p>It’s a well-observed fact that human beings (well, men) can be a grumpy old bunch, always choosing to see that infamous metaphorical glass as constantly half empty rather than half full. Where’s the fun in that? 365 Reasons To Be Cheerful is, well, it’s exactly that. It’s a whole year’s worth of funny and unique events that happened on each and every day – a wild, weird and wonderful journey through the year highlighting the moments that changed the world for the better as well as the delightful, irreverant stories that will simply make you smile. 365 Reasons To Be Cheerful is designed specifically to look on the bright side of life every day of the year – the perfect pint-sized pick-me-up in these sobering, sombre times.
For years America has been supplied with oil from the Middle Eastern state of Lobynia. But there’s a policy change when Lobynia’s king is deposed by army Colonel Baraka in a bloodless coup. Baraka decides that American oil refineries are despoiling his homeland. Besides, he sees an opportunity to put the economic squeeze on by turning the oil supply off. To find a way around this shutoff, an American scientist devises a revolutionary new process to extract oil from the ground. Suddenly, however, the scientist is found dead. Time to send in the only two men who can stop Baraka . . . Remo Williams is The Destroyer, an ex-cop who should be dead, but instead fights for the secret government law-enforcement organisation CURE. Trained in the esoteric martial art of Sinanju by his aged mentor, Chiun, Remo is America’s last line of defence. Breathlessly action-packed and boasting a winning combination of thrills, humour and mysticism, the Destroyer is one of the bestselling series of all time.
In stories by turns suspenseful, comic, subtle, and profound, Richard Bausch probes the fault lines of daily life. At three in the morning a man tries not to wake his sleeping wife while fielding calls from his suicidal mistress. A successful real estate agent with two grown sons tries an online dating service on a whim and is surprised by the complicated result. And after being held up at gunpoint, a police officer commiserates with his assailant about their unhappy marriages. Wherever he casts his gaze, Bausch illuminates shades of human experience that defy understanding.
A serial killer is on the loose in Washington, DC. A vicious, sadistic killer of young women, whom he not only rapes and kills with impunity, but cuts up the bodies before disposing of them in various locations. Bodies keep turning up in Washington, DC; Aspen, Colorado; and New York City. This Doctor of Death seems to be everywhere. Sally Martin and John Burton of the FBI’s Behavioral Science Unit are called in to solve the riddle of one man’s killing pattern as the bodies keep piling up, and there seems to be no end in sight to the killings.
From the A6 Disappearances to the Zodiac Killer, and all points between, here is a definitive A to Z of the many serial killer cases through history that were never solved. Jack the Ripper, The Freeway Phantom, The New Orleans Axeman, The Thames Torso Murders, Charlie Chop Off - they are all here. Read about these unsolved serial killer and murder cases in history in this book
Originally published in 1990. The Harmsworth family, starting with Lord Northcliffe (1865-1922) is the greatest and most influential press dynasty Britain has known. The dynasty has had by far the greatest impact on the shape of the press today of all the great press families. The Harmsworths were big, bold characters, enormously rich and with a gift for flamboyant use of their wealth. Much more important though is the way they used their influence on public opinion to steer the country’s political and social life. ‘Public opinion’ was a force that the Harmsworths harnessed before anyone else, and they quickly understood how to use it as a political tool. This book is constructed as four biographies which together make up the central story of the popular press in Britain. Their story continues to have relevance.
In internationally bestselling author Richard Montanari’s acclaimed suspense series, veteran homicide cops Kevin Byrne and Jessica Balzano crack some of the most shocking and terrifying cases ever to hit Philadelphia. From a killer who re-creates Hollywood death scenes to a madman who uses the City of Brotherly Love as his gruesome game board, Byrne and Balzano have seen it all in their relentless pursuit of justice. This convenient eBook bundle takes you back to the beginning with four chilling novels: The Rosary Girls, The Skin Gods, Merciless, and Badlands. Includes an excerpt from Richard Montanari’s The Echo Man, now available exclusively as an eBook. Of this explosive new thriller, bestselling author Thomas Cook raves: “With The Echo Man, we are in the hands of one of the best in the business.”
