Home to generations of humans, the starship Argonos has wandered aimlessly throughout the galaxy for hundreds of years, desperately searching for other signs of life. Now, a steady, unidentified transmission lures them toward a nearby planet, where the grisly remains of a former colony await the crew. Haunted by what they have seen, the crew has no choice but to follow when another signal beckons the Argonos into deep space—and into the dark heart of an alien mystery... “[Russo] is not afraid to take on the question of evil in a divinely ordered universe...This is an ambitious novel of ideas that generates considerable suspense while respecting its sources, its characters, and most important, the reader.”—The New York Times “A tale of high adventure and personal drama in the far future.”—Library Journal “Relentlessly suspenseful...full of mystery...very exciting.”—Science Fiction Chronicle
On a ship without a mission ... No one remembers where they came from or where they're going. For hundreds of years, the starship Argonos, home to generations of humans, has wandered throughout the galaxy, searching for other signs of life. Now, a steady, unidentified transmission lures them toward a nearby planet. On a planet without inhabitants ... The colony has vanished. But deep within the planet's steamy jungles, the exploration team find horrible evidence of its fate: a cavernous chamber neatly filled with rows of skeletons, each one hanging on its own hook. On a collision course with the unknown ... Once more, a signal lures the crew of the Argonos. Haunted by what they have seen, they have no choice but to follow - deep into space, where an alien mystery waits.
One of the best blends of SF and mystery yet written." — Science Fiction Chronicle "Russo's San Francisco is very Bladerunner, though clearly written by somebody who knows that city well … The characters in this book are strong, the writing is solid." — SF Site In the San Francisco of the not-too-distant future, detective Frank Carlucci agrees to look into the disappearance of his daughter's friend. His investigations reveal layer upon layer of corruption and decay, culminating in the discovery of "Cancer Cell," a mysterious renegade medical group. Operating out of the city's anarchistic free-zone, these terrorists possess a bioengineered form of hemorrhagic fever — a modern-day plague with the potential to kill millions — that they're ready to turn loose on the world. Author Richard Paul Russo twice received the Philip K. Dick Award: in 1989, for his second novel, Subterranean Gallery, and in 2001 for Ship of Fools. This hard-boiled thriller is the third volume of the critically acclaimed Carlucci Trilogy, consisting of Destroying Angel, Carlucci's Edge, and Carlucci's Heart. All three works offer a gripping combination of classic noir mystery and futuristic cyberpunk fiction.
A Pulitzer Prize-winning novelist turns to memoir in this "intimate and powerful" account (Chicago Tribune) of his lifelong bond with his high-strung, spirited mother—and the small town she spent her life trying to escape. Anyone familiar with Russo’s novels will recognize Gloversville—once famous for producing nine out of ten dress gloves in the United States. By the time Rick was born, ladies had stopped wearing gloves and Gloversville was on its way out. Jean Russo instilled in her son her dream of a better life elsewhere, a dream that prompted her to follow him across the country when he went to college. Their adventures and tribulations on that road trip were a preview of the hold his mother would continue to have on him as she kept trying desperately to change her life. Recounted with a clear-eyed mix of regret, nostalgia, and love, Elsewhere is a stirring tribute to the tenacious grip of the past.
On the planet Nightshade, anyone can buy or sell the deadly drug Flex, but that's not why Benedict and his companions have come. Benedict is searching the jungle for something he has been seeking all his life, but he cannot be sure when another seizure will cripple him. His fate could rest in the hands of Silky, a 14-year-old Flex addict who knows she is dying.
Hilarious and true-to-life, witty, compassionate, and impossible to put down, Straight Man follows Hank Devereaux through one very bad week in this novel from the Pulitzer Prize-winning author of Empire Falls. • Now the AMC Original Series Lucky Hank. William Henry Devereaux, Jr., is the reluctant chairman of the English department of a badly underfunded college in the Pennsylvania rust belt. Devereaux's reluctance is partly rooted in his character—he is a born anarchist—and partly in the fact that his department is more savagely divided than the Balkans. In the course of a single week, Devereaux will have his nose mangled by an angry colleague, imagine his wife is having an affair with his dean, wonder if a curvaceous adjunct is trying to seduce him with peach pits, and threaten to execute a goose on local television. All this while coming to terms with his philandering father, the dereliction of his youthful promise, and the ominous failure of certain vital body functions. In short, Straight Man is classic Russo—side-splitting, poignant, compassionate, and unforgettable. Look for Richard Russo's new book, Somebody's Fool, coming soon.
