Gustav Mahler and Richard Strauss came to know one another as young conductors in Leipzig in 1887. From then until Mahler's death in 1911—the year of the first performance of Der Rosenkavalier—they kept in touch. Mahler himself described their relationship as that of two miners tunneling from opposite directions with the hope of eventually meeting. This first publication of their correspondence, which includes twenty-five previously unknown Strauss letters, offers a portrait of two men who were as antithetical in their musical means and goals as in their temperaments and personalities, but who exercised a strong fascination for one another. These sixty-three letters show both composers advancing in their careers as they battled against adverse conditions in the musical world at the turn of the century. They present Mahler's energetic support of Strauss's Symphonia Domestica, which Mahler conducted in 1904 and, in turn, Strauss's championing of Mahler's music, especially the Second and Third Symphonies. The correspondence is fully annotated and is supplemented with a major essay by Herta Blaukopf. "Unfailingly absorbing. . . . An indispensable addition to the literature on these composers."—Norman Del Mar, Times Literary Supplement
Gustav Mahler and Richard Strauss came to know one another as young conductors in Leipzig in 1887. From then until Mahler's death in 1911—the year of the first performance of Der Rosenkavalier—they kept in touch. Mahler himself described their relationship as that of two miners tunneling from opposite directions with the hope of eventually meeting. This first publication of their correspondence, which includes twenty-five previously unknown Strauss letters, offers a portrait of two men who were as antithetical in their musical means and goals as in their temperaments and personalities, but who exercised a strong fascination for one another. These sixty-three letters show both composers advancing in their careers as they battled against adverse conditions in the musical world at the turn of the century. They present Mahler's energetic support of Strauss's Symphonia Domestica, which Mahler conducted in 1904 and, in turn, Strauss's championing of Mahler's music, especially the Second and Third Symphonies. The correspondence is fully annotated and is supplemented with a major essay by Herta Blaukopf. "Unfailingly absorbing. . . . An indispensable addition to the literature on these composers."—Norman Del Mar, Times Literary Supplement
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.
The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Early Twentieth Century , the fourth volume in Richard Taruskin's history, looks at the first half of the twentieth century, from the beginnings of Modernism in the last decade of the nineteenth century right up to the end of World War II. Taruskin discusses modernism in Germany and France as reflected in the work of Mahler, Strauss, Satie, and Debussy, the modern ballets of Stravinsky, the use of twelve-tone technique in the years following World War I, the music of Charles Ives, the influence of peasant songs on Bela Bartok, Stravinsky's neo-classical phase and the real beginnings of 20th-century music, the vision of America as seen in the works of such composers as W.C. Handy, George Gershwin, and Virgil Thomson, and the impact of totalitarianism on the works of a range of musicians from Toscanini to Shostakovich
The Oxford History of Western Music is a magisterial survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time. This text illuminates, through a representative sampling of masterworks, those themes, styles, and currents that give shape and direction to each musical age. Taking a critical perspective, this text sets the details of music, the chronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. Written by an authoritative, opinionated, and controversial figure in musicology, The Oxford History of Western Music provides a critical aesthetic position with respect to individual works, a context in which each composition may be evaluated and remembered. Taruskin combines an emphasis on structure and form with a discussion of relevant theoretical concepts in each age, to illustrate how the music itself works, and how contemporaries heard and understood it. It also describes how the c
Chronic joint pain is often associated with rheumatic diseases, but rheumatic diseases can also cause damage to vital organs including the heart. This articles in this issue will cover cardiac involvement in a variety of rheumatic diseases with discussions abotu clinical presentations and mechanistic aspects.
First Published in 2002. It is easy to see that we are living in a time of rapid and radical social change. It is much less easy to grasp the fact that such change will inevitably affect the nature of those disciplines that both reflect our society and help to shape it. Yet this is nowhere more apparent than in the central field of what may, in general terms, be called literary studies. ‘New Accents’ is intended as a positive response to the initiative offered by such a situation. Each volume in the series will seek to encourage rather than resist the process of change. To stretch rather than reinforce the boundaries that currently define literature and its academic study.
A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.
