Rob Beckett never seems to fit in. At work, in the middle-class world of television and comedy, he's the laddie, cockney geezer, but to his mates down the pub in south-east London, he's the theatrical one, a media luvvie. Even at home, his wife and kids are posher than him.
THE NO.1 SUNDAY TIMES BESTSELLER THE MADNESS, ABSURDITY, AND UTTER CHAOS OF BEING A PARENT FROM THE HOSTS OF THE NO.1 SMASH HIT PODCAST. What's it really like to be a parent? And how come no one ever warned Rob or Josh of the sheer mind-bending, world-altering, sleep-depriving, sick-covering, tear-inducing, snot-wiping, bore-inspiring, 4am-relationship-straining brutality of it all? And if they did, why can't they remember it (or remember anything else, for that matter)? And just when they thought it couldn't get any harder, why didn't anyone warn them about the slices of unmatched euphoric joy and pride that occasionally come piercing through, drenching you in unbridled happiness in much the same way a badly burped baby drenches you in milk-sick? Join Josh and Rob as they share the challenges and madness of their parenting journeys with lashings of empathy and extra helpings of laughs. Filled with all the things they never tell you at antenatal classes, Parenting Hell is a beguiling mixture of humour, rumination and conversation for prospective parents, new parents, old parents and never-to-be parents alike. READERS LOVE PARENTING HELL: 'Best laugh out loud book on parenting' 'I laughed and cried! Not being a parent I can now appreciate everything my friends do a lot more!' 'Every parent needs to read this' 'Every parent or parent-to-be or parent-adjacent needs to read this! It's also surprisingly empowering for women - the way they include the wives perspectives is beautiful' 'An honest account of parenting with a welcome twist/dose of humour. Buy it! Gift it.' 'I laughed out loud many times and once had to go into another room because I thought I might wake my sleeping husband.
Clem Beckett was fourteen when he first rode a homemade motorcycle over the cobbled streets of his hometown. It was the start of a lifelong love affair with speed and machines. For Beckett, the motorbike was a means of escape from the uncertain future of Oldham’s stricken industries in the aftermath of the First World War. Beckett’s zest for life, his natural exuberance and determination to be a winner, overcame the disadvantages of a poor home bereft of a father. As a pioneering Dirt Track (speedway) rider he broke records galore, and as a volunteer in the Spanish Civil War he broke down class barriers. Whether as a tearaway teenager, an outspoken sportsman, or a member of the Communist Party, his life was characterized by broadsides of irreverence towards authority. To Beckett, the appeal of revolutionary politics was youthful rejection of ‘old fogey’ values and the dominating role of of tweedy gentility in motorcycle sport. Reviving faded memories and anecdotes of his career as a pioneer speedway rider, this book traces Beckett’s extraordinary rise from blacksmith’s apprentice to superstar, in a new sport which typified the energy of the Roaring Twenties, and was characterised by risk-taking and serial injury. Ever the showman, and banned from the Dirt Track for trying to protect his fellow riders from exploitation, Beckett took to riding the Wall of Death. Observing the rise of fascism on his travels in Europe, Beckett’s increasing involvement with politics led to marriage to the mysterious Lida Henriksen, and inexorably to volunteer service in the British Battalion of the International Brigades in Spain. A narrative spiced with anecdotes and new revelations about Beckett shows why from boyhood to the poignant circumstances of his death in battle, Clem Beckett inspired love and loyalty.
Clem Beckett was fourteen when he first rode a homemade motorcycle over the cobbled streets of his hometown. It was the start of a lifelong love affair with speed and machines. For Beckett, the motorbike was a means of escape from the uncertain future of Oldham’s stricken industries in the aftermath of the First World War. Beckett’s zest for life, his natural exuberance and determination to be a winner, overcame the disadvantages of a poor home bereft of a father. As a pioneering Dirt Track (speedway) rider he broke records galore, and as a volunteer in the Spanish Civil War he broke down class barriers. Whether as a tearaway teenager, an outspoken sportsman, or a member of the Communist Party, his life was characterized by broadsides of irreverence towards authority. To Beckett, the appeal of revolutionary politics was youthful rejection of ‘old fogey’ values and the dominating role of of tweedy gentility in motorcycle sport. Reviving faded memories and anecdotes of his career as a pioneer speedway rider, this book traces Beckett’s extraordinary rise from blacksmith’s apprentice to superstar, in a new sport which typified the energy of the Roaring Twenties, and was characterised by risk-taking and serial injury. Ever the showman, and banned from the Dirt Track for trying to protect his fellow riders from exploitation, Beckett took to riding the Wall of Death. Observing the rise of fascism on his travels in Europe, Beckett’s increasing involvement with politics led to marriage to the mysterious Lida Henriksen, and inexorably to volunteer service in the British Battalion of the International Brigades in Spain. A narrative spiced with anecdotes and new revelations about Beckett shows why from boyhood to the poignant circumstances of his death in battle, Clem Beckett inspired love and loyalty.
