Something is stirring. People around the world are deciding that the well-being of their community and its economy lies with them. They're people like you. They've had enough, and, rather than waiting for permission, they're rolling up their sleeves, getting together with friends and neighbours, and doing something about it. Whether they start small or big, they're finding that just doing stuff can transform their neighbourhoods and their lives. The Power of Just Doing Stuff argues that this shift represents the seeds of a new economy - the answer to our desperate search for a new way forward - and at its heart is people deciding that change starts with them. Communities worldwide are already modelling a more local economy rooted in place, in well-being, in entrepreneurship, and in creativity. And it works. Packed with inspiring real-life examples of how to change things, this book ties in with the increasing focus on community action during tough economic times. This brilliant book is ideal for schools, community groups and campaigners as well as the general public and Transition groups.
In the final decades of the fifteenth-century, the European musical world was shaken to its foundations by the onset of a veritable culture war on the art of polyphony. Now in paperback, The Crisis of Music in Early ModernEurope tells the story of this cultural upheaval, drawing on a wide range of little-known texts and documents, and weaving them together in a narrative that takes the reader on an eventful musical journey through early-modern Europe.
What happens when a promising young New York chef, Charles Mitello, loses his job because he suddenly develops food allergies? He writes about it. In Charles' case, however, it is not as a cookbook author but as a promoter, in the frenzied world of cookbook public relations. Bombastic chef and author Victor Buzzone, his company’s biggest client—literally and figuratively—is seeking national media attention, but Charles is simply not coming through for him. Seemingly stuck, Charles discovers that a major network is planning to air their own over-the-top version of cooking competition: Gladiator Chef. Charles eventually manages to wrangle an interview for Buzzone to be one of the chefs on the show, no mean feat since the chef previously offended one of the network's producers. After Charles secures the interview, the less-than-joyous Buzzone sheepishly informs Charles that as a restaurateur, he has had only minimal cooking experience in the last decade. With the interview set for a week away, Charles scrambles to find the best teachers in New York to retrain him. A madcap five-day cooking spree ensues with Charles' choice “chefs”: a pork butcher on Ninth, a pasta maker from Astoria, a retired firefighter and his grandmother. Can this motley group turn a novice into a pro? Or, when the show finally airs, will it be a chaotic, culinary free-for-all? Onward Kitchen Soldiers is a hilarious look inside the world of competitive cooking and TV chefs. Fans of Gordon Ramsay and Anthony Bourdain are sure to appreciate this no-holds-barred look behind the scenes of what really happens in the world of cooking.
This book comprehensively covers a broad range of therapeutic and diagnostic applications of nanotechnology, providing descriptions of cutting-edge discoveries along with historical perspectives. The text focuses on nanomaterials and nanoparticles, the sectors that hold the most promise for the future of medicine. The author look at how nanotechnol
From Slacker (1991), a foundational work of independent American cinema, to the Before trilogy, Richard Linklater’s critically acclaimed films and aesthetic ambition have earned him a place as one of the most important contemporary directors. In this second edition of The Cinema of Richard Linklater, Rob Stone shows how Linklater’s latest films have redefined our understanding of his work. He offers critical discussions and analysis of all of Linklater’s films, including Before Midnight (2013) and Everybody Wants Some!! (2016), as well as new interviews with Linklater and a chapter on Boyhood (2014), hailed as one of the best films of the twenty-first century. Stone explores the theoretical, practical, contextual, and metaphysical elements in Linklater’s filmography, especially his experimentation with cinematic representations of time and growth. He demonstrates that fanciful lives and lucid dreams are as central as alternative notions of America and time to Linklater’s films. Stone also considers Linklater’s collaborative working practices, his deployment of such techniques as rotoscoping, and his innovative distribution strategies. Thoroughly revised, updated, and extended, the book includes analysis of all of Linklater’s films, including Dazed and Confused (1993), Waking Life (2011), and A Scanner Darkly (2006) as well as his documentaries, short films, and side projects.