The Philadelphia Orchestra is the most-recorded orchestra in the United States, and its recordings have contributed much to its reputation as “The World’s Greatest Orchestra.” In The Philadelphia Orchestra: An Annotated Discography, Richard A. Kaplan documents more than 2,000 commercial recordings made by the Philadelphia Orchestra over almost a century. The discography contains a chronological list of recordings, detailing works performed, conductors, soloists, dates, venues, producers, and matrix information for 78-rpm recordings. Each entry lists all issues of the recordings, including 78- and 45-rpm discs, long-playing records, and compact discs. The discography documents for the first time the recordings made by Columbia on sixteen-inch lacquer discs during the 1940s and ‘50s. Opening with an overview of the Orchestra's relationships with recording companies and the search for suitable recording venues, chapters cover anonymously and pseudonymously-published recordings, including those of the Robin Hood Dell Orchestra of Philadelphia, the experimental 1931-32 Bell Labs recordings, videos and movies in which the Philadelphia Orchestra performed, live recordings, and recordings of ensembles of the Philadelphia Orchestra. A separate chapter lists live-concert downloads made available directly through the Philadelphia Orchestra Association. Appendixes cross-reference the recordings by composer, conductor, and soloists; a final appendix lists the many Philadelphia Orchestra LP collections published by Columbia and RCA. This book is a valuable resource for collectors, scholars, and anyone interested in recording history and the history of the Philadelphia Orchestra.
Considered the classic history of this important musical theater form. Traubner's book, first published in 1983, is still recognized as the key history of the people and productions that made operetta a worldwide phenomenon.
This book offers a historical introduction to the remote origins of psychology, and is the first book in a series on the history of the subject. Combining a deep history approach with the study of ancient civilisations, it places psychology in a historical and global context using rigorous academic research. This book begins by separating the Greek components of psychology – psyche and logos – in order to trace their histories, separate and together, through the global Neolithic and Bronze Ages. The author develops a toolkit by deconstructing the writing of history, modern psychology, and analysis of culture, and by introducing theories from neuroscience and cultural psychology that can be tested against the data. He then takes readers on a journey back in time, from the borders of our current climatic envelope (the Holocene) towards the present, through Ancient Iraq, Egypt, Israel, and China. Each chapter deepens the reader’s understanding of psychology in its global context outside the boundaries of Western culture. In so doing, the book initiates a post-colonial re-narration showing that the story of psychology is wider and deeper than many contemporary origin stories suggest. Presented in an accessible manner, this is an excellent resource for students of psychology, philosophy, history, linguistics, archaeology, and anthropology, as well as general readers who want to learn more about the origins of this fascinating subject.
American literary historians have viewed Ralph Waldo Emerson’s resignation from the Unitarian ministry in 1832 in favor of a literary career as emblematic of a main current in American literature. That current is directed toward the possession of a self that is independent and fundamentally opposed to the “accoutrements of society and civilization” and expresses a Transcendentalist antipathy toward all institutionalized forms of religious observance. In the ongoing revision of American literary history, this traditional reading of the supposed anti-institutionalism of the Transcendentalists has been duly detailed and continually supported. Richard A. Grusin challenges both traditional and revisionist interpretations with detailed contextual studies of the hermeneutics of Ralph Waldo Emerson, Henry David Thoreau, and Theodore Parker. Informed by the past two decades of critical theory, Grusin examines the influence of the higher criticism of the Bible—which focuses on authorship, date, place of origin, circumstances of composition, and the historical credibility of biblical writings—on these writers. The author argues that the Transcendentalist appeal to the authority of the “self” is not an appeal to a source of authority independent of institutions, but to an authority fundamentally innate.
Explores the fundamental confrontations between Spinoza and Levinas in ethics, politics, science, and religion.
After the end of superstitious religion, what is the meaning of the world? Baruch Spinoza’s answer is truth, Emmanuel Levinas’s is goodness: science versus ethics. In Out of Control, Richard A. Cohen brings this debate to life, providing a nuanced exposition of Spinoza and Levinas and the confrontations between them in ethics, politics, science, and religion.
Spinoza is the control, the inexorable defensive logic of administrative rationality, where freedom is equated to necessity—a seventeenth-century glimpse of Orwellian doublespeak and Big Brother. Levinas is the way out: transcendence not of God, being, and logic but of the other person experienced as moral obligation. To alleviate the suffering of others—nothing is more important! Spinoza wagers everything on mathematical truth, discarding the rest as ignorance and illusion; for Levinas, nothing surpasses the priorities of morality and justice, to create a world in which humans can be human and not numbers or consumers, drudges or robots.
