This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Originally published in 2000 by Polygon to mark the 250th anniversary of Fergusson's birth, this new edition contains all Fergusson's finest poems in both Scots and English, and features a new introductory essay, revised orthography, a substantial section of notes and a glossary. Acknowledged as a crucial influence on Burns, Robert Fergusson was a remarkable poet in his own right. All his work was produced during a few brief years, delighting readers with its vigour and power. Although he wrote much verse in the then fashionable style of Augustan English, it is his Scots verse which, in its great warmth, humanity, satire, and hilarious comedy, is his enduring legacy. His work covers the whole gamut of human emotions and experience and his subject matter ranges from drunken encounters with the notorious City Guard to quieter reflections on pastoral themes. Fergusson died in 1774 at the age of only 24.
Born in 1759 into miserable rustic poverty, by the age of 18 Burns had acquired a good knowledge of both classical and English literature. This collection includes some of his most famous works such as the ballad "Auld Lang Syne", and "Tam o'Shanter".
A mere forty miles apart, these cities have enjoyed a scratchy rivalry since wistful Edinburgh lost parliamentary sovereignty and defiant Glasgow came into its industrial promise. Crawford brings them to life between the covers of one book, in a tale that mixes novelty and familiarity, as Scotland’s cultural capital and largest commercial city do.
The Merry Muses of Caledonia is among Burns' best known, but least read, work. This collection of bawdy poems, some written by and some collected by Burns, ranges from celebrations of spirited women in "Ellibanks", to misogyny in "There was twa wives" and male fantasy in "Nine Inch will please a lady". These engaging poems are not lewd or distasteful but possess a great wit and charm. This new edition updates the 1959 printing, which with engaging accompanying material by James Barke and preface by J. De Lancey Ferguson have made this the definitive version, until now. "The Merry Muses" was always intended to be accompanied by music but the 1959 edition was left incomplete due to Barke's premature death. For the first time the book is completed as it was always meant to be with notes to the tunes created with reference to Barke's unpublished papers. "The Luath Merry Muses" edition also includes bonus material with specially commissioned illustrations from top political satirist Bob Dewar and an introduction by Burns scholar Valentina Bold. Ferguson's work is brought up to date with commentary on the latest critical responses. This new edition will make this classic of Burns' literature more accessible to modern readers.
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