The 6th/5th century bce Greek melic (or songwriting) poet Pindar was the most celebrated lyricist of antiquity. His famous victory odes offer a paean to the heroic athlete, and are an attempt to encapsulate, through choral songs of acclamation, the glory of the sportsman's moment of triumph at a variety of Panhellenic festivals including the Olympic Games. His other poems, collected in thirteen books, are largely lost or fragmentary - except for the Paeans - but were devoted to the praise of gods and heroes. Yet Pindar, though still respected, is now considered a difficult poet, and is sometimes dismissed as a reactionary. In this wideranging introduction, Richard Stoneman shows that Pindar's works, even where they seem obscure, follow a logic of their own and reward further study. An unmatched craftsman with words, and witness to a profoundly religious sensibility, he is a poet who takes modern readers to the heart of Greek ideas about the gods, fleeting human achievement and mortality. Theauthor examines questions of performance and genre; patronage; imagery; and reception, from Horace to the twentieth century.
From as early as 1420 a few intrepid explorers made their way to Greece and Turkey, to recover - from brambles or burial, lime-kilns or building sites - the precious relics of the Greeks' classical past. The glories of classical Greece are an essential part of our heritage and are echoed every day in the buildings and institutions we see around us. But who were the visitors from afar who first appreciated the riches of the archaeological past of Greece and the Greek lands; who opened up the culture and its ancient remains? In Land of Lost Gods, Richard Stoneman tells the riveting stories of Cyriac of Ancona's quest to record the appearance of the Parthenon; Jacques Spon's quarrel with Guillet de St-Georges about the topography of Athens; the painstaking expeditions of the Society of Dilettanti and the deluded forgeries of the Abbé Fourmont. He also examines in vivid detail the birth struggles of archaeology in the work of Charles Newton and Cnidus at Halicarnassus, J.T. Wood at Ephesus, Charles Fellows in Lycia, Carl Humann at Pergamon and Heinrich Schliemann at Troy. When the archaeologist succeeds the antiquary, the dilettante and the adventurer, the theme of this book draws to a close.
From Herodotus to Freya Stark, writers have been inspired by Turkey, a varied country at the crossroads of history, for millennia. Here, Richard Stoneman describes in lively detail the remarkable literature they produced. At a time when Turkey’s position on the fringe may be set to change to a deeper involvement in Europe, the need to understand the country is even more compelling. The range of travel writing represented in this book shows how, while political circumstances may change, the lure of Turkey remains constant.
Alexander the Great (356-323 B.C.) precipitated immense historical change in the Mediterranean and Near Eastern worlds. But the resonance his legend achieved over the next two millennia stretched even farther across foreign cultures, religious traditions, and distant nations. This engaging and handsomely illustrated book for the first time gathers together hundreds of the colorful Alexander legends that have been told and retold around the globe. Richard Stoneman, a foremost expert on the Alexander myths, introduces us first to the historical Alexander and then to the Alexander of legend, an unparalleled mythic icon who came to represent the heroic ideal in cultures from Egypt to Iceland, from Britain to Malaya. Alexander came to embody the concerns of Hellenistic man; he fueled Roman ideas on tyranny and kingship; he was a talisman for fourth-century pagans and a hero of chivalry in the early Middle Ages. He appears in Jewish, Christian, and Islamic writings, frequently as a prophet of God. Whether battling winged foxes or meeting with the Amazons, descending to the underworld or inventing the world s first diving bell, Alexander inspired as a hero, even a god. Stoneman traces Alexander s influence in ancient literature and folklore and in later literatures of east and west. His book provides the definitive account of the legends of Alexander the Great a powerful leader in life and an even more powerful figure in the history of literature and ideas.
The family is the place where minds come in contact with one anotherBuddha Emotions and the Family reflects the dramatic change in how professionals and practitioners working with today's families view the role of emotions in general family and marital processes. Professionals, researchers, and academics present a wide variety of approaches to the study of emotion and family functioning, providing a rare theoretical and empirical look at how emotions regulate, guide, and influence actions and behaviors within the family. This unique book will provide you with new avenues of research, theory, measurement, and analysis, emphasizing contexts that range from the focus on specific relationships within the family to the impact of contextual influences in family emotionality. Emotions and the Family examines the shift that has taken place in how practitioners and therapists view emotionsas having important interpsychic functions instead of as a function of intrapsychic processes. The book will show you how emotions are involved in almost every aspect of family development: from the beginnings of the family formation (dating, courting, and marriage) to the transition to parenthood (pregnancy, birth, bonding, and attachment) to the dissolution of family relationships (divorce, death). Authors discuss aspects of how the fabric of family life is woven together by the complex interplay of emotions, with essential information on: marital/family relationships parenting socialization sibling relationships family health dysfunctional family processes family therapy and much more! Emotions and the Family functions as an invaluable textbook for graduate studies in family sciences, child development, psychology, social work, and sociology. The book is equally effective as a professional resource for clinical practitioners in psychology, marriage and family therapy, and social work.
