Between 1929 and 1988, American mystery writer Mignon Good Eberhart wrote fifty-nine mystery novels, at least as many short stories, and served a term as president and Grand Master of the Mystery Writers of America. This study of Eberhart's life and work considers the influence of her childhood in Nebraska, her marriage and frequent travels, and her various professional and personal contacts in Chicago and on the East Coast. Eberhart's friendships with well-known literary figures, including mystery and romance authors, provide a fascinating glimpse into the social matrix of a bygone publishing world. Eberhart's experiences with Hollywood and Broadway show how the mystery genre, and writer, were transformed in an alternate medium. Leading women's magazines of the day also sought Eberhart's talent and inevitably transformed her writing. Eberhart's novels and correspondence provide insight into the social mores of her day, in particular about women's friendships, repressed sexuality, and closeted homosexuality. Those interested in cultural studies, women's studies, and twentieth-century popular literature will find this book valuable.
Does experiencing a suspenseful situation allow one to develop virtue?" "The suspense writer, Charlotte Armstrong (1905-69), no doubt believed that it could. In her works she implied the benefits of experiencing suspense by illustrating the rhetorical benefits of resolving it ethically or virtuously. Thus, in their dealings with other characters, her protagonists discover a virtuous approach to resolving suspense that involves an expanded view of the language one uses and the perspective one adopts." "After writing a number of theatrical plays, Armstrong began writing mysteries - whodunits - and then, at the advice of her literary agent, changed directions. She began writing suspense stories so that her readers, if not the other characters, would know the identity of the villain. This move left her free to focus on how one creates suspense and to what end." "Her shift in focus coincided with the family's move from New Rochelle, NY, to Glendale, CA, in the mid 1940s in time for Armstrong to absorb the elements of suspense in the new genre of film noir. Nonetheless, while informed by film noir, Armstrong's work is set in the everyday, the commonplace, where with one simple action, a series of events are set into motion that keep readers in high suspense." "In Armstrong's correspondence, one observes the lucrative market of women's magazines and newspapers for serialized novels and short stories, the painful bottom line of publishing houses, the diplomatic skills of literary agents toward their authors, the advent of television and its markets for, and marketing of, literary works, and the ever-present and ever-elusive offers from the film industry." "This book seeks to understand Armstrong's contribution to popular fiction through an exploration of her childhood diaries, her adult correspondence, her published and cinematic works, the reviews of those works, and the recollections of her agent, children, and grandchildren. What emerges is the portrait of a writer whose determination, curiosity, analytic mien, and ideas about humanity shaped her writing in ways that fascinated her critics and readers, a fashion that perhaps unconsciously recognized the virtue of suspense in her written works."--BOOK JACKET.
Between 1929 and 1988, American mystery writer Mignon Good Eberhart wrote fifty-nine mystery novels, at least as many short stories, and served a term as president and Grand Master of the Mystery Writers of America. This study of Eberhart's life and work considers the influence of her childhood in Nebraska, her marriage and frequent travels, and her various professional and personal contacts in Chicago and on the East Coast. Eberhart's friendships with well-known literary figures, including mystery and romance authors, provide a fascinating glimpse into the social matrix of a bygone publishing world. Eberhart's experiences with Hollywood and Broadway show how the mystery genre, and writer, were transformed in an alternate medium. Leading women's magazines of the day also sought Eberhart's talent and inevitably transformed her writing. Eberhart's novels and correspondence provide insight into the social mores of her day, in particular about women's friendships, repressed sexuality, and closeted homosexuality. Those interested in cultural studies, women's studies, and twentieth-century popular literature will find this book valuable.
Does experiencing a suspenseful situation allow one to develop virtue?" "The suspense writer, Charlotte Armstrong (1905-69), no doubt believed that it could. In her works she implied the benefits of experiencing suspense by illustrating the rhetorical benefits of resolving it ethically or virtuously. Thus, in their dealings with other characters, her protagonists discover a virtuous approach to resolving suspense that involves an expanded view of the language one uses and the perspective one adopts." "After writing a number of theatrical plays, Armstrong began writing mysteries - whodunits - and then, at the advice of her literary agent, changed directions. She began writing suspense stories so that her readers, if not the other characters, would know the identity of the villain. This move left her free to focus on how one creates suspense and to what end." "Her shift in focus coincided with the family's move from New Rochelle, NY, to Glendale, CA, in the mid 1940s in time for Armstrong to absorb the elements of suspense in the new genre of film noir. Nonetheless, while informed by film noir, Armstrong's work is set in the everyday, the commonplace, where with one simple action, a series of events are set into motion that keep readers in high suspense." "In Armstrong's correspondence, one observes the lucrative market of women's magazines and newspapers for serialized novels and short stories, the painful bottom line of publishing houses, the diplomatic skills of literary agents toward their authors, the advent of television and its markets for, and marketing of, literary works, and the ever-present and ever-elusive offers from the film industry." "This book seeks to understand Armstrong's contribution to popular fiction through an exploration of her childhood diaries, her adult correspondence, her published and cinematic works, the reviews of those works, and the recollections of her agent, children, and grandchildren. What emerges is the portrait of a writer whose determination, curiosity, analytic mien, and ideas about humanity shaped her writing in ways that fascinated her critics and readers, a fashion that perhaps unconsciously recognized the virtue of suspense in her written works."--BOOK JACKET.
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