Daddy's little girl never realized her father was any different from her friends' dads. Six-year-old Cammie describes a normal life with her father, who is blind. She learns that her father's blindness does not affect his ability to provide for her or play with her. The book is a powerful family and educational children's picture book that teaches preschool children how blind or visually impaired persons live.
Before the film, César Chavez, Chavez's life was depicted in photographs by his confidant, Jon Lewis. In the winter of 1966, twenty-eight-year-old ex-marine Jon Lewis visited Delano, California, the center of the California grape strike. He thought he might stay awhile, then resume studying photography at San Francisco State University. He stayed for two years, becoming the United Farm Workers Union’s semiofficial photographer and a close confidant of farmworker leader César Chávez. Surviving on a picket’s wage of five dollars a week, Lewis photographed twenty-four hours a day and created an insider’s view of the historic and sometimes violent confrontations, mass marches, fasts, picket lines, and boycotts that forced the table-grape industry to sign the first contracts with a farm workers union. Though some of his images were published contemporaneously, most remained unseen. Historian and photographer Richard Steven Street rescues Lewis from obscurity, allowing us for the first time to see a pivotal moment in civil rights history through the lens of a passionate photographer. A masterpiece of social documentary, this work is at once the biography of a photographer, an exposé of poverty and injustice, and a celebration of the human spirit.
The work of nearly every photographer of consequence since the nineteenth century is captured in this collection of photographs of California farmworkers, raising moral questions about the exploitation and colonization of an entire class of people.
Written by one of America's preeminent labor historians, this book is the definitive account of one of the most spectacular, captivating, complex and strangely neglected stories in Western history--the emergence of migratory farmworkers and the development of California agriculture. Street has systematically worked his way through a mountain of archival materials--more than 500 manuscript collections, scattered in 22 states, including Spain and Mexico--to follow the farmworker story from its beginnings on Spanish missions into the second decade of the twentieth century. The result is a comprehensive tour de force. Scene by scene, the epic narrative clarifies and breathes new life into a controversial and instructive saga long surrounded by myth, conjecture, and scholarly neglect. With its panoramic view spanning 144 years and moving from the US-Mexico border to Oregon, Beasts of the Field reveals diverse patterns of life and labor in the fields that varied among different crops, regions, time periods, and racial and ethic groups. Enormous in scope, packed with surprising twists and turns, and devastating in impact, this compelling, revelatory work of American social history will inform generations to come of the history of California and the nation.
New York has appeared in more movies than Michael Caine, and the resulting overfamiliarity to moviegoers poses a problem for critics and filmmakers alike. Audiences often mistake the New York image of skyscrapers and bright lights for the real thing, when in fact the City is a network of clearly defined villages, each with a unique personality. Standard film depictions of New Yorkers as a rush-hour mass of undifferentiated humanity obscure the connections formed between people and places in the City's diverse neighborhoods. Street Smart examines the cultural influences of New York's neighborhoods on the work of four quintessentially New York filmmakers: Sidney Lumet, Woody Allen, Martin Scorsese, and Spike Lee. The City's heterogeneous economic and ethnic districts, where people live, work, shop, worship, and go to school, often bear little relation to the image of New York City created by the movies. To these directors, their home city is as tangible as the smell of fried onions in the stairwell of an apartment building, and it is this New York, not the bustling, glittery illusion portrayed in earlier films, that shapes their sensibilities and receives expression in their films. Richard A. Blake shows how the Jewish enclaves on Manhattan's Lower East Side profoundly influence Sidney Lumet's most noted characters as they struggle to form and maintain their identities under challenging circumstances. Both Woody Allen's light comedies and his more serious cinematic fare reflect the director's origins in the Flatbush neighborhood in Brooklyn and the displacement he felt after relocating to Manhattan. Martin Scorsese's upbringing on Elizabeth Street in Manhattan's Little Italy resonates in his gritty portraits of urban modernity. Blake also looks at the films of Spike Lee, whose adolescence in Fort Greene, a socioeconomically diverse Brooklyn neighborhood, exposed him to widely ranging views that add depth to his complicated treatises on power, culture, and race. Lumet, Allen, Scorsese, and Lee's individual identities were shaped by their neighborhoods, and in turn, their life experiences have shaped their artistic vision. In Street Smart, Richard A. Blake examines the critical influence of "place" on the films of four of America's most accomplished contemporary filmmakers.
