People go to nightclubs to see and be seen - to view others as aesthetic objects and to present themselves as objects of desire. Rigakos argues that this activity fuses surveillance and aesthetic consumption - it fetishizes bodies and amplifies social capital, producing violence and crises fuelled by alcohol. At closing time, patrons flow out of the insular haze of the nightclub and onto city streets, moving from private spectacle to public nuisance. Bouncers are thus both policing agents in the nighttime economy and the gatekeepers of an urban risk market - a site of circumscribed transgression and consumption that begins at the nightclub door.
What is security, and what is its relationship to capitalism? George S. Rigakos' explosive treatise charts the rise of the security-industrial complex. Starting from a critical appraisal of 'productive labour' in the works of Karl Marx and Adam Smith, Rigakos builds a conceptual model of pacification based on practices of dispossession, exploitation and the fetish of security commodities. Rigakos argues that a defining characteristic of the global economic system is its ability to productively sell (in)security to those it makes insecure. Materially and ideologically, the security-industrial complex is the blast furnace of global capitalism, fuelling the perpetuation of the system while feeding relentlessly on the surpluses it has exacted.
Rigakos argues that for-profit policing and security companies adopt many of the tactics and functions of the public police, and are less distinguishable from the latter than has been previously assumed in the criminological literature.
Rigakos argues that for-profit policing and security companies adopt many of the tactics and functions of the public police, and are less distinguishable from the latter than has been previously assumed in the criminological literature.
What is security, and what is its relationship to capitalism? George S. Rigakos' explosive treatise charts the rise of the security-industrial complex. Starting from a critical appraisal of 'productive labour' in the works of Karl Marx and Adam Smith, Rigakos builds a conceptual model of pacification based on practices of dispossession, exploitation and the fetish of security commodities. Rigakos argues that a defining characteristic of the global economic system is its ability to productively sell (in)security to those it makes insecure. Materially and ideologically, the security-industrial complex is the blast furnace of global capitalism, fuelling the perpetuation of the system while feeding relentlessly on the surpluses it has exacted.
People go to nightclubs to see and be seen - to view others as aesthetic objects and to present themselves as objects of desire. Rigakos argues that this activity fuses surveillance and aesthetic consumption - it fetishizes bodies and amplifies social capital, producing violence and crises fuelled by alcohol. At closing time, patrons flow out of the insular haze of the nightclub and onto city streets, moving from private spectacle to public nuisance. Bouncers are thus both policing agents in the nighttime economy and the gatekeepers of an urban risk market - a site of circumscribed transgression and consumption that begins at the nightclub door.
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