Lincolnshire, 1537. Amid England’s religious turmoil, fifteen-year-old Anne Askew is forced to take her dead sister’s place in an arranged marriage. The witty, well-educated gentleman’s daughter is determined to free herself from her abusive husband, harsh in-laws, and the cruel strictures of her married life. But this is the England of Henry VIII, where religion and politics are dangerously entangled. A young woman of Anne’s fierce independence, Reformist faith, uncanny command of plainspoken scripture, and—not least—connections to Queen Katheryn Parr’s court cannot long escape official notice, or censure. In a deft blend of history and imagination, award-winning novelist Rilla Askew brings to life a young woman who defied the conventions of her time, ultimately braving torture and the fire of martyrdom for her convictions. A rich evocation of Reformation England, from the fenlands of Lincolnshire to the teeming religious underground of London to the court of Henry VIII, this gripping tale of defiance is as pertinent today as it was in the sixteenth century. While skillfully portraying a significant historical figure—one of the first female writers known to have composed in the English language—Prize for the Fire renders the inner life of Anne Askew with a depth and immediacy that transcends time.
“A haunting, engrossing portrait of two families – one white, one Black – whose lives are woven together and then shattered” (The Washington Post) by the 1921 Tulsa Race Massacre Oil-boom opulence, fear, hate, and lynchings are the backdrop for this riveting novel about one of the worst incidents of violence in American history. Althea Whiteside, an oil-wildcatter’s high-strung white wife, and her enigmatic Black maid, Graceful, share a complex connection during the tense days of the Oklahoma oil rush. Their juxtaposing stories – and those of others close to them – unfold as tensions mount to a violent climax in the Tulsa Race Massacre of 1921, during which whites burned the city’s prosperous Black neighborhood to the ground. The massacre becomes the crucible that melds and tests each of the character in this masterful exploration of the American race story and the ties that bind us irrevocably to one another.
2018 PEN America Literary Award Finalist! In her first nonfiction collection, award-winning novelist Rilla Askew casts an unflinching eye on American history, both past and present. As she traverses a line between memoir and social commentary, Askew places herself—and indeed all Americans—in the role of witness to uncomfortable truths about who we are. Through nine linked essays, Most American: Notes from a Wounded Place evokes a vivid impression of the United States: police violence and gun culture, ethnic cleansing and denied history, spellbinding landscapes and brutal weather. To render these conditions in the particulars of place, Askew spotlights the complex history of her home state. From the Trail of Tears to the Tulsa Race Riot to the Murrah Federal Building bombing, Oklahoma appears as a microcosm of our national saga. Yet no matter our location, Askew argues, we must own our contradictory selves—our violence and prejudices, as well as our hard work and generosity—so the wounds of division in our society can heal. In these writings, Askew traces a personal journey that begins with her early years as an idealistic teenager mired in what she calls “the presumption of whiteness.” Later she emerges as a writer humble enough to see her own story as part of a larger historical and cultural narrative. With grace and authority she speaks honestly about the failures of the dominant culture in which she grew up, even as she expresses a sense of love for its people. In the wake of increasing gun violence and heightened national debate about race relations and social inequality, Askew’s reflections could not be more relevant. With a novelist’s gift for storytelling, she paints a compelling portrait of a place and its people: resilient and ruthless, decent but self-deceiving, generous yet filled with prejudice—both the best and the worst of what it means to be American.
Harlan Singer, a harmonica-playing troubadour, shows up in the Thompson family’s yard one morning. He steals their hearts with his music, and their daughter with his charm. Soon he and his fourteen-year-old bride, Sharon, are on the road, two more hobos of the Great Depression, hitchhiking and hopping freights across the Great Plains in search of an old man and the settlement of Harlan’s long-standing debt. Finding shelter in hobo jungles and Hoovervilles, the newlyweds careen across the 1930s landscape in a giant figure eight with Oklahoma in the middle. Sharon’s growing doubts about her husband’s quest set in motion events that turn Harlan Singer into a hero while blinding her to the dark secret of his journey. A love story infused with history and folk tradition, Harpsong shows what happened to the friends and neighbors Steinbeck’s Joads left behind. In this moving, redemptive tale inspired by Oklahoma folk heroes, Rilla Askew continues her exploration of the American story. Harpsong is a novel of love and loss, of adventure and renewal, and of a wayfaring orphan’s search for home—all set to the sounds of Harlan’s harmonica. It shows us the strength and resilience of a people who, in the face of unending despair, maintain their faith in the land.
A FINALIST FOR THE PEN/FAULKNER AWARD An epic story that takes place on the dusty, remorseless Oklahoma frontier, where two brothers are deadlocked in a furious rivalry Fayette is an enterprising schemer hoping to cash in on his brother's talents as a gunsmith. John, determined not to repeat the crime that forced both families to flee their Kentucky homes, doggedly follows his tenacious brother west, while he watches his own family disintegrate. Wondrously told through the wary eyes of John's ten-year-old daughter, Mattie, whose gift of premonition proves to be both a blessing and a curse, The Mercy Seat resounds with the rhythms of the Old Testament even as it explores the mysteries of the Native American spirit world. Sharing Faulkner's understanding of the inescapable pull of family and history, and Cormac McCarthy's appreciation of the stark beauty of the American wilderness, Rilla Askew imbues this momentous work with her tremendous energy and emotional range. It is an extraordinary novel from a prodigious talent.
