Do you know which televised awards show gives a prize for "Favourite Smile"? Or which Oscar host announced that he was going to raffle off a car during the ceremony? Do you know who won the Golden Raspberry Award for Worst Actress of the 20th Century? In Reel Winners, Richard Crouse, Reel to Real movie critic and CBC Radio’s "titan of trivia," gives you the lowdown on movie awards, from eight decades of Hollywood self-congratulation to international awards to the toasts from the fringe (like The Skinnies, which celebrate actors and their skin conditions). Reel Winners is the definitive guide to the inside scoop on movie awards.
The irresistible, candid diaries of Richard Burton, published in their entirety “Just great fun, and written out of an engaging, often comical bewilderment: How did a poor Welshman become not only a star, but a player on the world stage that was Elizabeth Taylor’s fame?”—Hilton Als, NewYorker.com “Of real interest is that Burton was almost as good a writer as an actor, read as many as three books a day, haunted bookstores in every city he set foot in, bought countless books on every conceivable subject and evaluated them rather shrewdly. . . . Apt writing abounds.”—John Simon, New York Times Book Review Irresistibly magnetic on stage, mesmerizing in movies, seven times an Academy Award nominee, Richard Burton rose from humble beginnings in Wales to become Hollywood's most highly paid actor and one of England's most admired Shakespearean performers. His epic romance with Elizabeth Taylor, his legendary drinking and story-telling, his dazzling purchases (enormous diamonds, a jet, homes on several continents), and his enormous talent kept him constantly in the public eye. Yet the man behind the celebrity façade carried a surprising burden of insecurity and struggled with the peculiar challenges of a life lived largely in the spotlight. This volume publishes Burton's extensive personal diaries in their entirety for the first time. His writings encompass many years—from 1939, when he was still a teenager, to 1983, the year before his death—and they reveal him in his most private moments, pondering his triumphs and demons, his loves and his heartbreaks. The diary entries appear in their original sequence, with annotations to clarify people, places, books, and events Burton mentions. From these hand-written pages emerges a multi-dimensional man, no mere flashy celebrity. While Burton touched shoulders with shining lights—among them Olivia de Havilland, John Gielgud, Claire Bloom, Laurence Olivier, John Huston, Dylan Thomas, and Edward Albee—he also played the real-life roles of supportive family man, father, husband, and highly intelligent observer. His diaries offer a rare and fresh perspective on his own life and career, and on the glamorous decades of the mid-twentieth century.
Although Herman Melville’s Moby-Dick is beloved as one of the most profound and enduring works of American fiction, we rarely consider it a work of nature writing—or even a novel of the sea. Yet Pulitzer Prize–winning author Annie Dillard avers Moby-Dick is the “best book ever written about nature,” and nearly the entirety of the story is set on the waves, with scarcely a whiff of land. In fact, Ishmael’s sea yarn is in conversation with the nature writing of Emerson and Thoreau, and Melville himself did much more than live for a year in a cabin beside a pond. He set sail: to the far remote Pacific Ocean, spending more than three years at sea before writing his masterpiece in 1851. A revelation for Moby-Dick devotees and neophytes alike, Ahab’s Rolling Sea is a chronological journey through the natural history of Melville’s novel. From white whales to whale intelligence, giant squids, barnacles, albatross, and sharks, Richard J. King examines what Melville knew from his own experiences and the sources available to a reader in the mid-1800s, exploring how and why Melville might have twisted what was known to serve his fiction. King then climbs to the crow’s nest, setting Melville in the context of the American perception of the ocean in 1851—at the very start of the Industrial Revolution and just before the publication of On the Origin of Species. King compares Ahab’s and Ishmael’s worldviews to how we see the ocean today: an expanse still immortal and sublime, but also in crisis. And although the concept of stewardship of the sea would have been entirely foreign, if not absurd, to Melville, King argues that Melville’s narrator Ishmael reveals his own tendencies toward what we would now call environmentalism. Featuring a coffer of illustrations and an array of interviews with contemporary scientists, fishers, and whale watch operators, Ahab’s Rolling Sea offers new insight not only into a cherished masterwork and its author but also into our evolving relationship with the briny deep—from whale hunters to climate refugees.
