The life story of Richard Ramsay Armstrong, RN, 1833 - 1910. 3 years on the Coast of Africa for suppression of the slave trade. Then the Crimea, and 6 months with the Naval Brigade. He survived cholera but was wounded 5 times. Back at home the doctors thought he would die. Instead, he emigrated to NZ, to try farming. It didn't work out, so, he went to be a planter in Fiji. This failed, but he had to survive many hazards: a hurricane wiped him out. Then he was the official at Lord Howe Is. He became the thorn in the side of speculators who got his dismissal on trumped up charges. Back in Australia several schemes failed to make his fortune. He never mentions his family and though he fathered 6 children, he always seems to have been off on some project, giving the impression of a poor family man! This is confirmed by his wife's occasional diary which is included after his work. There are extensive footnotes and a substantial appendix examining some of Armstrong's stories in detail.
The life story of Richard Ramsay Armstrong, RN, 1833 - 1910. 3 years on the Coast of Africa for suppression of the slave trade. Then the Crimea, and 6 months with the Naval Brigade. He survived cholera but was wounded 5 times. Back at home the doctors thought he would die. Instead, he emigrated to NZ, to try farming. It didn't work out, so, he went to be a planter in Fiji. This failed, but he had to survive many hazards: a hurricane wiped him out. Then he was the official at Lord Howe Is. He became the thorn in the side of speculators who got his dismissal on trumped up charges. Back in Australia several schemes failed to make his fortune. He never mentions his family and though he fathered 6 children, he always seems to have been off on some project, giving the impression of a poor family man! This is confirmed by his wife's occasional diary which is included after his work. There are extensive footnotes and a substantial appendix examining some of Armstrong's stories in detail.
Little now remains of the vast network of passenger and freight railroad lines that once crisscrossed much of eastern and midwestern America, but in 1946, the steam locomotive was king. This is a record of a time when traveling out of town meant, for most Americans, taking the train.
This third volume continues Richard Routley's explorations of an improved Meinongian account of non-referring and intensional discourse (including joint work with Val Routley, later Val Plumwood). It focuses on the essays 8 to 12 of the original monograph, Exploring Meinong's Jungle and Beyond, following on from the material of the first two volumes and further explores aspects and implications of the Noneist position. It begins with a discussion of the value of nonexistent objects championed by noneism, especially as regards theories of perception, universals, value theory and a commonsense account of belief. It continues with: a detailed analysis of what it means to exist; the importance of nonexistent objects to adequate accounts of mathematics and the theoretical sciences; and an account of noneisms' distinctiveness from other accounts of nonexistent objects. These essays are supplemented with scholarly essays from Naoya Fujikawa, and Maureen Eckert and Charlie Donahue.
In the 1860s, the brothers Richard and Samuel Redgrave sat down to write the book that was, in effect, the first popular account of British painting. With remarkable industry, they examined and sifted through the earlier studies and documentary sources while also contributing a great deal of firsthand knowledge. Many of the artists of the time were personal friends or acquaintances, and Richard Redgrave was a member of the Royal Academy.
The Rough Guide to Film is a bold new guide to cinema. Arranged by director, it covers the top moguls, mavericks and studio stalwarts of every era, genre and region, in addition to lots of lesser-known names. With each film placed in the context of its director’s career, the guide reviews thousands of the greatest movies ever made, with lists highlighting where to start, arranged by genre and by region. You’ll find profiles of over eight hundred directors, from Hollywood legends Alfred Hitchcock and John Huston to contemporary favourites like Steven Soderbergh and Martin Scorsese and cult names such as David Lynch and Richard Linklater. The guide is packed with great cinema from around the globe, including French New Wave, German giants, Iranian innovators and the best of East Asia, from Akira Kurosawa to Wong Kar-Wai and John Woo. With overviews of all major movements and genres, feature boxes on partnerships between directors and key actors, and cinematographers and composers, this is your essential guide to a world of cinema.
Comprehensive, readable, and clinically oriented, Stoelting’s Pharmacology & Physiology in Anesthetic Practice, Sixth Edition, covers all aspects of pharmacology and physiology that are relevant either directly or indirectly to the anesthetic practice—a challenging topic that is foundational to the practice of anesthesia and essential to master. This systems-based, bestselling text has been thoroughly updated by experts in the field, giving you the detailed information needed to make the most informed clinical decisions about the care of your patients.
This volume, the third in a series of biographical sketches of students at the College of New Jersey (now Princeton University), is an account of the College and its alumni during the troubled years of the Revolution. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This study uses the Centennial Celebrations of 1967 and Expo 67 to explore how religion informed Canadian nation-building and national identities in the 1960s.