As an archetype for an entire class of places, Main Street has become one of America's most popular and idealized images. In Main Street Revisited, the first book to place the design of small downtowns in spatial and chronological context, Richard Francaviglia finds the sources of romanticized images of this archetype, including Walt Disney's Main Street USA, in towns as diverse as Marceline, Missouri, and Fort Collins, Colorado. Francaviglia interprets Main Street both as a real place and as an expression of collective assumptions, designs, and myths; his Main Streets are treasure troves of historic patterns. Using many historical and contemporary photographs and maps for his extensive fieldwork and research, he reveals a rich regional pattern of small-town development that serves as the basis for American community design. He underscores the significance of time in the development of Main Street's distinctive personality, focuses on the importance of space in the creation of place, and concentrates on popular images that have enshrined Main Street in the collective American consciousness.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Have you ever wondered what leads to success. Do you just need to be smart, great looking, or lucky? Richard St. John says those things dont lead to success. And he should know. He spent 10 years interviewing over 500 successful people, from Martha Stewart, to actor Russell Crowe, to DNA discoverer James Watson, to the top people in many fields. After analyzing and sorting all the information, Richard discovered the top 8 factors that are the foundation for success in any field. He also discovered that many successful people aren't especially smart, good-looking, or lucky. They're ordinary people, without special gifts, who achieve success by following the8 factors. Richard himself is a good example. He says, I could never figure o ut how an ordinary guy like me succeeded in business, won top awards and became a millionaire. So I started a project to ask other people what led to their success, and it grew into a 10-year journey of discovery. The story is in Richards new book, Stupid, Ugly, Unlucky and RICH Spikes Guide to Success, an easy-to-read analysis that gets beyond the cliches to distill what the worlds most successful people really do have in common.
Unshaven, unkempt, and an avid Boston Red Sox fan, Alan Simpson is a reluctant psychic and tracker of persons, missing or dead. When the mayor's son is kidnapped, Alan is brought in to investigate the crime. From the start, Alan is haunted by the image of a beautiful and troubled young woman named Julia—a woman he is fated to love. But Julia is part of the crime and the pawn of Seth Stone, a powerful psychic questing for ultimate power. REVIEWS: "A page-turner." ~Midwest Book Review "...an immensely likable hero" ~Booklist THE PSYCHIC THRILLER SERIES, in recommended order Summit Marlborough Street OTHER TITLES by Richard Bowker Senator Pontiff SCIENCE FICTION TITLES by Richard Bowker Replica Forbidden Sanctuary Dover Beach (The Last P.I. Series, Book 1) The Distance Beacons (The Last P.I. Series, Book 2)
RICHARD M. ABRAMS, a retired U.C. Berkeley professor of modern U.S. history, recreates the many games, some of them now all-but extinct, played in the city streets daily by boys and girls during the turbulent era of the Great Depression, the Second World War, and the increasingly prosperous post-war environment. Abrams was born in Brooklyn in 1932 when cramped urban living quarters were commonplace, and limited income constricted access to organized sports venues and equipment. His was "an outdoor generation" forced to depend on inventive use of scarce resources. From many conversations over the years with his children, colleagues, friends, and students, he came to realize how few people today have any idea of the kinds of recreation that filled daily life for young city people in the years of his own youth. Street Games is a combination of Abrams's reminiscences of the games he played and his placement of those activities in the social history of the period, often highlighting its contrast with the world we know today. The work is compelling, informative, and fast-paced in its description of a mostly lost piece of history. It is also fascinating for its speculations about such things as the hidden meaning of "It" in games of tag, the small regard for safety (helmets? face masks? seat belts?), and the complex character of racism and ethnic tensions in those times. One reader of the manuscript remarked, “I have not read in many years anything that gave me so much pure, sustained pleasure.” RICHARD M. ABRAMS was educated in the public schools of Brooklyn. He earned his BA, MA, and Ph.D. degrees at Columbia University. He began his teaching career at Columbia in 1957. He moved to the University of California in Berkeley in 1961, where he taught until retiring in 2007. He is married to Marcia Ash Abrams, and they have three children and four grandchildren. He has been a visiting professor of history in London, Moscow, Beijing, and Innsbruck, and has lectured widely in Europe and Asia. His other books include: Conservatism in a Progressive Era; The Burdens of Progress; and most recently, America Transformed.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In this new offering from “the king of Christmas fiction” (The New York Times), #1 bestselling author Richard Paul Evans shares a story of heart, loyalty, and hope as he explores the deeper meaning of the holiday season and asks what it truly means to love and forgive. The year is 1975. Elle Sheen—a single mother who is supporting herself and her six-year-old, African-American son, Dylan, as a waitress at the Noel Street Diner—isn’t sure what to make of William Smith when his appearance creates a stir in the small town of Mistletoe, Utah. As their lives unexpectedly entwine, Elle learns that William, a recently returned Vietnam POW, is not only fighting demons from his past, but may also have the answer to her own secret pain—a revelation that culminates in a remarkable act of love and forgiveness.