The English Studies Book is uniquely designed to support students and teachers working across the full range of language, literature and culture. Combining the functions of study guide, critical dictionary and text anthology, it has rapidly established itself as a core text on a wide variety of degree programmes nationally and internationally. Revised and updated throughout, features of the second edition include: * a new prologue addressing changes and challenges in English Studies * substantial entries on over 100 key critical and theoretical terms, from 'absence' and 'author' to 'text' and 'versification' - with new entries on 'creative writing', 'travel writing' and 'translation' * practical introductions to all the major theoretical approaches, with new sections on aesthetics, ethics, ecology and sexuality * a rich anthology of literary and related texts from Anglo-Saxon to Afro-Caribbean, with fresh selections representing the sonnet, haiku, slave narratives and science fiction, and with additional texts by Elizabeth Barrett Browning, Charles Darwin, Ian McEwan, Margaret Atwood, Amy Tan and others * handy frameworks and checklists for close reading, research, essay writing and other textual activities, including use of the Internet.
An inspiring, national bestselling memoir from a Red Sox hero and MVP of the 2007 World Series. In 2007, Red Sox third baseman Mike Lowell triumphed over a lifetime of adversity when he led the world’s most zealously followed baseball team to the promised land—their second World Series title in four years. But there was much more to the story than what happened that October night. From the hardships of his childhood in Puerto Rico, to the ups and downs of his baseball career, to his battle with testicular cancer, this is the story of man who overcame every challenge pitched at him to become one of the best third basemen in baseball—and a true role model for millions. “Lowell’s story . . . [is] told in his own occasionally salty, but always sincere voice . . . quite candid.” —The Hartford Courant “Mike Lowell is such an honest man, a man who plays the game hard, and plays the game right, the whole time.”—Manny Ramirez, Red Sox outfielder
Wildly imaginative, brilliantly written and perfectly illustrated. This is a joy to read.' – David Walliams 'Another absolute smasher from Rob Biddulph! Gorgeously illustrated and a joyfully escapist adventure.' – Louie Stowell, author of Loki: A Bad God's Guide to Being Good Some legends are born, some are drawn . . . Famous works of art are disappearing from all over the world. One moment they are there, the next, they have crumbled to dust. Peanut Jones, artist and adventurer, and her friends suspect it might have something to do with the magical world of Chroma and the wicked Mr White's plot to wipe out colour, art and creativity. It's time to head back to the Illustrated City and help the resistance fight back. . . Superstar, author and illustrator Rob Biddulph dazzles in Peanut Jones and the Twelve Portals. This second title in the hilarious adventure series for boys and girls aged 8 to 12 fizzes with magic, danger, friendship and art. It is fully illustrated throughout by Rob, the creative genius behind #DrawWithRob. *Winner of The Week Junior's Cover of the Year Award* Praise for the first title in the series Peanut Jones and the Illustrated City: 'Peanut Jones is AWESOME. I loved this book from start to finish - the story is packed with twists and turns, and Rob’s illustrations are full of wit and warmth . . . I need to know what happens next!' – Nadia Shireen 'A wildly imaginative, big-hearted celebration of creativity' – Anna James, author of the Pages & Co series 'Look at this utter beauty . . . This book is EPIC' – Laura Ellen Anderson, author of the Amelia Fang series
Walk the halls of the famous studio that produced hits for Otis Redding, Isaac Hayes, Sam and Dave, and Booker T. and the MGs. Soulsville, U.S.A. provides the first history of the groundbreaking label along with compelling biographies of the promoters, producers, and performers who made and sold the music. Over 45 photos. Winner of the 1998 ASCAP-Deems Taylor Award Winner of the ARSC Award for Best Research in Record Labels
Written (and occasionally performed) by Rob Drummond in collaboration with director David Overend, these scripts are a record of a long-term artistic partnership. From the award-winning magic of Bullet Catch (the Arches, 2012), to the audience votes of The Majority (National Theatre of Great Britain, 2017), these six plays open up a space for improvisation and participation, and a range of responses and reactions from the audience. The collection includes four previously unpublished scripts along with up-to-date versions of their most successful productions. With introductory essays and in-text commentary by both the writer and director, this is a valuable resource for practitioners, students, and scholars of contemporary British theatre.
