longtime friend and assistant. With a keen appreciation for the quotidian, Amos captures lakeside life at Shawnigan, with Hughes’s observations on birds and trees, and trips to local shops and restaurants. He tells of an unusually snowy winter that slowed the delivery of finished paintings to the post office and, on a more sombre note, the gradual progression of Fern’s muscular dystrophy. The book shares insights into the relationships—with Fern, Pat, and agent Max Stern—that allowed Hughes to achieve great success as an artist while living a quiet existence at Shawnigan Lake. For the Hughes fan and anyone who enjoys learning about the everyday lives of artists, this latest addition to the Hughes pictorial canon is a must.
Harold Mortimer-Lamb's name is in the index of almost every book written on the history of Canadian art, yet his place in that world has never been clear. Photographer, writer, painter, promoter--he was a man of many parts and the ideal patron and friend to some of Canada's most famous artists, including A.Y. Jackson, Emily Carr, and Jack Shadbolt. At the centre of his story are his relationships with painter Frederick Varley and young student Vera Weatherbie, whom Mortimer-Lamb, at the age of seventy, eventually married, when she was just thirty. Profusely illustrated with his photos, paintings, and the art he collected, Harold Mortimer-Lamb: The Art Lover brings into focus an unknown chapter in Canadian art history.
A penetrating study based on unique archival material and a deep analysis into hundreds of wartime works of art." —Tim Cook, author of The Fight for History: 75 Years of Forgetting, Remembering, and Remaking of Canada’s Second World War The third volume of this award-winning series showcases paintings and drawings E. J. Hughes created during the artist’s war service in Ottawa, England, Wales, and Alaska. In this, the third volume of an award-winning series on artist E. J. Hughes (1913–2007), Robert Amos turns his focus to Hughes’s service in the Second World War. The narrative begins with Hughes’s cadet days with the Seaforth Highlanders in Vancouver, followed by his enlistment at the Work Point Barracks in Esquimalt in 1939. Named the first “service artist” in 1941, he spent two winters in Ottawa before being posted to London where he was attached to different regiments in England and Wales. His paintings of camp life and convoys reflect his keen attention to the details of vehicles, artillery, and uniforms. In 1943 on the Alaskan island of Kiska, he transformed sub-zero weather and howling gales into a powerful document of this remote theatre of war. He returned to Ottawa where he worked until 1946—Canada’s first, last, and longest-serving War Artist of the Second World War. He was also the most prolific. The book features seventy artworks from the Canadian War Museum’s holdings, expanded with many personal photos and sketches from the artist’s papers. The narrative situates Hughes’s wartime work within the broader context of his life and his development as an artist. With the care and knowledge of a fellow artist, Amos draws the reader into this important chapter in the life of E. J. Hughes and Canadian art.
Winner of the 2021 BC and Yukon Book Prizes' Bill Duthie Booksellers' Choice Award Boat lovers of all ages and people who enjoy the scenery of BC’s coast will delight in this charming gift book, a worthy addition to books about BC’s art history. In the course of his career, one of BC’s most beloved painters, E. J. Hughes (1913–2007), depicted paddle wheelers, steamships, fishing boats, and car ferries. Now The E. J. Hughes Book of Boats brings many of his coastal paintings of boats together in one handsome volume—a book for art lovers and boating enthusiasts alike. Robert Amos is the official biographer of E. J. Hughes, and works with the participation of the Estate of E. J. Hughes. The Book of Boats follows the success of his two geographically-based volumes, E. J. Hughes Paints Vancouver Island (2018) and E. J. Hughes Paints British Columbia (2019). This new compendium features never-before-seen sketches and photographs accompanying full-page illustrations of some of the artist’s finest works.
Upton deserves a standing ovation." - Publishers Weekly. When private investigator Amos McGuffin discovers that his ex-wife and daughter have disappeared from their San Francisco apartment, his only clue is a yellowed newspaper clipping describing the murder of his partner eighteen years earlier by a one-time Nazi, Otto Kruger. McGuffin quickly realizes that Kruger has his family. Working from the clipping, the PI finds Klaus Vandenhof, a former Nazi officer still living off the proceeds of his World War II plunder, who proposes a deal: If McGuffin brings him a long-missing Faberge egg, he will guarantee the safe return the detective's loved ones. McGuffin reluctantly agrees, and soon the corpses and suspense pile up as McGuffin rushes from the San Francisco to the vineyards of Napa Valley in search of a jeweled egg that may no longer exist but that he needs to exchange for two people who may no longer be alive.
Explores both the technology and marketing decision-making in a world-wide industry where product purchasers represent long-term decisions. This book deals with the mainstream switching systems required for the public network. It is about the history of core switching systems and signaling.
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