This book brings together a diverse and unique set of writers who span literary styles, genres, and time periods--but who are united in their search for spirit in the wild. Through them we discover the tension between our understanding of the wilderness as both a fearful and a sacred space, which makes it particularly apt for capturing the unknown and surprising elements of belief.
Something of a minor literary renaissance happened in midcentury America from an unexpected source. Nuns were writing poetry and being published and praised in secular venues. Their literary moment has faded into history, but it is worth revisiting. The literary creations of poetic priests like Gerard Manley Hopkins, S.J., and Robert Southwell, S.J. have been both a blessing and a burden--creating the sense that male clergy alone have written substantial work. But Sor Juana Inés de la Cruz, the 17th century Mexican poet-nun famous for her iconic verses and trailblazing sense of the role of religious creative women, set the literary precedent for pious work from women. Sister Mary Bernetta Quinn, a critic and poet, was praised by Flannery O'Connor and kept long correspondences with many of the best poets of her generation. Carmelite nun Sister Jessica Powers published widely. Sister M. Madeleva Wolff, poet and university president, transformed Catholic higher education. The Habit of Poetry brings together these women and others. Their poetry is devotional and deft, complex and contemplative. This mid-20th century renaissance by nun poets is more than a literary footnote; it is a case study in how women negotiate tradition and individual creativity.
Longing for an Absent God unveils the powerful role of faith and doubt in the American literary tradition. Nick Ripatrazone explores how two major strands of Catholic writers--practicing and cultural--intertwine and sustain each other. Ripatrazone explores the writings of devout American Catholic writers in the years before the Second Vatican Council through the work of Flannery O'Connor, J. F. Powers, and Walker Percy; those who were raised Catholic but drifted from the church, such as the Catholic-educated Don DeLillo and Cormac McCarthy, the convert Toni Morrison, the Mass-going Thomas Pynchon, and the ritual-driven Louise Erdrich; and a new crop of faithful American Catholic writers, including Ron Hansen, Phil Klay, and Alice McDermott, who write Catholic stories for our contemporary world. These critically acclaimed and award-winning voices illustrate that Catholic storytelling is innately powerful and appealing to both secular and religious audiences. Longing for an Absent God demonstrates the profound differences in the storytelling styles and results of these two groups of major writers--but ultimately shows how, taken together, they offer a rich and unique American literary tradition that spans the full spectrum of doubt and faith.
This book brings together a diverse and unique set of writers who span literary styles, genres, and time periods--but who are united in their search for spirit in the wild. Through them we discover the tension between our understanding of the wilderness as both a fearful and a sacred space, which makes it particularly apt for capturing the unknown and surprising elements of belief.
Digital Communion explores the religious history of mass communication, focusing on Marshall McLuhan's vision of the electronic world as a place of potential spiritual exchange. McLuhan's Catholicism deeply informed his theory, which in turn reveals how we can cultivate a more spiritual vision of the internet.
Longing for an Absent God unveils the powerful role of faith and doubt in the American literary tradition. Nick Ripatrazone explores how two major strands of Catholic writers--practicing and cultural--intertwine and sustain each other. Ripatrazone explores the writings of devout American Catholic writers in the years before the Second Vatican Council through the work of Flannery O'Connor, J. F. Powers, and Walker Percy; those who were raised Catholic but drifted from the church, such as the Catholic-educated Don DeLillo and Cormac McCarthy, the convert Toni Morrison, the Mass-going Thomas Pynchon, and the ritual-driven Louise Erdrich; and a new crop of faithful American Catholic writers, including Ron Hansen, Phil Klay, and Alice McDermott, who write Catholic stories for our contemporary world. These critically acclaimed and award-winning voices illustrate that Catholic storytelling is innately powerful and appealing to both secular and religious audiences. Longing for an Absent God demonstrates the profound differences in the storytelling styles and results of these two groups of major writers--but ultimately shows how, taken together, they offer a rich and unique American literary tradition that spans the full spectrum of doubt and faith.