Andy Blake is no sooner married to Arab that he realizes his home is not a love nest but an arsenal. True, the fragile, blonde Arabella had won prizes only in shotgun contests, but she didn’t discriminate against rifles and pistols. As Andy wistfully says, ''The worst thing about Arab’s guns is that they come in handy. She can track down trouble the way a detector spots land mines.'' Andy and Arab are plunged into this bang-up mystery when they attend an auction sale where a pistol starts a bidding contest between two oddly assorted customers. Andy, who also knows his guns, is sure that the pistol isn’t worth more than thirty bucks. He is therefore both flabbergasted and interested to hear the bidding skyrocket to two hundred dollars, especially since one of the bidders is a red-head whose legs he finds the most interesting exhibit at the auction. As Andy and Arab leave the auction he idly says to her, ''The person who bought that rod make a down payment on a time bomb. That red-head wasn’t bidding in the hundreds just to stimulate interest in the auction in general. I got a hunch the new owner will meet a lot of unpleasant people. Who bought the thing?'' Taking his arm, Arab answered happily, ''I did.
The St. Louis Baseball Reader is a tale of two teams: one the city’s lovable losers, the other a formidable dynasty. The St. Louis Cardinals are the most successful franchise in National League history, while the St. Louis Browns were one of the least successful, yet most colorful, American League teams. Now Richard Peterson has collected the writings of some of baseball’s greatest storytellers to pay tribute to both these teams. His book, the first anthology devoted exclusively to the Cardinals and Browns, covers the rich history of St. Louis baseball from its late-nineteenth-century origins to the modern era. The St. Louis Baseball Reader is a celebration of the many legendary stars and colorful characters who wore St. Louis uniforms and the writers who told their stories, including Alfred Spink, Roger Angell, George Will, and Baseball Hall of Fame writers Bob Broeg, J. Roy Stockton, Red Smith, and Fred Lieb. Here, too, are John Grisham, who grew up a Redbirds fan in Mississippi, and Jack Buck, the most identifiable voice in Cardinal history. Great players—Grover Cleveland Alexander, Rogers Hornsby, Marty Marion, and Satchel Paige—tell their own stories, while Bill Veeck offers an account of his wild ride as the last Browns owner and Whitey Herzog shares regrets about the play that cost the Cardinals the 1985 World Series. From the days of the Gas House Gang to the 1944 “Streetcar Series,” from Bill Veeck’s legendary stunts to Mark McGwire’s pursuit of Roger Maris’s home-run record, the Reader will bring back memories for every fan. It takes in all of the magic of the ballpark—whether recounting the unhittable pitching of Bob Gibson, the slugging prowess of Stan “The Man” Musial, or the sterling glove-work of Ozzie Smith—along with reflective commentaries that tell how Jackie Robinson confronted racism and Curt Flood challenged the reserve clause. St. Louis is a city blessed with a memorable baseball history, and The St. Louis Baseball Reader perfectly captures the joy and heartbreak of its winning and losing teams. It’s a book that will delight current fans of the Cardinals and old-timers who fondly recall the Browns.
Casey Denver, soldier of fortune, is back from helping Castro win his revolution, and he knows a secret. A Group of Batista bandits are hiding out with four million dollars stolen from the Cuban treasury. Casey wants that four million, and three beautiful women are willing to help him get it. Diane -- uninhibited and untamed, who doesn't want money but definitely wants a man...any man. Magdalena -- calculating but far from cold, who also wants a man...the one who ends up with the four million dollars. And Marie, lush and lonely, who only wants Casey Denver...with or without the money! A classic crime novel.
Man's greatest desires are love, acceptance and power. Like a fast pace story keeping you in suspense, your nerves on end. The Better Man weaves a tangled tale of love, intrigue and murder all revolving around the US Presidency. Can a President run for a third term? The US Constitution says no but one of our characters feels otherwise. How low can a man fall an yet find redemption, love? Will a once big time Chicago attorney stop the hi-jacking of the Presidency and save himself from his own private hell? Who will live, who will die? Who is The Better Man?
Soft-boiled Seattle sleuth John Denson, first introduced in Decoys, is hot on the trail of crime once again in this second Denson mystery. 30 for a Harry takes its inspiration from a bit of newspaper lore—the legend of Harry Karafin, who after three decades on The Philadelphia Inquirer was exposed for using his position as an investigative reporter to blackmail area businessmen. Drawing on his own background as a former intelligence agent and newspaper reporter, Richard Hoyt sends Detective Denson undercover at the Seattle Star to search for the paper’s own ‘harry.’ In his search, Denson confronts the dark underbelly of the newspaper world, where honored traditions of truth and fairness are destroyed by greed and the quest for power. Filled with unexpected plot twists and offbeat characters, this first-rate detective yarn will keep you guessing until the final pages.