This illustrated A-Z guide covers more than 700 country music artists, groups, and bands. Articles also cover specific genres within country music as well as instruments used. Written in a lively, engaging style, the entries not only outline the careers of country music's greatest artists, they provide an understanding of the artist's importance or failings, and a feeling for his or her style. Select discographies are provided at the end of each entry, while a bibliography and indexes by instrument, musical style, genre, and song title round out the work. For a full list of entries, a generous selection of sample entries, and more, visit the Country Music: A Biographical Dictionary website.
Take a trip back in time on an edge of your seat adventure-a spellbinding "can't put down" romp with the Vikings of old! The Tenth Century sets the stage for Wolfgar, an epic saga of the Viking era. This sweeping novel spans from the new world in the west to the far reaches of Russia. Shipwrecked and stranded, the vitki Wolfgar and his followers must accept the fate the gods have ordained-that they will remain in a strange new world inhabited by a society totally alien to them. Distraught that his mother has remarried, Ragnar searches for his father Wolfgar, only to have his quest shattered on the North Sea by an unforeseen evil. Torn from his mother as a boy, before he is a man Olaf is forced to shed the blood of an enemy. An heir to the royal house of Norway, to prove his birthright the young barbarian must fight his way in a hostile world. Each thread of this epic tale interweaves into an enjoyable read guaranteed to keep the pages turning!
Now in paperback: The definitive biography of the father of bluegrass, who "did what no other individual has done: invented an entire genre of music."-Chicago Tribune.
In 2015, Bob Dylan said, "I learned lyrics and how to write them from listening to folk songs. And I played them, and I met other people that played them, back when nobody was doing it. Sang nothing but these folk songs, and they gave me the code for everything that's fair game, that everything belongs to everyone." In Hear My Sad Story, Richard Polenberg describes the historical events that led to the writing of many famous American folk songs that served as touchstones for generations of American musicians, lyricists, and folklorists. Those events, which took place from the early nineteenth to the mid-twentieth centuries, often involved tragic occurrences: murders, sometimes resulting from love affairs gone wrong; desperate acts borne out of poverty and unbearable working conditions; and calamities such as railroad crashes, shipwrecks, and natural disasters. All of Polenberg’s account of the songs in the book are grounded in historical fact and illuminate the social history of the times. Reading these tales of sorrow, misfortune, and regret puts us in touch with the dark but terribly familiar side of American history. On Christmas 1895 in St. Louis, an African American man named Lee Shelton, whose nickname was "Stack Lee," shot and killed William Lyons in a dispute over seventy-five cents and a hat. Shelton was sent to prison until 1911, committed another murder upon his release, and died in a prison hospital in 1912. Even during his lifetime, songs were being written about Shelton, and eventually 450 versions of his story would be recorded. As the song—you may know Shelton as Stagolee or Stagger Lee—was shared and adapted, the emotions of the time were preserved, but the fact that the songs described real people, real lives, often fell by the wayside. Polenberg returns us to the men and women who, in song, became legends. The lyrics serve as valuable historical sources, providing important information about what had happened, why, and what it all meant. More important, they reflect the character of American life and the pathos elicited by the musical memory of these common and troubled lives.
