1755 marked the point at which events in America ceased to be considered subsidiary affairs in the great international rivalry that existed between the colonial powers of Great Britain and France. This book examines the Braddock Campaign of 1755, a segment of the wider ‘Braddock Plan’ that aimed to drive the French from all of the contested regions they occupied in North America. Rather than being an archetypal military history-styled analysis of General Edward Braddock’s foray into the Ohio Valley, this work will argue that British defeat at the infamous Battle of the Monongahela should be viewed as one that ultimately embodied military, political and diplomatic divergences and weaknesses within the British Atlantic World of the eighteenth century. These factors, in turn, hinted at growing schisms in the empire that would lead to the breakup of British North America in the 1770s and the birth of the future United States. Such an interpretation moves away from the conclusion so often advanced that Braddock’s Defeat was a distinctly, and principally ‘British’, martial catastrophe; hence allowing the outcome of this pivotal event in American history to be understood in a different vein than has hitherto been apparent.
This accessible and authoritative introduction tells the American story of religious liberty from its colonial beginnings to the latest Supreme Court cases. The authors analyze closely the formation of the First Amendment religion clauses and describe the unique and enduring principles of theAmerican experiment in religious freedom - liberty of conscience, free exercise of religion, religious equality, religious pluralism, separation of church and state, and no establishment of religion. Successive chapters map all of the 240+ Supreme Court cases on religious freedom - covering the freeexercise of religion; the roles of government and religion in education; the place of religion in public life; and the interaction of religious organizations and the state. The concluding reflections argue that protecting religious freedom is critical for democratic order and constitutional rule oflaw, even if it needs judicious balancing with other fundamental rights and state interests.Clear, comprehensive, multidisciplinary, and balanced, this classic volume is an ideal classroom text. This new 5th edition addresses fully the new hot-button issues and cases on religious freedom versus sexual liberty; religious worship in the time of COVID; freedom of conscience and exemptionclaims; state aid to religion; religious monuments and ceremonies in public life; and the rights and limits of religious groups.
Mahara is a user-centred environment with a permissions framework that enables different views of an e-portfolio to be easily managed. These views helps you display your artefacts – text files, spreadsheets, images, and videos – in a way you choose and to the people you want. You can also create online communities and social networks through groups, blogs, and forums. Being a novice, you will need a quick and easy implementation guide to set up your feature-rich digital portfolio. This book is your step-by-step guide to building an impressive professional e-portfolio using Mahara. It covers the key features of Mahara that will help you set up your customized digital portfolio and display the artefacts in your preferred way allowing contribution from selected users only. This book will introduce to the exciting features of Mahara framework and help you develop a feature-rich e-portfolio for yourself. You will see how easily you can create folders, upload multiple files like journals, project documents, pictures, and videos and share them with your friends. You will learn to set up views of these files, making these visible to your chosen friends only. And then, you will allow people to give their inputs. You will learn to create blogs and forums and get connected to the rest of the world. Customization and administration of your Mahara site will become easy after you have gone through this book. Imagine how good you will feel when you will see your knowledge, success, and ideas going live and available to your chosen audiences for their inputs.
Maine to Greenland is a testament to one of the world's great geographic regions: the Maritime Far Northeast. For more than three decades, William W. Fitzhugh and Wilfred E. Richard have explored the Northeast’s Atlantic corridor and its fascinating history, habitat, and culture. The authors’ powerful personal essays and Richard’s stunning photography transport readers to this vibrant region, joining Smithsonian archaeological expeditions and trekking in vast and amazing terrain. Following Fitzhugh and Richard’s travels north—from Maine to the Canadian Maritimes, Newfoundland and northern Quebec, then to Labrador, Baffin and Ellesmere islands, and Greenland—we view incredible landscapes, uncover human history, and meet luminous personalities along the way. Fully illustrated with 350 full-color photographs, Maine to Greenland is the first in-depth treatment of the Northeast Atlantic corridor and essential for armchair travelers, locals, tourists, or anyone who has journeyed there. Today green technology, climate change, and the opening of the Arctic Ocean have transformed the Maritime Far Northeast from an icy frontier into a global resource zone and an increasingly integrated international crossroads. In our rapidly converging world, we have much to learn from the Maritime Far Northeast and how its variety of cultures have adapted to rather than changed their environments during the past ten thousand years. Maine to Greenland is not only a complete account of the region’s unique culture and environment, but also a timely reminder that amidst the very real consequences of climate change, the inhabitants of the Maritime Far Northeast can show us grounded and sustainable ways of living.
During the early eighteenth century, three phratries or tribes (Turtle, Turkey, and Wolf) of Delaware Indians left their traditional homeland in the Delaware River watershed and moved west to the Allegheny Valley of western Pennsylvania and eventually across the Ohio River into the Muskingum River valley. As newcomers to the colonial American borderlands, these bands of Delawares detached themselves from their past in the east, developed a sense of common cause, and created for themselves a new regional identity in western Pennsylvania. The Western Delaware Indian Nation, 1730-1795: Warriors and Diplomats is a case study of the western Delaware Indian experience, offering critical insight into the dynamics of Native American migrations to new environments and the process of reconstructing social and political systems to adjust to new circumstances. The Ohio backcountry brought to center stage the masculine activities of hunting, trade, war-making, diplomacy and was instrumental in the transformation of Delaware society and with that change, the advance of a western Delaware nation. This nation, however, was forged in a time of insecurity as it faced the turmoil of imperial conflict during the Seven Years' War and the backcountry racial violence brought about by the American Revolution. The stress of factionalism in the council house among Delaware leaders such as Tamaqua, White Eyes, Killbuck, and Captain Pipe constantly undermined the stability of a lasting political western Delaware nation. This narrative of western Delaware nationhood is a story of the fight for independence and regional unity and the futile effort to create and maintain an enduring nation. In the end the western Delaware nation became fragmented and forced as in the past, to journey west in search of a new beginning. The Western Delaware Indian Nation, 1730-1795: Warriors and Diplomats is an account of an Indian people and their dramatic and arduous struggle for autonomy, identity, political union, and a permanent homeland.