Our 84th issue features a pair of original mysteries from Bev Vincent and Stacy Woodson. Plus we have a Bryce Walton Hollywood crime story and a Frank Kane mystery novel (featuring detecive Johnny Liddell). And, of course, a solve-it-yourself puzzler from Hal Charles. On the science fiction side, we have an anti-war story from Richard Wilson, a UFO story from Paul Torak, a rather silly science fiction/detective story from Noel Loomis, and a time-travel tale from Lester del Rey. Plus a pre-Golden Age science fiction novel from oldtime master Ray Cummings: The Man on the Meteor, which appeared in Science and Invention in 1924, two years before Amazing Stories and the genre of science fiction were launched! Here’s the complete lineup: Mysteries / Suspense / Adventure: “The River Heights Ripper,” by Bev Vincent [Michael Bracken Presents short story] “Jellybean Justice,” Hal Charles [Solve-It-Yourself Mystery] “Before the Highwaymen,” by Stacy Woodson [Michael Bracken Presents short story] “Actor’s Showcase,” by Bryce Walton [short story] Crime of Their Life, by Frank Kane [novel] Science Fiction & Fantasy: “The Day They Had a War,” by Richard Wilson [short story] “Flight 18,” by Paul A. Torak [short story] “Remember the 4th!,” by Noel Loomis [short story] “Absolutely No Paradox,” by Lester del Rey [short story] The Man on the Meteor, by Ray Cummings [novel]
Hailed as "absolutely the best reference book on its subject" by Newsweek, American Musical Theatre: A Chronicle covers more than 250 years of musical theatre in the United States, from a 1735 South Carolina production of Flora, or Hob in the Well to The Addams Family in 2010. Authors Gerald Bordman and Richard Norton write an engaging narrative blending history, critical analysis, and lively description to illustrate the transformation of American musical theatre through such incarnations as the ballad opera, revue, Golden Age musical, rock musical, Disney musical, and, with 2010's American Idiot, even the punk musical. The Chronicle is arranged chronologically and is fully indexed according to names of shows, songs, and people involved, for easy searching and browsing. Chapters range from the "Prologue," which traces the origins of American musical theater to 1866, through several "intermissions" (for instance, "Broadway's Response to the Swing Era, 1937-1942") and up to "Act Seven," the theatre of the twenty-first century. This last chapter covers the dramatic changes in musical theatre since the last edition published-whereas Fosse, a choreography-heavy revue, won the 1999 Tony for Best Musical, the 2008 award went to In the Heights, which combines hip-hop, rap, meringue and salsa unlike any musical before it. Other groundbreaking and/or box-office-breaking shows covered for the first time include Avenue Q, The Producers, Billy Elliot, Jersey Boys, Monty Python's Spamalot, Wicked, Hairspray, Urinetown the Musical, and Spring Awakening. Discussion of these shows incorporates plot synopses, names of principal players, descriptions of scenery and costumes, and critical reactions. In addition, short biographies interspersed throughout the text colorfully depict the creative minds that shaped the most influential musicals. Collectively, these elements create the most comprehensive, authoritative history of musical theatre in this country and make this an essential resource for students, scholars, performers, dramaturges, and musical enthusiasts.
Michael develops a bond with Esther, a reclusive elderly woman in a nursing home. When he is falsely accused of abusing the home's residents, he learns important lessons about faith and forgiveness from Esther, whose gift of a locket becomes a symbol of his second chance.
My life as a Kane was lit in the Indigos, Aquamarines and Magentas of a home built on quiet faith and prayer. But Johnny changed all that. Where I had stood transfixed by the gloss on the surface of living, he called me forward from the pages of the books, away from the blinders that faith can surreptitiously place upon your eyes and out into a world populated by those who live their lives in the shadow of necessary fictions.
