Provides personality profiles, historical essays, and first-person reminiscences of the history of the University of Texas. Topics include recurring attacks on the school by politicians and regents, the institution's history of segregation and struggles to become a diverse university, the sixties' protest movements, and the Tower sniper shooting.
What is the most fair and efficient way to assess the writing performance of students? Although the question gained importance during the US educational accountability movement of the 1980s and 1990s, the issue had preoccupied international language experts and evaluators long before. One answer to the question, the assessment method known as holistic scoring, is central to understanding writing in academic settings. Early Holistic Scoring of Writing addresses the history of holistic essay assessment in the United Kingdom and the United States from the mid-1930s to the mid-1980s—and newly conceptualizes holistic scoring by philosophically and reflectively reinterpreting the genre’s origin, development, and significance. The book chronicles holistic scoring from its initial origin in the United Kingdom to the beginning of its heyday in the United States. Chapters cover little-known history, from the holistic scoring of school certificate examination essays written by Blitz evacuee children in Devon during WWII to teacher adaptations of holistic scoring in California schools during the 1970s. Chapters detail the complications, challenges, and successes of holistic scoring from British high-stakes admissions examinations to foundational pedagogical research by Bay Area Writing Project scholars. The book concludes with lessons learned, providing a guide for continued efforts to assess student writing through evidence models. Exploring the possibility of actionable history, Early Holistic Scoring of Writing reconceptualizes writing assessment. Here is a new history that retells the origins of our present body of knowledge in writing studies.
This is not a children's or teenagers' story, but it definitely 'hits home' where adults are concerned. This is fiction but several real people are included in this story. The two main characters have firm convictions about several issues, to include politics, love, war, economics, life styles, and religion. So be ready to either cheer for or against the positions taken in this book. This is a story about two old soldiers in their late fifties, both ex-army men, who have retired from their military services and are soon planning to fully retire from industry so they can enter their 'golden years'. One is an American, Bryan Wetherington, a retired Major from the U. S. Army, and the second is Timothy O'Doul, a citizen of the United Kingdom (UK), a retired Major from the Royal Army. The two men have known each other since the glory days of the 'Gulf War', the battles fought in Iraq in the early 1990s to put down Saddam Hussein. The two men spent most of their military days in armored units, the behemoth 'panzers' of the twentieth and twenty-first century. They became acquainted in Basra, Iraq during the war. After the war ended they went their separate way. Fourteen years passed, and the two men corresponded with each other, first in letters written on lightweight stationery, and now in emails. Then, one day in 2005, Timothy O'Doul sent a special email to Bryan Wetherington, imploring him to come to Scotland and attend a two-man, week long, Persian Gulf War fourteenth year reunion. At first Bryan was hesitant to attend, but his wife, Carlie, read a lot more into Timothy's email, and prevailed upon Bryan to make the trip to the UK. This is the story of that reunion.
The British singer, songwriter and musician Peter Hammill is one of the key figures in the history of progressive rock. As the leader and main creative force of Van der Graaf Generator, he was behind some of the most powerful and compelling rock music of the 1970s, and since VdGG reformed in 2005 has continued to lead the group down a unique musical path. But Van der Graaf Generator are only part of the Peter Hammill story. Beginning with 1971’s Fool’s Mate and continuing all the way to 2021’s In Translation, Hammill has carved out a lengthy solo career consisting of some 35 albums, plus many live albums and collaborations. The range of styles in evidence on these albums is remarkable, from baroque progressive rock to snotty proto-punk, angular new wave, delicate ballads, electronic experiments and he even wrote and recorded a full-length opera. This is the first book to offer an in-depth exploration of Peter Hammill’s solo discography, revealing the sonic intensity and emotional turmoil that lie at the heart of his work. The book is an invaluable companion to Dan Coffey’s Van der Graaf Generator On Track. Richard Rees-Jones lives in Geneva, Switzerland, where he works for an international organization. He previously lived in Vienna and wrote the chapter on music for the Time Out Guide to Vienna. He has also written album reviews for the acclaimed music website The Quietus and for The Sound Projector magazine. He comes from Salisbury, south-west England, and studied English at Sussex University. He is married with two children. This is his first book.