In Kind of Kin by award-winning author Rilla Askew, when a church-going, community-loved, family man is caught hiding a barn-full of illegal immigrant workers, he is arrested and sent to prison. This shocking development sends ripples through the town—dividing neighbors, causing riffs amongst his family, and spurring controversy across the state. Using new laws in Oklahoma and Alabama as inspiration, Kind of Kin is a story of self-serving lawmakers and complicated lawbreakers, Christian principle and political scapegoating. Rilla Askew’s funny and poignant novel explores what happens when upstanding people are pushed too far—and how an ad-hoc family, and ultimately, an entire town, will unite to protect its own.
“A haunting, engrossing portrait of two families – one white, one Black – whose lives are woven together and then shattered” (The Washington Post) by the 1921 Tulsa Race Massacre Oil-boom opulence, fear, hate, and lynchings are the backdrop for this riveting novel about one of the worst incidents of violence in American history. Althea Whiteside, an oil-wildcatter’s high-strung white wife, and her enigmatic Black maid, Graceful, share a complex connection during the tense days of the Oklahoma oil rush. Their juxtaposing stories – and those of others close to them – unfold as tensions mount to a violent climax in the Tulsa Race Massacre of 1921, during which whites burned the city’s prosperous Black neighborhood to the ground. The massacre becomes the crucible that melds and tests each of the character in this masterful exploration of the American race story and the ties that bind us irrevocably to one another.
A FINALIST FOR THE PEN/FAULKNER AWARD An epic story that takes place on the dusty, remorseless Oklahoma frontier, where two brothers are deadlocked in a furious rivalry Fayette is an enterprising schemer hoping to cash in on his brother's talents as a gunsmith. John, determined not to repeat the crime that forced both families to flee their Kentucky homes, doggedly follows his tenacious brother west, while he watches his own family disintegrate. Wondrously told through the wary eyes of John's ten-year-old daughter, Mattie, whose gift of premonition proves to be both a blessing and a curse, The Mercy Seat resounds with the rhythms of the Old Testament even as it explores the mysteries of the Native American spirit world. Sharing Faulkner's understanding of the inescapable pull of family and history, and Cormac McCarthy's appreciation of the stark beauty of the American wilderness, Rilla Askew imbues this momentous work with her tremendous energy and emotional range. It is an extraordinary novel from a prodigious talent.
Harlan Singer, a harmonica-playing troubadour, shows up in the Thompson family’s yard one morning. He steals their hearts with his music, and their daughter with his charm. Soon he and his fourteen-year-old bride, Sharon, are on the road, two more hobos of the Great Depression, hitchhiking and hopping freights across the Great Plains in search of an old man and the settlement of Harlan’s long-standing debt. Finding shelter in hobo jungles and Hoovervilles, the newlyweds careen across the 1930s landscape in a giant figure eight with Oklahoma in the middle. Sharon’s growing doubts about her husband’s quest set in motion events that turn Harlan Singer into a hero while blinding her to the dark secret of his journey. A love story infused with history and folk tradition, Harpsong shows what happened to the friends and neighbors Steinbeck’s Joads left behind. In this moving, redemptive tale inspired by Oklahoma folk heroes, Rilla Askew continues her exploration of the American story. Harpsong is a novel of love and loss, of adventure and renewal, and of a wayfaring orphan’s search for home—all set to the sounds of Harlan’s harmonica. It shows us the strength and resilience of a people who, in the face of unending despair, maintain their faith in the land.
Lincolnshire, 1537. Amid England’s religious turmoil, fifteen-year-old Anne Askew is forced to take her dead sister’s place in an arranged marriage. The witty, well-educated gentleman’s daughter is determined to free herself from her abusive husband, harsh in-laws, and the cruel strictures of her married life. But this is the England of Henry VIII, where religion and politics are dangerously entangled. A young woman of Anne’s fierce independence, Reformist faith, uncanny command of plainspoken scripture, and—not least—connections to Queen Katheryn Parr’s court cannot long escape official notice, or censure. In a deft blend of history and imagination, award-winning novelist Rilla Askew brings to life a young woman who defied the conventions of her time, ultimately braving torture and the fire of martyrdom for her convictions. A rich evocation of Reformation England, from the fenlands of Lincolnshire to the teeming religious underground of London to the court of Henry VIII, this gripping tale of defiance is as pertinent today as it was in the sixteenth century. While skillfully portraying a significant historical figure—one of the first female writers known to have composed in the English language—Prize for the Fire renders the inner life of Anne Askew with a depth and immediacy that transcends time.
2018 PEN America Literary Award Finalist! In her first nonfiction collection, award-winning novelist Rilla Askew casts an unflinching eye on American history, both past and present. As she traverses a line between memoir and social commentary, Askew places herself—and indeed all Americans—in the role of witness to uncomfortable truths about who we are. Through nine linked essays, Most American: Notes from a Wounded Place evokes a vivid impression of the United States: police violence and gun culture, ethnic cleansing and denied history, spellbinding landscapes and brutal weather. To render these conditions in the particulars of place, Askew spotlights the complex history of her home state. From the Trail of Tears to the Tulsa Race Riot to the Murrah Federal Building bombing, Oklahoma appears as a microcosm of our national saga. Yet no matter our location, Askew argues, we must own our contradictory selves—our violence and prejudices, as well as our hard work and generosity—so the wounds of division in our society can heal. In these writings, Askew traces a personal journey that begins with her early years as an idealistic teenager mired in what she calls “the presumption of whiteness.” Later she emerges as a writer humble enough to see her own story as part of a larger historical and cultural narrative. With grace and authority she speaks honestly about the failures of the dominant culture in which she grew up, even as she expresses a sense of love for its people. In the wake of increasing gun violence and heightened national debate about race relations and social inequality, Askew’s reflections could not be more relevant. With a novelist’s gift for storytelling, she paints a compelling portrait of a place and its people: resilient and ruthless, decent but self-deceiving, generous yet filled with prejudice—both the best and the worst of what it means to be American.
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