When President Clinton sent Richard Holbrooke to Bosnia as America's chief negotiator in late 1995, he took a gamble that would eventually redefine his presidency. But there was no saying then, at the height of the war, that Holbrooke's mission would succeed. The odds were strongly against it. As passionate as he was controversial, Holbrooke believed that the only way to bring peace to the Balkans was through a complex blend of American leadership, aggressive and creative diplomacy, and a willingness to use force, if necessary, in the cause for peace. This was not a universally popular view. Resistance was fierce within the United Nations and the chronically divided Contact Group, and in Washington, where many argued that the United States should not get more deeply involved. This book is Holbrooke's gripping inside account of his mission, of the decisive months when, belatedly and reluctantly but ultimately decisively, the United States reasserted its moral authority and leadership and ended Europe's worst war in over half a century. To End a War reveals many important new details of how America made this historic decision. What George F. Kennan has called Holbrooke's "heroic efforts" were shaped by the enormous tragedy with which the mission began, when three of his four team members were killed during their first attempt to reach Sarajevo. In Belgrade, Sarajevo, Zagreb, Paris, Athens, and Ankara, and throughout the dramatic roller-coaster ride at Dayton, he tirelessly imposed, cajoled, and threatened in the quest to stop the killing and forge a peace agreement. Holbrooke's portraits of the key actors, from officials in the White House and the Élysée Palace to the leaders in the Balkans, are sharp and unforgiving. His explanation of how the United States was finally forced to intervene breaks important new ground, as does his discussion of the near disaster in the early period of the implementation of the Dayton agreement. To End a War is a brilliant portrayal of high-wire, high-stakes diplomacy in one of the toughest negotiations of modern times. A classic account of the uses and misuses of American power, its lessons go far beyond the boundaries of the Balkans and provide a powerful argument for continued American leadership in the modern world.
The definitive account of what Iraqi exile Ahmad Chalabi did to manipulate the U.S. government into invading Iraq with his ultimate hope of being placed in power, by longtime 60 Minutes producer Richard Bonin. Drawing on unparalleled access to Chalabi, Bonin traces the exile’s ingenious efforts to stoke a desire for Iraqi regime change in the U.S. He narrates Chalabi’s ill-fated engagement with the CIA and his later focus on neoconservative policy makers who rose to power under George W. Bush. As a result, from day two of the Bush presidency, the push for a new Iraq was on, with the intent to install Ahmad Chalabi as overseer of U.S. interests in the Middle East. The outcome was perhaps the biggest foreign policy disaster in our history and a triumphant end to Chalabi’s forty-five-year quest. Arrows of the Night is full of shocking revelations about how we got there, including the true story of Chalabi’s relationship with Iran.
After 9/11, the US response to Al-Qaeda - the Global War on Terror - was heavily influenced by the 'clash of civilizations' theory. This book identifies the twenty-first century proponents of the thesis, such as Bernard Lewis and Daniel Pipes, their links to the Bush government and their roles in exploiting hostility between the West and Islam.
A gathering chiefly of talks given either by invitation or at conferences throughout the world over the last quarter century. The topics range widely, but recurrent themes include the place of classical music in contemporary society and culture, the fraught relationship between aesthetics and ethics, and the responsibilities of scholarship in an age of spin"--
From 1994-2012 Kilburn’s Tricycle Theatre produced an extraordinary body of work that sought to engage, inform,and critique British and International Politics using verbatim testimony to respond to contemporary issues. Collected here for the first time are the complete ‘Tribunal Plays’. 2014 marks the 20th anniversary of the Tricycle’ sfirst Tribunal Play – Half the Picture. This collection celebrates a remarkable and enduring body of work. Contains the plays Half the Picture, Nuremberg, Srebrenica, The Colour of Justice, Justifying War, Guantanamo, Bloody Sunday, Called to Account, Tactical Questioning and The Riots. Also included is a brand-new round table discussion with Nicolas Kent, Richard Norton-Taylor, Gillian Slovo and the playwright David Edgar, charting the history and development of each show and the contribution the Tribunal Plays have made to political theatre in the last two decades, and a foreword by Guardian journalist and chief theatre critic Michael Billington.
This book integrates the study of presidential politics and foreign policy-making from the Vietnam aftermath to the events following September 11 and the Iraqi War. Focusing on the relationship between presidents' foreign policy agendas and domestic politics, it offers compelling portraits of presidents Nixon, Carter, Reagan, Bush I, Clinton, and Bush II. In the course of comparing the efforts of these presidents to articulate a clear conception of the national interest and to forge a foreign policy consensus, the author shows the key role of public opinion in constraining presidential initiatives, in particular the decision to use military force overseas. Never more timely, this popular text is appropriate for courses in U.S. foreign policy, the presidency, or contemporary U.S. politics.
