Ghostwriting provides the first comprehensive analysis of the fictional prose narratives of one of contemporary Germany's most recognized authors, the émigré writer W. G. Sebald. Examining Sebald's well-known published texts in the context of largely unknown unpublished works, and informed by documents and information from Sebald's literary estate, this book offers a detailed portrait of his characteristic literary techniques and how they emerged and matured out of the practices and attitudes he represented in his profession as a literary scholar. The title "Ghostwriting†? signals the convergence in Sebald's works of a set of diverse historical questions, philosophical views, and literary practices. Many historical ghosts haunt Sebald's narratives on the level of story. Moreover, Sebald's narrator plays the role of a ghostwriter in the profound sense that his stories fictionally re-enact the histories of obscure, but once-living individuals whose lives they revitalize, and whose fates are tied up with the most virulent historical conjunctures of the modern world. This study thus seeks to comprehend the constitutive elements of Sebald's "poetics of history,†? his implementation of literary tools for effective historical memorializing.
In Money Matters, Richard Gray investigates the discourses of aesthetics and philosophy alongside economic thought, arguing that their domains are not mutually exclusive. The transition in Germany from an agrarian or proto-industrial economy to a capitalist industrial economy, which was paralleled by a shift from the exchange of money in coin to the use of paper currencies, occurred simultaneously with an efflorescence of German-language literature and philosophy. Based on close readings of canonical literary and philosophical texts, Gray explores how this confluence led to a rich cross-fertilization between economic and literary thought in Germany during this period. Money Matters documents the surprising degree to which literature and philosophy participated in the creation of modern economic paradigms, as well as the extent to which economics influenced literature and philosophy. The cultural artifacts of the period demonstrate the existence of an “economic unconsciousness”: persistent notions of value and exchange that inflect the aesthetic and thematic dimensions of literary and philosophical texts. This book offers a thought-provoking and original analysis of literature and ideas in the critical transition period from Kant and Goethe, through the German Romantics, to Marx.
Known for depicting alienation, frustration, and the victimization of the individual by impenetrable bureaucracies, Kafka's works have given rise to the term Kafkaesque. This encyclopedia details Kafka's life and writings. Included are more than 800 alphabetically arranged entries on his works, characters, family members and acquaintances, themes, and other topics. Most of the entries cite works for further reading, and the Encyclopedia closes with a selected, general bibliography.
Treasury of 300 puzzles features 3D and chess puzzles, connections, dissections, foldings, geometrical and number puzzles, logic problems, matchstick puzzles, mazes, moving pieces, put-togethers, strimkos, sudoku, and visual and word puzzles.
Ghostwriting provides the first comprehensive analysis of the fictional prose narratives of one of contemporary Germany's most recognized authors, the émigré writer W. G. Sebald. Examining Sebald's well-known published texts in the context of largely unknown unpublished works, and informed by documents and information from Sebald's literary estate, this book offers a detailed portrait of his characteristic literary techniques and how they emerged and matured out of the practices and attitudes he represented in his profession as a literary scholar. The title “Ghostwriting” signals the convergence in Sebald's works of a set of diverse historical questions, philosophical views, and literary practices. Many historical ghosts haunt Sebald's narratives on the level of story. Moreover, Sebald's narrator plays the role of a ghostwriter in the profound sense that his stories fictionally re-enact the histories of obscure, but once-living individuals whose lives they revitalize, and whose fates are tied up with the most virulent historical conjunctures of the modern world. This study thus seeks to comprehend the constitutive elements of Sebald's “poetics of history,” his implementation of literary tools for effective historical memorializing.
Accompanying the book, as with all TELOS sponsored publications, is an electronic component. In this case it is a DOS-Diskette produced by one of the coauthors, Paul Wellin. This diskette consists of Mathematica notebooks and packages which contain the codes for all examples and exercises in the book, as well as additional materials intended to extend many ideas covered in the text. It is of great value to teachers, students, and others using this book to learn how to effectively program with Mathematica .
This study provides one of the most detailed and comprehensive examinations ever devoted to a critical transformation in the material substance of the printed page; it carries out this exploration in the history of the book, moreover, by embedding these typographical changes in the context of other cultural phenomena in eighteenth-century Britain. The gradual abandonment of pervasive capitalization, italics, and caps and small caps in books printed in London, Dublin, and the American colonies between 1740 and 1780 is mapped in five-year increments which reveal that the appearance of the modern page in English began to emerge around 1765. This descriptive and analytical account focuses on poetry, classical texts, Shakespeare, contemporary plays, the novel, the Bible, the Book of Common Prayer, sermons and religious writings, newspapers, magazines, anthologies, government publications, and private correspondence; it also examines the reading public, canon formation, editorial theory and practice, and the role of typography in textual interpretation. These changes in printing conventions are then compared to other aspects of cultural change: the adoption of the Gregorian calendar in 1752, the publication of Johnson's Dictionary in 1755, the transformation of shop signs and the imposition of house numbers in London beginning in 1762, and the evolution of the English language and of English prose style. This study concludes that this fundamental shift in printing conventions was closely tied to a pervasive interest in refinement, regularity, and standardization in the second half of the century--and that it was therefore an important component in the self-conscious process of modernizing British culture.