I've learned so much from Richard about marathon running. If you want to run a marathon, or a faster one, you have to read his book!" Haile Gebrselassie, first athlete to run a sub-2:04 Marathon "Richard's achievements as a world-class distance runner speak for themselves. His success came from a meticulous approach to training and from knowing how to get the best out of himself in his races." Paula Radcliffe, women's marathon world record holder (2:15:25, London 2003) Written by Richard Nerurkar, Britain's most successful marathon runner of the 1990s, the fourth edition of this classic, invaluable guide will help you get the most from your distance training. From the complete beginner enchanted by the challenge of the London Marathon, to the experienced runner wishing to improve on racing strategy, its authoritative pages reveal a wealth of information on: structuring an effective build-up and taper training harder without doing too much improving your endurance and pace judgement producing your best on race-day. This new edition has been fully updated to take account of the latest developments in running science and programme design. Also included are tips on how to choose a good marathon and the pitfalls of bad ones, as well as more insights from Richard and other leading runners.
Informative, vivid and richly illustrated, this volume explores the history of England's northern borders – the former counties of Northumberland, Cumberland, Durham, Westmorland and the Furness areas of Lancashire – across 1000 years. The book explores every aspect of this changing scene, from the towns and poor upland farms of early modern Cumbria to life in the teeming communities of late Victorian Tyneside. In their final chapters the authors review the modern decline of these traditional industries and the erosion of many of the region's historical characteristics.
A series of 100 articles appeared in the Accrington Observer in 1925-1927 under the title Accrington A Century Ago. Written By Richard Shaw Crossley with the help of Richard Ainsworth, they featured life and personalities of Accrington in the early part of the 19th century. For anyone researching their ancestors in Accrington there is a wealth of information and biographical details.
Product Liability is a recognised authority in the field and covers the product liability laws through which manufacturers, retailers, and others may be held liable to compensate persons who are injured, or who incur financial loss, when the products which they manufacture or sell are defective or not fit for their purpose. Product defects may originate in the production process, be one of design, or be grounded in a failure to issue an adequate warning or directions for safe use and practitioners advising business clients or claimants will find this book provides all the necessary information for practitioners to manage a product liability claim. This new edition has been fully updated to take account of 10 years of development in case law and regulation, and the increasing impact of cross-border and transnational sale of goods. The Court of Justice of the European Union handed down major rulings concerning the Product Liability Directive which affect the application of the Directive and national arrangements and Fairgrieve and Goldberg examines this in detail. For any legal practitioner operating in areas which require knowledge of European product liability law, an understanding of the impact of recent developments is essential and this work is an essential resource for practitioners working on product liability, sale of goods, personal injury and negligence. The work provides comprehensive coverage of the law of negligence as it applies to product liability, of the strict liability provisions of the Consumer Protection Act 1987, and of the EU's Product Liability Directive on which the Act is based. Although the majority of cases involve pharmaceuticals and medical devices, in recent English cases the allegedly defective products have been as diverse as a child's buggy, an All Terrain Vehicle, and even a coffee cup. Many cases are brought as group actions, and the book examines the rights of those who are injured by defective products. As well as considering the perspective of the law as it has developed in the UK, this edition contains detailed discussion of case law from other jurisdictions including the USA, Australia, New Zealand, Canada, France and Germany. The coverage in the work is complemented by a full analysis of issues which arise in transnational litigation involving problems of jurisdiction and the choice of laws.
This book explores television's role in fostering European cultural identity and the extent to which European public service broadcasters were able to meet the challenges posed by the introduction of new communication technologies.