Hilarious and true-to-life, witty, compassionate, and impossible to put down, Straight Man follows Hank Devereaux through one very bad week in this novel from the Pulitzer Prize-winning author of Empire Falls. • Now the AMC Original Series Lucky Hank. William Henry Devereaux, Jr., is the reluctant chairman of the English department of a badly underfunded college in the Pennsylvania rust belt. Devereaux's reluctance is partly rooted in his character—he is a born anarchist—and partly in the fact that his department is more savagely divided than the Balkans. In the course of a single week, Devereaux will have his nose mangled by an angry colleague, imagine his wife is having an affair with his dean, wonder if a curvaceous adjunct is trying to seduce him with peach pits, and threaten to execute a goose on local television. All this while coming to terms with his philandering father, the dereliction of his youthful promise, and the ominous failure of certain vital body functions. In short, Straight Man is classic Russo—side-splitting, poignant, compassionate, and unforgettable. Look for Everybody’s Fool, available now, and Somebody’s Fool, coming soon.
The Pulitzer Prize–winning author of Empire Falls returns to North Bath, in upstate New York, and to the characters that captured the hearts and imaginations of millions of readers in his beloved best sellers Nobody’s Fool and Everybody’s Fool. Ten years after the death of the magnetic Donald “Sully” Sullivan, the town of North Bath is going through a major transition as it is annexed by its much wealthier neighbor, Schuyler Springs. Peter, Sully’s son, is still grappling with his father’s tremendous legacy as well as his relationship to his own son, Thomas, wondering if he has been all that different a father than Sully was to him. Meanwhile, the towns’ newly consolidated police department falls into the hands of Charice Bond, after the resignation of Doug Raymer, the former North Bath police chief and Charice’s ex-lover. When a decomposing body turns up in the abandoned hotel situated between the two towns, Charice and Raymer are drawn together again and forced to address their complicated attraction to one another. Across town, Ruth, Sully’s married ex-lover, and her daughter Janey struggle to understand Janey’s daughter, Tina, and her growing obsession with Peter’s other son, Will. Amidst the turmoil, the town’s residents speculate on the identity of the unidentified body, and wonder who among their number could have disappeared unnoticed. Infused with all the wry humor and shrewd observations that Russo is known for, Somebody's Fool is another classic from a modern master.
One of the best blends of SF and mystery yet written." — Science Fiction Chronicle "Russo's San Francisco is very Bladerunner, though clearly written by somebody who knows that city well … The characters in this book are strong, the writing is solid." — SF Site In the San Francisco of the not-too-distant future, detective Frank Carlucci agrees to look into the disappearance of his daughter's friend. His investigations reveal layer upon layer of corruption and decay, culminating in the discovery of "Cancer Cell," a mysterious renegade medical group. Operating out of the city's anarchistic free-zone, these terrorists possess a bioengineered form of hemorrhagic fever — a modern-day plague with the potential to kill millions — that they're ready to turn loose on the world. Author Richard Paul Russo twice received the Philip K. Dick Award: in 1989, for his second novel, Subterranean Gallery, and in 2001 for Ship of Fools. This hard-boiled thriller is the third volume of the critically acclaimed Carlucci Trilogy, consisting of Destroying Angel, Carlucci's Edge, and Carlucci's Heart. All three works offer a gripping combination of classic noir mystery and futuristic cyberpunk fiction.