A chronological collection of speeches, television addresses, essays, treaties, and statements documenting the circumstances and events surrounding German unification, from the grassroots movements in the GDR to the merger of the two states in October 1993. Incorporates the official political positi
In Money Matters, Richard Gray investigates the discourses of aesthetics and philosophy alongside economic thought, arguing that their domains are not mutually exclusive. The transition in Germany from an agrarian or proto-industrial economy to a capitalist industrial economy, which was paralleled by a shift from the exchange of money in coin to the use of paper currencies, occurred simultaneously with an efflorescence of German-language literature and philosophy. Based on close readings of canonical literary and philosophical texts, Gray explores how this confluence led to a rich cross-fertilization between economic and literary thought in Germany during this period. Money Matters documents the surprising degree to which literature and philosophy participated in the creation of modern economic paradigms, as well as the extent to which economics influenced literature and philosophy. The cultural artifacts of the period demonstrate the existence of an “economic unconsciousness”: persistent notions of value and exchange that inflect the aesthetic and thematic dimensions of literary and philosophical texts. This book offers a thought-provoking and original analysis of literature and ideas in the critical transition period from Kant and Goethe, through the German Romantics, to Marx.
Thrushes, warblers, vireos, and tanagers are probably the most familiar of the Neotropical migrants--birds that breed in the United States and Canada, then journey to spend the winter in the Caribbean, Mexico, or southward. But this extraordinary group actually comprises a large number of diverse species, including waterfowl, shorebirds, terns, hawks, flycatchers, and hummingbirds. In their compendious review of information on these birds, Richard M. DeGraaf and John H. Rappole illuminate the need for a thorough understanding of the ecology of each species, one that exte4nds throughout the entire life cycle. The authors argue convincingly that conservation efforts must be based on such an understanding and carried out across a species' range--not limited to the breeding grounds. This book is the first to summarize in one volume much-needed practical data about the distribution and breeding habitat requirements of migratory birds in North and South America. The body of the book consists of natural history accounts of more than 350 species of Neotropical migrants, including a brief description of each bird's range, status, habitats on breeding grounds, nest site, and wintering areas. The authors provide a complete range map of each species' distribution in the Western Hemisphere as well as notes on the distribution--basic data that until recently have largely been unavailable in usable form to ornithologists and land and resource managers. An appendix lists species that are increasing or decreasing at significant rates in various physiographic regions of North America.
The study presents a thorough investigation of Kafka's aphoristic writings, examining them in terms of the history of the aphorism in Germany, and paying special regard to Kafka's contemporary Austrian aphorists. Emphasis is placed on the role of the aphorism in the development of Kafka's literary creativity. Aphoristic discourse presented itself to Kafka as a possible manner of resolving specific conflicts in his life and art, above all the crisis of communication the individuality of the self. Aphoristic structure provides the transitional link between Kafka´s early perspectivistic narratives and the parables of the later period.
Tom Tresh is a small-time Los Angeles attorney always looking for a big score. Divorced and broke, with an ex-wife and a seven year old son to support, Tom has spent his career trying to walk the line between defending his criminal clients and becoming involved in their crimes. So when his old friend Charlie asks him to help broker a deal for a mysterious new computer program and promises him a huge payday for his services, Tom is willing to turn a blind eye to the details. Big mistake. Two of the people involved in the theft are found gruesomely slaughtered in a vacant lot. It's a warning. If Tom doesn't return the program, a "Logic Bomb" capable of destroying the world's vital computer systems, then all Tom has -- his family, his friends, his life -- will be brutally exterminated. Tom's frantic fight to unravel the conspiracy erupts into an all-out war waged in court and in the street against a cartel of corporate thugs, Chinese spies, domestic terrorists, and the U.S. government. Tom recruits an army of his own, led by the head of a murderous LA gang, a beautiful and deadly former cop, and a mysterious genius hacker. As Tom's team races towards a fierce and violent showdown, no one can be trusted and everything is at stake. In The Logic Bomb, veteran Los Angeles attorney Scott Richard Lord has crafted a riveting novel as fresh as tomorrow's Internet headlines. Populated with vividly compelling and original characters, sprawling across indelible Left Coast landmarks, the story is filled with the incredible but true details of the secret machinery behind the cyber war being fought everywhere today.
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