Pink Floyd are one of the most innovative and enduringly successful bands in history. 1973's Dark Side of the Moon, though far from the first concept album, established a new model for quasi-symphonic, long-form investigations into the human condition. It is a record of thoughtfully poignant lyrics and some of the most powerful, genre-defining rock music ever made. Roger Waters, Rick Wright, Nick Mason and the tragically brilliant Syd Barrett fused English whimsy with electrifying voyages through inner and outer space. Their underground gigs are the stuff of psychedelic legend, but between 1968 and 1971, with Barrett replaced by David Gilmour, their sonic inquiries were never braver. Some were delivered instantly while others were revealed slowly, but all played crucial parts in rock's development. During the 1970s, the music matured as the messages darkened. While Floyd continued to prove that emotional weight can be forged from deceptively modest arrangements, the band's live spectaculars reached a pitch of technical complexity and extravagance none has matched. With insightful analysis and witty objectivity, Richard Butterworth appraises afresh Pink Floyd's official recorded canon, from 'Arnold Layne' to The Endless River and beyond to 2022 and the first all-new Floyd music for 28 years. Richard Butterworth's grown-up career began in advertising, first as a paste-up artist and later as a graphic designer. Settling on copywriting, for years he reaped the pleasures, pains and penury of freelancing. As a lifelong believer in the healing and redemptive power of music, however, he knew that humankind's highest art form would eventually saddle up and ride him into the sunset. Today Richard lives in Cornwall, UK with his partner Sue, two golden retrievers, a tenor saxophone and a justifiably ancient laptop computer, on which he still writes about the music he loved before he was a grown-up.
Any study of contemporary industrial societies must take into account the role of power, ideology and class, and the degree to which these determine the development of social structures. This book, first published in 1977 and based on a selection of eleven papers given at a conference of the British Sociological Association, focuses upon aspects of continuity and change in modern society, comparing and contrasting dimensions of class, cleavage and control in capitalist and socialist societies. This book is key reading for students of both sociology and business studies.
We are in the middle of a communications revolution, expressed in a proliferation of media forms and media technologies. Are these changes a threat or a promise? Who is to control access to the media, old and new? What role should competition play in their further development? The United Kingdom is something of a global 'laboratory' for the deregulation and liberalization of media and communications. This is the first book to look systematically at the implications of the UK's experience and to provide clear guidelines for the future. Richard Collins and Cristina Murroni question orthodox views of both Left and Right concerning media and communication policies. Unlike many in the Left, they acknowledge the achievements of liberalism and in fact advocate an expansion of competition in some contexts. In contrast to the Right they argue that media and communications are too important to society to be left solely to the market - not least because markets often fail. Regulation is needed for effective competition, to ensure affordable access to essential services and to protect citizens and consumers. Collins's and Murroni's study was undertaken at the Institute for Public Policy Research - the UK's leading centre-left 'think tank'. Their findings are essential reading for policy-makers, students and professionals in the area of modern media and communications.
One of the most enduringly popular and controversial writers of the twentieth century, George Orwell's work is as relevant today as it was in his own lifetime. Possibly, in the age of Brexit, Trump, and populism, even more so. 'Doublethink' features in Nineteen Eighty-Four and it is the forerunner to 'Fake News'. He foresaw the creation of the EU and more significantly he predicted that post-Imperial xenophobia would cause Britain to leave it. His struggle with his own antisemitism could serve as a lesson to today's Labour Party and while the Soviet Union is gone, China has taken its place as a totalitarian superpower. Aside from his importance as a political theorist and novelist, Orwell's life is fascinating in its own right. Caught between uncertainty and his family's upper middle-class complacency, Orwell grew to despise the class system that spawned him despite finding himself unable to fully detach himself from it. His life thereafter mirrored the history of his country; like many from his background he devoted himself to socialism as a salve to his conscience. In truth he reserved as much suspicion and distaste for the 'proles' as he did pity. He died at the point when Britain's status as an Imperial and world power had waned but his work remains both prescient and significant. Orwell: A Man of Our Time offers a vivid portrait of the man behind the writings, and places him and his work at the centre of the current political landscape.
This collection represents some of the finest composers of late-16th to early-17th Century England. Compositions range in character from forlorn to whimsical and are filled with the spirit of Renaissance England. In notation and tablature. All songs from the book are included on the online audio.
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