When Jonah Aaron graduated from Nashvilles Academic Magnet High School, he was voted the most interesting member of the class of 1997. His classmates predicted that he would become a CIA operative and that he would be bringing the best-looking woman in the room to the tenth-year reunion. Twelve years later, Jonah is married to screenwriter Elana Grey, once known as the hottest young redhead in country music. But instead of the CIA, Jonah has become a partner in Brandenburg and Aaron Entertainment and a producer of television shows and independent films. Jonah skipped the tenth-year reunion and never even bothered to investigate when the valedictorian of his senior class was murdered shortly after graduation. But now, Jonah has two reasons to investigate the crime: he feels sorry for the victims brother and he thinks that the investigation may lead to a script for the highly rated comedic-drama police procedural, which is a cornerstone of his production company.
When Dr. George Weiss, the expert witness in a medical malpractice case, is bludgeoned to death in his Nashville hotel room, the law firm of Mason, Bradshaw, and Colson hires former singer-songwriter Elana Grey of Aaron and Associates to investigate the crime and keep the police from uncovering the firms secrets. Elana has secrets of her own and they surface as she attempts to find the killer and steer the police away from Tony Colson, a senior partner in the law firm. With the help of her husband, Nashville promoter and part-time investigator, Jonah Aaron, Elanas efforts lead her towards a potential showdown with someone far more dangerous than a cold-blooded killer her own narcissistic mother.
This volume is the fifth in a series dealing with the passion and death of Christ - symbolized by "the cross" -- in Christian theology and the arts. It examines the way the passion of Christ has been thought about by theologians and portrayed by artists and musicians in the modern and contemporary world. It examines the traditional approaches to soteriology in contrast to revisionist theologies that take up the challenge of understanding the meaning of the cross in the light of critical historical studies and modern science"--
In spite of theoretical benefits, Markowitz mean-variance (MV) optimized portfolios often fail to meet practical investment goals of marketability, usability, and performance, prompting many investors to seek simpler alternatives. Financial experts Richard and Robert Michaud demonstrate that the limitations of MV optimization are not the result of conceptual flaws in Markowitz theory but unrealistic representation of investment information. What is missing is a realistic treatment of estimation error in the optimization and rebalancing process. The text provides a non-technical review of classical Markowitz optimization and traditional objections. The authors demonstrate that in practice the single most important limitation of MV optimization is oversensitivity to estimation error. Portfolio optimization requires a modern statistical perspective. Efficient Asset Management, Second Edition uses Monte Carlo resampling to address information uncertainty and define Resampled Efficiency (RE) technology. RE optimized portfolios represent a new definition of portfolio optimality that is more investment intuitive, robust, and provably investment effective. RE rebalancing provides the first rigorous portfolio trading, monitoring, and asset importance rules, avoiding widespread ad hoc methods in current practice. The Second Edition resolves several open issues and misunderstandings that have emerged since the original edition. The new edition includes new proofs of effectiveness, substantial revisions of statistical estimation, extensive discussion of long-short optimization, and new tools for dealing with estimation error in applications and enhancing computational efficiency. RE optimization is shown to be a Bayesian-based generalization and enhancement of Markowitz's solution. RE technology corrects many current practices that may adversely impact the investment value of trillions of dollars under current asset management. RE optimization technology may also be useful in other financial optimizations and more generally in multivariate estimation contexts of information uncertainty with Bayesian linear constraints. Michaud and Michaud's new book includes numerous additional proposals to enhance investment value including Stein and Bayesian methods for improved input estimation, the use of portfolio priors, and an economic perspective for asset-liability optimization. Applications include investment policy, asset allocation, and equity portfolio optimization. A simple global asset allocation problem illustrates portfolio optimization techniques. A final chapter includes practical advice for avoiding simple portfolio design errors. With its important implications for investment practice, Efficient Asset Management 's highly intuitive yet rigorous approach to defining optimal portfolios will appeal to investment management executives, consultants, brokers, and anyone seeking to stay abreast of current investment technology. Through practical examples and illustrations, Michaud and Michaud update the practice of optimization for modern investment management.