Pulitzer Prize-winning author Richard Rhodes delivers a riveting account of the nuclear arms race and the Cold War. In the Reagan-Gorbachev era, the United States and the Soviet Union came within minutes of nuclear war, until Gorbachev boldly launched a campaign to eliminate nuclear weapons, setting the stage for the 1986 Reykjavik summit and the incredible events that followed. In this thrilling, authoritative narrative, Richard Rhodes draws on personal interviews with both Soviet and U.S. participants and a wealth of new documentation to unravel the compelling, shocking story behind this monumental time in human history—its beginnings, its nearly chilling consequences, and its effects on global politics today.
Aldous re-examines the iconic friendship and uneasy alliance between President Ronald Reagan and British Prime Minister Margaret Thatcher--the couple who ended the Cold War.
This significant volume is the first to present in detail the entire prolific vocal repertoire of the late-Romantic German composer Max Reger. The Songs of Max Reger: A Guide and Study begins with a brief introduction discussing the development of German Lied, then journeys through this creative composer's works for voice and piano. With many musical examples, Richard Mercier and Donald Nold present a survey and discussion of Reger's lifetime of song output. The book proceeds through the songs chronologically by opus number, discussing each individually. All entries include details pertinent to the song's particular poem, its musical setting, the date of musical composition, the vocal range required, and discussion of specific vocal and pianistic features. The text also provides the original German poem, word-for-word English translation of the German text, IPA (International Phonetic Alphabet) pronunciation symbols for the German, and a prose version of the poetic text in English for better appreciation of the piece. An index and two appendixes complete this important reference, arranging the songs by title and poet and supplying information on vocal range, level of difficulty, and gender. Designed for the classical vocal music enthusiast and invaluable to the singer and vocal coach, this book, commemorating the 135th anniversary of the composer's birth, will also appeal to accompanists, Reger scholars, and lovers of German Lieder and German art and culture.
This impressive compilation offers a nearly complete listing of sound recordings made by American minority artists prior to mid-1942. Organized by national group or language, the seven-volume set cites primary and secondary titles, composers, participating artists, instrumentation, date and place of recording, master and release numbers, and reissues in all formats. Because of its clear arrangements and indexes, it will be a unique and valuable tool for music and ethnic historians, folklorists, and others.
Lucidly written, widely informed, and uncompromisingly honest -- a valuable expose." Michael Parenti "Documents the stunning success of a network of wealthy donors and corporations in creating and sustaining a set of think tanks, legal action groups, and media strategies." Gary Orfield, Harvard University What explains the electoral success of Republicans, particularly of the ascendant neoconservatives who now dominate the Party? Based on a thorough and up-to-date examination of the New Right over twenty-five years, The Politics of Fear proposes some provocative answers, including globalization, new technologies, and a far-reaching network of right-wing think tanks and foundations. As the authors show, all have opened the doors to a new politics of fear successfully waged by the neoconservatives. By manipulating insecurity, the New Right has created an extraordinarily successful populist conservative movement. Utilizing extensive documentation, the authors argue convincingly that the fear of immigrants and racial minorities has served as the most effective tactic in the GOP arsenal, while their approach also implicates gays, feminists, and terrorists. The book explains why Americans have willingly supported a party that promises them security, just as it delivers greater economic and political insecurity. The authors argue that, despite their striking political successes, neoconservatives have delivered to voters a set of policies harmful to working Americans in the way of regressive tax measures, military exploits, tort reform, deregulation, and environmental destruction.
This new study shows how the American-led ‘war on terror’ has brought about the most significant shift in the contours of the international system since the end of the Cold War. A new ‘imperial moment’ is now discernible in US foreign policy in the wake of the neo-conservative rise to power in the USA, marked by the development of a fresh strategic doctrine based on the legitimacy of preventative military strikes on hostile forces across any part of the globe. Key features of this new volume include: * an alternative, critical take on contemporary US foreign policy * a timely, accessible overview of critical thinking on US foreign policy, imperialism and war on terror * the full spectrum of critical view sin a single volume * many of these essays are now ‘contemporary classics’ The essays collected in this volume analyse the historical, socio-economic and political dimensions of the current international conjuncture, and assess the degree to which the war on terror has transformed the nature and projection of US global power. Drawing on a range of critical social theories, this collection seeks to ground historically the analysis of global developments since the inception of the new Bush Presidency and weigh up the political consequences of this imperial turn. This book will be of great interest for all students of US foreign policy, contemporary international affairs, international relations and politics.
