This text invites the reader to think about collaborative research differently. Using the concepts of 'letting go' and 'poetics', it envisions collaborative research as a space where relationships are forged with the use of arts-based and multimodal ways of seeing, inquiring, and representing ideas.
In this, the second part of his history of the Industrial Revolution, Richard Brown examines the political and religious developments which took place in Britain between the 1780s and 1840s in terms of the aristocratic elite and through the expression of alternative radical ideologies. Opening with a discussion of the nature of history, and of Britain in 1700, it goes on to consider Britain's foreign policy, the emergence of the modern state and the mid-century 'crisis' of the 1840s. Unlike many previous works, it emphasises British not just English history. It is this diversity of experience and the focus on continuity as well as change, women as well as men, that makes this a distinctive text. Students will also find the theoretical foundations of historical narrative and analysis clearly explained.
These essays critically address ... the assumptions from which media analysts and communication scholars have customarily approached television."--Preface.
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