Who was (and is) Jesus Christ? What is the gospel of Jesus Christ? Is the Bible trustworthy? How can the gospel of Jesus Christ benefit you? (Apologetics) What are the central teachings of Islam, atheism, and secular socialism and why do these fail to measure up to Biblical Christianity? (Polemics) What are the major yet-to-be-fulfilled biblical prophecies and how will these affect you? (Prophecy) The Bible says that God created you in His image, that God loves you and wants to have a personal relationship with you! How can you know God and have a personal relationship with Him? How can you grow and mature spiritually? (Spiritual Growth) How can you share your faith with others? (Witnessing and Evangelism) How can you help other believers grow and mature spiritually? (Discipling) Come along with me and consider the answers to these and other questions that have eternal significance to you. This will be an exciting journey as you discover God's plan for an abundant life for you, now and forever, ... if you place your faith in the gospel of Jesus Christ!
This volume in the Greenwood Guides to Biomes of the World: series covers the freshwater biomes that exist in wetlands, ponds and lakes, and rivers and streams, examining all aspects that define these biomes: Vegetation, Geographical Distribution, Challenges posed by the environment, Adaptation of the plants and animals to the environment.
This book explores the ideas of key thinkers and media practitioners who have examined images and icons of war and terror. Icons of War and Terror explores theories of iconic images of war and terror, not as received pieties but as challenging uncertainties; in doing so, it engages with both critical discourse and conventional image-making. The authors draw on these theories to re-investigate the media/global context of some of the most iconic representations of war and terror in the international ‘risk society’. Among these photojournalistic images are: Nick Ut’s Pulitzer Prize winning photograph of a naked girl, Kim Phuc, running burned from a napalm attack in Vietnam in June 1972; a quintessential ‘ethnic cleansing’ image of massacred Kosovar Albanian villagers at Racak on January 15, 1999, which finally propelled a hesitant Western alliance into the first of the ‘new humanitarian wars’; Luis Simco’s photograph of marine James Blake Miller, ‘the Marlboro Man’, at Fallujah, Iraq, 2004; the iconic toppling of the World Trade Centre towers in New York by planes on September 11, 2001; and the ‘Falling Man’ icon – one of the most controversial images of 9/11; the image of one of the authors of this book, as close-up victim of the 7/7 terrorist attack on London, which the media quickly labelled iconic. This book will be of great interest to students of media and war, sociology, communications studies, cultural studies, terrorism studies and security studies in general.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Selections from the Richard Nickel Archive at the Ryerson and Burnham Archives of The Art Institute of Chicago. Mary K. Woolever, Art and Architecture Archivist; Joe Tallarico, Digital Imaging Photographer. With contributions from the personal collections of Tim Samuelson, Susan Nickel Brunson, Nancy Nickel, Donald and Harriet Nickel, Emily Eads"--Page 264.
This book is published in conjunction with the exhibition Richard Deacon: What You See Is What You Get presented at The San Diego Museum of Art from March 25 to July 25, 2017.
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