Ungainefull Arte' examines how traditional modes of literary patronage responded to the challenge of print, as the economies of gift-exchange competed with those of the marketplaces, allowing for the reassessment of patronage both as a social practice and a literary theme.
This book is anti-war, which gives it immense scope. Its front cover shows New York City's Twin Towers less than a month before they disappeared rapidly during 9/11. None of the Bush-Cheney administration's explanations were true, but there were serious Nazi overtones. One of the book's themes is the warlike capture of already occupied land from its current owners. These captures have been substantially similar, involving: massacre, murder and rape; the arson, demolition or confiscation of land and buildings; and deception, hypocrisy and Machiavellian lies. Such captures could be classified as Nazism -- German from 1933 to 1945, but Hebrew over 3000 years ago and Zionist since 1947 against the Palestinians. Terrorism is also discussed, from American to Islamic which, in particular, is Arabs' response to their loss of dignity because of Israeli actions funded by America. That is why the earliest global Islamic terrorism was the hijacking and destruction of American passenger aircraft. Deliberate American provocation generated continuous wars under the Republican, Reagan and Bush administrations, who profited from their immense investments in the manufacture of weapons of mass destruction. This was the fruition of retiring President Eisenhower's worst fear, the growth of a Military-Industrial complex, which became a Political-Military-Industrial-Media complex. The media aspect includes Zionist ownership of most newspapers. President George W Bush was wrong when he called Iraq, Iran and North Korea an axis of evil, because the leaders of those countries had never met together, even for a coffee. Instead, the real axis of evil was, and is, that of America and Israel, for reasons described in this book.
This volume gathers 36 essays by one of the leading scholars in the study of Russian music. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment.
The Oxford History of Western Music is a magisterial survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time. This text illuminates, through a representative sampling of masterworks, those themes, styles, and currents that give shape and direction to each musical age. Taking a critical perspective, this text sets the details of music, the chronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. Written by an authoritative, opinionated, and controversial figure in musicology, The Oxford History of Western Music provides a critical aesthetic position with respect to individual works, a context in which each composition may be evaluated and remembered. Taruskin combines an emphasis on structure and form with a discussion of relevant theoretical concepts in each age, to illustrate how the music itself works, and how contemporaries heard and understood it. It also describes how the c
The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Late Twentieth Century is the final installment of the set, covering the years from the end of World War II to the present. In these pages, Taruskin illuminates the great compositions of recent times, offering insightful analyses of works by Aaron Copland, John Cage, Milton Babbitt, Benjamin Britten, Steve Reich, and Philip Glass, among many others. He also looks at the impact of electronic music and computers, the rise of pop music and rock 'n' roll, the advent of postmodernism, and the contemporary music of Laurie Anderson, John Zorn, and John Adams. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.
What causes Anti- Americanism and where are its historical roots? What is the impact of 9/11 on America's sense of itself and its role in the world? Is America paradoxically a victim of its own political and economic power? This book seeks to understand the terrible attacks of September 11th within a broader historical, political and ideological context. Rather than drawing on simple 'clash of civilisation' oppositions, the author argues that it is important to have an awareness of the complex historical processes which influence: America's sense of itself and its changing view of the world How the world, especially the Muslim world, views America The changing nature of international politics and the global system since the end of the cold war. Drawing on a wide range of contemporary and historical sources Richard Crockatt has written a balanced, subtle and highly readable book which provides genuine insight into American foreign policy, anti-Americanism and Islamic fundamentalism. It will be important reading for all those seeking to understand the background to the 'war on terror'.
From the American Revolution to the end of World War II, the United States spent nineteen years at war against other nations. But since1950, the total is twenty-two years and counting. On four occasions, U.S. presidents elected as "peace candidates" have gone on to lead the nation into ferocious armed conflicts. Repeatedly, wars deemed necessary when they began have been seen in retrospect as avoidable, Äîandill-advised. Americans profess to be a peace-loving people and one wary of "foreign entanglements." Yet we have been drawn into wars in distant lands from Vietnam to Afghanistan. We cherish our middle-class comforts and our children. Yet we send our troops to Fallujah and Mogadishu. How is it that ordinary Americans with the most to lose are so easily convinced to follow hawkish leaders-of both parties-into war? In Reasons to Kill noted scholar Richard E. Rubenstein explores both the rhetoric that sells war to the public and the underlying cultural and social factors that make it so effective. With unmatched historical perspective and insightful commentary, Rubenstein offers citizens new ways to think for themselves about crucial issues of war and peace.