Russo has an excellent eye for the urban landscape [and] the crime writer's well-tuned ear for vernacular … from street punks right up to the high-level officials." — Asimov's Science Fiction In the San Francisco of the future, technology advances while society declines. Against a vividly realized urban backdrop, one of the police force's last honest cops is trying to trace the connection between a series of seemingly unrelated murders. Detective Frank Carlucci manages to thwart his crooked department's efforts to block his investigations — only to discover an even deeper pit of corruption in the form of a black market run by political officials. Author Richard Paul Russo twice received the Philip K. Dick Award: in 1989, for his second novel, Subterranean Gallery, and in 2001 for Ship of Fools. This hard-boiled thriller is the second volume of the critically acclaimed Carlucci Trilogy, consisting of Destroying Angel, Carlucci's Edge, and Carlucci's Heart. All three works offer a gripping combination of classic noir mystery and futuristic cyberpunk fiction. "One of the best blends of SF and mystery yet written." — Science Fiction Chronicle "Russo's latest SF crime novel is mean streets, callous megacorps, venal politicians, and ordinary lowlifes in a jam … Russo's characters succeed in stirring our empathy, but their strangeness is what holds our attention." — Analog
Truly gripping . . . a lot more realistic than most near-future SF, as well as being just plain better written than most of it." — Science Fiction Chronicle In the crumbling San Francisco of tomorrow, a former narcotics-squad cop is reluctantly drawn into the investigation of a serial killer's return. Louis Tanner recognizes the ugly work of the Chain Killer, a maniac who dispatches his victims two at a time, welding the corpses together in a grotesque embrace and dumping them into a body of water. Tanner's troubled conscience from a previous case compels him to reunite with his former colleague, Frank Carlucci. Together, they enter the city's notorious red-light district, chasing a vicious drug dealer who forces them even deeper into the underworld — where police are powerless and the foulest criminals live in contempt of the law. Author Richard Paul Russo twice received the Philip K. Dick Award: in 1989, for his second novel, Subterranean Gallery, and in 2001 for Ship of Fools. This hard-boiled thriller is the first volume of the critically acclaimed Carlucci Trilogy, consisting of Destroying Angel, Carlucci's Edge, and Carlucci's Heart. All three works offer a gripping combination of classic noir mystery and futuristic cyberpunk fiction.
“[Russo’s] first novel in ten years hits the ball out of the park. . . . You’ll lap up this gripping, wise, and wonderful summer treat.” —The Boston Globe “A cascade of charm. . . . Russo is an undeniably endearing writer, and chances are this story will draw you back to the most consequential moments in your own life.”—The Washington Post One beautiful September day, three men in their late sixties convene on Martha's Vineyard, friends ever since meeting in college in the sixties. They couldn't have been more different then, or even today—Lincoln's a commercial real estate broker, Teddy a tiny-press publisher, and Mickey is a musician beyond his rockin' age. But each man holds his own secrets, in addition to the monumental mystery that none of them has ever stopped puzzling over since a Memorial Day weekend right here on the Vineyard in 1971. Now, forty-five years later, three lives and that of a significant other are put on displaywhile the distant past confounds the present ina relentless squall of surprise and discovery. Shot through with Russo's trademark comedy and humanity, Chances Are . . . introduces a new level of suspense and menace that will quicken the reader's heartbeat throughout this absorbing saga.
NATIONAL BESTSELLER • PULITZER PRIZE WINNER • The bestselling author of Nobody's Fool and Straight Man delves deep into the blue-collar heart of America in a work that overflows with hilarity, heartache, and grace. “Rich, humorous ... Mr. Russo’s most seductive book thus far.” —The New York Times Welcome to Empire Falls, a blue-collar town full of abandoned mills whose citizens surround themselves with the comforts and feuds provided by lifelong friends and neighbors and who find humor and hope in the most unlikely places, in this Pulitzer Prize-winning novel by Richard Russo. Miles Roby has been slinging burgers at the Empire Grill for 20 years, a job that cost him his college education and much of his self-respect. What keeps him there? It could be his bright, sensitive daughter Tick, who needs all his help surviving the local high school. Or maybe it’s Janine, Miles’ soon-to-be ex-wife, who’s taken up with a noxiously vain health-club proprietor. Or perhaps it’s the imperious Francine Whiting, who owns everything in town–and seems to believe that “everything” includes Miles himself. Look for Richard Russo's new book, Somebody's Fool, coming soon.
