In a searingly candid memoir which he authored himself, Grammy Award-winning pop icon Rick Springfield pulls back the curtain on his image as a bright, shiny, happy performer to share the startling story of his rise and fall and rise in music, film, and television and his lifelong battle with depression. In the 1980s, singer-songwriter and actor Rick Springfield seemed to have it all: a megahit single in “Jessie’s Girl,” sold-out concert tours, follow-up hits that sold more than 17 million albums and became the pop soundtrack for an entire generation, and 12 million daily viewers who avidly tuned in to General Hospital to swoon over his portrayal of the handsomeDr. Noah Drake. Yet lurking behind hissuccess as a pop star and soap opera heartthroband his unstoppable drive was a moody, somber,and dark soul, one filled with depression and insecurity. In Late, Late at Night, the memoir his millions of fans have been waiting for, Rick takes readers inside the highs and lows of his extraordinary life. By turns winningly funny and heartbreakingly sad, every page resonates with Rick’s witty, wry, self-deprecating, brutally honest voice. On one level, he reveals the inside story of his ride to the top of the entertainment world. On a second, deeper level, he recounts with unsparing candor the forces that have driven his life, including his longtime battle with depression and thoughts of suicide, the shattering death of his father, and his decision to drop out at the absolute peak of fame. Having finally found a more stable equilibrium, Rick’s story is ultimately a positive one, deeply informed by his passion for creative expression through his music, a deep love of his wife of twenty-six years and their two sons, and his life-long quest for spiritual peace.
From the Multi-gold and platinum artist, with well over ten million airplays of his songs, Rick Roberts!“A look into the artistic process and amazing creative mind of Firefall's brilliant lead singer/songwriter, Rick Roberts. Even those who may not remember his name will remember his songs as the soundtrack of those fabulous years, The Seventies! Good job, Rick. And thanks for this.” —C. C. Harrison, award winning author of Picture of Lies and The Charmstone.During the 1970s, Rick Roberts' songs topped the music charts when he was the lead singer of the band, Firefall. Now, Rick Roberts has put together a beautiful collection of his memorable stories and the lyrics he's written over the years in Song Stories and Other Left-Handed Recollections. Included are some of Rick Roberts' best loved songs: "You Are the Woman", "Colorado", "Strange Way", and "Just Remember I Love You". Read along as Rick Roberts takes you back to the days with these nostalgic songs when he performed them with his band Firefall and other artists, and learn about what is yet to come for Rick Roberts, and his new band Winter Rose.If you're a fan of Rick's music, you'll love lyrical memoir, Song Stories and Other Left-Handed Reflections. Rick's songwriting is legendary. Students of music will enjoy learning about the process of songwriting, study it, and the instruction of the adventures that can go with being a rock star.Scroll up to purchase Song Stories and Other Left-Handed Reflections by Rick Roberts today!
Hitmaker, singer, innovator, producer, award-winning pioneer in the fusion of funk groove and rock, the late Rick James collaborated with go-to music biographer David Ritz, in this wildly entertaining and profound expression of a rock star's life and soul"--
Now is one of those special books that should be required reading for the curriculum of life. As the world around us speeds up, we need to learn to cherish and appreciate each present moment we are so freely given.
If you didn’t experience rock and roll in Minnesota in the 1960s, this book will make you wish you had. This behind-the-scenes, up-close-and-personal account relates how a handful of Minnesota rock bands erupted out of a small Midwest market and made it big. It was a brief, heady moment for the musicians who found themselves on a national stage, enjoying a level of success most bands only dream of. In Everybody’s Heard about the Bird, Rick Shefchik writes of that time in vivid detail. Interviews with many of the key musicians, combined with extensive research and a phenomenal cache of rare photographs, reveal how this monumental era of Minnesota rock music evolved. The chronicle begins with musicians from the 1950s and early 1960s, including Augie Garcia, Bobby Vee, the Fendermen, and Mike Waggoner and the Bops. Shefchik looks at how a local recording studio and record label, along with Minnesota radio stations, helped make their achievements possible and prepared the way for later bands to break out nationally. Shefchik delves deeply into the Trashmen’s emblematic rise to fame. A Minneapolis band that recorded a fluke novelty hit called “Surfin’ Bird” at Kay Bank Studios, the Trashmen signed with Soma Records, topped the local charts in late 1963, and were poised to top the national charts in early 1964. Hundreds of Minnesota bands took inspiration from the Trashmen’s success, as teen dances with live bands flourished in clubs, ballrooms, gyms, and halls across the Upper Midwest. Here are the stories of bands like the Gestures, the Castaways, and the Underbeats, and the triumphs—and tragedies—of the most prominent Minnesota-spawned bands of the late 1960s, including Gypsy, Crow, and the Litter. For the baby boomers who remember it and everyone else who has felt its influence, the 1960s rock-and-roll scene in Minnesota was an extraordinary period both in musical history and popular culture, and now it’s captured fully in print for the first time. Everybody’s Heard about the Bird celebrates how these bands found their singular sound and played for their elated audiences from the golden era to today.