The first in-depth study of its subject, this book seeks to account for a type of modernist film that revolves around bereavement. Identifying the roots of the genre in classical melodrama and horror cinema, and tracing perennial themes and aesthetic devices through to the European and American "intellectual melodramas" of the postwar decades, the book provides a taxonomy of characteristics. In the course of detailed case studies, the book deploys the film theory of Gilles Deleuze and Daniel Frampton while making use of Freudian psychoanalysis and present-day grief counseling theory. In making its case for the new genre, the book reflects upon the ways in which the very notion of genre has, in the post-classical period, responded to changing exhibition patterns, the rise of domestic spectatorship and the proliferation of Web-based film literature.
This volume provides a global treatment of historical and regional geomorphic work as it developed from the end of the nineteenth century to the hiatus of the Second World War. The book deals with the burgeoning of the eustatic theory, the concepts of isostasy and epeirogeny, and the first complete statements of the cycle of erosion and of polycyclic denudation chronology.
This dictionary includes a number of mathematical, statistical and computing terms and their definitions to assist geoscientists and provide guidance on the methods and terminology encountered in the literature. Each technical term used in the explanations can be found in the dictionary which also includes explanations of basics, such as trigonometric functions and logarithms. There are also citations from the relevant literature to show the term’s first use in mathematics, statistics, etc. and its subsequent usage in geosciences.
A history of one of America's earliest canals and its impact on the people of the South Carolina Lowcountry Completed in 1800, the Santee Canal provided the first inland navigation route from the Upcountry of the South Carolina Piedmont to the port of Charleston and the Atlantic Ocean. By connecting the Cooper, Santee, Congaree, and Wateree rivers, the engineered waterway transformed the lives of many in the state and affected economic development in the Southeast region of the newly formed United States. In The Santee Canal, authors Elizabeth Connor, Richard Dwight Porcher Jr., and William Robert Judd provide an authoritative and richly illustrated history of one of America's first canals. Connor, Porcher, and Judd tell a comprehensive story of the canal's origins and history. Never-before published historical plans and maps, photographs from personal archives and field research, and technical drawings enhance the text, allowing readers to appreciate the development, evolution, and effect of the Santee Canal on the land and the people of South Carolina.
This volume provides a global treatment of historical and regional geomorphic work as it developed from the end of the nineteenth century to the hiatus of the Second World War. The book deals with the burgeoning of the eustatic theory, the concepts of isostasy and epeirogeny, and the first complete statements of the cycle of erosion and of polycyclic denudation chronology.
Richard J. Britton uses the critical theory of Jacques Derrida, Giorgio Agamben, and others to examine the financial, gift, and olive tree metaphors of Paul’s Letter to the Romans. Drawing upon papyri about money, gifts, and friendship, Greek and Roman farming handbooks, and later sources, including the Book of Mormon and writings from colonized places, Britton questions the way some people understand faith, grace, and identity in the New Testament and beyond. Britton asserts that the believer is not a passive recipient of God’s grace and righteousness but rather an interpreter, reader, and decision maker actively involved in reciprocal exchange and enhancement of God’s eschatological and soteriological project. Believers, he concludes, negotiate meaning through their own interaction with texts and traditions in combination with their own personal relationship with the divine and the world. Turning to the contemporary world, Britton contends that, if we want to upend the oppression of established religion and ideology, we must first appreciate the believer as a powerful and responsible agent within God’s cosmic project.
Let hosts Alexander Armstrong and Richard Osman guide you through the quiz rounds with their trademark warmth and humour and battle it out against your friends and family for Pointless glory. Perfect for playing along alone or with family and friends, The Very Pointless Quiz Book will test your knowledge and tease your brains. So how good are you at Pointless? Really? Do you think you've got enough in-depth knowledge of Regional Railways, African Countries With No Coastline and Types of Lettuce to carry off the coveted Pointless trophy? Well let's see shall we? Here's your chance to step up to the podium (metaphorically speaking of course, chances are you'll be sitting somewhere very comfortably with either a mug of tea or a roll of Andrex within easy reach) put that knowledge to the test, and see just how far you can go in a genuine four-round Pointless ordeal. Right, if everyone's ready, let's play Pointless...
This book offers an entirely new reception history of the myth of Hercules and his wife/killer Deianira. The book poses, and attempts to answer, two important and related questions. First, why have artists across two millennia felt compelled to revisit this particular myth to express anxieties about violence at both a global and domestic level? Secondly, from the moment that Sophocles disrupted a myth about the definitive exemplar of masculinity and martial prowess and turned it into a story about domestic abuse, through to a 2014 production of Handel’s Hercules that was set in the context of the ‘war on terror’, the reception history of this myth has been one of discontinuity and conflict; how and why does each culture reinvent this narrative to address its own concerns and discontents, and how does each generation speak to, qualify or annihilate the certainties of its predecessors in order to understand, contain or exonerate the aggression with which their governors – of state and of the household – so often enforce their authority, and the violence to which their nations, and their homes, are perennially vulnerable?
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