Goodfellas meets Savages meets Catch Me If You Can in this true tale of high-stakes smuggling from pot’s outlaw years. Richard Stratton was the unlikeliest of kingpins. A clean-cut Wellesley boy who entered outlaw culture on a trip to Mexico, he saw his search for a joint morph into a thrill-filled dope run smuggling two kilos across the border in his car door. He became a member of the Hippie Mafia, traveling the world to keep America high, living the underground life while embracing the hippie credo, rejecting hard drugs in favor of marijuana and hashish. With cameos by Whitey Bulger and Norman Mailer, Smuggler’s Blues tells Stratton’s adventure while centering on his last years as he travels from New York to Lebanon’s Bekaa Valley to source and smuggle high-grade hash in the midst of civil war, from the Caribbean to the backwoods of Maine, and from the Chelsea Hotel to the Plaza as his fortunes rise and fall. All the while he is being pursued by his nemesis, a philosophical DEA agent who respects him for his good business practices. A true-crime story that reads like fiction, Smuggler’s Blues is a psychedelic road trip through international drug smuggling, the hippie underground, and the war on weed. As Big Marijuana emerges, it brings to vivid life an important chapter in pot’s cultural history.
Breathlessly action-packed and boasting a winning combination of thrills, humour and mysticism, the Destroyer is one of the bestselling series of all time.
As television grew more enticing for both viewers and filmmakers in the 1950s, several independent film producers with knowledge of making low-cost films and radio shows transferred their skills to producing shows for the small screen. Rather than funding live programs that were popular at the time, these producers saw the value in pre-taped shows, which created large financial returns through episode reruns. This low-cost, high-yield production model resulted in what are known and beloved as "B" television shows. Part historical account and part filmography, this book documents the careers of over a dozen "B" television producers. It chronicles the rise of situation comedies and crime dramas and explores the minds behind popular shows like My Little Margie, The Lone Ranger, Lassie, Highway Patrol and Sea Hunt. Divided into 14 chapters of producer profiles, this work is rich in both trivia and critical assessments of the first years of television. A chapter detailing the work of early female television producers rounds out the text.
Herding the Wind—a Wall Street novel. It is the story of two people caught in the riptides of young love, memory and loss, jazz and dance, and the arduous impulse of striving for happiness in the heart of a pulsating city.
Who is THE NOWHERE MAN? Marty Frost is a man with a past. Several of them! A small-time conman with a long list of aliases. He specializes in charming and romancing the idle rich, particularly bored housewives with large expense accounts. But when he meets Christina Scott, he gets more than he bargained for. Christina’s husband is a vengeful man and when he discovers their affair events rapidly spiral out of control. Now Marty is on the run, desperate to stay out of James Scott’s clutches and to stay in one piece. Escaping London, Marty survives a devastating train crash. Switching identities with a victim of the accident, Marty believes he is home free. But Michael Rhodes was himself on the run. A man with a terrible secret to tell and a cabal of powerful, dangerous men on his trail who will stop at nothing to silence him. Now, Marty is Michael and he’s no longer running from a jealous husband—he’s running for his life!
Breathlessly action-packed and boasting a winning combination of thrills, humour and mysticism, the Destroyer is one of the bestselling series of all time.
When the beautiful invaders took over, only Texas fought back! A "different" science fiction novel by award-winning author Richard Wilson. Originally published in 1955, this is a science fiction romp that pokes fun at the B-Movie notion of beautiful alien invaders. Richard Wilson (1920–1987) was a Nebula Award winning American science fiction writer and fan. He was a member of the Futurians (alongside such notables as Isaac Asimov, Donald A. Wollheim, and C.M. Kornbluth). His books included the novels The Girls from Planet 5 (1955); 30-Day Wonder (1960); and And Then the Town Took Off (1960); and the collections Those Idiots from Earth (1957) and Time Out for Tomorrow (1962). His short stories included "The Eight Billion" (nominated for a Nebula Award as Best Short Story in 1965); "Mother to the World" (nominated for the Hugo for Best Novelette in 1969 and winner of the Nebula in 1968); and "The Story Writer" (nominated for the Nebula Award for Best Novella in 1979).
This enriched reference guide offers a unique overview of more than 200 picture books published by Canadian publishing houses between 2017–2019. The authors cover key themes in contemporary Canadian titles that match broad curriculum trends in education. Response activities are included in the text, for example frameworks for critical literacy discussions, along with annotated bibliographies that specifically recognize titles by Indigenous authors and illustrators. The book also contains original interviews with a dozen rising stars in Canadian writing and book illustration. While the book is specifically geared for educators, it also supports public libraries, Education researchers, and future picture book creators, as well as families who are interested in learning more about reading development and related literacy activities for the home setting.
Breathlessly action-packed and boasting a winning combination of thrills, humour and mysticism, the Destroyer is one of the bestselling series of all time.
Destined to become the standard biography of Isaac Newton, this meticulously detailed work centers on his scientific career, but also deals with every facet of his life. Westfall has drawn on recent research which has fundamentally altered our perception of Newton.