A biography of the Christian Social mayor of Vienna (1897-1910). Ch. 5 (p. 171-207), "Running with the Hares, Hunting with the Hounds", discusses Lueger's antisemitism, which many historians have tended to discount. While leaving open the question of Lueger's personal convictions, argues that his antisemitic remarks and those of his party associates exerted an extremely harmful influence which continued through the First Republic and is still felt today, and that only the limitations imposed on him by the Emperor prevented drastic measures against the Jews. Reviews the position of Lueger and the Christian Socialists in the debate over Jews at the university (especially the medical school), the antisemitic productions of Adam Müller-Guttenbrunn's Kaiserjubiläums-Stadttheater (the "Aryan Theater"), and demands for segregation in the public schools.
With tainted meat the weapon and corporate greed the motive, The Knowland Retribution is an extremely topical suspense-revenge thriller. Walter Sherman, a/k/a the Locator, is a tracker who honed his skills in Vietnam. The colorful cast of characters also includes Sherman's two friends--a bartender with a mysterious past and an old black man who smokes like a chimney; a feisty young woman who writes obituaries for the New York Times; a southern lawyer who has lost everything and has only one thing to live for; and a group of Wall Street investment bankers who make a deadly decision. The action takes the reader from a tiny Caribbean bar on the island of St. John to the editorial boardroom of the New York Times, from the gleaming skyline of Atlanta to the isolation of northern New Mexico, from Adirondack hideouts to Manhattan suites to Mississippi backwoods. This complex and compelling mystery thriller is the first in a series featuring Walter Sherman as the Locator.
Born in the hamlet of Mount Gilead, North Carolina, Julius Chambers (1936–2013) escaped the fetters of the Jim Crow South to emerge in the 1960s and 1970s as the nation's leading African American civil rights attorney. Following passage of the Civil Rights Act of 1964, Chambers worked to advance the NAACP Legal Defense Fund's strategic litigation campaign for civil rights, ultimately winning landmark school and employment desegregation cases at the U.S. Supreme Court. Undaunted by the dynamiting of his home and the arson that destroyed the offices of his small integrated law practice, Chambers pushed federal civil rights law to its highwater mark. In this biography, Richard A. Rosen and Joseph Mosnier connect the details of Chambers's life to the wider struggle to secure racial equality through the development of modern civil rights law. Tracing his path from a dilapidated black elementary school to counsel's lectern at the Supreme Court and beyond, they reveal Chambers's singular influence on the evolution of federal civil rights law after 1964.
Joseph Conrad's comments about his works have commonly been dismissed as theoretically unsophisticated, while the critical notions of James, Woolf and Joyce have come to shape our understanding of the modern novel. Richard Ambrosini's study of Conrad's Fiction as Critical Discourse makes an original claim for the importance of his theoretical ideas as they are formed, tested, and eventually redefined in Heart of Darkness and Lord Jim. Setting the narrator's discourse in these tales in the context of the dynamic interplay of Conrad's fictional with his non-fictional writings, and of the transformations in his narrative forms, Ambrosini defines Conrad's view of fiction and the artistic ideal underlying his commitment as a writer in a new and challenging way. Conrad's innovatory techniques as a novelist are shown in the continuity of his theoretical enterprise, from the early search for an artistic prose and a personal novel form, to the later dislocations of perspective achieved by manipulation of conventions drawn from popular fiction. This reassessment of Conrad's critical thought offers a new perspective on the transition from the Victorian novel to contemporary fiction.
This is one of the ten volumes on the Declaration. The first four volumes of this series contain each 365 essays. These last six contain about 36 essays each.
The murder of a notorious practical joker is no laughing matter in this “excellent series” starring a husband-and-wife detective team (The New Yorker). Byron Wilmot will do anything for a laugh. He’s a legend of practical jokes, notorious for once using a dummy to stage a kidnapping so realistic it fooled the police. So when Pamela and Jerry North are invited to a party at Wilmot’s home, Mrs. North braces herself for an evening of snakes in a can, rubber spiders, and the like. But tonight, a murderer will get the last laugh. When Wilmot’s secretary finds her boss lying in a pool of blood with a knife sticking out of his chest, she assumes it’s just another highly realistic gag. But Wilmot doesn’t move. He’s dead and the Norths will have think quickly if they’re going to find the killer—and make it to the punch line of Wilmot’s last great joke. Curtain for a Jester is the 17th book in the Mr. and Mrs. North Mysteries, but you may enjoy reading the series in any order.
