The story is spoken through the eyes of Hyderabad, where it follows two individuals, Ajith and Rajendra Kumar, whose thirst for power and respect splits the city of Hyderabad into two. Both are victims of their circumstances, where one’s weakness for anger is fueled by betrayal, and the other, who’s an offspring of revenge, fuels his weakness of insecurity. This leads them to a life of crime, creating their version of the mafia to take control of the city. Nicknamed the Boogeyman and the Kingpin of the Hyderabad underworld, both the demons are after each other’s throats, where one’s friends, family and people are affected while the other’s business, respect and power are affected. This battle of ego and power creates an engaging power struggle where it shows the effect/influences of upper and lower classes on both the mobsters, even leading to the loss of oneself and close ones to retain one’s power. This story leads to a first-ever Kurukshetra war in the world of underworld, defining who will be powerful enough to retain their title of the Mafia King of Hyderabad.
In putting ‘morphonology’ up for adoption as a chapitre particulier in 1929, Trubetzkoy started a debate regarding the boundary between phonology and morphology that has not ended yet. Essentially a record of a roundtable devoted to that boundary (Montréal, October 1994), Trubetzkoy’s Orphan is a full and fascinating picture of some very important contemporary attempts to define it. In addition to papers that focus on it, the volume also contains important papers on the closely related topics of ‘morphoprosody’ and the ‘lexicon’, views from ‘the floor’ and ‘the outside’, and edited transcripts of the discussions that took place at the Montréal Roundtable. Intended both for practicising and future phonologists and morpho-logists, Trubetzkoy’s Orphan is a valuable record of a very important debate regarding one of the most central questions in phonology and morphology.
SHORTLISTED FOR THE 2020 CUNDILL HISTORY PRIZE 'Remarkable ... this brilliant book stands as an important monument to an almost forgotten world' William Dalrymple, Spectator A sweeping, magisterial new history of India from the middle ages to the arrival of the British The Indian subcontinent might seem a self-contained world. Protected by vast mountains and seas, it has created its own religions, philosophies and social systems. And yet this ancient land experienced prolonged and intense interaction with the peoples and cultures of East and Southeast Asia, Europe, Africa and, especially, Central Asia and the Iranian plateau between the eleventh and eighteenth centuries. Richard M. Eaton's wonderful new book tells this extraordinary story with relish and originality. His major theme is the rise of 'Persianate' culture - a many-faceted transregional world informed by a canon of texts that circulated through ever-widening networks across much of Asia. Introduced to India in the eleventh century by dynasties based in eastern Afghanistan, this culture would become thoroughly indigenized by the time of the great Mughals in the sixteenth, seventeenth, and eighteenth centuries. This long-term process of cultural interaction and assimilation is reflected in India's language, literature, cuisine, attire, religion, styles of rulership and warfare, science, art, music, architecture, and more. The book brilliantly elaborates the complex encounter between India's Sanskrit culture - which continued to flourish and grow throughout this period - and Persian culture, which helped shape the Delhi Sultanate, the Mughal Empire and a host of regional states, and made India what it is today.
For many centuries, Hindus have taken it for granted that the religious images they place in temples and home shrines for purposes of worship are alive. Hindu priests bring them to life through a complex ritual "establishment" that invokes the god or goddess into material support. Priests and devotees then maintain the enlivened image as a divine person through ongoing liturgical activity: they must awaken it in the morning, bathe it, dress it, feed it, entertain it, praise it, and eventually put it to bed at night. In this linked series of case studies of Hindu religious objects, Richard Davis argues that in some sense these believers are correct: through ongoing interactions with humans, religious objects are brought to life. Davis draws largely on reader-response literary theory and anthropological approaches to the study of objects in society in order to trace the biographies of Indian religious images over many centuries. He shows that Hindu priests and worshipers are not the only ones to enliven images. Bringing with them differing religious assumptions, political agendas, and economic motivations, others may animate the very same objects as icons of sovereignty, as polytheistic "idols," as "devils," as potentially lucrative commodities, as objects of sculptural art, or as symbols for a whole range of new meanings never foreseen by the images' makers or original worshipers.