Rob Shields provides here an immensely sophisticated and detailed examination of the topological turn. He has been examining these issues for some decades and this book will surely become the standard work on cultural and spatial topology" - John Urry, Distinguished Professor, Department of Sociology, Lancaster University Our understanding of space is crucial to the way in which we understand major social problems and issues and the way we develop and maintain our worldviews. Building from a history of philosophical and geographical theories of space, Shields presents the importance of spatialisation and cultural topology in social theory and the possibilities that lie within these theoretical tools. Innovative and thought-provoking, this book goes beyond traditional ideas of spatiality and temporality to understand the multiplicity of spatialisations and relates them to everyday life.
This book provides a rigorous examination into the realities of the current university system in Britain, America and Australia. The radical makeover of the higher education system which began in the 1980s has conventionally been understood as universities being transformed into businesses which sell education and research in a competitive market. This engaging and provocative book argues that this is not actually the case. Drawing on lived experience, Watts asserts that the reality is actually a consequence of contradictory government policy and new public management whose exponents talk and act ‘as-if’ universities have become businesses. The result of which is ‘market crazed governance’, whereby universities are subjected to expensive rebranding and advertising campaigns and the spread of a toxic culture of customer satisfaction surveys which ask students to evaluate their teachers and what they have learned, based on government ‘metrics’ of research ‘quality’. This has led to a situation where not only the normal teacher-student relationship is inverted, academic professional autonomy is eroded and many students are short-changed, but where universities are becoming places whose leaders are no longer prepared to tell the truth and too few academics are prepared to insist they do. An impassioned and methodical study, this book will be of great interest to academics and scholars in the field of higher education and education policy.
Martin Scorsese's Cape Fear (1991) opens with a shot of water andclimaxes on a raging river. Despite, or perhaps because of, the film's great commercialsuccess, critical analysis of the film typically does not delve beneath the surface of Scorsese's first major box office hit. As it reaches its 30th anniversary, Cape Fear is now ripe for a full appraisal. The remake of J. Lee Thompson's 1962 Cape Fear was originally conceived as a straightforward thriller intended for Steven Spielberg. Author Rob Daniel investigates the fascinating ways Scorsese's style and preoccupations transform his version into a horror epic. The director's love of fear cinema, his Catholicism and filmmaking techniques shift Cape Fear into terrifying psychological and psychosexual waters. The analysis also examines the influence of Gothic literature and fairy tales, plus how academic approaches to genre aid an understanding of the film.
Speech Acts In Argumentative Discussions: A Theoretical Model For The Analysis Of Discussions Directed Towards Solving Conflicts Of Opinion (Studies ... In Pragmatics And Discourse Analysis (Pda)).
On the trail of a thief, Mordecai and Rigby rely on their role models from action and noir movies to become super sleuths and discover who stole Pop's socks.
Identity in the Covid-19 Years explores the how the COVID-19 pandemic has been represented in media, communication and culture, and the role these changes have played in renewing how we understand identity, engage in social belonging and relate ethically to each other and the world. This book explores how the COVID-19 pandemic has had a significant impact on how we perform our identities, engage in social belonging, and communicate with each other. Understanding the onset of the pandemic as a moment experienced as cultural rupture, Cover provides a framework for understanding how selfhood, belonging, relationships and perceptions of time and space have undergone a disruption that not only is damaging to continuity and stability but also provides positive value through renewal and the re-making of the self and ways of living ethically. Drawing on philosophic, media and cultural studies approaches, this book describes how networks of mutual care and global interdependency have been powerfully drawn out by the experience of the pandemic, yet also disavowed in some settings in favour of a problem individualism and sustained inequalities. The roles of disruption and interdependency are examined across an array of pandemic-related topics, including health communication, apocalyptic storytelling, lockdowns and immobilities, mask-wearing, social distancing and new practices touch, anti-vaccination discourses, and frameworks for mourning the lost past and the uncertain future. By focusing on the impact of the pandemic on identity, this work explains and revisits theories of belonging and ethics to help us understand how new ways of perceiving our vulnerability may lead to more positive, inclusive and ethical ways of living.
