Explores the Spanish American War and the events that led the United States to enter the war in Europe in 1917, follows the major events of American participation in the war, and examines the American international role after the war.
Melzer offers an impressive new book about famous New Mexico gravesites, usually the only monuments left to honor the human treasures who helped shape state, national, and often international history.
This book addresses cult and religion in the city of Corinth from the 4th to 7th centuries of our era. The work incorporates and synthesizes all available evidence, literary, archaeological and other. The interaction and conflict between Christian and non-Christian activity is placed into its urban context and seen as simultaneously existing and overlapping cultural activity. Late antique religion is defined as cult-based rather than doctrinally-based, and thus this volume focuses not on what people believed, but rather what they did. An emphasis on cult activity reveals a variety of types of interaction between groups, ranging from confrontational events at dilapidated polytheist cult sites, to full polysemous and shared cult activity at the so-called "Fountain of the Lamps". Non-Christian traditions are shown to have been recognized and viable through the sixth century. The tentative conclusion is drawn that a clear definition of "pagan" and "Christian" begins at an urban level with the Christian re-monumentalization of Corinth with basilicas. The disappearance of "pagan" cult is best attributed to the development of a new city socially and physically based in Christianity, rather than any purely "religious" development.
For the Romans, much of life was seen, expressed and experienced as a form of theatre. In their homes, patrons performed the lead, with a supporting cast of residents and visitors. This sumptuously illustrated book, the result of extensive interdisciplinary research, is the first to investigate, describe and show how ancient Roman houses and villas, in their décor, spaces, activities and function, could constitute highly-theatricalised environments, indeed, a sort of 'living theatre'. Their layout, purpose and use reflected and informed a culture in which theatre was both a major medium of entertainment and communication and an art form drawing upon myths exploring the core values and beliefs of society. For elite Romans, their homes, as veritable stage-sets, served as visible and tangible expressions of their owners' prestige, importance and achievements. The Roman home was a carefully crafted realm in which patrons displayed themselves, while 'stage-managing' the behaviour and responses of visitor-spectators.
Richard Benke, author of The Ghost Ocean, returns to southern New Mexico and the U.S.-Mexico border for an action-packed mystery involving a lost cache of gold that has trapped guilty and innocent alike in a web of intrigue and murder for nearly a century. The gold, dangled as incentive in a scheme to capture Pancho Villa after his 1916 border raid, was to be assigned to the care of a young lieutenant, George Patton, but the bullion never arrived. The sons of a slain British agent, whose body was found in a Mexican river bottom, suspect the gold was connected with his death. One by one, they are also caught in the tangle of deceit. The border, with its illegal traffic in drugs, cattle, and immigration, proves more than a match for them and for a unique cast of characters, north and south.
Each year, millions of visitors travel to Florence to admire the architectural marvels of this famous Renaissance city. In this compact yet comprehensive volume, architect and architectural historian Richard J. Goy offers a convenient, accessible guide to the city’s piazzas, palazzos, basilicas, and other architectural points of interest, as well as pertinent historical details regarding Florence’s unique urban environment. Clearly laid out and fully illustrated, this handbook is designed around a series of expertly planned walking tours that encompass not only the city’s most admired architectural sites, but also its lesser-known gems. Maps are tailored to each walking tour and provide additional references and insights, along with introductory chapters on the city’s architectural history, urban design, and building materials and techniques. Featuring a complete bibliography, glossary of key terms, and other useful reference materials, Goy’s guide will appeal both to travelers who desire a greater architectural context and analysis than that offered by a traditional guide and to return visitors looking to rediscover Florence’s most enchanting sites.
We all have fantasies in our lives; George's fantasy was to build a great bridge somewhere in North America, high in the mountains, glistening in the sunlight. The bridge had to be an amalgam of iron, concrete, and stainless steel, and it had to be heavy enough to transport the biggest loads across some canyon or river. Then one day he got a chance to fulfill his fantasy—
The Amazing Tom Mix The Most Famous Cowboy of the Movies Tom Mix was a town marshal and cowboy in the Oklahoma Territory, a rodeo champion and a wild west show performer. With his devil-may-care attitude, quick wit and penchant for doing breath-taking stunts on his wonder horse, Tony, Tom Mix went on to become the #1 movie cowboy of silent films, earning millions of dollars at a time when movie tickets cost pennies. While he basked in this incredible acclaim, Tom Mix lived in fear that his deep, dark secrets would be discovered and his career and his cherished heroic image would be destroyed. Celebrated author Richard D. Jensen has spent more than 30 years researching the life of Tom Mix, the man hailed as "the idol of every American boy." With incredible detail, much of it gained from hundreds of original letters, records, documents and eyewitness accounts, The Amazing Tom Mix cuts through 100 years of public relations mythology, tall tales and outright lies to bring the true and inspiring story of a man whose Saturday matinee cowboy image would become the standard for all of the movie cowboys who rode the silver screen after him. "Here is Tom Mix as he really was...a captivating biography ... brilliant ... delightful ... It is a splendid book." -Richard S. Wheeler, five-time Spur Award winning author of Trouble In Tombstone. "... the most complete biography of Mix's life of trials, tribulations and victories." -John Duncklee, author of Bull By The Tale.