Religion in American Today describes how sacred powers and secular religions have overtaken and infiltrated Christianity. Secular religion is now dominant in America: It assumes the forms of personal religion and political religion. Christianity makes its living within the confines of these secular religions. The point of the book is to identify the idolatry in what now passes for Christianity. Technology and the political state are socially constructed as sacred powers. As such they are idols. In its slumber Christianity embraces technology and the political state to the point of becoming subordinate to them. Concurrently technology and the political state give rise to the dominant secular religions. Personal religion acts as a consumer service, a psychological technique, to acquire health and happiness in this life. Political religion is a consequence of politics replacing religion in the quest for collective meaning in a technological society. Political movements become religious revivals and political parties, churches. This book is an attempt to awaken Christians to the idols that beckon.
This work analyzes the "New Ethnicity" of the 1970s as a way of understanding America's political turn to the right in that decade. An upsurge of vocal ethnic consciousness among second-, third-, and fourth-generation Southern and Eastern Europeans, the New Ethnicity simultaneously challenged and emulated earlier identity movements such as Black Power. The movement was more complex than the historical memory of racist, reactionary white ethnic leaders suggests. The movement began with a significant grassroots effort to gain more social welfare assistance for "near poor" white ethnic neighborhoods and ease tensions between the working-class African Americans and whites who lived in close proximity to one another in urban neighborhoods. At the same time, a more militant strain of white ethnicity was created by urban leaders who sought conflict with minorities and liberals. The reassertion of ethnicity necessarily involved the invention of myths, symbols, and traditions, and this process actually served to retard the progressive strain of New Ethnicity and strengthen the position of reactionary leaders and New Right politicians who hoped to encourage racial discord and dismantle social welfare programs. Public intellectuals created a mythical white ethnic who shunned welfare, valued the family, and provided an antidote to liberal elitism and neighborhood breakdown. Corporations and publishers embraced this invented ethnic identity and codified it through consumption. Finally, politicians appropriated the rhetoric of the New Ethnicity while ignoring its demands. The image of hard-working, self-sufficient ethnics who took care of their own neighborhood problems became powerful currency in their effort to create racial division and dismantle New Deal and Great Society protections.
The characters in these four expansive stories are a departure from the blue-collar denizens that populate so many of Richard Russo’s novels; and all are bound together by parallel moments of reckoning with their pasts. In “Horseman,” a young professor confronts an undergraduate plagiarist—as well as her own regrets. In “Intervention,” a realtor facing a serious medical prognosis finds himself in his late father’s shadow. “Voice” gives us a semiretired academic who is conned by his estranged brother into joining a group tour of the Venice Biennale. And “Milton and Marcus” takes us into a lapsed novelist’s attempt to rekindle his screenwriting career—a career that depends wholly, at a crucial moment, on two Hollywood icons (one living, one dead). Shot through with Russo’s inimitable humor, wisdom, and surprise, Trajectory is the work of a masterful writer continuing to discover new heights.
Ernest Hemingway is most often associated with Spain and Cuba, but Italy was equally important in his life and work. Hemingway in Italy, the first full-length book exploring Hemmingway’s penchant for Italy, offers a lively account of the many visits Hemingway made throughout his life to Italian locales, including Sicily, Genoa, Rapallo, Cortina, and Venice. In evocative prose, complemented by a rich selection of historical images, Richard Owen takes us on a tour through Hemingway’s Italy. He describes how Hemingway first visited the country of the Latins during World War I, an experience that set the scene for A Farewell to Arms. Then after World War II, it was in Italy that he found inspiration for Across the River and into the Trees. Again and again, the Italian landscape—from the Venetian lagoon to the Dolomites and beyond—deeply affected one of the greatest writers of the twentieth century. Hemingway in Italy demonstrates that Italy stands alongside Spain as a key influence on Hemingway’s work—and why the Italians themselves hold Hemingway and his writing close to their hearts.
Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cézanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as well.
Eric Trist was a psychologist, social scientist, and a leading figure in the field of organizational development. He was a founding member of the Tavistock Institute of Human Relations in London and spent many years in United States academia. This book delves into Trist’s life to examine the evolution of his work and how he applied social science theory, knowledge, and methods to the organization of working life and its management. Richard Trahair outlines Trist’s socio-technical theory of organization and how it applies to the turbulent environment that modern managers face. Trahair begins with Trist’s educational career in England and his attitude toward American and English education. He also describes Trist’s work to improve the United Kingdom’s Army’s method of selecting men for officer training in wartime, and his role in the establishment of the Civil Resettlement Units in England. In place of the traditional technology-driven bureaucracy of industry, Trist recommended that social science researchers help reorganize industries on socio-technical lines. Trist provided convincing evidence that organizations dominated by traditional attitudes were inefficient and unsatisfactory. He made it clear that seeing workers as little more than costly extensions of machines and the industrial environment as nothing but a set of competitive market forces seriously limited potential for growth.
Russo has an excellent eye for the urban landscape [and] the crime writer's well-tuned ear for vernacular … from street punks right up to the high-level officials." — Asimov's Science Fiction In the San Francisco of the future, technology advances while society declines. Against a vividly realized urban backdrop, one of the police force's last honest cops is trying to trace the connection between a series of seemingly unrelated murders. Detective Frank Carlucci manages to thwart his crooked department's efforts to block his investigations — only to discover an even deeper pit of corruption in the form of a black market run by political officials. Author Richard Paul Russo twice received the Philip K. Dick Award: in 1989, for his second novel, Subterranean Gallery, and in 2001 for Ship of Fools. This hard-boiled thriller is the second volume of the critically acclaimed Carlucci Trilogy, consisting of Destroying Angel, Carlucci's Edge, and Carlucci's Heart. All three works offer a gripping combination of classic noir mystery and futuristic cyberpunk fiction. "One of the best blends of SF and mystery yet written." — Science Fiction Chronicle "Russo's latest SF crime novel is mean streets, callous megacorps, venal politicians, and ordinary lowlifes in a jam … Russo's characters succeed in stirring our empathy, but their strangeness is what holds our attention." — Analog
In mid-twenty-first-century San Francisco, a group of corpses is found chained together on the bottom of the Bay, and Tanner must find the killer among a city full of serial murderers, cyborgs, and street-wise kids. Original.
Cale Alexandros was five years old when the path of his life was irrevocably altered. As the scion of a wealthy and powerful family, he enjoyed a privileged existence—until his family’s starship was attacked en route to Morningstar, the lone outpost of civilization on a savage planet known as Conrad’s World. In an escape ship, Cale crash-landed in the wilds, and was picked from the wreckage by nomads. For years, Cale is forced to endure life as a slave, sold and shuffled from one group of brutish thugs to another—until a trader recognizes a glimmer of promise in Cale’s eyes, and frees him. Cale travels far and wide, but he never forgets what happened long ago, in the desert wastes . . . when, in a strange, ancient temple, he found a book with pages made of a strange metal, and writings he could not identify. When he finally reaches Morningstar, he comes to realize that the book is a key to understanding a language never heard by mankind, an alien dialect. It also holds a secret that some people want to learn, a treasure that some want for themselves, and a revelation that some will do anything to control.
Cale Alexandros was five years old when the path of his life was irrevocably altered. As the scion of a wealthy and powerful family, he enjoyed a privileged existence—until his family’s starship was attacked en route to Morningstar, the lone outpost of civilization on a savage planet known as Conrad’s World. In an escape ship, Cale crash-landed in the wilds, and was picked from the wreckage by nomads. For years, Cale is forced to endure life as a slave, sold and shuffled from one group of brutish thugs to another—until a trader recognizes a glimmer of promise in Cale’s eyes, and frees him. Cale travels far and wide, but he never forgets what happened long ago, in the desert wastes . . . when, in a strange, ancient temple, he found a book with pages made of a strange metal, and writings he could not identify. When he finally reaches Morningstar, he comes to realize that the book is a key to understanding a language never heard by mankind, an alien dialect. It also holds a secret that some people want to learn, a treasure that some want for themselves, and a revelation that some will do anything to control.