A delightful A-to-Z menagerie of the sea—whimsically illustrated, authoritative, and thought-provoking. For millennia, we have taken to the waves. And yet, for humans, the ocean remains our planet’s most inaccessible region, the place about which we know the least. From A to Z, abalone to zooplankton, and through both text and original illustrations, Ocean Bestiary is a celebration of our ongoing quest to know the sea and its creatures. Focusing on individual species or groups of animals, Richard J. King embarks upon a global tour of ocean wildlife, including beluga whales, flying fish, green turtles, mako sharks, noddies, right whales, sea cows (as well as sea lions, sea otters, and sea pickles), skipjack tuna, swordfish, tropicbirds, walrus, and yellow-bellied sea snakes. But more than this, King connects the natural history of ocean animals to the experiences of people out at sea and along the world’s coastlines. From firsthand accounts passed down by the earliest Polynesian navigators to observations from Wampanoag clamshell artists, African-American whalemen, Korean female divers (or haenyeo), and today’s pilots of deep-sea submersibles—and even to imaginary sea expeditions launched through poems, novels, and paintings—Ocean Bestiary weaves together a diverse array of human voices underrepresented in environmental history to tell the larger story of our relationship with the sea. Sometimes funny, sometimes alarming, but always compelling, King’s vignettes reveal both how our perceptions of the sea have changed for the better and how far we still have to go on our voyage.
Explore C.S. Lewis's life, works, and the world of Narnia the fun and easy way. Curious about C.S. Lewis and The Chronicles of Narnia? This plain-English guide provides a friendly introduction to the master storyteller and Christian apologist, revealing the meanings behind The Chronicles of Narnia and The Screwtape Letters as well as his other works. You'll also discover why Lewis went from being a confirmed atheist to a committed Christian and how he addressed his beliefs in his writings. Discover * How his life influenced his writings * His friendship with Tolkien and the Inklings * The parallels between Narnia and Christianity * His use of allegory and symbolism * Resources for further exploration
A lively, discerning guide to what's good, beautiful, and true at the movies "Richard Leonard, SJ, expertly guides readers through some of the most popular recent films and shows us how even the most unlikely movies can encourage us to pray and draw closer to the divine . . . fascinating, lively, and often witty." --James Martin, SJ, author of "My Life with the Saints " This thought-provoking and inspiring work by popular film critic and Jesuit Richard Leonard explains how movies are today's parables and why people of faith need the skills to converse about them intelligently and productively. In "Movies""That Matter," Leonard views fifty important movies through "a lens of faith" and offers surprising insights on the spiritual dimension of each film. From Finding Nemo to Gandhi to The Godfather, Leonard's informed, Christian point of view guides us to a new appreciation of both the films and our own spiritual beliefs. Leonard also lists teachable moments found in each movie and provides questions for personal reflection or group dialogue. In addition, Leonard teaches today's religious educators, parents, and film buffs how to "read" a film with the eyes of faith, and how to meaningfully engage with others through the media of film. He offers realistic advice on such topics as: valuing our story, sex and violence in films, ratings, and how to be a critical consumer. This entertaining and reliable guide will enrich your movie-watching experience. ""Movies That Matter "is a book every person in pastoral ministry will want to use as he or she seeks to be relevant and faithful in a media world." --Rose Pacatte, FSP, coauthor "Lights, Camera, . . . Faith
This series contains what no other study guides can offer - extensive first-hand interviews with the playwrights and their closest collaborators on all of their major work, put together by top academics especially for the modern student market. As well as invaluable synopses, biographical essays and chronologies, these guides allow the student much closer to the playwright than ever before! In About Hare, Professor Richard Boon provides an in-depth study of one of the great post-war British playwrights. His study includes a rigorous analysis of Hare's work, as well as interviews with Hare and those who helped to put his work on stage, including Bill Nighy, Vicki Mortimer, Sir Richard Eyre, Lia Williams and Jonathan Kent. With the increasing interest in this major playwright, whose work attracts the very best of acting talent, this book is a timely publication for student and theatregoer alike.
The Psychedelic Sixties were turbulent times filled with periods of ecstasy and despair. Who could have predicted that President Kennedy's Camelot would end with his televised assassination? Or that Harvard psychologist Timothy Leary's "Concord Prison Project" would evolve into his becoming the pied piper of LSD, the Psychedelic Revolution, and the Hippie Movement? To the credit of many Americans, a key characteristic of the Psychedelic Sixties was the search for solutions to society's social problems. But who could have predicted that President Johnson's "Great Society" would soon fall victim to race riots, student protests, and an increasingly unpopular war in Vietnam? Throughout the sixties, regular folks tried to find relief by watching TV comedies, motion picture musicals, and major sports events. And music --- from The Beatles to The Rolling Stones. Despite all the decade's chaos and bloodshed, public and private schools at all levels grew at unprecedented rates. And corporate America and our schools were more in cahoots than ever: "Want a good job? Get a college degree!" And, in 1969, as some Hippies still exclaimed, "Tune in, turn on, drop out!", an American named Neil Armstrong WALKED ON THE MOON!