In a hyper-individualistic age and in the face of the narrowly focused, policy-oriented research ubiquitous in the social sciences, this book revisits the humanistic world-view that is integral to Norbert Elias’s pre-eminent figurational-process sociology, with the aim of increasing the fund of sociological knowledge that has the human condition as its horizon. Clarifying the contentious ‘post-philosophical’ aspects in order to supplement standard histories of sociology with new insights, it offers incisive evaluations of some of the bewildered attempts by prominent sociologists to diagnose the malaise of contemporary globalised society. It also challenges the orthodox limitation of the empirical scope of sociology to ‘modernity’. With its ominous warnings of the destructive prevalence of ‘overcritique’ in the discipline and lack of in-depth sociological psychology, Post-Philosophical Sociology will appeal to scholars of sociology, psychoanalysis, social philosophy, cultural theory and social and political theory with interests in developmental and dynamic thinking and the history of the discipline.
The sleuthing couple’s hopes for a carefree cruise to Havana are sunk by a killer on board . . . Stepping out of her stateroom, Pamela North is rather disappointed to see a man with a sword. She had hoped this cruise would be a respite from murder, mayhem, and crime, and she finds pirates to be dreary. As it happens, she’s wrong on all counts. The man with the sword is no pirate, and this trip will not offer an escape from death. As the ship embarks on an eight-day voyage to Havana and Nassau, the Norths will find the sword-bearing gentleman is far from the strangest passenger onboard. The Carib Queen transports daiquiri-swilling dowagers, a bizarre private detective, and at least one jewel thief. And when one of their fellow passengers is found with a sword buried in his chest, Pamela and Jerry must find the killer—or risk spoiling their entire vacation. A Voyage into Violence is the 21st book in the Mr. and Mrs. North Mysteries, but you may enjoy reading the series in any order.
A thorough examination of the work and philosophical foundations of Le Corbusier, Mies van der Rohe and De Stijl, considering how a study of one can illuminate the works of the others.
This collection offers a useful framework for thinking about America's role in the current world and the most efficient ways of translating American power into influence. A substantive overview of Lebow's views on ethics and foreign policy and the future of international relations theory, this book represents a major statement by a pre-eminent thinker.
Richard Diebenkorn (1922-1993) quietly constructed a place for himself in the history of twentieth-century art with his singular vision and intense commitment to the idea and practice of both figuration and abstraction.
The Steinway—once called the "instrument of the immortals"—is more than the preeminent American piano. It is also a symbol of Old World craftsmanship combined with American capitalism, of technological innovation, and of remarkable family management. This authoritative and entertaining book tells the story of the Steinway piano company and the people behind it. The first book based on the rich archive of Steinway business and family papers at LaGuardia Community College in New York, as well as on interviews with family members and company employees in the United States, Germany, and England, Steinway & Sons describes the making and marketing of an American cultural icon. Founded in New York in 1853 by a German immigrant, the Steinway company quickly rose to prominence on the strength of the distinctive "Steinway sound." For five generations Steinways steered their company in the face of vigorous domestic and foreign competition, bitter labor disputes, temperamental musicians, a fluctuating economy, and wars. Members of the Gilded Age elite, the family also contended with adultery, alcoholism, emotional depression, and long court battles over money. Lieberman discusses the company town the Steinways built in Queens in the 1870s to "escape the machinations of the anarchists and socialists" in the city; the decision to manufacture in both New York and Hamburg, which led to Steinway factories supplying both sides in World War II; the improvements in piano technology that made the Steinway the envy of other piano makers; the company's creative marketing techniques, such as booking celebrated European pianists into American concert halls; the competition from the Japanese-owned Yamaha company; and the sale of the financially troubled company to CBS in 1972. Weaving together themes from social, music, business, labor, and immigrant history, and lavishly illustrated with pictures from the Steinway archive, Steinway & Sons is a rich narrative that casts new light on American cultural history and on a unique family enterprise.
