A Globe and Mail top 100 book of 2012 The ultimate CBC insider exposes the controversies, successes and dead ends of his time at the top. In 2004, CBC television had sunk to its lowest audience share in its history. That same year, Richard Stursberg, an avowed popularizer with a reputation for radical action, was hired to run English services. With incisive wit, Stursberg tells the story of the struggle that resulted -- a struggle that lasted for six turbulent and controversial years. Shortly after Stursberg arrived, the corporation locked out its employees for two months. Four years later, he signed the most harmonious labour contract to date. He lost the television rights for the 2010 and 2012 Olympic Games. He won the biggest NHL contract in history. He had unprecedented ratings successes. He had terrible flops. He enjoyed the best radio, television and online ratings in CBC's history. He fought endless wars with the CBC president and board about the direction of the corporation and ultimately was dismissed. This is the story of our most loved and reviled cultural institution during its most convulsive and far-reaching period of change. It is for those who think the CBC has lost its way, those who love where it is, and those who think it should not exist in the first place.
The emergence of Facebook, Amazon, Apple, Netflix and Google (the FAANGs) has created an unprecedented challenge to Canada's news, television and film businesses. In this book Richard Stursberg offers a brief account — often based on his insider's experience — of how Canada's cultural industries were built. And he explains that independent Canadian media and cultural industries are unlikely to survive due to the large share of ad dollars and audience attention captured by the big digital media companies. Faced with similar challenges, many governments around the world have responded by protecting and strengthening their national cultural life. Canada stands out for its passivity. Richard Stursberg identifies the path that would assure a strong continued news media, and a reasonable share of audiences for Canadian creative work. He warns that time for action is short, and many more media outlets will soon disappear, like the thirty-six newspapers shut down by the Toronto Star-Postmedia deal in 2017. Richard Stursberg's knowledge and experience across a wide range of cultural organizations in Canada make this an important and informative book on a topic of vital significance. At the same time this is an engaging account for any reader who wants to continue to enjoy Canadian stories and hear Canadian voices in the media and on our screens.
‘There can be no political sovereignty without culture sovereignty.’ So argued the CBC in 1985 in its evidence to the Caplan/Sauvageau Task Force on Broadcasting Policy. Richard Collins challenges this assumption. He argues in this study of nationalism and Canadian television policy that Canada’s political sovereignty depends much less on Canadian content in television than has generally been accepted. His analysis focuses on television drama, at the centre of television policy in the 1980s. Collins questions the conventional image of Canada as a weak national entity undermined by its population’s predilection for foreign television. Rather, he argues, Canada is held together, not by a shared repertoire of symbols, a national culture, but by other social forces, notably political institutions. Collins maintains that important advantages actually and potentially flow from Canada’s wear national symbolic culture. Rethinking the relationships between television and society in Canada may yield a more successful broadcasting policy, more popular television programming, and a better understanding of the links between culture and the body politic. As the European Community moves closer to political unity, the Canadian case may become more relevant to Europe, which, Collins suggests, already fears the ‘Canadianization’ of its television. He maintains that a European multilingual society, without a shared culture or common European audio-visual sphere and with viewers watching foreign television, can survive successfully as a political entity – just as Canada has.
The fourth edition of this widely used text includes updates about the many changes that have occurred in Canadian foreign policy under Stephen Harper and the Conservatives between 2006 and 2015. Subjects discussed include the fading emphasis on internationalism, the rise of a new foreign policy agenda that is increasingly shaped by domestic political imperatives, and the changing organization of Canada’s foreign policy bureaucracy. As in previous editions, this volume analyzes the deeply political context of how foreign policy is made in Canada. Taking a broad historical perspective, Kim Nossal, Stéphane Roussel, and Stéphane Paquin provide readers with the key foundations for the study of Canadian foreign policy. They argue that foreign policy is forged in the nexus of politics at three levels – the global, the domestic, and the governmental – and that to understand how and why Canadian foreign policy looks the way it does, one must look at the interplay of all three.