Lou Baumgaertner was born and bred in New York City, and although he also lived amongst the Border States, and even in the South, he was a New York Yankee to his dying day. Part of that, of course, could be attributed to his being a die-hard fan of the best baseball team in the world, the New York Yankees. But being a New York Yankee also meant so much more New Yorkers tend to be different from those who live in other regions, and frequently are easily recognized by others as either being different, or more precisely as being from New York. Sometimes that recognition is not accompanied by a warm feeling of acceptance. But we New Yorkers know we are different. We have our own accent although those who live in New York City might argue its all the others who have accents we speak perfectly normally. Because we live in a Big City, we talk fast, we seem brusque, and we sometimes appear to lack patience with others. We dont mean to be rude, but the demands of surviving in a Big City (almost any Big City) require a no-nonsense attitude to life to avoid being run over by those around us. But once you get to know us, were pretty nice people. We New Yorkers are proud of ourselves, and of our city, and we have a right to be. It may not be the Capital of the Country, but many New Yorkers often think of it as such to a true New Yorker, there is only one New York City! And New York City is the Business and Cultural Capital of the Country! This ubiquitous sentiment is why New Yorkers are so often accused of not playing well with the other kids on the block. And New Yorkers are definitely Yankees. No one should argue with that point. We live well above the Mason-Dixon Line. We fought for the North during the Civil War. And although there are others who can rightly and proudly also proclaim themselves as being Yankees, these other Northerners dont also happen to have the best baseball team in the world residing in their city, now do they? And so, by way of example, lets take a look at one particular New York Yankee. Lou Baumgaertner was a War Baby, born in the Bronx during the First World War. He spent his childhood in the Bronx and Corona during the Roaring Twenties, and began to mature in Corona and Manhattan during the Great Depression. He worked in Manhattan for years, but eventually got an opportunity for a new career in radio-communications in Louisville, KY. He tried to avoid induction into the military as World War II geared up, but eventually found that no one who could hold a rifle and shoot straight was going to miss the opportunity to serve his Uncle Sam. Like so many of his generation, the Second World War finished the maturing process, and put a fine polish on the person he had become. Here then are his adventures, in New York City, during World War II, and amongst the Border States, during the 20th Century.
Until now the history of John Bradshawe, Lord President of England’s short-lived Republic, has been confined to footnotes in the biographies of other men. The author of this first full-length survey of Bradshawe’s life draws from unpublished material to tell of a remarkable career during England’s most turbulent period. John Milton said he exceeded the glory of all former tyrannicides. Dr. George Bate called him a “viper of hell.” In 1775 Benjamin Franklin said John Bradshawe’s deeds presented the most glorious example of unshaken virtue, love of freedom, and impartial justice ever exhibited on the blood-stained theater of human actions and urged that his memory be forever blessed.
The art and science of sword fighting goes back almost to the dawn of civilization and has been an obsession for much of mankind throughout recorded history. From the Roman arena to feudal Japan and from the duellists of Europe to the development of modern-day Olympic fencing, Richard Cohen traces the course of swordsmanship with wit and erudition in a fascinating and wonderfully discursive account. Packed with anecdote, superbly written and built on a solid foundation of historical research, this is a tribute to a deadly but beautiful skill, the mastery of which for centuries defined a man.
The Rough Guide to Film is a bold new guide to cinema. Arranged by director, it covers the top moguls, mavericks and studio stalwarts of every era, genre and region, in addition to lots of lesser-known names. With each film placed in the context of its director’s career, the guide reviews thousands of the greatest movies ever made, with lists highlighting where to start, arranged by genre and by region. You’ll find profiles of over eight hundred directors, from Hollywood legends Alfred Hitchcock and John Huston to contemporary favourites like Steven Soderbergh and Martin Scorsese and cult names such as David Lynch and Richard Linklater. The guide is packed with great cinema from around the globe, including French New Wave, German giants, Iranian innovators and the best of East Asia, from Akira Kurosawa to Wong Kar-Wai and John Woo. With overviews of all major movements and genres, feature boxes on partnerships between directors and key actors, and cinematographers and composers, this is your essential guide to a world of cinema.