Dāphā, or dāphā bhajan, is a genre of Hindu-Buddhist devotional singing, performed by male, non-professional musicians of the farmer and other castes belonging to the Newar ethnic group, in the towns and villages of the Kathmandu Valley, Nepal. The songs, their texts, and their characteristic responsorial performance-style represent an extension of pan-South Asian traditions of rāga- and tāla-based devotional song, but at the same time embody distinctive characteristics of Newar culture. This culture is of unique importance as an urban South Asian society in which many traditional models survive into the modern age. There are few book-length studies of non-classical vocal music in South Asia, and none of dāphā. Richard Widdess describes the music and musical practices of dāphā, accounts for their historical origins and later transformations, investigates links with other South Asian traditions, and describes a cultural world in which music is an integral part of everyday social and religious life. The book focusses particularly on the musical system and structures of dāphā, but aims to integrate their analysis with that of the cultural and historical context of the music, in order to address the question of what music means in a traditional South Asian society.
Why does a customer choose one brand over another? What are the factors which would make an individual more inclined to choose your brand? This book offers a way to predict which brand a buyer will purchase. It looks at brand performance within a product category and tests it in different countries with very different cultures. Following the Predictive Brand Choice (PBC) model, this book seeks to predict a consumer’s loyalty and choice. Results have shown that PBC can achieve a high level of predictive accuracy, in excess of 70% in mature markets. This accuracy holds even in the face of price competition from a less preferred brand. PBC uses a prospective predicting method which does not have to rely on a brand’s past performance or a customer’s purchase history for prediction. Choice data is gathered in the retail setting – at the point of sale. The Strategy of Global Branding and Brand Equity presents survey data and quantitative analyses that prove the method described to be practical, useful and implementable for both researchers and practitioners of commercial brand strategies.
How far did colonialism transform north Indian art music? In the period between the Mughal empire and the British Raj, did the political landscape bleed into aesthetics, music, dance, and poetry? The Scattered Court presents a new history of how Hindustani court music responded to the political transitions of the nineteenth century. Examining musical culture through a diverse and multilingual archive, primarily using sources in Urdu, Bengali, and Hindi that have not been translated or critically examined before, challenges our assumptions about the period. The book presents a longer history of interactions between northern India and Bengal, with a core focus on the two courts of Wajid Ali Shah (1822-1887), the last ruler of the kingdom of Awadh. Wajid Ali Shah was one of the most colorful and controversial characters of the nineteenth century and has had a polarizing legacy. According to political histories and popular memory, he was a failure of a king, who was forced to surrender his kingdom to the East India Company, on the eve of the Indian Uprising of 1857. On the other hand, in musical histories, he is remembered either as a decadent aesthete or a path-breaking genius. The Scattered Court excavates the place of music in his court in Lucknow and his court-in-exile at Matiyaburj, Calcutta (1856-1887). The book charts the movement of musicians and dancers between these courts, as well as the transregional circulation of intellectual traditions and musical genres, and demonstrates the importance of the exile period for the rise of Calcutta as a celebrated center of Hindustani classical music. Since Lucknow is associated with late Mughal or Nawabi society, and Calcutta with colonial modernity, examining the relationship between the two cities sheds light on forms of continuity and transition over the nineteenth century, as artists and their patrons navigated political ruptures and social transformations. The Scattered Court challenges the existing historiography of Hindustani music and Indian culture under colonialism, by arguing that our focus on Anglophone sources and modernizing impulses has directed us away from the aesthetic subtleties, historical continuities, and emotional dimensions of nineteenth-century music"--
The most complete reference work on mosquitoes ever produced, Mosquitoes of the World is an unmatched resource for entomologists, public health professionals, epidemiologists, and reference libraries.
This fifth edition of Critical Thinking by the noted logician Richard L. Epstein is practical, engaging, and easy to teach. Students enjoy and understand it because it is clear and has hundreds of examples using a cast of characters who reason as we do every day. More than 1,000 exercises lead students to be able to reason well in their courses and their lives. Essay writing lessons and visual writing lessons, using the cast of characters, teach students that first comes clear thinking and then comes clear writing. A complete and comprehensive Instructor's Manual makes the text easy to teach and grade. New to this edition: chapters on explanations and reasoning in the sciences. • Over 1,000 examples and exercises from daily life. • A dozen original writing lessons fully integrated with the text. • Unique cartoon writing lessons help students apply critical thinking to non-verbal situations.
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