In 1514 a respected London Merchant, Richard Hunne, was found hanging in Old St Paul’s Cathedral. Whether it was murder or suicide was hotly debated but popular opinion, endorsed more recently by many historians, pointed to foul play by church officials. Around this central mystery, Dale has woven a story of murder, church politics and forbidden texts in turbulent pre-Reformation London. Hunne’s widow, Anne, takes centre stage in this narrative as she attempts to solve and avenge the death of her husband. Her search for the truth will take her to Germany and Martin Luther’s revolt against the authority of the church, and up against powerful figures such as the English Lord Chancellor, Thomas More. She becomes involved in the new illicit trade of printing religious texts, and will suffer both imprisonment and the danger of execution. She is helped by her lover, a German Hansa merchant, and through her adventures she will move closer to, and finally solve, the brutal killing of her husband - a crime that has baffled historians ever since the body was first found hanging in St Paul’s.
During the early 19th century, the Mississippi River valley north of St. Louis attracted many settlers eager to farm its fertile land. Proximity to the river and downtown markets helped the area grow. Immigrants arrived from Germany and other European countries, and after the Civil War, blacks migrated from the South. Today, the Hyde Park, Bissell-College Hill, and Old North St. Louis neighborhoods are home to diverse communities with a rich and shared history. The neighborhoods are dotted with St. Louis landmarks such as Bissell Mansion, the world-famous Water Towers, Crown Candy, and hundreds of other architectural gems that have withstood the years. This visual history preserves the area's vibrant past and points to a bright future.
The St. Louis Baseball Reader is a tale of two teams: one the city’s lovable losers, the other a formidable dynasty. The St. Louis Cardinals are the most successful franchise in National League history, while the St. Louis Browns were one of the least successful, yet most colorful, American League teams. Now Richard Peterson has collected the writings of some of baseball’s greatest storytellers to pay tribute to both these teams. His book, the first anthology devoted exclusively to the Cardinals and Browns, covers the rich history of St. Louis baseball from its late-nineteenth-century origins to the modern era. The St. Louis Baseball Reader is a celebration of the many legendary stars and colorful characters who wore St. Louis uniforms and the writers who told their stories, including Alfred Spink, Roger Angell, George Will, and Baseball Hall of Fame writers Bob Broeg, J. Roy Stockton, Red Smith, and Fred Lieb. Here, too, are John Grisham, who grew up a Redbirds fan in Mississippi, and Jack Buck, the most identifiable voice in Cardinal history. Great players—Grover Cleveland Alexander, Rogers Hornsby, Marty Marion, and Satchel Paige—tell their own stories, while Bill Veeck offers an account of his wild ride as the last Browns owner and Whitey Herzog shares regrets about the play that cost the Cardinals the 1985 World Series. From the days of the Gas House Gang to the 1944 “Streetcar Series,” from Bill Veeck’s legendary stunts to Mark McGwire’s pursuit of Roger Maris’s home-run record, the Reader will bring back memories for every fan. It takes in all of the magic of the ballpark—whether recounting the unhittable pitching of Bob Gibson, the slugging prowess of Stan “The Man” Musial, or the sterling glove-work of Ozzie Smith—along with reflective commentaries that tell how Jackie Robinson confronted racism and Curt Flood challenged the reserve clause. St. Louis is a city blessed with a memorable baseball history, and The St. Louis Baseball Reader perfectly captures the joy and heartbreak of its winning and losing teams. It’s a book that will delight current fans of the Cardinals and old-timers who fondly recall the Browns.
