Richard W. I. Cooke's Books

Reflexions-Richard Olney

By: Richard Olney

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•“The best is the best and we must take it on the rare occasions that we find it.” –Jim Harrison, Kermit Lynch Wine Merchant News •“Delicious Reading” -Patrick Kuh, San Francisco Chronicle •“Funny” –Gourmet Magazine •“Awe-Inspiring” -Tara Q. Thomas, Wine & Spirits •“... downright brilliant..” –Mark Bittman, New York Times Book Review •“Mr. Olney’s influence in the culinary profession was profound....” -R.W. Apple Jr., New York Times •“...an unparalleled view of French food and wine.” -William Rice, Chicago Tribune •“Richard Olney, one of the most influential cookbook writers of his generation....” -Russ Parsons, Los Angeles Times •“Olney was well ahead of his time. He was without doubt, one of the most influential of modern writers about food. He has a very strong claim to be considered the best.” -Times, London •“Richard Olney’s writings may come to share the position bestowed upon A. Escoffier’s 1903 Guide Culinaire as the international authoritative culinary text of the 20th century. A pair well-matched, Escoffier preached “Faites simple” and devoted his career to eradicating the excessive culinary follies invented by his predecessors.” -Nora Carey, Independent, London •“Although he was an American, Richard Olney...was one of the foremost writers on French food and wine.... He was admired and respected by the French gastronomic community....” -Jill Norman, Guardian, Manchester •“He was not as famous as Julia Child...but he was in many ways just as influential...the expatriot theorist who revolutionized the way the best American chefs think about food.” -Donald Kaul, Des Moines Register The book begins in New York in 1951 where Olney, a struggling artist, waited tables in Greenwich Village, then moves to Paris and weaves a magical description of food that becomes so real–as if you were actually there with Olney: “My first meal in Paris was in a glum little dining room for boarders, in the Hôtel de l’Académie, at the corner of rue de l’Université and the rue des Saints-Pères. The plat du jour was ‘gibelotte, pommes mousseline’- rabbit and white wine fricassee with mashed potatoes. The gibelotte was all right, the mashed potatoes the best I had ever eaten, pushed through a sieve, buttered and moistened with enough of their hot cooking water to bring them to a supple, not quite pourable consistency–no milk, no cream, no beating. I had never dreamt of mashing potatoes without milk and, in Iowa, everyone believed that, the more you beat them, the better they were.” This book is a long-awaited story of the man who brought the simplicity of French cooking to the United States, and a statement about one of the finest and most important food professionals in the world. Richard Olney, one of the first food writers to introduce the simple joys of French cooking to American readers was an American who lived in Europe for almost 50 years. He died unexpectedly July 31, 1999. Author of more than 35 titles and inspiration to hundreds more his works include French Menu Cookbook, the seminal Simple French Food, The Good Cook, Yquem, Ten Vineyard Lunches, Romanée-Conti, Provence the Beautiful, Lulu’s Provençal Table, Good Cook’s Encyclopedia, and French Wine and Food. A resident of Solliès-Toucas, France, Olney was close to his art and family and friends.

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Page Count

731

Publisher

ibooks

Published Date

ISBN 10

1883283434

ISBN 13

9781883283438

Collected Writings of Richard Storry

By: Richard Storry

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Collected Writings of Richard Storry

By: Richard Storry

This volume collects the writings of Richard Storry on contemporary issues and the history of Japan.

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Page Count

376

Publisher

Psychology Press

Published Date

ISBN 10

1903350115

ISBN 13

9781903350119

PRAC WORKS OF THE REV RICHARD

By: Richard 1615-1691 Baxter,William 1787-1830 Orme

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PRAC WORKS OF THE REV RICHARD

By: Richard 1615-1691 Baxter,William 1787-1830 Orme

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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