Why do we punish? Is it because only punishment can achieve justice for victims and 'right the wrong' of a crime? Or is it justified because it reduces crime, by deterring potential offenders, offering rehabilitative treatment to others and incapacitating the most dangerous? The complex answers to this enduring question vary across time and place, and are directly linked to people's personal, cultural, social, religious and ethical commitments and even their sense of identity. This unique introduction to the philosophy of punishment provides a systematic analysis of the themes of retribution, deterrence, rehabilitation, incapacitation and restorative justice. Integrating philosophical, sociological, political and ethical perspectives, it provides a thorough and wide-ranging discussion of the purposes, meanings and justifications of punishment for crime and the extent to which punishment does, could or should live up to what it claims to achieve. Why Punish? challenges criminology and criminal justice students as well as policy makers, judges, magistrates and criminal justice practitioners to think more critically about the role of punishment and the moral principles that underpin it. Bridging abstract theory with the realities of practice, Rob Canton asks what better punishment would look like and how it can be achieved.
The theatre director is one of the most critical roles in a successful drama company, yet there are no formal qualifications required for entry into this profession. This practical guide for emerging theatre directors answers all the key questions from the very beginning of your career to key stages as you establish your credentials and get professionally recognized. It analyzes the director's role through relationships with the actors, author, designer, production manager and creative teams and provides vital advice for "on-the-job" situations where professional experience is invaluable. The book also provides an overview of the many approaches to acting methodology without focusing on any in particular to allow the director to develop their own unique methods of working with any actor's style. Each chapter includes these key features: * Introduces important theories, identifies practitioners and provides key reading to provide an overview of historic and current practice. * Interviews with leading practitioners and emerging directors. * Suggested exercises to develop the director's own approach and practical skills.
Well into the new millennium, the analog cassette tape continues to claw its way back from obsolescence. New cassette labels emerge from hipster enclaves while the cassette’s likeness pops up on T-shirts, coffee mugs, belt buckles, and cell phone cases. In Unspooled, Rob Drew traces how a lowly, hissy format that began life in office dictation machines and cheap portable players came to be regarded as a token of intimate expression through music and a source of cultural capital. Drawing on sources ranging from obscure music zines to transcripts of Congressional hearings, Drew examines a moment in the early 1980s when music industry representatives argued that the cassette encouraged piracy. At the same time, 1980s indie rock culture used the cassette as a symbol to define itself as an outsider community. Indie’s love affair with the cassette culminated in the mixtape, which advanced indie’s image as a gift economy. By telling the cassette’s long and winding history, Drew demonstrates that sharing cassettes became an acceptable and meaningful mode of communication that initiated rituals of independent music recording, re-recording, and gifting.
Studying English Literature and Language is unique in offering both an introduction and a companion for students taking English Literature and Language degrees. Combining the functions of study guide, critical dictionary and text anthology, this is a freshly recast version of the highly acclaimed The English Studies Book. This third edition features: fresh sections on the essential skills and study strategies needed to complete a degree in English—from close reading, research and referencing to full guidelines and tips on essay-writing, participating in seminars, presentations and revision an authoritative guide to the life skills, further study options and career pathways open to graduates of the subject updated introductions to the major theoretical positions and approaches taken by scholars in the field, from earlier twentieth century practical criticism to the latest global and ecological perspectives extensive entries on key terms such as ‘author, ‘genre’, ‘narrative’ and ‘translation’ widely current in debates across language, literature and culture coverage of both local and global varieties of the English language in a range of media and discourses, including news, advertising, text messaging, rap, pop and street art an expansive anthology representing genres and discourses from early elegy and novel to contemporary performance, flash fiction, including writers as diverse as Aphra Behn, Emily Dickinson, J.M. Coetzee, Angela Carter, Russell Hoban, Adrienne Rich and Arundhati Roy a comprehensive, regularly updated companion website supplying further information and activities, sample analyses and a wealth of stimulating and reliable links to further online resources. Studying English Literature and Language is a wide-ranging and invaluable reference for anyone interested in the study of English language, literature and culture.
