This book covers the changing preference of growing sugar rather than tobacco which had been the leading crop in the trans-Atlantic colonies. The Sugar Islands were Antigua, Barbados, St. Christopher, Dominica, and Cuba through Trinidad. Jamaica has been by far the major producer of sugar, but The Lesser Antilles had the advantage of a shorter sea trip to deliver produce and rum to the European Markets during the 18th and 19th Centuries.
The extreme interrogation tactics permitted after the 9/11 attacks illustrate that the level of fear in society can influence the law of interrogation. In light of controversial water boarding policies and extraterritorial detention centers, what is the basis for interrogation law in the United States? What is the historical precedent for giving potential criminals the right to "remain silent" or confess to a crime? In Confessions of Guilt, esteemed scholars of law and criminal procedure George Thomas and Richard Leo tell the story of how, over the centuries, the law of interrogation moved from indifference about extreme pressure to concern over the slightest pressure, and back again. Demonstrating that the law of interrogation is inherently unstable and highly dependent on the perceived levels of threat felt by a society, the authors shed light on the nuanced and fascinating history of interrogation practices, both new and old.
Composed of approximately one-quarter authors’ commentaries and three-quarters cases and materials, including academics' articles and extracts from books and Law Commission papers, this book facilitates the development of personal study skills and encourages readers to engage with the leading commentaries in the area. Clearly signposted chapter introductions highlight the salient features under discussion and additional reading collected at the end of each chapter guides further study and independent research. The range of material covered and the straightforward style makes Text, Cases and Materials on Contract Law an invaluable resource for all undergraduate students of contract law.
I enjoyed reading this volume. It is rare to see such a comprehensive report on hard data published these days, especially one so insightfully contextualised by the editors' introductory and concluding chapters. These scholars and the others involved in the work really know their stuff, and it shows. The editors connect the preoccupations of Pacific archaeologists with those of their colleagues working in other island regions and on "big questions" of colonisation, migration, interaction and patterns and processes of cultural change in hitherto-uninhabited environments. These sorts of outward-looking, big-picture contextual studies are invaluable, but all too often are missing from locally- and regionally-oriented writing, very much to its detriment. In sum, the work strongly advances our understanding of the early prehistory of Fiji through its well-integrated combination of original research and the reinterpretation of existing knowledge in the context of wider theoretical and historical concerns. In doing so The Early Prehistory of Fiji makes a truly substantial contribution to Pacific and archaeological scholarship. Professor Ian Lilley, The University of Queensland
This is the first book on British theatre historiography. It traces the practice of theatre history from its origins in the Restoration to its emergence as an academic discipline in the early twentieth century. In this compelling revisionist study, Richard Schoch reclaims the deep history of British theatre history, valorizing the usually overlooked scholarship undertaken by antiquarians, booksellers, bibliographers, journalists and theatrical insiders, none of whom considered themselves to be professional historians. Drawing together deep archival research, close readings of historical texts from the seventeenth, eighteenth and nineteenth centuries, and an awareness of contemporary debates about disciplinary practice, Schoch overturns received interpretations of British theatre historiography and shows that the practice - and the diverse practitioners - of theatre history were far more complicated and far more sophisticated than we had realised. His book is a landmark contribution to how theatre historians today can understand their own history.
Between January 17 and February 28, 1991, an international military coalition sanctioned by the United Nations and led by the United States defeated a large, well-equipped Iraqi army and forced it to withdraw from occupied Kuwait. The first major military action after the end of the Cold War, the Persian Gulf War is seen as the precursor of a new military doctrine; ground troops from 19 countries around the globe participated in the operation. This is a comprehensive reference work to the people, places, events, weapons, operations, and other matters in the Persian Gulf War. A chronology is also provided, covering the major events from 1958 through 1991 that led to the rise of Iraqi leader Saddam Hussein, his invasion of Kuwait, and the rousting of Iraqi forces from that country.
Reprint of the original. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Collection of essays written by former students, colleagues, and friends to honor a preeminent economic historian of the Caribbean. Covering period 1650-1850, essays encompass a broad range of topics, with major focus on various aspects of slavery and imperial relations during those years. Excellent introductory essay on Sheridan's contributions to Caribbean economic history.
