This book is a sequel to Richard Griffiths’s two highly successful previous books on the British pro-Nazi Right, Fellow Travellers of the Right: British Enthusiasts for Nazi Germany 1933-39 and Patriotism Perverted: Captain Ramsay, the Right Club and British Anti-Semitism 1939-1940. It follows the fortunes of his protagonists after the arrests of May-June 1940, and charts their very varied reactions to the failure of their cause, while also looking at the possible reasons for the Government’s failure to detain prominent pro-Nazis from the higher strata of society. Some of the pro-Nazis continued with their original views, and even undertook politically subversive activity, here and in Germany. Others, finding that their pre-war balance between patriotism and pro-Nazism had now tipped firmly on the side of patriotism, fully supported the war effort, while still maintaining their old views privately. Other people found that events had made them change their views sincerely. And then there were those who, frightened by the prospect of detention or disgrace, tried to hide or even to deny their former views by a variety of subterfuges, including attacking former colleagues. This wide variety of reactions sheds new light on the equally wide range of reasons for their original admiration for Nazism, and also gives us some more general insight into what could be termed ‘the psychology of failure’.
Patriotism Perverted is an exploration of British anti-Semitism in the last six months of peace and the first year of the Second World War. It shows how, against the backdrop of an endemic British 'social anti-Semitism', a virulent form of this tendency was able to emerge in the late Thirties in a variety of extremist movements. These movements gained their strength from the popular obsessions, in 1939, with Jewish responsibility for the approaching war (seen as 'The War of the Jews' Revenge'), and with the myth of the Judaeo-Bolshevik Plot. In many cases, these views were closely related with pro-Nazism and were often held by the most patriotic of people. For most, the outbreak of war was a signal to perform their patriotic duty. But there were others who found themselves in a considerable dilemma, torn between patriotism and their desire to subvert a war they believed Britain to have been tricked into undertaking. Researching many prominent figures of the day, including Captain Ramsay and Sir Oswald Mosley, Patriotism Perverted offers a fascinating insight into the views and activities of those in the various anti-Semitic and/or pro-Nazi circles in 1939.
With its picturesque domes, walls of pale pink sandstone and splendid Dumfriesshire setting, Drumlanrig is one of Scotland's most romantic castles, its story entwined with that of the country itself. Today's castle was superimposed on a medieval Douglas stronghold by the 1st Duke of Queensberry and took a decade to build. Finished in 1689, its North Front is a stunning stage set of dressed stone, classical pilasters and carvings of swags, scrolls and spooky faces. The 2nd Duke, known as 'The Union Duke' for his role in the 1707 Act of Union, added the great oak staircase, while his son created the vast gardens. The 4th Duke, a rakish cousin known as 'Old Q', left it to future Dukes of Buccleuch and Queensberry to rescue the castle and fill it with treasures, including Rembrandt's luminous Old Woman Reading.
The life of Lady Desborough - beautiful heiress, aristocratic hostess, unfaithful wife, tragic mother, Edwardian icon. Born in 1867 and orphaned at three, Ettie Fane was brought up by a beloved grandmother and then two adoring, almost incestuous, bachelor uncles. At twenty she married Willy Grenfell, later Lord Desborough. Beautiful, rich, charming and clever, Ettie soon became a leading hostess at the two magnificent country houses she had inherited. Leading politicians, writers and artists were very much part of her circle. But there was a dark side too, as this book will reveal. Ettie could be manipulative and cruel. Her eldest son Julian, after a nervous breakdown at Oxford, rejected her world and values. Nemesis and tragedy were not far away. In 1915 Julian died of war wounds. Six weeks later her second son Billy was killed in action. Her youngest son Ivo would be killed shortly after the war. But despite intense private misery, she reacted with outward courage and self-mastery. Grief revealed the greatness of her spirit. In the 1920s and 1930s she continued to collect new types, especially gifted young men, relishing people of all ages up to her death in 1952, a redoutable survivor from a vanished age.
Aims to bring alive, through the eyes of their contemporaries, three of the greatest political figures of the Victorian era - Henry, third Viscount Palmerston, Benjamin Disraeli and William Gladstone. This four-volume set draws together various documents including journals and diaries, pamphlets, correspondence, and other ephemeral literature. Volume 4 covers the political life of William Ewart Gladstone (Part II).
Who are the British today? For nearly three hundred years British national identity was a unifying force in times of glory and despair. It has now virtually disappeared. In Patriots, Richard Weight explores the decline of Britishness and the rise of powerful new identities in England, Scotland, Wales and Ireland. Based on a wealth of original research, it is scholarly in depth and scope, yet never departs from a thoroughly readable and entertaining style. 'Here are the themes of Orwell's The Lion and the Unicorn stretched over the subsequent sixty years and widened to embrace the whole United Kingdom. Brimming with zest and feel this is politico-cultural history at its best.' Peter Hennessy'Wide-ranging, intelligent, sensible and important.' Max Hastings, Sunday Telegraph 'A marvellously rich, ambitious and at times iconoclastic study by a young historian of how, in the broadest sense, national identity in Britain has changed in the last 60 or so years' David Kynaston, Financial Times 'A major work: the fruit of long research, wide reading and hard thinking, engagingly written, bubbling with fresh ideas' Stephen Howe, Independent
Before he joined the staff of Punch and designed its iconic front cover, illustrator Richard “Dicky” Doyle was a young man whose father (political caricaturist John Doyle) charged him with sending a weekly letter, even though they lived under the same roof. This volume collects the fifty-three illustrated missives in their entirety for the first time and provides an uncommon peek into the intimate but expansive observations of a precocious social commentator and artist. In a series of vivid manuscript canvases, Doyle observes Victorian customs and society. He visits operas, plays, and parades. He watches the queen visiting the House of Commons and witnesses the state funeral of the Duke of Sussex. He is caught up in the Chartist riots of August 1842 and is robbed during one of the melees. And he provides countless illustrations of ordinary people strolling in the streets and swarming the parks and picture galleries of the metropolis. The sketches offer a fresh perspective on major social and cultural events of London during the early 1840s by a keen observer not yet twenty years old. Doyle’s epistles anticipate the modern comic strip and the graphic novel, especially in their experimentation with sequential narrative and their ingenious use of space. The letters are accompanied by a full biographical and critical introduction with new material about Doyle’s life.
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