The 1920s is often recognised as a decade of fascism, flappers and film. Covering the political, economic and social developments of the 1920s throughout the world, The Global 1920s takes an international and cross-cultural perspective on the critical changes and conditions that prevailed from roughly 1919 to 1930. With twelve chapters on themes including international diplomacy and the imperial powers, film and music, art and literature, women and society, democracy, fascism, and science and technology, this book explores both the ‘big’ questions of capitalism, class and communism on the one hand and the everyday experience of citizens around the globe on the other. Utilising archival sources throughout, it concludes with an extensive discussion of the circumstances surrounding the 1929 stock market crash and the onset of the Great Depression, the effects of which were felt worldwide. Covering topics from the oil boom in South America to the start of civil war in China, employment advances and setbacks for women across the globe, and the advent of radio and air travel, the authors provide a concise yet comprehensive overview of this turbulent decade. Containing illustrations and a selection of discussion questions at the end of each chapter, this book is valuable reading for students of the 1920s in global history.
Novelists, poets and playwrights live double lives, sharing the real world with everyone else while spending a good deal of time in a universe of their own making. When they fall out with each other, they are able to kindle feuds and antagonisms as passionate and public as workers in any trade. Richard Bradford's highly entertaining book looks at some of the closest and most complex relationships in literary history, as well as examining their dramatic effects on literature itself. - WHO WAS THE OBJECT OF COLERIDGE'S INFATUATION THAT DROVE A W EDGE BETWEEN HIMSELF AND WORDSWORTH? - WHERE DID THACKERAY UTTER THE SINGLE SENTENCE THAT ENDED HIS TENTATIVE FRIENDSHIP WITH DICKENS? - WHY DID DIFFERING OPINIONS LEAD TO THE CESSATION OF LETTERS BETWEEN FORMER CONFIDANTS AMIS AND LARKIN? - HOW DID HEMINGWAY USE AND ABUSE STEIN'S ARTISTIC CIRCLE IN PARIS? - WHAT AMERICAN L ITERARY AMBITION SPAWNED BRUTAL COMPETITION BETWEEN CAPOTE AND V IDAL? From Tolstoy's deferred duelling and Dostoevsky's defamatory fiction, to J. C. Squire's qualms with modernism and Salman Rushdie's run-in with Islam, Literary Rivals is an enjoyable romp through the world of the fiercest writers' rivalries and the most bizarre literary stand-offs.
Cutting across literature, film, art, and philosophy, Art of the Ordinary is a trailblazing, cross-disciplinary engagement with the ordinary and the everyday. Because, writes Richard Deming, the ordinary is always at hand, it is, in fact, too familiar for us to perceive it and become fully aware of it. The ordinary he argues, is what most needs to be discovered and yet is something that can never be approached, since to do so is to immediately change it. Art of the Ordinary explores how philosophical questions can be revealed in surprising places—as in a stand-up comic’s routine, for instance, or a Brillo box, or a Hollywood movie. From negotiations with the primary materials of culture and community, ways of reading "self" and "other" are made available, deepening one’s ability to respond to ethical, social, and political dilemmas. Deming picks out key figures, such as the philosophers Stanley Cavell, Arthur Danto, and Richard Wollheim; poet John Ashbery; artist Andy Warhol; and comedian Steven Wright, to showcase the foundational concepts of language, ethics, and society. Deming interrogates how acts of the imagination by these people, and others, become the means for transforming the alienated ordinary into a presence of the everyday that constantly and continually creates opportunities of investment in its calls on interpretive faculties. In Art of the Ordinary, Deming brings together the arts, philosophy, and psychology in new and compelling ways so as to offer generative, provocative insights into how we think and represent the world to others as well as to ourselves.
A death threat concealed in a term paper brings Mr. and Mrs. North back to campus All semester Prof. John Leonard has directed his lectures at Peggy Mott. Not because she’s beautiful—although that doesn’t hurt—but because she has the sharpest mind he’s encountered in all his years teaching psychology. When she turns in her final assignment, a paper on human emotions, Leonard expects a brilliant essay, but what he reads shocks him to the core: There’s someone Peggy detests. And based on her paper, Professor Leonard believes she hates enough to kill. When Peggy’s husband is found with a steak knife buried in his neck, the comely young student is the only suspect. But Jerry and Pamela North see it differently. Mrs. North has a mind that could drive any psychologist batty, but for the sake of a shining pupil, she’ll find out the truth. Murder Is Served is the 12th book in the Mr. and Mrs. North Mysteries, but you may enjoy reading the series in any order.
