Julie, who is employed as a theatre sister in a hospital, in Sydney, Australia, witnesses a murder on her way home from work. Knowing the murderer will try to kill Julie, the only witness, the police advise her to leave the area until the murderer is caught, and not to disclose to anyone, including her new Boss, that shes a nurse hiding from a killer, as it could lead him to her. This proves very difficult when she takes a job as a cook on a cattle station in the outback.. The owner of the cattle station, a ruggedly handsome, Dan Makepeace, is very suspicious as to why a beautiful young woman would want to work as a cook in the outback, and is very hostile to her when she arrives to take up her new employment. His distrust of her leads to a great deal of conflict between them, which is not helped by the build up of sexual tension between them. Could Julie have jumped from the frying pan into the fire and does the killer find her?
NO TIME TO DREAM is in many ways reminiscent of HOW GREEN WAS MY VALLEY. The background of both books largely centred on the mining valley of the Rhondda in Wales during the depression of the early twentieth century. The author Rita Molyneux herself lived in this mining valley and witnessed at fi rst hand the harshness of daily life during that period and vividly recounts them in her book. Indeed her own father suffered a broken back in a colliery accident. The Rhondda, as Gwyn Thomas once described it, poured out enough coal to have coked the world at one stroke. The valley was majestically ransacked and the coal owners became very rich men. Cruelly, little of this money stuck to the fi ngers of the people who mined the coal. Yet these people laughed, sang, worshipped and propagated at record levels and were far more precious than the coal they hauled out of the ground. In NO TIME TO DREAM the author richly evokes those times in technicolour and brings to life those characters who fi ll the pages. The story also tells of emigration of some of these characters to Australia, where they faced with bravery the vicissitudes of the new environment. In real life Rita and her husband Arthur paralleled the story of this novel, emigrating to Australia in 1964, initially to Canberra and then to Sydney. It was this experience that allowed Rita to complete the second half of her book. NO TIME TO DREAM is a rich evocation of the human spirit and a unique description of love, kindliness and courage surrounded and deepened by the dangers of the times. Read it!
This annual series, published in co-operation with the Women in International Development Program at Michigan State University, uses a multidisciplinary approach to explore women's experiences across a wide range of geographical areas, economic sectors, and societal institutions. The articles presented in each volume synthesize a growing body of literature on key issues, suggest priorities for research, and propose changes in development policy and programming. Each volume is divided into three major sections. In the first, contributors distill and interpret research in review articles; in the second - a trend report - they provide original analysis of existing data sets; and in the final section, they analyze a specific research concern from varying perspectives.
This annual series, published in co-operation with the Women in International Development Program at Michigan State University, uses a multidisciplinary approach to explore women's experiences across a wide range of geographical areas, economic sectors, and societal institutions. The articles presented in each volume synthesize a growing body of literature on key issues, suggest priorities for research, and propose changes in development policy and programming. Each volume is divided into three major sections. In the first, contributors distill and interpret research in review articles; in the second - a trend report - they provide original analysis of existing data sets; and in the final section, they analyze a specific research concern from varying perspectives.
Provides an insight into the two subject areas of biodiversity and gender. This book looks at the subjects from the perspectives of a diverse group of country jurisdictions in Anglophone Sub-Saharan Africa. It is aimed at environmentalists, natural resource scientists and environmental practitioners.
Reading The Romantic Ridiculous aims to take Romantic Studies from the sublime to the ridiculous. Building on recent work that decentres the myth of the solitary genius, this duograph theorises the ridiculous as an alternative affect to the sublime, privileging collective laughter above solitude and selfishness and reflecting on these ideals through the practice of joint authorship. Tracing the history of the ridiculous through Romantic and post-Romantic debates about sublimity, from the rediscovery of Longinus and the aesthetic theories of Burke and Kant to contemporary queer and postcolonial theory interested in silliness, lowness, and vulnerability, Reading the Romantic Ridiculous explores Romanticism's surprising commitments to ridiculousness in canonical material by writers such as Samuel Taylor Coleridge, Jane Austen, and Charles Lamb as well as lesser-known material from joke books to children's literature. In theory and practice, this duograph also considers the legacies of Romanticism – and ridiculousness – today, analysing their influence on independent film, sitcoms, and young adult fiction, as well as their place in higher education now.
NO TIME TO DREAM is in many ways reminiscent of HOW GREEN WAS MY VALLEY. The background of both books largely centred on the mining valley of the Rhondda in Wales during the depression of the early twentieth century. The author Rita Molyneux herself lived in this mining valley and witnessed at fi rst hand the harshness of daily life during that period and vividly recounts them in her book. Indeed her own father suffered a broken back in a colliery accident. The Rhondda, as Gwyn Thomas once described it, poured out enough coal to have coked the world at one stroke. The valley was majestically ransacked and the coal owners became very rich men. Cruelly, little of this money stuck to the fi ngers of the people who mined the coal. Yet these people laughed, sang, worshipped and propagated at record levels and were far more precious than the coal they hauled out of the ground. In NO TIME TO DREAM the author richly evokes those times in technicolour and brings to life those characters who fi ll the pages. The story also tells of emigration of some of these characters to Australia, where they faced with bravery the vicissitudes of the new environment. In real life Rita and her husband Arthur paralleled the story of this novel, emigrating to Australia in 1964, initially to Canberra and then to Sydney. It was this experience that allowed Rita to complete the second half of her book. NO TIME TO DREAM is a rich evocation of the human spirit and a unique description of love, kindliness and courage surrounded and deepened by the dangers of the times. Read it!
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