Drawing on the expertise of archaeologists, historians, biblical scholars, and social-science interpreters who have devoted a significant amount of time and energy in the research of ancient Galilee, this accessible volume includes modern general studies of Galilee and of Galilean history, as well as specialized studies on taxation, ethnicity, religious practices, road systems, trade and markets, education, health, village life, houses, and the urban-rural divide. This resource includes a rich selection of images, figures, charts, and maps.
Taking into account biblical, theological, and historical perspectives, leading ministry and education professionals identify the best approach to curriculum formation for the local church, using the metaphor of mapmaking throughout.
In the Gospel of John, one aspect of Jesus' divinity is his lordship. Paul C.J. Riley examines Jesus' lordship through the use of one Christological title, kyrios, a word which can be translated as Lord, master, owner or sir. Because kyrios is often used by characters in the narrative, Riley considers it from a narrative perspective. As a result, the first question he examines is how kyrios functions. In addition, due to textual variation for some occurrences of kyrios, the next question addressed is where kyrios is. From a firm narrative and textual foundation, the final question the author asks is what kyrios means. The answers to these three questions provide a comprehensive understanding of Jesus' divine lordship in the Gospel of John.
The silent attentiveness expected of concert audiences is one of the most distinctive characteristics of modern Western musical culture. This is the first book to examine the concept of attention in the history of musical thought and its foundations in the writings of German musical commentators of the late eighteenth century. Those critics explained numerous technical features of the music of their time as devices for arousing, sustaining or otherwise influencing the attention of a listener, citing in illustration works by Gluck, C. P. E. Bach, Georg Benda and others. Two types of attention were identified: the uninterrupted experience of a single emotional state conveyed by a piece of music as a whole, and the fleeting sense of 'wonder' or 'astonishment' induced by a local event in a piece. The relative validity of these two modes was a topic of heated debate in the German Enlightenment, encompassing issues of musical communication, compositional integrity and listener competence. Matthew Riley examines the significant writers on the topic (Descartes, Leibniz, Wolff, Baumgarten, Rousseau, Meier, Sulzer and Forkel) and provides analytical case studies to illustrate how these perceived modes of attention shaped interpretations of music of the period.
In this extended meditation on the language of the self within contemporary social politics, the author ponders the question: What does it matter what you say about yourself? She studies why the requirement to be a something-or-other should be so hard to satisfy in a manner that rings true in the ears of its own subject.
In late eighteenth-century Vienna and the surrounding Habsburg territories, over 50 minor-key symphonies by at least 11 composers were written. These include some of the best-known works of the symphonic repertoire, such as Haydn's 'Farewell' Symphony and Mozart's Symphony No. 40 in G minor, K. 550. The driving energy, intense pathos and restlessness of these compositions demand close attention and participation from the listener, and pose urgent questions about meaning and interpretation. In response to these questions, The Viennese Minor-Key Symphony in the Age of Haydn and Mozart combines historical perspectives with recent developments in music analysis to shed new light on this distinctive part of the repertoire. Through an intertextual, analytical approach, author Matthew Riley treats the minor-key symphony as a subgenre of several strands, reconstructing the compositional world it occupied. His work enables signals to be understood, puts characteristic strategies in clear relief, and ultimately reveals the significance this music held for both composers and listeners of the time. Riley gives us a fresh picture of the familiar masterpieces of Haydn and Mozart, while also focusing on lesser known composers.
Crusades covers seven hundred years from the First Crusade (1095-1102) to the fall of Malta (1798) and draws together scholars working on theatres of war, their home fronts and settlements from the Baltic to Africa and from Spain to the Near East and on theology, law, literature, art, numismatics and economic, social, political and military history. Routledge publishes this journal for The Society for the Study of the Crusades and the Latin East. Particular attention is given to the publication of historical sources in all relevant languages - narrative, homiletic and documentary - in trustworthy editions, but studies and interpretative essays are welcomed too. Crusades appears in both print and online editions. Issue 2 of the Crusades includes Jonathan Riley-Smith's 'survey of Islam and the Crusades in history and imagination, over the course of the twentieth century culminating in the aftermath of the 9/11 attacks.
SKYE THOUGHT MAGIC AND CURSES DIDN’T EXIST. UNTIL SHE FOUND HUNTER. AND NO ONE WALKS FREE FROM A CURSE. Terrified by the dissolving barriers between Human and Nemaro, Skye fights to protect the love she’s found. But when people long lost at sea appear in the village, fear spreads like poison. With fury rising on land and in the sea, Skye and Hunter find themselves at the heart of the storm. Nowhere seems safe. Was she right all along? That there is no such thing as happy ever after? As the clock ticks down, Skye faces a terrible realization: there is always a price to pay, and she is the one who must pay it. A life for a love. Forever. Be swept away with the heart-rending fourth installment of Skye and Hunter’s epic love story.
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