This is one of the saddest stories of WWII. It is the tale of a man who loved military and excelled at every turn; one who gave every ounce of physical, mental and spiritual energy to serve his country. But the fortunes of war were destined to treat this fine man badly. Death, and the ultimate insult, Missing in Action for 56 years, were to be his fate. But thanks to a family that would not forget, an adopted country that reveres the heroes of all nations and a native land that still cares, full honors came to Junior Patton. He is a worthy representative of the 78,000 MIAs of World War II, the 8,100 missing from the Korean conflict and the 1,900 MIAs from the war in Southeast Asia.
This book explains similarities in asymptotic behavior as the result of two basic properties shared by the structures: the conditioning relation and the logarithmic condition. The discussion is conducted in the language of probability, enabling the theory to be developed under rather general and explicit conditions; for the finer conclusions, Stein's method emerges as the key ingredient.
Early modernists turned to theories of consciousness and aestheticism to combat what they saw as the hostility of naturalism and to find new ways of thinking about reality. This consciousness took various forms, including a Jamesian sense of moral ambiguity, Proustian time spots, and B ergsonian intuition, but the Nietzschean theory that reality depends on perception connected them all. This modernist movement reached a distinguished level of achievement with novelists Thomas Mann, Marcel Proust, and James Joyce, but a succession of counterinfluences transformed it after World War II, when elitism and a desire for a homogeneous culture gave way to diversity and elements of mass culture. In Literary Modernism and Beyond, Richard Lehan tracks the evolution of the movement from its emergence in the late nineteenth century to its recent incarnations. In this wide-ranging study, Lehan demonstrates how and why the "originary vision" of modernism changed radically after it gained prominence. With critical discussions on a wide variety of major modernist writers, intellectuals, and artists and their works -- including Virginia Woolf, Gertrude Stein, T. S. Eliot, Wallace Stevens, Andre Gide, Franz Kafka, Zora Neale Hurston, Ian Fleming, and J. K. Rowling -- Lehan examines the large-scale changes that came as critical authority moved from one generation to another. Both popular culture and literary criticism -- especially "critical theory" -- acted as key agents of change, and structuralism, poststructuralism, and concerns with gender and race also greatly influenced the movement. Along with a process of decline and a nihilism that emerged from the modernist movement, these changes created a new literary reality and with it a new textuality. Literary Modernism and Beyond treats modernism's major innovations of myth, symbol, and structure not as individual pieces but as interrelated contributions to a historical process, the product of three generations of transformations. Lehan's analysis provides a more complete understanding than ever before of the movement itself.
America searched for an answer to "The Labor Question" during the Progressive Era in an effort to avoid the unrest and violence that flared so often in the late nineteenth and early twentieth century. In the ladies' garment industry, a unique experiment in industrial democracy brought together labor, management, and the public. As Richard Greenwald explains, it was an attempt to "square free market capitalism with ideals of democracy to provide a fair and just workplace." Led by Louis Brandeis, this group negotiated the "Protocols of Peace." But in the midst of this experiment, 146 mostly young, immigrant women died in the Triangle Factory Fire of 1911. As a result of the fire, a second, interrelated experiment, New York's Factory Investigating Commission (FIC)—led by Robert Wagner and Al Smith—created one of the largest reform successes of the period. The Triangle Fire, the Protocols of Peace, and Industrial Democracy in Progressive Era New York uses these linked episodes to show the increasing interdependence of labor, industry, and the state. Greenwald explains how the Protocols and the FIC best illustrate the transformation of industrial democracy and the struggle for political and economic justice.
It is commonly held that there is no place for the 'now’ in physics, and also that the passing of time is something subjective, having to do with the way reality is experienced but not with the way reality is. Indeed, the majority of modern theoretical physicists and philosophers of physics contend that the passing of time is incompatible with modern physical theory, and excluded in a fundamental description of physical reality. This book provides a forceful rebuttal of such claims. In successive chapters the author explains the historical precedents of the modern opposition to time flow, giving careful expositions of matters relevant to becoming in classical physics, the special and general theories of relativity, and quantum theory, without presupposing prior expertise in these subjects. Analysing the arguments of thinkers ranging from Aristotle, Russell, and Bergson to the proponents of quantum gravity, he contends that the passage of time, understood as a local becoming of events out of those in their past at varying rates, is not only compatible with the theories of modern physics, but implicit in them.