When the daughter of a retired Navy SEAL is kidnapped and held for ransom in Mexico, Rogue Warrior Richard Marcinko and his band of Red Cell International warriors head south of the border to rescue her. Along the way, they encounter drug dealers and human traffickers, break into a cartel kingpin's mansion, and do battle with a hundred of the meanest banditos since Pancho Villa. And just for good measure, Marcinko uncovers a secret Hezbollah camp funded by the Iranian government and sheltered by the drug lords. But the founder of SEAL Team 6 finds his toughest opponent may actually be the woman he's come to rescue. And then there's the question of who really sent Dick to find her.... Rogue Warrior: Blood Lies is a stunning new installment from writing team Richard Marcinko and Jim DeFelice. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Jesus films arose with cinema itself. Richard Walsh and Jeffrey L. Staley introduce students to these films with a general overview of the Jesus film tradition and with specific analyses of 22 of its most influential exemplars, stretching from La vie du Christ (1906) to Mary Magdalene (2018). The introduction to each film includes discussion of plot, characters, visuals, appeal to authority, and cultural location as well as consideration of the director's (and/or other filmmakers') achievements and style. Several film chapters end with reflections on problematic issues bedeviling the tradition, such as cultural imperialism and patriarchy. To assist teachers and researchers, each chapter includes a listing of DVD chapters and the approximate “time” (for both DVDs and streaming platforms) at which key film moments occur. The book also includes a Gospels Harmony cataloging the time at which key gospel incidents appear in these films. Extensive endnotes point readers to other important work on the tradition and specific films. While the authors strive to set the Jesus film tradition within cinema and its interpretation, the DVD/streaming listing and the Gospels Harmony facilitate the comparison of these films to gospel interpretation and the Jesus tradition.
In 1860, on the eve of the Civil War, Macon was a business community dedicated to supplying the needs of its citizens, of the cotton planters who grew the short-staple upland cotton, the principal foundation of wealth for the antebellum South. This book offers an encyclopedic history of Macon, Georgia, during the Civil War.
He transformed a nickelodeon novelty into a new art form and a powerful, glamorous American industry. He codified the rules and techniques of screen story-telling, and pioneered the conventions that brought films to life, from surging spectacle to soul-baring close-ups. A poor farm boy from the South, Griffith rose to fame with The Birth of a Nation, a cinematic masterpiece stained by the racism that infected his heritage. Though he went on to direct some of the most legendary films of the silent era, Griffith was doomed by his over-reaching drives, and he died an embittered man, shunned by the community he had largely created. His story is told here with unsparing truth and compelling narrative sweep.
“Death of a River Guide makes good on a truly soaring ambition and flirts with literary greatness. . . . An indelible vision of how surely the history of a land plays its part in shaping the interior landscape of the human beings who occupy it.” —The Chicago Tribune With Death of a River Guide, Richard Flanagan gives us an extraordinary novel as sprawling and compelling as the land and people it describes. Beneath a waterfall on a remote Tasmanian river, Aljaz Cosini is drowning. Beset by visions, he relives not just his own life but that of his family and forebears. He sees his father, Harry, burying his own father, Boy. He sees Boy himself as a young man, and his Auntie Ellie, chased by a cow she believes is a Werowa spirit. In the waters that rush over him Aljaz finds a world where his story connects to family stories that are Aboriginal, Celtic, Italian, English, Chinese, and East European—what he ultimately discovers in the flood of the past is the soul history of his country.
In Fighting Stock, Richard B. McCaslin illuminates numerous facets of Ford’s life typically overshadowed by emphasis on his identity as Ranger and soldier in nineteenth-century Texas. In this third volume of the Texas Biography Series, published by TCU Press and The Center for Texas Studies, McCaslin reveals Ford as a man spurred on by the legacy of his nation-building grandfathers and his own strong convictions and energy to become a force in shaping Texas as a Southern state before and after the Civil War. Ford’s battles as a Ranger, and as a leader of Texas’ military forces allied with the Confederacy, were only part of his legacy in Texas history. He was also a physician, lawyer, and the editor of several newspapers, and among his many roles in politics and civil service were multiple terms as a state legislator and the mayoralty of Austin and Brownsville. Later in life, he fought to preserve Texas history and wrote his own extensive memoirs. Known for his courage and toughness as a military commander, Ford was also a talented strategist, diplomat, and community leader. McCaslin’s in-depth historical detail paints a full picture of this famous Texan, a fighter not only on the battlefield, but on the civic and political fields as well.