National Bestseller and a New York Times 2016 Notable Book In these pages, Richard Russo returns to North Bath, the Rust Belt town first brought to unforgettable life in Nobody’s Fool. Now, ten years later, Doug Raymer has become the chief of police and is tormented by the improbable death of his wife—not to mention his suspicion that he was a failure of a husband. Meanwhile, the irrepressible Sully has come into a small fortune, but is suddenly faced with a VA cardiologist’s estimate that he only has a year or two left to live. As Sully frantically works to keep the bad news from the important people in his life, we are reunited with his son and grandson . . . with Ruth, the married woman with whom he carried on for years . . . and with the hapless Rub Squeers, who worries that he and Sully aren’t still best friends. Filled with humor, heart, and hard-luck characters you can’t help but love, Everybody’s Fool is a crowning achievement from one of the great storytellers of our time.
Truly gripping . . . a lot more realistic than most near-future SF, as well as being just plain better written than most of it." — Science Fiction Chronicle In the crumbling San Francisco of tomorrow, a former narcotics-squad cop is reluctantly drawn into the investigation of a serial killer's return. Louis Tanner recognizes the ugly work of the Chain Killer, a maniac who dispatches his victims two at a time, welding the corpses together in a grotesque embrace and dumping them into a body of water. Tanner's troubled conscience from a previous case compels him to reunite with his former colleague, Frank Carlucci. Together, they enter the city's notorious red-light district, chasing a vicious drug dealer who forces them even deeper into the underworld — where police are powerless and the foulest criminals live in contempt of the law. Author Richard Paul Russo twice received the Philip K. Dick Award: in 1989, for his second novel, Subterranean Gallery, and in 2001 for Ship of Fools. This hard-boiled thriller is the first volume of the critically acclaimed Carlucci Trilogy, consisting of Destroying Angel, Carlucci's Edge, and Carlucci's Heart. All three works offer a gripping combination of classic noir mystery and futuristic cyberpunk fiction.
Cramer penetrates Bob Dole's legendary reserve to decipher the enigma of his character and the vicissitudes of his career. Dole loyally served four Republican presidents--including one who treated him shabbily and another whose policies he often questioned--and has survived Congress for 35 years. Bob Dole is an invaluable barometer not only to Dole himself, but to American politi cs as a whole.
David and Ellie didn't realise how much they had missed their friends, two other couples who had moved out of their modest neighbourhood in a desert city for the comforts of the suburbs, until the day of Donald Trump's election. Separated also from their daughter who lived hours away in California, they were in a funk. But, when Ellie discovers a repellent offering floating in the small Jacuzzi in their backyard, David is blindsided. Little does he know this is but the first in a chain of grisly events that will play out in their lives with devastating consequences. In this darkly humorous, incisive and absorbing political parable, written with the remarkable humanity he's beloved for, Pulitzer Prize-winner Richard Russo probes how deeply, yet imperceptibly, fissures can form amongst friends, neighbours and families. An ebook short.
Jean Russo was a single mother in the 1950s, badly paid and living with her parents in Gloversville, New York, a dead-end town whose heyday as the hub of the leather-goods industry was just a distant memory. 'You are getting out of Gloversville' was her mantra throughout Richard's high school years. And when he finally made his intrepid escape from the family home on Helwig Street - fleeing to a far-flung college in a banger nicknamed The Gray Death - Jean saw her chance of a better life elsewhere, and jumped in for the first of many ill-conceived adventures. But life on the run from home took its toll on them both, and in this captivating memoir Russo describes how childhood segued into adulthood and parenthood in the company of his restless mother, for whom the grass was always greener in the place where she was not. At the same time he recounts with touching honesty how his own contentment and literary success were at odds with her lifelong battle against disillusionment and anxiety - and the siren call of Gloversville." --Book jacket.
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