I CONSIDER MYSELF THE LUCKIEST MAN ON THE FACE OF THE EARTH." On July 4, 1939, baseball great Lou Gehrig delivered what has been called "baseball's Gettysburg Address" at Yankee Stadium and gave a speech that included the phrase that would become legendary. He died two years later and his fiery widow, Eleanor, wanted nothing more than to keep his memory alive. With her forceful will, she and the irascible producer Samuel Goldwyn quickly agreed to make a film based on Gehrig's life, The Pride of the Yankees. Goldwyn didn't understand -- or care about -- baseball. For him this film was the emotional story of a quiet, modest hero who married a spirited woman who was the love of his life, and, after a storied career, gave a short speech that transformed his legacy. With the world at war and soldiers dying on foreign soil, it was the kind of movie America needed. Using original scrips, letters, memos, and other rare documents, Richard Sandomir tells the behind-the-scenes story of how a classic was born. There was the so-called Scarlett O'Hara-like search to find the actor to play Gehrig; the stunning revelations Elanor made to the scriptwriter Paul Gallico about her life with Lou; the intensive training Cooper underwent to learn how to catch, throw, and hit a baseball for the first time; and the story of two now-legendary Hollywood actors in Gary Cooper and Teresa Wright whose nuanced performances endowed the Gehrigs with upstanding dignity and cemented the baseball icon's legend. Sandomir writes with great insight and aplomb, painting a fascinating portrait of a bygone Hollywood era, a mourning widow with a dream, and the shadow a legend cast on one of the greatest sports films of all time.
Both an appreciation of an architectural masterpiece and an exploration of the building’s shifting meanings, Jenkyns captures the voices of those who have described Westminster Abbey’s forms, moods, and ceremonies, from Shakespeare and Voltaire to Dickens and Henry James; we see how rulers have made used it, from kings to prime ministers.
Richard Howard has been writing stylish, deeply informed commentary on modern culture and literature for more than four decades. Here is a selection of his finest essays, including some never before published in book form, on a splendid range of subjects--from American poets like Emily Dickinson and Marianne Moore to French artists such as Rodin and Michel Delacroix. Also included are considerations of modern sculpture and of the photography of the human body. Howard's intense familiarity with modern poetry is seen to excellent effect in essays on the "poetry of forgetting," on the causes and effects of experimental poetry, and on the first books of poets whose work he helped introduce--among them, J. D. McClatchy, Frank Bidart, and Cynthia MacDonald. Of course, Howard brings to his consideration of French literature a rare wisdom drawn from his celebrated work as a translator of Stendhal and Gide, Barthes and Cocteau, Yourcenar and Gracq. Hilton Kramer once wrote that Richard Howard "performs the essential critical service. He shows us the extent of the terrain. He points out its essential features. And he gives us a very vivid sense of its ethos as well as of its esthetics." Howard, now in his seventy-fifth year, continues his adroit, inventive commentary, which enriches us all.
Ricochet Confessions Of A Gun Lobbyist "Ricochet tells the truth. With each page I can hear the echo of footsteps down the Rayburn Building's marbled halls as Feldman tells the intimate story few know and even fewer survive." ?Jack Brooks (D-Tex.), former Chairman, U.S. House Judiciary Committee "Ricochet casts an eye-opening spotlight on the shadowy world of behind-the-scenes gun politics. Is it accurate? Absolutely! I was there." ?John Aquilino, former Director, NRA Public Education "Ricochet is right on target. Feldman's behind-the-scenes memoir vividly describes America's firearms debate and struggle to win in extraordinary detail. I thoroughly enjoyed it." ?John W. Magaw, former Director of the Bureau of Alcohol, Tobacco, and Firearms
“This is the room from which I will direct the war,” Churchill declared upon seeing the dank storage basement in an improbably central location near the Houses of Parliament. The chambers would become his base of operations during the heaviest enemy bombardment of London. In Churchill’s Bunker, distinguished Churchill biographer Richard Holmes provides the first comprehensive history of the Cabinet War Rooms, from which Churchill managed to turn a seemingly inevitable defeat at the hands of the Nazis into a victory for the free world.Here was the Map Room that charted the advances and retreats of armies, the locations of warships, and the often painful progress of the convoys that kept the nation supplied with munitions. Here the planners worked on future operations and the intelligence staff pondered the enemy’s next moves. And remarkably, all of this highly charged work was known only to those who needed to know.Drawing on a wealth of original material, including new firsthand accounts of the people who lived and worked there, Holmes reveals how and why the bunker and its war machine developed, how life was conducted in a realm where “only the clock told whether it was night or day and . . . an electric bell gave warning of an air-raid,” and how Churchill interacted with his staff in very close quarters. A unique exploration of the calculus of secrecy during the Second World War, Churchill’s Bunker provides an intimate portrait of Churchill and his closest advisors in one of the most fascinating and underexplored venues of twentieth-century history.
Includes material on Konrad Adenauer, Douglas MacArthur in Japan, Dean Acheson, Jean Monnet, Marshall Plan, John Foster Dulles, John F. Kennedy, Charles de Gaulle, Lyndon Johnson, Richard Nixon, Willy Brandt, detente, Henry Kissinger, trilateralism, Jimmy Carter, Ronald Reagan.
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