Game and gleefully provocative . . . My treasured companion of late.” -New York Times "Threshold, or, how I learned to stop worrying (about what sort of novel this is) and love the narrator, whose brilliance and humor on drugs and literature, sex and boredom and death, leave me in awe." -Rachel Kushner "Fearless and challenging, inventive and compulsive, unique and utterly heartfelt." -John Boyne “Daring and deranged, endlessly entertaining, furiously funny.” -Geoff Dyer “Playful, potent, lurid, moving, and fearless.” -Lisa McInerney “[A] modern day odyssey.” -Teddy Wayne “A Pilgrim's Progress for our time.” -Mike McCormack “A thrilling mutation . . . [Doyle's] is a journey you don't want to miss.” -Chris Power An uninhibited portrait of the artist as a perpetual drifter and truth-seeker--a funny, profound, compulsive read that's like traveling with your wildest and most philosophical friend. The narrator of Rob Doyle's Threshold has spent the last two decades traveling, writing, and imbibing drugs and literature in equal measure, funded by brief periods of employment or “on the dole” in Dublin. Now, stranded between reckless youth and middle age, his travels to far-flung places have acquired a de facto purpose: to aid the contemporary artist's search for universal truth. Following Doyle from Buddhism to the brink of madness, Threshold immerses us in the club-drug communalism of the Berlin underworld, the graves of myth-chasing artists in Paris, and the shattering and world-rebuilding revelations brought on by the psychedelic DMT, the so-called “spirit molecule.” Exulting in the rootlessness of the wanderer, Doyle exists in a lineage of writer-characters-W. G. Sebald, Ben Lerner, Maggie Nelson, and Rachel Cusk-deftly and subversively exploring forms between theory and autobiography. Insightful and provocative, Threshold is a darkly funny, genuinely optimistic, compulsively readable celebration of perception and desire, of what is here and what is beyond our comprehension.
“I don't think I'm easy to talk about. I've got a very irregular head. And I'm not anything that you think I am anyway.”—Syd Barrett’s last interview, Rolling Stone, 1971 Roger Keith “Syd” Barrett (1946–2006) was, by all accounts, the very definition of a golden boy. Blessed with good looks and a natural aptitude for painting and music, he was a charismatic, elfin child beloved by all, who fast became a teenage leader in Cambridge, England, where a burgeoning bohemian scene was flourishing in the early 1960s. Along with three friends and collaborators—Roger Waters, Richard Wright, and Nick Mason—he formed what would soon become Pink Floyd, and rock ’n’ roll was never the same. Starting as a typical British cover band aping approximations of American rhythm ’n’ blues, they soon pioneered an entirely new sound, and British psychedelic rock was born. With early, trippy, Barrett-penned pop hits such as “Arnold Layne” (about a clothesline-thieving cross-dresser) and “See Emily Play” (written specifically for the epochal “Games For May” concert), Pink Floyd, with Syd Barrett as their main creative visionary, captured the zeitgeist of “Swinging” London in all its Technicolor glory. But there was a dark side to all this new-found freedom. Barrett, like so many around him, began ingesting large quantities of a revolutionary new drug, LSD, and his already-fragile mental state—coupled with a personality inherently unsuited to the life of a pop star—began to unravel. The once bright-eyed lad was quickly replaced, seemingly overnight, by a glowering, sinister, dead-eyed shadow of his former self, given to erratic, highly eccentric, reclusive, and sometimes violent behavior. Inevitably sacked from the band, Barrett retreated from London to his mother’s house in Cambridge, where he would remain until his death, only rarely seen or heard, further fueling the mystery. In the meantime, Pink Floyd emerged from the underground to become one of the biggest international rock bands of all time, releasing multi-platinum albums, many that dealt thematically with the loss of their friend Syd Barrett: The Dark Side of the Moon, Wish You Were Here, and The Wall are all, on many levels, about him. In A Very Irregular Head, journalist Rob Chapman lifts the veil of secrecy that has surrounded the legend of Syd Barrett for nearly four decades, drawing on exclusive access to family, friends, archives, journals, letters, and artwork to create the definitive portrait of a brilliant and tragic artist. Besides capturing all the promise of Barrett’s youthful years, Chapman challenges the oft-held notion that Barrett was a hopelessly lost recluse in his later years, and creates a portrait of a true British eccentric who is rightfully placed within a rich literary lineage that stretches through Kenneth Graham, Hilaire Belloc, Edward Lear, Lewis Carroll, John Lennon, David Bowie, and on up to the pioneers of Britpop. A tragic, affectionate, and compelling portrait of a singular artist, A Very Irregular Head will stand as the authoritative word on this very English genius for years to come.