Situating these two thinkers in today’s context, Out of Control responds to the fear of dehumanization in a world flattened by the alliance of positivism and plutocracy. It offers a nonideological ethical alternative, a way out and up, in the nobility of one human being helping another, and the solidarity that moves from morality to justice.
“Cohen’s work here is nothing short of spectacular. His analysis of the mathematical and scientific foundations of Spinoza’s philosophy is exemplary. Lucidly, meticulously, and with very disciplined analysis he conveys the force, power, and influence of Spinoza’s philosophy on contemporary religious thought.” — Richard I. Sugarman, University of Vermont
“Richard Cohen has managed to not merely bring these two notoriously difficult philosophers into conversation with each other, but to do so in an extremely readable way. Indeed, he is able to explain extremely difficult philosophical disputes with clarity and to convey a palpable sense of excitement.” — Robert Erlewine, author of Monotheism and Tolerance: Recovering a Religion of Reason
Walsh explores the role that myth has played in the interpretation of the Bible. He sees myth as an empowering, structuring story used either for good or ill and either consciously or unconsciously controlling our world views. Walsh looks for both the empowerment and the marginalization effected by myth as he follows the word through its myriad meanings ('Grasping Proteus'), its use in various disciplines ('Procrustean Mythographers'), its distinctive uses in biblical interpretation ('Mything the Bible'), and, finally, the mythic character of interpretation itself ('The Myth of Interpretation'). The concluding chapter, 'Behind the Mythic Curve', muses on the difficulty of knowing the myths by which we live and reflects hopefully on the possibility of play among the myriad myths in a postmodern, pluralist world.
Teleology - the inquiry into the goals or goods at which nature, history, God, and human beings aim - is among the most fundamental yet controversial themes in the history of philosophy. Are there ends in nonhuman nature? Does human history have a goal? Do humanly unintended events of great significance express some sort of purpose? Do human beings have ends prior to choice? The essays in this volume address the abiding questions of final causality. The chapters are arranged in historical order from Aristotle through Hegel to contemporary anthropic-principle cosmology.
Richard Harvey Brown's pioneering explorations in the philosophy of social science and the theory of rhetoric reach a culmination in Social Science as Civic Discourse. In his earlier works, he argued for a logic of discovery and explanation in social science by showing that science and art both depend on metaphoric thinking, and he has applied that logic to society as a narrative text in which significant action by moral agents is possible. This new work is at once a philosophical critique of social theory and a social-theoretical critique of politics. Brown proposes to redirect the language and the mission of the social sciences toward a new discourse for a humane civic practice.
This book offers the first historical treatment of Hegel's political ideas since the 1970s. It completely revises our understanding of his response to the French Revolution, the most dramatic and significant event of his age. A fresh account of his take on the Revolution itself provides a new perspective on his thought as a whole. It also illuminates Hegel's relevance to modern politics. Dominant strands of post-War thought have taken the form of a repudiation of Hegel. This reaction has largely been based on dubious arguments and poor scholarship. The alternative analysis offered here contextualizes attempts to disparage Hegel as pursued by strands of critical theory associated with postmodernism. In the process, the book challenges recent onslaughts against so-called "Western" rationalism. It takes issue with the ambition to relativize all values and to represent knowledge as an effect of power"--
The best retail buying book available. It combines concepts with actual calculations. This provides you with a better understanding of the topics." Katherine Annette Burnsed, University of South Carolina, USA Learn the skills needed to become a successful buyer in any area of retail. The book has step-by-step instructions for typical buying tasks, such as identifying and understanding potential customers, creating a six-month merchandising plan, and developing sales forecasts. It covers math concepts throughout and shows you how to analyze and interpret data with practice problems to prepare you for the profession. You'll also learn about important retailing trends, including global buying and sourcing, omni-channel retailing, online retailing, mobile technologies, and social media in case studies. STUDIO resources include: - Chapter self-quiz questions with scored results and personalized study tips - Glossary flashcards help build industry vocabulary - Downloadable Excel spreadsheets to complete the end of chapter Spreadsheet Skills exercises and assignments - Printable worksheets featuring step-by-step solutions to common retail buying math problems - Links to author-curated videos showing retail math concepts and formulas PLEASE NOTE: Purchasing or renting this ISBN does not include access to the STUDIO resources that accompany this text. To receive free access to the STUDIO content with new copies of this book, please refer to the book + STUDIO access card bundle ISBN 9781501334276.