Since the 16th century, Mexico has in many ways been held captive by outsiders. In the modern era, outsiders have most often made their impact through control of the Mexican economy and helping to establish a ruling elite while millions of ordinary citizens face abject poverty. With the advent of the North American Free Trade Agreement (NAFTA), Mexico's leadership predicted a new wave of economic progress in the country. However, a devaluation of the peso showed that the Mexican economy was as problematical as before. This work first examines the sociopolitical history of the country, and how the events of the past continue to influence the government's policies. Mexico's post-NAFTA future is then explored, with particular emphasis placed on how economic policy could evolve in a period of free trade. A 2013 postscript concludes the work.
Three Cultural Ecologies reverses common conceptions of modern architecture. It reveals how selected works of two modern architects, Le Corbusier and Frank Lloyd Wright, embraced environmental and cultural conditions as reciprocal and complementary. A basic premise of this book’s arguments is that cultural patterns cannot be adequately conceptualized in the terms that typically define ecology today. Instead, studies based on the natural sciences must be complemented by descriptions and interpretations of historical narratives, cultural norms, and individual expressions. Previously unpublished images and new interpretations will allow readers to rediscover works they thought they knew; Villa Savoye, Taliesin, La Tourette, and Ocatilla; as well as projects that are less well known: by Wright, the House on the Mesa and the City Residential Plan, and by Le Corbusier, the Immeuble-villas and Ilôt Insalubre projects. More broadly, this study of cultural ecology at three scales – domestic, monastic, and urban – reconsiders the history of modern architecture. The conditions brought about by societal and technological modernization and confronted by modern architecture have not disappeared in our time, but have intensified, making the task of imagining how some measure of equilibrium between culture and ecology might be achieved even more pressing.
Most studies of Renaissance patronage in the arts deal with a particular patron and the artists who worked for him. John R. Spencer reverses this approach by focusing on one fifteenth-century Florentine artist, Andrea del Castagno, and his patrons. Combining social and art history, Spencer casts new light on both the career of Castagno and on the nature of art patronage in the early Renaissance. Through careful and detailed archival research, Spencer creates a fascinating portrait of Castagno's patronage as a web, at the center of which was Cosimo de' Medici, who constituted the focal point of a network of business partnerships, real estate transactions, loans, and special privileges in which the artist's patrons were enmeshed. The author constructs partial biographies of unknown and lesser-known patrons to show the relation of these patrons to each other and to the artist, demonstrating the degree to which artistic production in Renaissance Italy was tied to politics and economics. Spencer discusses each of Castagno's extant and some of his lost paintings, dating the works with greater accuracy than ever before. His understanding of the patrons and of the motivations behind the commissions makes it possible for Spencer to bring new interpretations to many of these works. This book offers a deeper understanding of a particular artist's life and work while also exploring the larger question of the unique relationship between private patrons and independent artists in the Italian Renaissance.
Since its publication in 1989, The Human Career has proved to be an indispensable tool in teaching human origins. This substantially revised third edition retains Richard G. Klein’s innovative approach while showing how cumulative discoveries and analyses over the past ten years have significantly refined our knowledge of human evolution. Klein chronicles the evolution of people from the earliest primates through the emergence of fully modern humans within the past 200,000 years. His comprehensive treatment stresses recent advances in knowledge, including, for example, ever more abundant evidence that fully modern humans originated in Africa and spread from there, replacing the Neanderthals in Europe and equally archaic people in Asia. With its coverage of both the fossil record and the archaeological record over the 2.5 million years for which both are available, The Human Career demonstrates that human morphology and behavior evolved together. Throughout the book, Klein presents evidence for alternative points of view, but does not hesitate to make his own position clear. In addition to outlining the broad pattern of human evolution, The Human Career details the kinds of data that support it. For the third edition, Klein has added numerous tables and a fresh citation system designed to enhance readability, especially for students. He has also included more than fifty new illustrations to help lay readers grasp the fossils, artifacts, and other discoveries on which specialists rely. With abundant references and hundreds of images, charts, and diagrams, this new edition is unparalleled in its usefulness for teaching human evolution.
From the acclaimed author of Dispatches From Pluto and Deepest South of All, a harrowing travelogue into Mexico’s lawless Sierra Madre mountains. Twenty miles south of the Arizona-Mexico border, the rugged, beautiful Sierra Madre mountains begin their dramatic ascent. Almost 900 miles long, the range climbs to nearly 11,000 feet and boasts several canyons deeper than the Grand Canyon. The rules of law and society have never taken hold in the Sierra Madre, which is home to bandits, drug smugglers, Mormons, cave-dwelling Tarahumara Indians, opium farmers, cowboys, and other assorted outcasts. Outsiders are not welcome; drugs are the primary source of income; murder is all but a regional pastime. The Mexican army occasionally goes in to burn marijuana and opium crops—the modern treasure of the Sierra Madre—but otherwise the government stays away. In its stead are the drug lords, who have made it one of the biggest drug-producing areas in the world. Fifteen years ago, journalist Richard Grant developed what he calls "an unfortunate fascination" with this lawless place. Locals warned that he would meet his death there, but he didn't believe them—until his last trip. During his travels Grant visited a folk healer for his insomnia and was prescribed rattlesnake pills, attended bizarre religious rituals, consorted with cocaine-snorting policemen, taught English to Guarijio Indians, and dug for buried treasure. On his last visit, his reckless adventure spiraled into his own personal heart of darkness when cocaine-fueled Mexican hillbillies hunted him through the woods all night, bent on killing him for sport. With gorgeous detail, fascinating insight, and an undercurrent of dark humor, God's Middle Finger brings to vivid life a truly unique and uncharted world.
Introduces the concept of avant-garde art to readers as it has been practiced over the last century. Covering figures and genres in all styles of art, this is an ideal introduction to often misunderstood art forms.
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