This first book to illuminate this important aspect of chemical synthesis improves the lifetime of catalysts, thus reducing material and saving energy, costs and waste. The international panel of expert authors describes the studies that have been conducted concerning the way homogeneous catalysts decompose, and the differences between homogeneous and heterogeneous catalysts. The result is a ready reference for organic, catalytic, polymer and complex chemists, as well as those working in industry and with/on organometallics.
The two bouts between Cassius Clay and Sonny Liston are widely considered the most anticipated and controversial fights in heavyweight boxing. Cassius Clay won the first bout in Miami Beach in February 1964, when Liston refused to come out for the seventh round. The second fight took place in Lewiston, Maine, fifteen months later in May 1965. Halfway through the first round, Ali countered a left from Liston with a fast right, knocking Liston down. He did not get up. Ali’s right was so fast many spectators never even saw it. It was quickly dubbed the Phantom Punch and rumors began to swirl that Liston had thrown the fight. Many who believed Liston—a brutal fighter who picked up boxing in prison—had also thrown the first fight the year before in Miami were now vindicated. Journalist and sports historian Rob Sneddon takes a fresh look at the infamous Muhammad Ali–Sonny Liston fight of May 25, 1965, which ended in chaos at a high school hockey rink in Lewiston, Maine. Sneddon digs deep into the fight’s background and comes up with fascinating new takes on boxing promotion in the 1960s; on Ali’s rapid rise and Liston’s sudden fall; on how the bout ended up in Lewiston —and, of course, on Ali’s phantom punch. That single lightning-quick blow triggered a complex chain reaction of events that few people understood, either then or now. Even if you’ve seen films of the fight and think you know what happened, this book will change your perspective on boxing’s greatest controversy.
The Celebrity Locator provides the addresses to our complete database of Movie Stars, TV Stars, Authors, Politicians, Rock Stars, Athletes, and Other Famous People! If a person is famous or worth locating, it's almost certain their regular address (almost 12000) agents, representive, or web site can be found in here.
Discover a land of breath-taking beauty and inspiring culture with The Rough Guide to Austria, the most comprehensive guide to Austria available. The full-colour introduction with stunning photography will whet your appetite for the country’s many highlights, from the world-class city of Vienna and the astonishing architecture of Salzburg to the snow-capped mountains of Tyrol. The guide features dozens of easy-to-use maps, as well as expert background information on everything from the best ski and snow-boarding slopes to the music of Mozart. Extensive accommodation and restaurant listings, plus all the practical grittiness you’d expect from a Rough Guide make this your must-have item for the trip of a lifetime. Make the most your time with The Rough Guide to Austria.
American International Pictures was in many ways the "missing link" between big-budget Hollywood studios, "poverty-row" B-movie factories and low-rent exploitation movie distributors. AIP first targeted teen audiences with science fiction, horror and fantasy, but soon grew to encompass many genres and demographics--at times, it was indistinguishable from many of the "major" studios. From Abby to Zontar, this filmography lists more than 800 feature films, television series and TV specials by AIP and its partners and subsidiaries. Special attention is given to American International Television (the TV arm of AIP) and an appendix lists the complete AITV catalog. The author also discusses films produced by founders James H. Nicholson and Samuel Z. Arkoff after they left the company.
Our everyday lives are inevitably touched--and immeasurably enriched--by an extraordinary variety of miniature forms of verbal communication, from classified ads to street signs, and from yesterday's graffito to tomorrow's headline. Celebrating our long history of compact speech, Short Cuts offers a well-researched and vibrantly written account of this unsung corner of the linguistic world, inspiring a new appreciation of the wondrously varied forms of our briefest exchanges. Alexander Humez, Nicholas Humez, and Rob Flynn shed light here on an ever-growing field of minimalist genres, ranging from the bank robbery note to the billboard, from the curse hurled from a car window (or the Senate floor) to the suicide note, and from the ghost-word to the ring tone. The book is divided into ten thematic sections, as varied as "In the Dictionary" (discussing such topics as Sniglets, Mountweazels, and the Wiktionary), "In and Out of Trouble" (error messages, weasel words, the pre-nup), and "On the Lam" (ransom notes, wanted posters, portraits parlés). The authors look at the comic strip's maladicta balloon and the dinner-interrupter's robocalls, the advice column and the obit, and the many ways your personal appearance tells us who you are, from the message on your gimme cap to the tattoo with your S.O.'s name on your ankle. Uncovering the elegance, the humor, and the unspoken implications in these fleeting communications, this book provides a satisfying thoroughness and an abundance of connections that unravel how the oath became the swearword and the calling card salver turned into the Facebook wall. For readers who love language and enjoy rummaging through the cultural baggage that comes with it, Short Cuts gathers an engaging sampler of the most delightful and cogent--and above all brief--forms of contemporary English.