Rick Moody has been writing about music as long as he has been writing, and this book provides an ample selection from that output. His anatomy of the word cool reminds us that, in the postwar 40s, it was infused with the feeling of jazz music but is now merely a synonym for neat. "On Celestial Music," which was included in Best American Essays, 2008, begins with a lament for the loss in recent music of the vulnerability expressed by Otis Redding's masterpiece, "Try a Little Tenderness;" moves on to Moody's infatuation with the ecstatic music of the Velvet Underground; and ends with an appreciation of Arvo Part and Purcell, close as they are to nature, "the music of the spheres." Contemporary groups covered include Magnetic Fields (their love songs), Wilco (the band's and Jeff Tweedy's evolution), Danielson Famile (an evangelical rock band), The Pogues (Shane McGowan's problems with addiction), The Lounge Lizards (John Lurie's brilliance), and Meredith Monk, who once recorded a song inspired by Rick Moody's story "Boys." Always both incisive and personable, these pieces inspire us to dive as deeply into the music that enhances our lives as Moody has done -- and introduces us to wonderful sounds we may not know.
Israel Kamakawiwo'ole, born in 1959, the year Hawai'i became a state, rose to unrivaled celebrity on the strength of his one-in-a-million voice and a four-string 'ukulele. His phenomenal hit "Over the Rainbow" propelled his Facing Future album to Platinum status. His voice has been heard around the world in blockbuster films, television shows, and advertisements. IZ: Voice of the People is a portrait in words and over 200 photos of the man behind the music--his childhood, his early year with the Mā kaha Sons of Ni'ihau, his solo career, his personal struggles and successes. It is about fame, but it is also about triumph over adversity and loss; about standing up for the people of Hawai'i at a critical time in their history and inspiring them to demand justice and sovereignty; and about the music, people, and events that shaped Israel and his career.
Just as the dances of Beach Music have their twists and turns, so too do the stories behind the hits made popular in shag haunts from Atlantic Beach to Ocean Drive and the Myrtle Beach Pavilion. In Carolina Beach Music, local author and Beach Music enthusiast Rick Simmons draws on first-hand accounts from the legendary performers and people behind the music. Simmons reveals the true meaning behind "Oogum Boogum," uncovers just what sparked a fistfight between Ernie K. Doe and Benny Spellman at the recording session of "Te-Ta-Te-Te-Ta-Ta," and examines hundreds of other true events that shaped the sounds of Beach Music.
(Vocal Collection). 39 songs, including: Diamonds Are a Girl's Best Friend * Don't Cry For Me Argentina * I Ain't Down Yet * Losing My Mind * Memory * Send in the Clowns * and many more.
This follow-up to Carolina Beach Music: The Classic Years looks at performers including the Drifters, the Spinners, Tower of Power, Wild Cherry, and more. Carolina Beach Music from the ’60s to the ’80s: The New Wave covers more of those classic beach music tunes as well as the increasingly self-aware songs that marked the beginning of a new wave of beach music in the late 1970s and early 1980s. This book looks at eighty recordings from the years 1966 through 1982, featuring interviews and insights from the artists who sang them, including Archie Bell, William Bell, Jerry Butler, Clyde Brown of the Drifters, Harry Elston of the Friends of Distinction, Bobbie Smith of the Spinners, Emilio Castillo of Tower of Power, Rob Parissi of Wild Cherry, Billy Scott and many, many others. Includes photos
Revised and updated edition! There are many books about famous bands and rock stars out there, but whatever happened to those musicians that did not become famous? These are the experiences of drummer-singer George Garrett and guitarist-singer Rick Lawton. They were on a crazy and unpredictable U.S. road tour in 1978, but as they were buddies and played in bands together in high school, their reminiscences go way back. What started out as a simple e-mail memory exchange grew into this book. If you have ever wondered what happened to all those club bands and musicians you used to go out to see, listen, and dance to (or even go out with) back in the 70s, read on. You might get a clue from this book!
The first-ever book exclusively devoted to the history of the Newport Folk Festival, I Got a Song documents the trajectory of an American musical institution that began more than a half-century ago and continues to influence our understanding of folk music today. Rick Massimo’s research is complemented by extensive interviews with the people who were there and who made it all happen: the festival's producers, some of its biggest stars, and people who huddled in the fields to witness moments—like Bob Dylan’s famous electric performance in 1965—that live on in musical history. As folk has evolved over the decades, absorbing influences from rock, traditional music and the singer-songwriters of the ‘60s and ‘70s, the Newport Folk Festival has once again become a gathering point for young performers and fans. I Got a Song tells the stories, small and large, of several generations of American folk music enthusiasts.