During the past decade, it has become commonplace to interpret social and cultural reality-the very groundwork of the social sciences-as linguistic constructions. Not only is society viewed as a text, but scientific texts themselves are seen as rhetorical constructions. This collection of scholarly essays begins with an overview of this emerging field, and covers the specific stylistic practices by which social scientists create -objective- or -true- representations of society. The volume closes with a consideration of the more telling challenges to the rhetorics of the social sciences and how these might be encompassed or overcome.
A collection of photocopied articles published about the David Adler exhibition held at the Art Institute of Chicago, December 6, 2002 to May 18, 2003.
Here, for the first time, in a brilliant, panoramic portrait by the Pulitzer Prize-winning author of The Making of the Atomic Bomb, is the definitive, often shocking story of the politics and the science behind the development of the hydrogen bomb and the birth of the Cold War. Based on secret files in the United States and the former Soviet Union, this monumental work of history discloses how and why the United States decided to create the bomb that would dominate world politics for more than forty years.
After 9/11, the US response to Al-Qaeda - the Global War on Terror - was heavily influenced by the 'clash of civilizations' theory. This book identifies the twenty-first century proponents of the thesis, such as Bernard Lewis and Daniel Pipes, their links to the Bush government and their roles in exploiting hostility between the West and Islam.
This one-volume edidition of the Foundations of Contemporary Interpretation series explores current issues in the interpretation of the Bible from the perspective of specific academic disciplines: history, literary criticism, science and theology.
Grounded in research and expanding on current trends and contemporary issues, the new edition of Gargiulo's text provides an easy-to-read introduction to special education.
An acclaimed book and widely acknowledged classic, The Middle Ground steps outside the simple stories of Indian-white relations - stories of conquest and assimilation and stories of cultural persistence. It is, instead, about a search for accommodation and common meaning. It tells how Europeans and Indians met, regarding each other as alien, as other, as virtually nonhuman, and how between 1650 and 1815 they constructed a common, mutually comprehensible world in the region around the Great Lakes that the French called pays d'en haut. Here the older worlds of the Algonquians and of various Europeans overlapped, and their mixture created new systems of meaning and of exchange. Finally, the book tells of the breakdown of accommodation and common meanings and the re-creation of the Indians as alien and exotic. First published in 1991, the 20th anniversary edition includes a new preface by the author examining the impact and legacy of this study.
Richard McCormick examines the concepts of postmodernity and postmodernism as they apply to West Germany, discussing them against the background of cultural and political upheaval in that country since the 1960s, rather than exclusively in the more familiar setting of intellectual history. Considering six literary and cinematic texts that are marked by a preoccupation with the self and subjectivity, he underscores the crucial influence of feminism on writers and filmmakers--and on the "postmodern." In a broad international context he describes the conflicting forces that affected the West German student movementthe rationalistic tradition of the Weimar Left and more "irrational" influences such as French existentialism and surrealism (as well as the American "Beat" movement and rock & roll)--and shows how these forces played themselves out so that dogmatic Marxist Leninism was repudiated in favor of a "New Subjectivity.". At the center of the discussion are the novels Lenz by Peter Schneider, Class Love (Klassenliebe) by Karin Struck, and Devotion by Botho Strauss, and the films Wrong Move written by Peter Handke and directed by Wim Wenders, Germany, Pale Mother by Helma Sanders-Brahms, and The Subjective Factor by Helke Sander. The author shows how ongoing attempts to attack the separation of emotion from reason, life from art, the private from the public, and the personal from the political brought about changes in outlook, from the 1960s to the early 1980s, that are related to the rise of new political movements--ecology, nuclear disarmament, and feminism. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
In this now classic textbook, Richard Kearney surveys the work of nineteen of this century’s most influential European thinkers. The second edition has a new chapter devoted to Julia Kristeva, whose work in the fields of semiotics and psychoanalytic theory has made a significant contribution to recent continental thought.
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