Many home cooks—and professionals, as well—swear by the tried-and-true implements they’ve used for years: the Foley Food Mill that works like a charm every time; the manually operated juicer that’s a tradition of family breakfasts; the cast iron skillet that’s been handed down through the generations. For serious cooks, there’s nothing like a familiar implement, a thing that works exactly as you expect it to. Similarly, most people usually have a library of favorite recipes on which they rely: some passed along from relatives and friends, others from mentors and teachers. These are the recipes cooks return to time and time again, in part because they evoke memories of the people who have enjoyed them and prepared them in the past. Kitchen Things, by master photographer and respected novelist Richard Snodgrass, celebrates these well-loved objects and recipes and showcases them in an unexpected way—a way that touches upon the science of food, the physics of cooking, the sensory pleasures of eating, and indeed the very nature of life itself. In his reflections, the author is aided by his patient, persistent, and very perceptive wife, Marty, and her mother, from whose Western Pennsylvania farmhouse kitchens the objects and recipes were sourced. The gentle, often humorous repartee between the author and these wise and knowing women forms a running narrative throughout the book.
A BOOK OF DAYS is the story of a book, The Journal of Thomas Keating-the days when it was written, and the subsequent days when it changed the lives of those who touched it. We first see the book as a plaything for two children on a Western Pennsylvania iron plantation in the early 1800s, who use the ancient language of the book in their games of sexual awakening. We see the book in the same location in 1776, when a young woman brings the book written in Gaelic to a survivor of a massacre that occurred here, to help her understand the fate of her mother. And we see, at the heart of the novel, the writer of the book, an ensign of the Black Watch, as he seeks refuge in a blockhouse he fears is surrounded by Indians, recounting his journey upriver with a band of misfits to discover the fate of the outpost's lost command.
A personal, poetic counterpoint to the work of W.D. Snodgrass. The poems of W. D. Snodgrass, based on events from his troubled family life--particularly the death of a beloved sister--directly influenced Robert Lowell, Anne Sexton, Sylvia Plath, and changed mid-twentieth century American poetry. Now his younger brother, Richard Snodgrass, who experienced those family events as well, masterfully weaves a counterpoint of personal stories, family history, and his own photographs into his work that reminds the reader that there are many sides to any story, that every unhappy family is unhappy in its way, and--perhaps most terrible of all--that everyone has their reasons.
Paul Slater, a mill worker in Furnass and former Green Beret sniper in Vietnam travels upriver to Pittsburgh for a little adventure. Paul's path crosses that of a local hippie panhandler who acts as spirit guide as Paul becomes involved with a pretty, blond intern for a movie company and unwittingly becomes suspect in a number of recent murders.
Involving Indigenous peoples and traditional knowledge into natural resource management produces more equitable and successful outcomes. Unfortunately, argue Anne Ross and co-authors, even many “progressive” methods fail to produce truly equal partnerships. This book offers a comprehensive and global overview of the theoretical, methodological, and practical dimensions of co-management. The authors critically evaluate the range of management options that claim to have integrated Indigenous peoples and knowledge, and then outline an innovative, alternative model of co-management, the Indigenous Stewardship Model. They provide detailed case studies and concrete details for application in a variety of contexts. Broad in coverage and uniting robust theoretical insights with applied detail, this book is ideal for scholars and students as well as for professionals in resource management and policy.
Drawing on cultural theory, phenomenology and concepts from Asian art and philosophy, this book reflects on the role of interpretation in the act of architectural creation, bringing an intellectual and scholarly dimension to real-world architectural design practice. For practising architects as well as academic researchers, these essays consider interpretation from three theoretical standpoints or themes: play, edification and otherness. Focusing on these, the book draws together strands of thought informed by the diverse reflections of hermeneutical scholarship, the uses of digital media and studio teaching and practice.
The stories of Holding On show life in Furnass during the prosperous late 1970s and early 1980s, though there are rumors of mill closings and layoffs. Interwoven is a tale of two Scottish soldiers two hundred years earlier in the same area, struggling through the virgin forest looking for lost sheep.
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