This book argues that while the US president makes foreign policy decisions based largely on political pressures, it is concentrated interests that shape the incentive structures in which he and other top officials operate. The author identifies three groups most likely to be influential: government contractors, the national security bureaucracy, and foreign governments. This book shows that the public choice perspective is superior to a theory of grand strategy in explaining the most important aspects of American foreign policy, including the war on terror, policy toward China, and the distribution of US forces abroad. Arguing that American leaders are selected to respond to public opinion, not necessarily according to their ability to formulate and execute long-terms plans, the author shows how mass attitudes are easily malleable in the domain of foreign affairs due to ignorance with regard to the topic, the secrecy that surrounds national security issues, the inherent complexity of the issues involved, and most importantly, clear cases of concentrated interests. The book will be of interest to students and scholars of American Studies, Foreign Policy Analysis and Global Governance.
An incisive and startling international review of the evolution of dentistry from the Bronze Age to the present day, presented in a gorgeous package This achingly fascinating book follows the evolution of dentistry throughout the world from the Bronze Age to the present day, featuring captivating, grim illustrations of the tools and techniques of dentistry through the ages. It charts the changing social attitudes toward the purpose and practice of dentistry from the crude and painful endeavors of early civilizations to the fluoridated water, cosmetic surgery, and heightened expectations of today. Organized chronologically, The Smile Stealers interleaves beautiful and gruesome 3D objects, technical illustrations, and paintings from the Wellcome Collection’s unique medical archive of material from Europe, America, and the Far East with seven authoritative and eloquent themed articles from medical historian Richard Barnett. Including previously unseen illustrations, this comprehensive review of the development of the trade and discipline of dentistry covers topics as diverse as the very first dentures, the smile revolution in eighteenth-century portraiture, and the role of dentistry in forensic science. The Smile Stealers is guaranteed to appeal to those who see the beauty in medicine and biology as it probes the growth of dentistry.
Twenty-five years after Ronald Reagan became president, Richard Reeves has written a surprising and revealing portrait of one of the most important leaders of the twentieth century. As he did in his bestselling books President Kennedy: Profile of Power and President Nixon: Alone in the White House, Reeves has used newly declassified documents and hundreds of interviews to show a president at work day by day, sometimes minute by minute. President Reagan: The Triumph of Imagination is the story of an accomplished politician, a bold, even reckless leader, a gambler, a man who imagined an American past and an American future -- and made them real. He is a man of ideas who changed the world for better or worse, a man who understands that words are often more important than deeds. Reeves shows a man who understands how to be President, who knows that the job is not to manage the government but to lead the nation. In many ways, a quarter of a century later, he is still leading. As his vice president, George H. W. Bush, said after Reagan was shot and hospitalized in 1981: "We will act as if he were here." He is a heroic figure if not always a hero. He did not destroy communism, as his champions claim, but he knew it would self-destruct and hastened the collapse. No small thing. He believed the Soviet Union was evil and he had contempt for the established American policies of containment and détente. Asked about his own Cold War strategy, he answered: "We win. They lose!" Like one of his heroes, Franklin D. Roosevelt, he has become larger than life. As Roosevelt became an icon central to American liberalism, Reagan became the nucleus holding together American conservatism. He is the only president whose name became a political creed, a noun not an adjective: "Reaganism." Reagan's ideas were so old they seemed new. He preached an individualism, inspiring and cruel, that isolated and shamed the halt and the lame. He dumbed-down America, brilliantly blending fact and fiction, transforming political debate into emotion-driven entertainment. He recklessly mortgaged America with uncontrolled military spending, less taxation, and more debt. In focusing on the key moments of the Reagan presidency, Reeves recounts the amazing resiliency of Ronald Reagan, the real "comeback kid." Here is a seventy-year-old man coming back from a near-fatal gunshot wound, from cancer, from the worst recession in American history. Then, in personal despair as his administration was shredded by the lying and secrets of hidden wars and double-dealing, he was able to forge one of history's amazing relationships with the leader of "the Evil Empire." That story is told for the first time using the transcripts of the Reagan-Gorbachev meetings, the climax of an epic story -- as if he were here.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.