Rick Butler, once a Special Forces soldier, is currently a private investigator specializing in evidence for divorce cases. He rarely encounters violence; instead, he usually finds himself neck-deep in scandalthat is, until hes hired to follow Anne Blackmon. It would have been an openand-shut case, if Blackmon hadnt ended up dead while on Ricks watch. Now, hes suspected for her murder at the behest of Dallass Police Chief. Rick didnt know Mrs. Blackmon was mixed up in something much more serious than an affairsomething involving the CIA. A group of agents are on the warpath for one last shred of revenge. The agents were involved in the Cuban Bay of Pigs offensive, but they know someone tipped off Fidel Castro about the incoming attack. Because of this leak, many of the agents friends were killed in Cuba. Now its time for some payback, and Rick might be a perfect diversion. The CIA agents suspect Castro was working with American mafia kingpins, who gave him classified knowledge. In order to save himself, Rick has to figure out how to prove their suspicions, how Mrs. Blackmon was involved, and what it all has to do with the Kennedy assassination. Unfortunately, the guilty party may be much closer than Rick knows, as Dallass law enforcement comes under dangerous scrutiny that may get everyone killed.
When a television hostess is killed in their hotel, Mr. and Mrs. North investigate the murder of America’s girl next door From coast to coast, everyone in America knows the smiling face of Amanda Towne. The most celebrated interviewer on television, she’s a beacon of honesty and warmth . . . when the cameras are rolling. Amanda will do whatever it takes to stay at the top of her profession, and she doesn’t mind stepping on the little people—until the day someone stops her in her tracks. Amanda doesn’t know it, but her decorating advice is the reason Pamela North has decided to repaint her apartment. But when Mr. North comes home and finds the fumes unbearable, the couple checks into the Breckenridge Hotel, whose famous suites are large enough for Pam; Jerry; their cat, Martini . . . and Amanda Towne, whom Jerry finds lying dead on the bed. The story of who put her there is simply unbelievable, even by the standards of primetime television. The Long Skeleton is the 22nd book in the Mr. and Mrs. North Mysteries, but you may enjoy reading the series in any order.
Volume three of a bibliography documenting all that has been written in the English language on the history of sport and physical education in Britain. It lists all secondary source material including reference works, in a classified order to meet the needs of the sports historian.
This book is a revised version of the first edition, regarded as a classic in its field. In some places, newer research results have been incorporated in the revision, and in other places, new material has been added to the chapters in the form of additional up-to-date references and some recent theorems to give readers some new directions to pursue.
If illicit drug trafficking is a global problem, why won't other nations comply with the drug control agenda of the United States? NarcoDiplomacy departs from traditional responses to this question, which have held that compliance with the American agenda has been beyond the capacity of key countries. By focusing on Germany and Japan, touted as two of the strongest allies of the United States in drug control efforts, H. Richard Friman exposes the flaws in capacity arguments and the policies based on them. Drawing on sources ranging from previously unknown Imperial German archives to interviews with policy makers and law enforcement officials, Friman offers a thorough analysis of bilateral and multilateral relations. He traces their evolution from international opium control efforts of the early 1900s through disputes over cocaine and money laundering during the Reagan and Bush antidrug campaigns. His work reveals that, although the internal logic of the U.S. posture was sound, American policy makers failed to recognize the nature of German and Japanese cooperation and defection, or to identify which aspects of capacity were at issue. The resulting policy, Friman contends, actually undermined German and Japanese compliance with the American agenda. Extending this analysis to Latin America, NarcoDiplomacy explores the ramifications of Friman's findings for the future of U.S. drug control policy.
For the better part of forty years, Edith Sitwell's poetry has been neglected by critics. But born into a family of privileged eccentrics, Edith Sitwell was highly regarded by her contemporaries: the great writers and artists of the day who attended her unlikely London literary salon. Her quips and anecdotes were legendary and her works like English Eccentrics confirmed her comic genius, while later she established herself as the quintessential poet of the Blitz. This masterly biography, meticulously researched and drawing on many previously unseen letters, firmly places Edith Sitwell in the literary tradition to which she belongs.
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