(Vocal Collection). 39 songs, including: Diamonds Are a Girl's Best Friend * Don't Cry For Me Argentina * I Ain't Down Yet * Losing My Mind * Memory * Send in the Clowns * and many more.
Two years after mourning the death of her late husband, Marta, who is now attempting a comeback as the lead singer for the Paris Opera's production of "La Traviata," spots a man who strongly resembles him at a subway station during a stormy night.
The first book in the Speaking of Idaho Series, inspired by the popular blog of the same name. It's filled with Idaho history, loosely defined and quirky. Learn about Chicken Dinner Road, Grace Slick's tenuous connection to Idaho, why a governor didn't care for a beloved folk singer, the unique trick played by the Idaho giant salamander, where that Hot Rod Lincoln race really took place, and more useless but entertaining trivia about the Gem State.
The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. “When something’s not right, it’s wrong,” as Dylan puts it in “You’re Gonna Make Me Lonesome When You Go”—and something about that original recording led him to a studio in his native Minnesota to re-record five songs, including “Idiot Wind” and “Tangled Up in Blue.” Six Minnesota musicians participated in that two-night recording session at Sound 80, bringing their unique sound to some of Dylan’s best-known songs—only to have their names left off the album and their contribution unacknowledged for more than forty years. This book tells the story of those two nights in Minneapolis, introduces the musicians who gave the album so much of its ultimate form and sound, and describes their decades-long fight for recognition. Blood in the Tracks takes readers behind the scenes with these “mystery” Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan’s until he had to take a job as a railroad brakeman to make ends meet. Through in-depth interviews and assiduous research, Paul Metsa and Rick Shefchik trace the twists of fate that brought these musicians together and then set them on different paths in its wake: their musical experiences leading up to the December 1974 recording session, the divergent careers that followed, and the painstaking work required to finally obtain the official credit that they were due. A rare look at the making—or remaking—of an all-time great album, and a long overdue recognition of the musicians who made it happen, Blood in the Tracks brings to life a transformative moment in the history of rock and roll, for the first time in its true context and with its complete cast of players.
Why do 80% of all businesses fail? Why? Because People make bad decisions. Rick Segel and Rob Singer, two highly successful entrepreneurs became enthralled with just that question and motivated enough to join forces to share their years of experience in writing the book Good Business Bad Business. Their book gives you over 100 scenarios of good and bad business decisions that lead to success and failures and examples of what makes them good or bad. This book is a must-read book for everyone, from the experienced managers to the newest owners because the levels of sophistication may change but the core principles and values remain the same. Everyone in business today can benefit from these good common-sense reminders of what is right and what is wrong to help your company grow because common sense isn't common anymore. Good Business Bad Business is Easy to Read Easy to Understand Easy to Implement
Marta Hendriks is onstage at the Metropolitan Opera in New York when she learns of her beloved husband's death in a house fire. Overcome, she collapses and has to be carried off the stage. Fast - forward two years and countless therapy sessions, and Marta is ready to resume her career. In a stroke of luck, she's hired at the last moment to sing Violetta for the Paris Opera. She manages to keep her emotions under tight control and triumphs in the opening - night performance. During one of her rare days off, relaxing for the first time since her husband's accident, something threatens her newfound peace. When Marta is caught in a sudden downpour, she dashes for the shelter of a subway station and spots someone doing the same. It is her husband. Marta fears she's losing her mind - or did she actually see him? Back home in Toronto, she struggles with her need for the truth at the precipice of madness.
How many FBI agents retire and become professional ventriloquists? OneMe! And thats what this book is about. It describes my metamorphosis from investigator to entertainer. The story follows the progression from my childhood desire to be on stage and through my years as an award winning Vietnam War military photojournalist whose duties included shooting Bob Hopes USO shows. It details my thirty-year career as an FBI agent, and concludes with a look at my present day occupation as a ventriloquist/singer/comedian. Its a compelling and revealing glimpse into the world of an FBI agent who pursued a very different dream.
Innovative sounds in pop, rock and soul in the 1960s and 1970s meant that music appealed to more people than ever before. While some songs appealed to a broad audience, some targeted a much narrower demographic, meaning songs on the pop charts might not do as well on the adult contemporary or soul charts, or vice versa. This book examines forty songs featured on song charts of the 1960s and 1970s. Charts considered are Billboard Pop, Billboard Soul, Adult Contemporary, Cashbox and British Charts. Each listing includes discussion of the factors that contributed to the songs' popularity. Author interviews with songwriters, musicians and artists such as KC (of KC and the Sunshine Band), Mark Farner (of Grand Funk), Jerry Butler, Ron Dante (of the Archies and the Cuff Links), Freda Payne, Lou Christie, Tommy Roe, The Spinners and others tell the stories behind some of the era's most popular songs.
LaBelle shares her favorite dessert recipes, including diabetes friendly recipes that are lighter in calories, as she helps you set your kitchen for success with the right equipment and ingredients. She also shares kitchen memories and personal reminiscences about family, music, and life.
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