This volume centres upon the era conventionally labelled the 'Making of the kingdom', or the 'Anglo-Norman' era in Scottish history. It seeks a balance between traditional historiographical concentration on the 'feudalisation' of Scottish society as part of the wholesale importation of alien cultural traditions by a 'modernising' monarchy and more recent emphasis on the continuing vitality and centrality of Gaelic culture and traditions within the twelfth- and early thirteenth-century kingdom. Part I explores the transition from the Gaelic kingship of Alba into the hybridised medieval state and traces Scotland's role as both dominated and dominator. It examines the redefinition of relationships with England, Gaelic magnates within Scotland's traditional territorial heartland and with autonomous/independent mainland and insular powers. These interrelationships form the central theme of an exploration of the struggle for political domination of the northern mainland of Britain and the adjacent islands, the mechanisms through which that domination was projected and expressed, and the manner of its expression.Part II is a thematic exploration of central aspects of the society and culture of late eleventh- to early thirteenth-century Scotland which gave character and substance to the emerging kingdom. It considers the evolutionary growth of Scottish economic structures, changes in the management of land-based resources, and the manner in which secular power and authority were acquired and exercised. These themes are developed in discussions of the emergence of urban communities and in the creation of a new noble class in the twelfth century. Religion is examined both in terms of the development of the Church as an institution and through the religious experience of the lay population.
Meath, the ‘Royal County’, has a rich heritage of myths and legends which is uniquely captured in this collection of traditional tales from across the county.Here you will find tales of the first occupation of Ireland and the exploits of St Patrick and Colmcille along with stories of witches, hags, ghosts and fairies. As well as the legends of the Hill of Tara, the ancient political capital and enduring spiritual heartland of Ireland.In a vivid journey through Meath’s varied landscape, local storyteller Richard Marsh takes the reader to places where legend and landscape are inseparably linked.
On Easter day, 1939, a German Jewish emigre scientist, meets a young Philadelphia Negro studying to be a singer. Their mutual love of music draws them together, and--against all odds and better judgment--they marry. They vow to raise their children beyond time, beyond identity, steeped only in song.
The Loss of the Schooner Kestrel & Other Poems is a contemporary book of sea poetry based on recreational boating and commercial fishing. The boats in Dey’s poems are many and varied, and he writes about them in both literal and figurative ways. He regards yachts not as images of conspicuous consumption but as vehicles of trial and transport, and in this he is revolutionary. He sees them in the continuum of ships. The title poem is a narrative about the predicament of a modern sailor in a traditional battle against an ageless sea.
‘No I Will’ is a father’s own story of his experiences raising a special child. It is a searingly honest account of his struggles and the challenges he faced. It is heartfelt and uplifting, incredibly moving and full of laugh out loud humour. “I don’t believe any parent, if they had the choice, would choose a physical or mental handicap for their child. No parent want’s their child to suffer. But despite my son’s limitations, he inspires me every day. He is innocence personified and sees the world as the truly wonderful and magical place that it is. He reminds me how to have fun, to find humour in everything and show kindness to everyone.”
While Richard M. Weaver is best known for the classic Ideas Have Consequences, the foundation of his career was this study of his native South. Calling the Southern tradition "the last non-materialist civilization in the Western world," he traced its roots to feudalism, chivalry, religiosity, and aristocratic conventions. The Old South, he concluded, "may indeed be a hall hung with splendid tapestries in which no one would care to live; but from them we can learn something of how to live." Weaver’s exploration of the ideals and ideas of the Southern tradition as expressed in the military histories, autobiographies, diaries, and novels of the era following the Civil War—especially those written by the men and women on the losing side—is offered to a new generation of readers for whom that tradition has fallen into disrepute and who can scarcely imagine a life rooted in nature, the soil, and a powerful sense of honor. The Southern Tradition at Bay is, as Jeffrey Hart noted, the work of a man who admired what "is admirable indeed, and that is the foundation of wisdom and indeed sanity.
A new history of post-conquest England which makes the new kingdom accessible through a focus on its kings and how it was ruled, featuring the empire building dynasties. The central theme of the book is the rise and fall of English kingship during this period and at its heart is the central question of how the ruler of the most sophisticated kingdom in 12th century Europe was eventually compelled to submit to the humiliation of Magna Carta at the start of the thirteenth. The book also reaffirms the importance of high politics in English history. No proper understanding of the wider aspects of medieval history (social, economic, cultural) is possible without a firm grounding in political events, and this book covers these themes in depth.
A thoroughly invigorating, tightly focused piece of Chekhovian drama, wherein chatter about work and art . . . fail to mask deep vulnerability."—Chicago Tribune A play about Frank Lloyd Wright set in the summer of 1923, when the great architect has recently left Chicago for California, hoping to mend his relationship with his adult children. Richard Nelson brings to life two great architectural demigods, Wright and Louis Sullivan, only to show their all-too-human frailties. Richard Nelson's plays include Rodney's Wife, Goodnight Children Everywhere, Some Americans Abroad, Franny's Way, New England, and James Joyce's The Dead (with Shaun Davey), winner of the Tony Award for Best Book of a Musical.
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