Reprints and reminiscences from the magazine’s first decade: “Fun to flip through . . . Where would American humor be without the National Lampoon?”—The New Yorker From its first issue in April 1970, the National Lampoon blazed like a comet, defining comedy as we know it today. To create Drunk Stoned Brilliant Dead, former Lampoon illustrator Rick Meyerowitz selected the funniest material from the magazine and sought out the survivors of its first electrifying decade to gather their most revealing and outrageous stories. The result is a mind-boggling tour through the early days of an institution whose alumni left their fingerprints all over popular culture: Animal House, Caddyshack, Saturday Night Live, Ghostbusters, SCTV, Spinal Tap, In Living Color, Ren & Stimpy, The Simpsons—even Sesame Street counts a few Lampooners among its ranks. This is the story of a band of young talents who “irrevocably rewrote the landscape of American humor” (Publishers Weekly). “A vivid picture of a tight-knit family of twentysomething humorists at the dawn of their careers.” —Newsweek "The other night I started laughing so hard I had to leave the room . . . And then I realized that I hadn’t laughed so hard in 35 years, since I was a teenager, reading National Lampoon.” —The Wall Street Journal “If you grew up with the Lampoon, this book is a trip down memory lane like no other; if not, it will demonstrate that the much maligned 70s could produce humor that has never been surpassed.” —Vanity Fair
Truly nutty ideas never die. They just lie in wait to come back when you least expect it. Exactly twenty years ago, those two wacky books of nasal disguises, Nose Masks I and Nose Masks II, appeared and America seemed to inhale them. There were nose mask parties, celebrities wearing nose masks, nose masks in parades. Today, like the Beetle, the yo-yo, and aviator shades, they're back. Return of the Nose Masks is wackiness for a whole new generation of grown-ups, children, and grown-ups with an inner child. Created by the original nose mask auteur, Rick Meyerowitz, here are 150 original costumes for the nose. Printed in four-color and perforated, there is the Fat Cat, Cooool Cat, and Cocktail Cat. Lawrence and Lenore of Arabia. The Velvet Frog. Nefertootsie and the Tut Mask. The three freedoms--Freedom to Sing, Freedom to Dance, Freedom to Shop. Holiday nose masks, underwater nose masks, career noses masks, modern art nose masks. There are little square nose masks and big vertical nose masks. Mustache nose masks, nose ring nose masks, and the Big Tongue page. Even the Buddha, for that mood of spiritual longing. The nose masks come with instructions for any-size nose on any-age face. The fit is snug, and the look is just right. Ships in time for Halloween.
Reprints and reminiscences from the magazine’s first decade: “Fun to flip through . . . Where would American humor be without the National Lampoon?”—The New Yorker From its first issue in April 1970, the National Lampoon blazed like a comet, defining comedy as we know it today. To create Drunk Stoned Brilliant Dead, former Lampoon illustrator Rick Meyerowitz selected the funniest material from the magazine and sought out the survivors of its first electrifying decade to gather their most revealing and outrageous stories. The result is a mind-boggling tour through the early days of an institution whose alumni left their fingerprints all over popular culture: Animal House, Caddyshack, Saturday Night Live, Ghostbusters, SCTV, Spinal Tap, In Living Color, Ren & Stimpy, The Simpsons—even Sesame Street counts a few Lampooners among its ranks. This is the story of a band of young talents who “irrevocably rewrote the landscape of American humor” (Publishers Weekly). “A vivid picture of a tight-knit family of twentysomething humorists at the dawn of their careers.” —Newsweek "The other night I started laughing so hard I had to leave the room . . . And then I realized that I hadn’t laughed so hard in 35 years, since I was a teenager, reading National Lampoon.” —The Wall Street Journal “If you grew up with the Lampoon, this book is a trip down memory lane like no other; if not, it will demonstrate that the much maligned 70s could produce humor that has never been surpassed.” —Vanity Fair
Truly nutty ideas never die. They just lie in wait to come back when you least expect it. Exactly twenty years ago, those two wacky books of nasal disguises, Nose Masks I and Nose Masks II, appeared and America seemed to inhale them. There were nose mask parties, celebrities wearing nose masks, nose masks in parades. Today, like the Beetle, the yo-yo, and aviator shades, they're back. Return of the Nose Masks is wackiness for a whole new generation of grown-ups, children, and grown-ups with an inner child. Created by the original nose mask auteur, Rick Meyerowitz, here are 150 original costumes for the nose. Printed in four-color and perforated, there is the Fat Cat, Cooool Cat, and Cocktail Cat. Lawrence and Lenore of Arabia. The Velvet Frog. Nefertootsie and the Tut Mask. The three freedoms--Freedom to Sing, Freedom to Dance, Freedom to Shop. Holiday nose masks, underwater nose masks, career noses masks, modern art nose masks. There are little square nose masks and big vertical nose masks. Mustache nose masks, nose ring nose masks, and the Big Tongue page. Even the Buddha, for that mood of spiritual longing. The nose masks come with instructions for any-size nose on any-age face. The fit is snug, and the look is just right. Ships in time for Halloween.
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