(Applause Books). Mad About Theatre is a systematic analysis of the major issues confronting our theatre today: The Decline of Broadway; The Generally Poor Quality of American Stage Acting; The Pretentiousness of our Avant-Garde; The Narrowness of our Playwriting; Broadway In Search of a Musical Fix; Subsidized British Theatre in the Age of Thatcher and Beyond; The Inflated Directing of the Classics; The Growing Vitality of our Regional Theatres (in Playwriting as well as Acting and Directing); The Innovative Use of the Theatre by Minority Groups. Mad About Theatre is not only a major contribution to contemporary theatre criticism, but a call to account for a culture in danger of losing its way. Taken together, these reviews from The Hudson Review , weave a powerful indictment against the status quo, while offering a constructive blueprint for the future.
This fascinating book traces the entire story of Westport Country Playhouse from its beginnings in the midst of the Depression to its 75th-anniversary renovations and rejuvenation. Filled with colorful characters, it is a story that will appeal to everyone who has ever been enchanted by live theatre.
A Finalist for the 2022 Edgar Award A Washington Post Best Nonfiction Book of the Year A vivid, deeply researched account of the tumultuous life of one of the twentieth century’s greatest novelists, the author of The End of the Affair. One of the most celebrated British writers of his generation, Graham Greene’s own story was as strange and compelling as those he told of Pinkie the Mobster, Harry Lime, or the Whisky Priest. A journalist and MI6 officer, Greene sought out the inner narratives of war and politics across the world; he witnessed the Second World War, the Vietnam War, the Mau Mau Rebellion, the rise of Fidel Castro, and the guerrilla wars of Central America. His classic novels, including The Heart of the Matter and The Quiet American, are only pieces of a career that reads like a primer on the twentieth century itself. The Unquiet Englishman braids the narratives of Greene’s extraordinary life. It portrays a man who was traumatized as an adolescent and later suffered a mental illness that brought him to the point of suicide on several occasions; it tells the story of a restless traveler and unfailing advocate for human rights exploring troubled places around the world, a man who struggled to believe in God and yet found himself described as a great Catholic writer; it reveals a private life in which love almost always ended in ruin, alongside a larger story of politicians, battlefields, and spies. Above all, The Unquiet Englishman shows us a brilliant novelist mastering his craft. A work of wit, insight, and compassion, this new biography of Graham Greene, the first undertaken in a generation, responds to the many thousands of pages of letters that have recently come to light and to new memoirs by those who knew him best. It deals sensitively with questions of private life, sex, and mental illness, and sheds new light on one of the foremost modern writers.
This engrossing book presents the first collection in more than three decades of one of America’s finest drama critics. Richard Gilman chronicles a major period in American theater history, one that witnessed the birth or spread of Off-Broadway, regional theater, nonprofit companies, and avant-garde performance, as well as growing interest in plays by women and minorities and in world drama. His writing, however, is more than a revealing look at an era. It is criticism for the ages. Insightful, provocative, and impassioned, the articles represent the full range of Gilman’s interests. There are essays, profiles, and book reviews dealing with such topics as the “new naturalism” in theater, Brecht’s collected plays, and the legacy of Stanislavski. There is also a generous sampling of Gilman’s comments on plays by O’Neill, Miller, Chekhov, Albee, Ibsen, Anouilh, Beckett, Ionesco, Pinter, Fugard, and many others.
Academy Award–nominated actor Richard E. Grant’s “genuine and compelling” (The New York Times), “moving and entertaining” (Publishers Weekly, starred review) memoir about finding happiness in even the darkest of days. Richard E. Grant emigrated from Swaziland to London in 1982, with dreams of making it as an actor. Unexpectedly, he met and fell in love with a renowned dialect coach Joan Washington. Their relationship and marriage, navigating the highs and lows of Hollywood, parenthood, and loss, lasted almost forty years. When Joan died in 2021, her final challenge to him was to find a “pocketful of happiness in every day.” This honest and frequently hilarious memoir is written in honor of that challenge—Richard has faithfully kept a diary since childhood, and in these entries, he shares raw details of everything he has experienced: both the pain of losing his beloved wife and the excitement of their life together, from the role that transformed his life overnight in Withnail and I to his thrilling Oscar Award nomination thirty years later for Can You Ever Forgive Me?. In “one of the bravest, strongest, funniest memoirs I’ve ever read” (Bonnie Garmus, New York Times bestselling author of Lessons in Chemistry), A Pocketful of Happiness is a powerful, funny, and moving celebration of life’s unexpected joys.