Pulitzer winning investigative reporter Brandon Stewart has been uncovering corruption, scandal and greed in the nations capital his entire career. Yet when the widow of former president Preston Hodges commissions Stewart to write her husbands biography, Stewart finds himself investigating the biggest cover-up of his career. Wading through a host of conspiracy theories that claim Hodges was killed in a coup detat, Stewart begins interviewing members of Hodges previous inner circle and is soon led down a trail of clues that leads to MOHICAN, an ultra-secret CIA project that was the center piece of Hodges dramatic world peace agenda, a project that disappeared when Hodges died. With an FBI bodyguard assigned to protect him, Stewart discovers that hes being shadowed by the CIA as he puts the pieces of the MOHICAN puzzle together. But when someone tries to kill him to suppress what he has learned, Stewart launches a counter-attack, bringing his adversaries to the negotiating table and uncovering one of the largest intelligence scams in history. Filled with political intrigue, espionage, romance and the wisdom of self discovery, MOHICAN demonstrates the lengths some government officials will go to in protecting their covert interests and the power one man can wield in bringing those officials into the spotlight of justice.
In the 1960s the masters of crime fiction expanded the genre’s literary and psychological possibilities with audacious new themes, forms, and subject matter—here are five of their finest works This is the first of two volumes gathering the best American crime fiction of the 1960s, nine novels of astonishing variety and inventiveness that pulse with the energies of that turbulent, transformative decade. In The Murderers (1961) by Fredric Brown, an out-of-work actor, hanging out with Beat drifters on the fringes of Hollywood, concocts a murder scheme that devolves into nightmare. This late work by a master in many genres is one of his darkest and most ingenious. Dan J. Marlowe’s The Name of the Game Is Death (1962) channels the inner life of a violent criminal who freely acknowledges the truth of a prison psychiatrist’s diagnosis: “Your values are not civilized values.” Written with unnerving emotional authenticity, the story hurtles toward an annihilating climax. Charles Williams drew on his experience in the merchant marine for his thriller Dead Calm (1963). A newlywed couple alone on a small yacht find themselves at the mercy of the mysterious survivor they have rescued from a sinking ship, in a suspenseful story that chillingly evokes the perils of the open ocean. In the beautifully told and sharply observant The Expendable Man (1963), Dorothy B. Hughes’s final masterpiece of suspense, a young man in the American Southwest runs afoul of racial assumptions after he picks up a hitchhiker who soon turns up dead. In twenty-four brilliantly constructed novels, Richard Stark (a pen name of Donald Westlake) charted the career of Parker, a hard-nosed professional thief, with rigorous clarity. The Score (1964), a stand-out in the series, finds Parker and his criminal associates hatching a plot to rob simultaneously all the jewelry stores, payroll offices, and banks in a remote Western mining town, only to come up against the human limits of even the most intricate planning. Volume features include an introduction by editor Geoffrey O'Brien (Hardboiled America), newly researched biographies of the writers and helpful notes, and an essay on textual selection.
A guide to maximizing memory explores the mechanics of memory, visualization and mnemomic techniques, beneficial nutritional supplements, and lifestyle changes that will boost the brain's supply of oxygen
Thrushes, warblers, vireos, and tanagers are probably the most familiar of the Neotropical migrants--birds that breed in the United States and Canada, then journey to spend the winter in the Caribbean, Mexico, or southward. But this extraordinary group actually comprises a large number of diverse species, including waterfowl, shorebirds, terns, hawks, flycatchers, and hummingbirds. In their compendious review of information on these birds, Richard M. DeGraaf and John H. Rappole illuminate the need for a thorough understanding of the ecology of each species, one that exte4nds throughout the entire life cycle. The authors argue convincingly that conservation efforts must be based on such an understanding and carried out across a species' range--not limited to the breeding grounds. This book is the first to summarize in one volume much-needed practical data about the distribution and breeding habitat requirements of migratory birds in North and South America. The body of the book consists of natural history accounts of more than 350 species of Neotropical migrants, including a brief description of each bird's range, status, habitats on breeding grounds, nest site, and wintering areas. The authors provide a complete range map of each species' distribution in the Western Hemisphere as well as notes on the distribution--basic data that until recently have largely been unavailable in usable form to ornithologists and land and resource managers. An appendix lists species that are increasing or decreasing at significant rates in various physiographic regions of North America.
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