This book explores the concept of punishment: its meaning and significance, not least to those subject to it; its social, political and emotional contexts; its role in the criminal justice system; and the difficulties of bringing punishment to an end. It explores how levels of criminal punishment could and should be reduced, without compromising moral standards, public safety or the rights of victims of crime. Core contents include: Why punishment matters, the salience of emotions in its various discourses and the role of culture. The politicisation of punishment and legitimacy. The penal system, the prominence of the prison in research on punishment and the role of community sanctions. The aims of punishment, its limits and the role of power. The ethics of punishment and human rights. Punishment and social order. This book is essential reading for all criminologists, as well as students taking courses on punishment, penology, prisons and the criminal justice system.
The remarkable story of Bryce Harper's unforgettable ride from Morse Stadium to the top of the baseball draft" (Jayson Stark, ESPN.com) updated from the hardcover edition (The Last Natural) to include his Rookie of the Year season Before he famously became a Major League All-Star as a teenager, Harper already had dominated high school competition like Mickey Mantle on the playground and appeared on the cover of Sports Illustrated, which dubbed him the "most exciting prodigy since LeBron James." Seeking greater tests as a hitter, the precocious star got his GED after his sophomore year and enrolled at the College of Southern Nevada, where he would face future pro pitchers in a difficult wooden-bat league. Sportswriter Rob Miech was "embedded" with the team--in the dugout and locker room and on team buses and in motel rooms--to provide a warts-and-all account of a boy among men playing like a man among boys. Amid fascinating personal stories including the dynamics between a veteran coach and Harper's overprotective father, the jealousies of teammates and opponents, and the sudden descent of press armies on a tiny college field, the author chronicles a season-long experiment that culminates in Harper leading the Coyotes to the Junior College World Series and signing a $9.9 million contract negotiated by notorious agent Scott Boras. Sporting a fresh cover and a bonus chapter that covers Harper's award-winning rookie season with the Washington Nationals, this expanded edition of Phenom (originally published as The Last Natural) gives fans an all-access pass to baseball's newest rising star.
In Psychedelia and Other Colours, acclaimed author Rob Chapman explores in crystalline detail the history, precedents and cultural impact of LSD, from the earliest experiments in painting with light and immersive environments to the thriving avant-garde scene that existed in San Francisco even before the Grateful Dead and the Fillmore Auditorium. In the UK, he documents an entirely different history, and one that has never been told before. It has its roots in fairy tales and fairgrounds, the music hall and the dead of Flanders fields, in the Festival of Britain and that peculiarly British strand of surrealism that culminated in the Magical Mystery Tour. Sitars and Sergeant Pepper, surfadelica and the Soft Machine, light shows and love-ins - the mind-expanding effects of acid were to redefine popular culture as we know it. Psychedelia and Other Colours documents these utopian reverberations - and the dark side of their moon - in a perfect portrait.
2015. The United Kingdoms just discovered enough oil to guarantee prosperity for the next 100 years. The Government sees this as the final cog in its project to make the United Kingdom the enterprise capital of the world and to restore the countrys greatness. The only problem is that most of the oil lies off Scotland and Wales. And the Scots and Welsh want their share of the bonanza. Over the next six years, the United Kingdom descends into a spiral of conflict in which old nationalisms re-emerge and threaten to drag in European neighbours and the United States as the violence spills over beyond the countrys boundaries.
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