Something of a minor literary renaissance happened in midcentury America from an unexpected source. Nuns were writing poetry and being published and praised in secular venues. Their literary moment has faded into history, but it is worth revisiting. The literary creations of poetic priests like Gerard Manley Hopkins, S.J., and Robert Southwell, S.J. have been both a blessing and a burden--creating the sense that male clergy alone have written substantial work. But Sor Juana Inés de la Cruz, the 17th century Mexican poet-nun famous for her iconic verses and trailblazing sense of the role of religious creative women, set the literary precedent for pious work from women. Sister Mary Bernetta Quinn, a critic and poet, was praised by Flannery O'Connor and kept long correspondences with many of the best poets of her generation. Carmelite nun Sister Jessica Powers published widely. Sister M. Madeleva Wolff, poet and university president, transformed Catholic higher education. The Habit of Poetry brings together these women and others. Their poetry is devotional and deft, complex and contemplative. This mid-20th century renaissance by nun poets is more than a literary footnote; it is a case study in how women negotiate tradition and individual creativity.
Where are all the Catholic writers? is a popular question these days. In his beautifully realized new book The Fine Delight, Nicholas Ripatrazone offers an answer: they are among us, writing. With skill and care, he explores the artistry of three superb writers--Ron Hansen, Paul Mariani, and Andre Dubus--as well as several other contemporary Catholic authors. In the process he reveals . . . how reading can be sacramental, enabling us to discover God's presence in our modern world." --James Martin, SJ, author of The Jesuit Guide to (Almost) Everything "The Fine Delight is a text of scholarship and personal consideration of American literature that is marked by and built from postconciliar Catholic thought. Nicholas Ripatrazone has written a highly readable study of the work of writers whose beliefs vary widely, but who share a living engagement with the Word. This book itself is just such an engagement. It will inspire more informed and curious reading." --Alice Elliott Dark, author of In the Gloaming: Stories "Nicholas Ripatrazone offers an insightful interrogation into the theological and aesthetic strategies of contemporary Catholic writers--novelists, poets, and essayists writing in the last fifty years. Aware that the Catholic imagination is not static, he suggests helpful ways to understand how post-Vatican II writers situate their faith in light of their artistic vision. A timely book, Ripatrazone helps extend the critical and pastoral implications of a Catholic literary aesthetic." --Mark Bosco, SJ, author of Graham Greene's Catholic Imagination
Marshall McLuhan was the greatest prophet of the digital age. In the 1960s, McLuhan, a Canadian literary theorist reared on Elizabethan satire and the labyrinthine novels of James Joyce, turned his attention toward the budding and befuddling electronic age. Like most prophets, McLuhan became one through a fascination with God. Prophets divine their wisdom from a source, and Digital Communion shows that McLuhan's was his own Catholic faith. In other words, the greatest prophet of the digital age was an ardent Christian. A reconsideration of his vision can change the way we view the online world. A Catholic convert, McLuhan foretold a digital age full of blessings and sins: a world where information was a phone call or keystroke away, but where our new global village could also bring out the worst in us. For him, mass media was a form of Mass. McLuhan thought that while the print world was visual, the electric world--especially television--was a medium of touch. It enveloped us. For McLuhan, God was everywhere, including in the electric light. Digital Communion considers the religious history of mass communication, from the Gutenberg Bible to James Joyce's literary forerunners of hypertextual language to McLuhan's vision of the electronic world as a place of potential spiritual exchange, in order to reveal how we can cultivate a more spiritual vision of the internet--a vision we need now more than ever.
Where are all the Catholic writers? is a popular question these days. In his beautifully realized new book The Fine Delight, Nicholas Ripatrazone offers an answer: they are among us, writing. With skill and care, he explores the artistry of three superb writers--Ron Hansen, Paul Mariani, and Andre Dubus--as well as several other contemporary Catholic authors. In the process he reveals . . . how reading can be sacramental, enabling us to discover God's presence in our modern world." --James Martin, SJ, author of The Jesuit Guide to (Almost) Everything "The Fine Delight is a text of scholarship and personal consideration of American literature that is marked by and built from postconciliar Catholic thought. Nicholas Ripatrazone has written a highly readable study of the work of writers whose beliefs vary widely, but who share a living engagement with the Word. This book itself is just such an engagement. It will inspire more informed and curious reading." --Alice Elliott Dark, author of In the Gloaming: Stories "Nicholas Ripatrazone offers an insightful interrogation into the theological and aesthetic strategies of contemporary Catholic writers--novelists, poets, and essayists writing in the last fifty years. Aware that the Catholic imagination is not static, he suggests helpful ways to understand how post-Vatican II writers situate their faith in light of their artistic vision. A timely book, Ripatrazone helps extend the critical and pastoral implications of a Catholic literary aesthetic." --Mark Bosco, SJ, author of Graham Greene's Catholic Imagination
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