This scholarly and detailed work attempts to create an understanding of the process of directing by intensive study of four important productions. Jones shows how the notes Stanislavsky made on The Seagull before beginning rehearsal shaped his 1898 production into a seminal example of realism. He describes the detailed workbook Brecht prepared from three different stagings of Mother Courage and Her Children from 1948 to 1951. Elia Kazan's 1947 A Streetcar Named Desire is studied as a commercial production that retained artistic integrity. Peter Brook's Marat/Sade exemplifies experimental theat.
Every March, the NCAA men's basketball tournament blankets newspapers and the Internet, and attracts millions of television viewers over the course of three weeks. Will a perennial favorite like Duke win? Or will it be a dark horse like Gonzaga? The phenomenon known as March Madness galvanizes a nation of viewers as few other sports events can. The reason? Bracketology. America eagerly watches as 64 teams become 32, then 16, then 8, then 4, then 2, and finally #1. Now it's time to use the same rigorous method for everything that really matters in culture, people, history, the arts and more. In The Enlightened Bracketologist the editors have organized the world's most haunting and maddeningly subjective questions into a scheme of binary pairings that finally reveal what is truly the best in its class: La Tache or Chateau Latour? (1) Barry Bonds or Terrell Owens? (2) "Vissi d'arte" or "Dove Sono"? (3) OJ verdict or JFK assassination? (4) "Top of the world, Ma" or "Nobody's perfect"? (5) Two by two, The Enlightened Bracketologist pits our cultural mainstays against each other; only the finest survive. Every double-page spread of this book will contain a series of brackets compiled by experts and celebrities, with text call-outs that highlight the reason why one competitor moves on and another doesn't. Already committed are Elvis Costello on popular songs; David Bouley on cookbooks; Leon Fleisher on piano music; Reneé Fleming on opera arias; Henry Beard on French phrases; Joseph Ward on wine.
Journey from A-Z, playing 26 rounds of Pointless with family and friends and enjoy facts, banter and musings from Alexander Armstrong and Richard Osman. Inside you'll find hundreds of questions for all the family from TV's most popular quiz show, Pointless. (You will also find thousands of answers, which is very handy.) Taking you on a journey from A to Z you will learn amazing facts, from Agincourt and Andy Warhol to Zinedine Zidane and Zimbabwe, and everything in between. As an added bonus Alexander Armstrong and Richard Osman, also reveal their exclusive A to Z of behind the scenes gossip and Pointless secrets, all written with their trademark wit, alongside exclusive drawings by Moose Allain. Everyone you know will love this book. Except maybe for that couple you met on holiday, and, be honest, you didn't really like them anyway. I mean, she was alright, but what was up with him?
“Richard Wiley is one of our best writers. These stories satisfy in the way that brilliant short fiction always satisfies; one feels as if one has absorbed the expansive vision and drama of a novel. Read slowly, and I bet you’ll want to read again.” —Richard Bausch, author of Peace and Living in the Weather of the World “It’s a strange and winsome feeling I have, reading Tacoma Stories, the blue sensation that Richard Wiley has made me homesick for a place I’ve never been, mourning the loss of friends I never had, in a life where each and every one of us is loved, however imperfectly. Think Sherwood Anderson inhabiting Raymond Carver’s Northwest and you’ll have a clear picture of Wiley’s accomplishment.” —Bob Shacochis, author of Easy in the Islands and The Woman Who Lost Her Soul On St. Patrick’s Day in 1968, sixteen people sit in Pat’s Tavern, drink green beer, flirt, rib each other, and eventually go home in (mostly) different directions. In the stories that follow, which span 1958 to the present, Richard Wiley pops back into the lives of this colorful cast of characters—sometimes into their pasts, sometimes into their futures—and explores the ways in which their individual narratives indelibly weave together. At the heart of it all lies Tacoma, Washington, a town full of eccentricities and citizens as unique as they are universal. The Tacoma of Tacoma Stories might be harboring paranoid former CIA operatives and wax replicas of dead husbands, but it is also a place with all the joys and pains one could find in any town, anytime and anywhere. Richard Wiley is the author of eight novels including Bob Stevenson; Soldiers in Hiding, winner of the PEN/Faulkner Award for Fiction and the Washington State Book Award; and Ahmed’s Revenge, winner of the Maria Thomas Fiction Award. Professor emeritus at the University of Nevada, Las Vegas, he divides his time between Los Angeles, California, and Tacoma, Washington.
This is a unique reference book about the ancient and modern British Royal Family and all the extrarordinary trappings and quaint customs that surround it.
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