Mel Brooks is often regarded as one of Hollywood's funniest men, thanks to such highly successful films as The Producers, Blazing Saddles, and Young Frankenstein. His films do have a tendency to turn out much like the jokes that comprise them--hit-or-miss, one minute shoot-the-moon brilliant and the next minute well short of laughs. This work provides a thorough synopsis and thematic analysis for each of his twelve films along with complete cast and production credits: The Producers (1968), The Twelve Chairs (1970), Blazing Saddles (1974), Young Frankenstein (1974), Silent Movie (1976), High Anxiety (1977), History of the World--Part 1 (1981), To Be or Not to Be (1983), Spaceballs (1987), Life Stinks (1991), Robin Hood: Men in Tights (1993), and Dracula: Dead and Loving It (1995).
The Renaissance development of science fulfilled the ancient ideal of integrating quantitative and qualitative thinking, but failed to recognize valuational thinking and thus deprived moral, aesthetic, and political thought of cognitive status. The task of this book is to reconstruct the concept of thinking in order to exhibit valuation, not reason, as the foundation for thinking and to integrate valuational with quantitative and qualitative modes. Part I explains the broad thesis, interpreting the problem of the foundations for thinking and providing a general theory of value. Part II explains the role of valuation at the imaginative level of thinking with discussions of synthesis, perception, form, and art. The method of reconstruction requires a cosmology that is generated in successive waves.
This volume includes the collected letters of the well-known author. Hundreds and hundreds of writings are included, divided into the following sections: Letters From Samoa Letters To Young People Student Days At Edinburgh Advocate And Author The Amateur Emigrant Alpine Winters And Highland Summers The Riviera Again—Marseilles And Hyères Life At Bournemouth The United States Again; Winter In The Adirondacks Pacific Voyages Life In Samoa
Building on his long-standing work in metaphysics and Asian philosophy, Robert Cummings Neville presents a series of essays that cumulatively articulate a contemporary, progressive Confucian position as a global philosophy. Through analysis of the metaphysical and moral traditions of Confucianism, Neville brings these traditions into the twenty-first century. According to Confucianism, rituals define most of our relations with other individuals, social institutions, and nature, and while rituals make possible the positive institutions of high human civilization, they may also lead to harmful behaviors, including racism, xenophobia, and sexism. Neville argues that the amendment of rituals that institutionalize oppression is a positive task, which should be undertaken from within a skillfully ritualized life rather than in the form of external criticism. Confucianism, in Neville's hands, is a left-wing, progressive, liberal political philosophy, one that can address institutionalized oppression and suggest a path for moving forward.
In this provocative and original study, Robert E. Abrams argues that in mid-nineteenth-century American writing, new concepts of space and landscape emerge. Abrams explores the underlying frailty of a sense of place in American literature of this period. Sense of place, Abrams proposes, is culturally constructed. It is perceived through the lens of maps, ideas of nature, styles of painting, and other cultural frameworks that can contradict one another or change dramatically over time. Abrams contends that mid-century American writers ranging from Henry D. Thoreau to Margaret Fuller are especially sensitive to instability of sense of place across the span of American history, and that they are ultimately haunted by an underlying placelessness. Many books have explored the variety of aesthetic conventions and ideas that have influenced the American imagination of landscape, but this study introduces the idea of placeless into the discussion, and suggests that it has far-reaching consequences.
Molecular Biology, 4/e by Robert Weaver, is designed for an introductory course in molecular biology. Molecular Biology 5/e focuses on the fundamental concepts of molecular biology emphasizing experimentation. In particular author, Rob Weaver, focuses on the study of genes and their activities at the molecular level. Through the combination of excellent illustrations and clear, succinct writing students are presented fundamental molecular biology concepts.
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