Action! Excitement! Transmedia! Step inside Comic-Con to discover the cultural trends that will shape our world “I’ve been in comics so long I sometimes think I invented ’em! But I just read Rob Salkowitz’s terrific new book and, y’know what? Even I learned new stuff! If you’re a comic book nut like me, miss it at your own risk!” —Stan Lee, Legendary Comic Creator and Publisher “Salkowitz tells it pretty much like it is: the good, the bad, and the ugly of the commercialization of one of America’s greatest art forms, as well as the indefatigable artistry of its creators. He is at once informative, insightful, sobering, and inspiring.” —Douglas Rushkoff, pop culture analyst and author of Program or Be Programmed: Ten Commands for a Digital Age “If you care at all about comics, this is an essential read (and if you don’t, Salkowitz just might win you over). But it’s also grab-worthy for anyone interested in the fascinating, conflicted, unfolding future of digital publishing and transmedia entertainment.” —Booklist (Starred Review) “What began more than four decades ago as an intimate gathering of comic book creators, fans and legends has become a packed entertainment event. Although it doesn’t have the same ring to it, Comic-Con could more appropriately be called the Transmedia Pop Culture Con where buzz for a year’s worth of projects is created, prolonged or squelched. Yet, despite the awareness that the con is a giant marketplace where producers sell directly to customers, there has been shockingly little analysis of the business of the event before Rob Salkowitz’s new book, “Comic-Con and the Business of Pop Culture.” —CNN Geekout “The true gift in Rob’s book is how very hard it becomes for you to decide, whether you’re a business reader reading a pop culture book, or a comics fan reading a business book.” —PopMatters “The book explores the business aspects of the show and how it is a microcosm of the growing transmedia aspects of both comic books and their connection to things such as film, TV, and video games. All the while, acting as a travelogue by a long-time fan of comics and Comic-Con.” —Technorati “Salkowitz’s first hand observation makes us feel like we are walking the convention floor with him. In some chapters you sense his thrill as he meets a few of his fan favorites. Comic-Con and the Business of Pop Culture should be a great book for comic book fans, moviegoers, pop culture followers, and marketing gurus.” —Trashwire Welcome to Comic-Con: where the future of pop culture comes to life Every summer, more than 130,000 comic fans, gamers, cosplay enthusiasts, and nerds of all stripes descend on San Diego to mingle with the top entertainment celebrities and creative industry professionals in an unprecedented celebration of popular culture in all its forms. From humble beginnings, Comic-Con has mutated into an electrifying, exhausting galaxy of movies, TV, video games, art, fashion, toys, merchandise, and buzz. It’s where the future of entertainment unspools in real time, and everyone wants to be there. In Comic-Con and the Business of Pop Culture, author Rob Salkowitz, a recognized expert in digital media and the global digital generation (and unabashed comics enthusiast), explores how the humble art form of comics ended up at the center of the 21st-century media universe. From Comic-Con’s massive exhibit hall and panels to its exclusive parties and business suites, Salkowitz peels back the layers to show how comics culture is influencing communications, entertainment, digital technology, marketing, education, and storytelling. What can the world’s most approachable and adaptable art form tell us about the importance of individual talent and personal engagement in the era of the new global audience, the iPad, and the quarter-billion-dollar summer blockbuster? Here are some of the issues Salkowitz explores: How do you succeed in the transmedia maelstrom? Comics have hopscotched across the media landscape for decades. What can we learn from their successes and failures as we careen toward a converged digital future? Have comics cracked the digital code? Everyone is scrambling to deal with the business disruptions of digital distribution. Does the recent success of comics on tablets demonstrate a new model for other industries, or do dangers lie ahead? What’s next for “peak geek”? Will the ascendant nerd culture of the early 2010s keep its new audience engaged or burn out from overexposure? Comic-Con and the Business of Pop Culture combines the insights business leaders need with the details fans crave about the future ofthe world’s most dynamic industry. Even if you can’t be in San Diego in July, this book brings the excitement into focus . . . no costumes required!