Dariel" by R. D. Blackmore. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Longlisted for the 2024 National Book Award in Nonfiction “Sweeping...A new way to make sense not only of the past, but of the contemporary culture wars.” —New York Times Book Review “A provocative culmination of Slotkin’s field-defining arguments on the place of violence in creating America.” —Kathleen Belew “Brisk, bold, and thought-provoking.” —Daniel Lazare, Arts Fuse “[An] exciting and detailed new decoder ring of a book...While it is usually hyperbolic to claim that a book will change your life, this one may well have a permanent effect on how you consume and think about American political news.” —Tom Zoellner, Los Angeles Review of Books Red America and Blue America are so divided they could be two different countries, with wildly diverging views of why government exists and who counts as American. Their ideologies are grounded in different versions of American history, endorsing irreconcilable visions of patriotism and national identity. A Great Disorder is a bold, urgent work that helps us make sense of today’s culture wars through a brilliant reconsideration of America’s foundational myths and their use in contemporary politics. Richard Slotkin identifies five key narratives that have shaped our conception of what it means to be American: the myths of the Frontier, the Founding, the Civil War (with dueling views of it as Liberation or the Lost Cause), and the Good War. Today, Slotkin argues, Trump and his MAGA followers play up a frontier-inspired hostility to the federal government, and rally around Confederate symbols to champion a racially exclusive definition of American nationality; meanwhile, Blue America takes its cue from the protest movements of the 1960s, envisioning a limitlessly pluralistic country in which the federal government is the ultimate enforcer of rights and opportunities. With these opposing perspectives, American history—and the foundations of our democracy—has become a battleground. It remains to be seen which vision will prevail.
In any U. S. army unit of nine soldiers, one could find an Italian from New Jersey, a Jew from the Bronx, an Irishman from New York, a Swede from Minnesota, a good old boy from Georgia, a swaggering Texan, a smooth-faced Californian, a Bible reader from Tennessee, and a hayseed from North Dakota." Together they discover that serving their country during World War II was not just a duty, but also an honor and a privilege. Filled with warmth and humor, sadness and extraordinary horror, this is a real soldier's unforgettable story, having been a witness to and a participant in an event as monumental as any in history.
This distinctive comparison of Islamic and Christian mysticism focuses on the mystic journey in the two faith traditions - the journey which every believer must make and which leads to the Divine.The author clears away misconceptions and highlights similarities and differences in the thought and lives of six key mystics: Al-Kalabadhi, Al-Daylami, Al-Qushayri, Julian of Norwich, Thomas a Kempis and Teresa of Avila. He considers the ways of Perfection on the Mystic Path and asks in what ways these authors have embarked on the mystic journey. He looks at the themes they have in common, as well as their differences, and asks how they envisage the concept of 'union' with the Deity.Readers will gain a broad understanding of the interdisciplinary and intertextual nature of the subject, as well its the diverse intellectual and historical contexts.
Camp Nelson, Kentucky, was designed in 1863 as a military supply depot for the Union Army. Later it became one of the country's most important recruiting stations and training camps for black soldiers and Kentucky's chief center for issuing emancipation papers to former slaves. Richard D. Sears tells the story of the rise and fall of the camp through the shifting perspective of a changing cast of characters—teachers, civilians, missionaries such as the Reverend John G. Fee, and fleeing slaves and enlisted blacks who describe their pitiless treatment at the hands of slave owners and Confederate sympathizers. Sears fully documents the story of Camp Nelson through carefully selected military orders, letters, newspaper articles, and other correspondence, most inaccessible until now. His introduction provides a historical overview, and textual notes identify individuals and detail the course of events.
Migrating Tales situates the Babylonian Talmud, or Bavli, in its cultural context by reading several rich rabbinic stories against the background of Greek, Syriac, Arabic, Persian, and Mesopotamian literature of late antiquity and the early Middle Ages, much of it Christian in origin. In this nuanced work, Richard Kalmin argues that non-Jewish literature deriving from the eastern Roman provinces is a crucially important key to interpreting Babylonian rabbinic literature, to a degree unimagined by earlier scholars. Kalmin demonstrates the extent to which rabbinic Babylonia was part of the Mediterranean world of late antiquity and part of the emerging but never fully realized cultural unity forming during this period in Palestine, Syria, Mesopotamia, and western Persia. Kalmin recognizes that the Bavli contains remarkable diversity, incorporating motifs derived from the cultures of contemporaneous religious and social groups. Looking closely at the intimate relationship between narratives of the Bavli and of the Christian Roman Empire, Migrating Tales brings the history of Judaism and Jewish culture into the ambit of the ancient world as a whole.