Lafayette Square has always been a reflection of the life and times of St. Louis, Missouri. Originally a common land where cattle grazed and people hunted game, the area was set aside as a public park just before the Civil War. Following that era, Lafayette Square was developed into a showplace for the Victorian era, featuring fantastic gardens, gazebos, a bandstand, an aquarium, and a boathouse. On May 27, 1896, a tornado plowed through the area and destroyed most of its foliage and buildings. Following this tragedy, many homeowners fled to the Central West End, and the once elegant Lafayette Square fell into a state of decline. During the years of the Depression and World War II, the neighborhood and its surroundings became known as "Slum D." In 1945, architect and historian John Albury Bryan purchased a residence at Benton Place and began a fierce and lonely battle to renovate the Square. His dream of restoration became a reality in the 1960s and 1970s when a group of concerned citizens, determined to recapture the area's former glory, banded together to form the Lafayette Restoration Committee.
The Hodsons of St Helena, Bath, Cheltenham and Beyond' traces the origins of the Hodson family who came to live on St Helena in the latter half of the 18th century and describes what happened to their decendants who served in British India and other parts of the empire in the 19th and 20th centuries.
Dust Devil on a Quiet Street chronicles the remarkable life of Richard Bowes. Bowes's childhood and adolescent brushes with dramatic spirits and hustlers, large and small, paved the way for his encounters with the supernatural.
St. John's Episcopal Church, Lafayette Square, in Washington, DC is one of the most unique churches in the United States. A National Historic Landmark, located just north of Lafayette Square, and in clear view of the White House, it has witnessed the presence within its walls of more notable civilian and military leaders of the United States than any other church in the nation. Apart from the White House, St. John's Church is the oldest building adjacent to Lafayette Square. It was designed, and its construction supervised, by Benjamin Henry Latrobe, a leading architect of the early national period. From its opening in October 1816, every person, beginning with James Madison, who has held the office of President of the United States has attended St. John's at least once. Several Presidents have been members. Thus, St. John's is called "the Church of the Presidents." A significant number of members of St. John's, past and present, have played very prominent roles in the public life of the United States and the city of Washington, DC. This book tells the story of this historic church from its origins to the present, while chronicling notable services held at it, and key events in the lives of distinguished Americans who were personally connected with St. John's during their residence in Washington. REVIEWS The first thing to note about this marvelous history of St. John's Church is the research. From start to finish the facts are meticulously assembled and clearly laid out to the reader. This alone makes the book worth reading. But it is far more than a collection of facts. It is the story--or rather the stories-- of St. John's Church that makes this book stand out as a true gem with very few equals in the annals of Church History. --Harry S. Stout Jonathan Edwards Professor of American Religious History Yale University Sited importantly on its corner across from the White House, St. John's Episcopal Church has served both the famous and Everyman without interruption for nearly 200 years, its architectural evolution an index of the development of the capital itself. Historian Richard Grimmett tells the story of the "Church of the Presidents" in "St. John's Church: Lafayette Square" with the painstaking accuracy of an experienced researcher. Flavored with personalities and rich anecdotes, this book begins life as a Washington classic. --William Seale Editor, White House History author of "The President's House: A History." Because St. John's Church has been so closely associated with presidents, cabinet members, powerful insiders and Washington society ... anyone interested in the compelling historical details of a slice of Washington life would want to add the book to his or her library. --Mary O. Klein Archivist, Episcopal Diocese of Maryland.
The Buildings of Main Street is the primary resource for interpreting commercial architectural style. Richard Longstreth, a renowned and respected author in the field of historic preservation, presents a useful survey of commercial architecture in urban America. He has developed a typology of architectural classification for commercial application in American towns across the United States. Likely to be enjoyed by both students and members of the general public seeking an introduction to commercial architecture, The Buildings of Main Streetmakes a significant and lasting contribution to American architectural history.
The Author retells memories of growing up on Roosevelt Street, between 1956 to 1965. In a steel town in Northern Ontario, Canada, where kids that lived on Roosevelt Street go through their childhood years. Every kid has adventures, fun and excitement when growing up. Follow the kids as they explore their neighbourhood, the wilderness around and them selves. Read what thoughts a kid of the fifties and sixties remembers about events, friends and himself. A story for adults who want to linger back to an innocent age to remember being a kid. Kids of today will get a feeling of how their parents grew up. Quotes: Thinking back now after reading Roosevelt Street, I had a great time growing up. Similar events happened to me. Thanks for rekindling those memories. I had lost touch with my memories of growing up on Roosevelt Street. I cried after reading about myself in those stories. I am sad that I have moved so far away from home. A great simple story. There should be more books of simple innocence.
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