Invertebrate Zoology: A Tree of Life Approach is a comprehensive and authoritative textbook adopting an explicitly phylogenetic organization. Most of the classical anatomical and morphological work has not been changed – it established the foundation of Invertebrate Zoology. With the explosion of Next-Generation Sequencing approaches, there has been a sea-change in the recognized phylogenetic relationships among and between invertebrate lineages. In addition, the merger of evolutionary and developmental biology (evo-devo) has dramatically contributed to changes in the understanding of invertebrate biology. Synthesizing these three approaches (classical morphology, sequencing data, and evo-devo studies) offers students an entirely unique perspective of invertebrate diversity. Key Features One of the first textbooks to combine classical morphological approaches and newer evo-devo and Next-Generation Sequencing approaches to address Invertebrate Zoology Organized along taxonomic lines in accord with the latest understanding of invertebrate phylogeny Will provide background in basic systematic analysis useful within any study of biodiversity A wealth of ancillary materials for students and teachers, including downloadable figures, lecture slides, web links, and phylogenetic data matrices
The history of Christianity flows through time altered by individuals like a stream encountering rocks in its path. Small stones might only make a ripple. Boulders may literally alter the course of the stream. This book takes a look at the flow of Christian history by examining the lives of twenty-two men and women and how they impacted Christianity over the last two thousand years.
(Book). The Ludwig Book by Rob Cook is the definitive business and historical guide to this legendary drum manufacturer. Includes dozens of interviews, a color section, a dating guide including every catalogued Ludwig snare drum and outfit. Interview sections include the top executives from Ludwig's heyday in the 1960s: Karl Dustman, Frank Baxpehler and Dick Schory, as well as todays leaders: William F. Ludwig III, Todd Trent and Jim Catalano. There are also special segments on Ludwig Electronics, Phase II, and detailed sections about the gear used by famous drummers such as John Bonham and Ringo Starr.
Venture across every inch of this prosperous and stable central European country, from the cosmopolitan capital of Vienna--packed with cultural offerings and late-night musikcafes--to the awesome Alpine backwaters of the Tyrol or winemaking villages. Learn how to stretch your budget in what can be an expensive country to visit. 40 maps. color photos.
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Is social media destroying democracy? Are Russian propaganda or "Fake news" entrepreneurs on Facebook undermining our sense of a shared reality? A conventional wisdom has emerged since the election of Donald Trump in 2016 that new technologies and their manipulation by foreign actors played a decisive role in his victory and are responsible for the sense of a "post-truth" moment in which disinformation and propaganda thrives. Network Propaganda challenges that received wisdom through the most comprehensive study yet published on media coverage of American presidential politics from the start of the election cycle in April 2015 to the one year anniversary of the Trump presidency. Analysing millions of news stories together with Twitter and Facebook shares, broadcast television and YouTube, the book provides a comprehensive overview of the architecture of contemporary American political communications. Through data analysis and detailed qualitative case studies of coverage of immigration, Clinton scandals, and the Trump Russia investigation, the book finds that the right-wing media ecosystem operates fundamentally differently than the rest of the media environment. The authors argue that longstanding institutional, political, and cultural patterns in American politics interacted with technological change since the 1970s to create a propaganda feedback loop in American conservative media. This dynamic has marginalized centre-right media and politicians, radicalized the right wing ecosystem, and rendered it susceptible to propaganda efforts, foreign and domestic. For readers outside the United States, the book offers a new perspective and methods for diagnosing the sources of, and potential solutions for, the perceived global crisis of democratic politics.
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