From football to theology, from gang warfare to romance, I Never Knew How Much My Father Loved Me has something for everyone. Richard Ganton has created a cast of characters and a series of events that will engage, entertain, and challenge readers to consider their own biases and prejudices. John Jeremiah is a seven-foot-tall gentle giant studying for the ministry at Princeton Theological Seminary. The son of a pro-football player, he has a big reputation to live up to. At the same time, he’s a deep thinker and genuinely caring man, and he quickly becomes the de facto chaplain of his residence, dealing with issues in creative yet effective ways. He carries his own burdens, however, birthed from an accident on the football field that saw his best friend injured and subsequently confined to a wheelchair. John carries this “demon” with him into the ministry, where he also confronts new challenges. Mr. Ganton provides his audience with a look into prejudice in the church when John, a Black man, takes a position with a White congregation in Atlanta as the college and careers pastor. Although he meets with resistance, he thrives, and in time he takes on the gangs of the city with the love of God. Finding love for himself in the process, John allows God to mold him and refine him for His purposes. An inspiring and moving novel that will touch the hearts of readers and affirm to them the overwhelming mercy and love of their creator.
The Libro de Alexandre is an epic poem about the life of Alexander the Great, written by an anonymous Spanish cleric in the thirteenth century. It is the most substantial poem (and almost certainly the first) composed in the learned cuaderna vía verse form and provides a unique insight into the intellectual world from which it sprang.
The extraordinary multiplicity of religions and religious cultures in India, chronicled over two thousand years From its earliest recorded history, India was a place of remarkable and varied religious activity, ranging from elaborate sacrificial rituals and rigorous regimes of personal austerity to psycho-spiritual experimentation and utopian visions. In this ambitious and wide-ranging chronicle, Richard Davis offers a history of India’s myriad religious cultures that spans two thousand years, from 1300 BCE to 700 CE. India, Davis writes, was not only the birthplace of the religions we now know as Hinduism, Buddhism, and Jainism. It was also the home of other, often unnamed religions that can be classified as “folk” or “popular” religions. Tracing these intertwined practices, Davis shows that the ardent and heterogeneous religious cultures of early India came to define and redefine themselves in relation to one another. Davis recounts this history through voices—voices recorded in hymns, poems, songs, didactic stories, epic narratives, scientific treatises, and theological discourses, as well as voices that speak through material remains, whether monumental sculptures or tiny terracotta figurines of nameless goddesses. He focuses on the long millennium often designated as “classical India,” which stretches from the time of the founding figures of Buddhism and Jainism during the sixth century BCE through the seventh-century-CE dynasties of the Chalukyas and the Pallavas in southern India. Throughout, he emphasizes encounter, interaction, debate, critique, and borrowing among religious communities within a shared, changing social and political reality. The voices and visions of early India’s religions, Davis shows us, are fascinating in their multiplicity.
This book is about the defining people, events and institutions in the authors life. Although he has a PhD in physics and spent his working life in the field of physics, the book has very little to do with the technical and scientific aspects of his life. He began as a farm boy and went to a one room country school and a small town high school He did not appreciate the importance of many of these influences at the time. For example, he certainly did not think that working mules on the farm was beneficial but now he can see that he learned a lot from those aggravating beasts. His education during the years of World War II left a lot to be desired but it was good enough to prepare him for the rigors of MIT degrees in physics. It is hoped that this book will help some young people in similar situations in their efforts.
The colorful, action-packed early history of the horse-riding branch of the U.S. Army. In this comprehensive and lively account, Richard Wormser—who was himself an enthusiastic horseman—narrates the major events and characters of the U.S. Cavalry’s formative, and, some might say fruitful, years. From the American Revolution and the exploits of men such as Henry “Light-Horse Harry” Lee III and Francis Marion, the first of the guerrillas, the author follows on with Stephen Kearny, the “Father of the Cavalry” whose dragoons went west to California on mules, and his nephew Philip, who organized the famed Gray Horse Troop of the Mexican War. Other famous names featured include Jonathan “Stonewall” Jackson; George Crook, who admired the Indians it was his duty to hunt down; and George Armstrong Custer. A U.S. Army officer and cavalry commander who served with distinction in the American Civil War, Custer is most remembered for leading more than 200 of his men to their deaths in the Battle of the Little Bighorn in June 1876. Also known as “Custer’s Last Stand’, Bighorn was part of the Black Hills War against a confederation of Plains Indians, including the Cheyenne and Dakota Sioux. It remains one of the most controversial battles in American history. Roosevelt’s Roughriders and Black Jack Pershing, who led his troops in an automobile, complete the narrative—one which is undoubtedly a saga of daring raids, of epic marches, and of grueling battles. As the author reveals, the story of the U.S. Cavalry is also the story of the birth and growth of America itself.
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