Forging Alberta’s Constitutional Framework analyzes the principal events and processes that precipitated the emergence and formation of the law and legal culture of Alberta from the foundation of the Hudson’s Bay in 1670 until the eve of the centenary of the Province in 2005. The formation of Alberta’s constitution and legal institutions was by no means a simple process by which English and Canadian law was imposed upon a receptive and passive population. Challenges to authority, latent lawlessness, interaction between indigenous and settler societies, periods (pre- and post-1905) of jurisdictional confusion, and demands for individual, group, and provincial rights and recognitions are as much part of Alberta’s legal history as the heroic and mythic images of an emergent and orderly Canadian west patrolled from the outset by red coated mounted police and peopled by peaceful and law-abiding subjects of the Crown. Papers focus on the development of criminal law in the Canadian west in the nineteenth century; the Natural Resources Transfer Agreement of 1930; the National Energy Program of the 1980s; Federal-Provincial relations; and the role and responsibilities of the offices of Justices of the Peace and of the Lieutenant-Governor; and the legacies of the Lougheed and Klein governments.
Archaeological digs have turned up sculptures in Inuit lands that are thousands of years old, but "Inuit art" as it is known today only dates back to the beginning of the 1900s. Early art was traditionally produced from soft materials such as whalebone, and tools and objects were also fashioned out of stone, bone, and ivory because these materials were readily available. The Inuit people are known not just for their sculpture but for their graphic art as well, the most prominent forms being lithographs and stonecuts. This work affords easy access to information to those interested in any type of Inuit art. There are annotated entries on over 3,761 articles, books, catalogues, government documents, and other publications.
Recent years have witnessed a resurgence of biological research into the causes of crime, but the origins of this kind of research date back to the late nineteenth century. Here, Richard Wetzell presents the first history of German criminology from Imperial Germany through the Weimar Republic to the end of the Third Reich, a period that provided a unique test case for the perils associated with biological explanations of crime. Drawing on a wealth of primary sources from criminological, legal, and psychiatric literature, Wetzell shows that German biomedical research on crime predominated over sociological research and thus contributed to the rise of the eugenics movement and the eventual targeting of criminals for eugenic measures by the Nazi regime. However, he also demonstrates that the development of German criminology was characterized by a constant tension between the criminologists' hereditarian biases and an increasing methodological sophistication that prevented many of them from endorsing the crude genetic determinism and racism that characterized so much of Hitler's regime. As a result, proposals for the sterilization of criminals remained highly controversial during the Nazi years, suggesting that Nazi biological politics left more room for contention than has often been assumed.
The emergence of Facebook, Amazon, Apple, Netflix and Google (the FAANGs) has created an unprecedented challenge to Canada's news, television and film businesses. In this book Richard Stursberg offers a brief account — often based on his insider's experience — of how Canada's cultural industries were built. And he explains that independent Canadian media and cultural industries are unlikely to survive due to the large share of ad dollars and audience attention captured by the big digital media companies. Faced with similar challenges, many governments around the world have responded by protecting and strengthening their national cultural life. Canada stands out for its passivity. Richard Stursberg identifies the path that would assure a strong continued news media, and a reasonable share of audiences for Canadian creative work. He warns that time for action is short, and many more media outlets will soon disappear, like the thirty-six newspapers shut down by the Toronto Star-Postmedia deal in 2017. Richard Stursberg's knowledge and experience across a wide range of cultural organizations in Canada make this an important and informative book on a topic of vital significance. At the same time this is an engaging account for any reader who wants to continue to enjoy Canadian stories and hear Canadian voices in the media and on our screens.
In the years following the founding of the State of Israel, close to a million Jews became refugees fleeing their ancestral homelands in the Middle East, North Africa, and Iran. State-sanctioned discrimination, violence, and political unrest brought an abrupt end to these once vibrant communities, scattering their members to the four corners of the earth. Their stories are mostly untold. Sephardi Voices: The Forgotten Exodus of the Arab Jews is a window into the experiences of these communities and their stories of survival. Through gripping first-hand accounts and stunning portrait and documentary photography, we hear on-the-ground stories of pogroms in Libya and Egypt, the burning of synagogues in Syria, the terrible Farhud in Iraq, families escaping via the great airlifts of the Magic Carpet and Operations Ezra and Nehemiah, husbands smuggled in carpets into Iran in search of wives. The authors also provide crucial historical background for these events, as well as updates on the lives of some of these Sephardi Jews who have gone on to rebuild fortunes in London and New York, write novels, and win Nobel Prizes. Sephardi Voices is at once a wide-ranging and intimate story of a large-scale catastrophe and a portrait of the vulnerability of the passage of time.
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