This book illustrates and teaches the finer details of the tactics and strategies employed in the synthesis of organic molecules. As well as providing model answers to the problems, the book discusses, in detail, the reasons why particular strategies are chosen, and why, in given circumstances, alternative methods or routes may or may not be appropriate. As such it could be used as a stand alone volume for the teaching of organic chemistry with a modern and appropriate emphasis on synthesis. Extensive cross referencing to Principles of Organic Synthesis allows the two books to be used as companion volumes.
This book is designed for those who have had no more than a brief introduction to organic chemistry and who require a broad understanding of the subject. The book is in two parts. In Part I, reaction mechanism is set in its wider context of the basic principles and concepts that underlie chemical reactions: chemical thermodynamics, structural theory, theories of reaction kinetics, mechanism itself and stereochemistry. In Part II these principles and concepts are applied to the formation of particular types of bonds, groupings, and compounds. The final chapter in Part II describes the planning and detailed execution of the multi-step syntheses of several complex, naturally occurring compounds.
This book is designed for those who have had no more than a brief introduction to organic chemistry and who require a broad understanding of the subject. The book is in two parts. In Part I, reaction mechanism is set in its wider context of the basic principles and concepts that underlie chemical reactions: chemical thermodynamics, structural theory, theories of reaction kinetics, mechanism itself and stereochemistry. In Part II these principles and concepts are applied to the formation of particular types of bonds, groupings, and compounds. The final chapter in Part II describes the planning and detailed execution of the multi-step syntheses of several complex, naturally occurring compounds.
In Hollywood on the Hudson, Richard Koszarski rewrites an important part of the history of American cinema. During the 1920s and 1930s, film industry executives had centralized the mass production of feature pictures in a series of gigantic film factories scattered across Southern California, while maintaining New York as the economic and administrative center. But as Koszarski reveals, many writers, producers, and directors also continued to work here, especially if their independent vision was too big for the Hollywood production line.
This ground-breaking and substantive new history considers Richard's reign from a perspective that is as much French as English. Viewing the king himself as a great military commander, it also shows him as a more competent administrator than previously acknowledged. Modern revisionist work allows the authors to correct many misconceptions about Richard's French possessions, and recent scholarship on his rival, Philip Augustus, permits examination of the formidable threat that the resurgent Capetian monarchy represented.
The Politics of Authenticating: Revisiting New Orleans Jazz sets forth an entirely new approach to the study of authenticity, based not upon a search for finding the ‘true’ meaning of the concept or ‘unmasking’ its claims. Rather, it details a grounded theory of ‘authenticating’ as a basic socio-political process, important in understanding the origins, development and consequences of competing knowledge claims in diverse areas of human experience and activity over time and place. The book is part jazz historiography, part autoethnography, and part memoir. It details Richard Ekins revisiting of the quest for authenticity in the social worlds of international New Orleans revivalist jazz from the early 1960s onwards, from his standpoint as a social constructionist social scientist and cultural theorist. The book grew out of a series of long, detailed conversations between Ekins and his interlocutor (Robert Porter) and captures the energy and dynamism of these exchanges in the writing of the text, providing what the authors call a ‘riff methodology’ that might be drawn on by other scholars concerned to write books that revisit aspects of their personal and professional lives.
Bette Davis as a madam. Orson Welles hosting The Twilight Zone. Mae West voicing a cartoon character. Shirley Temple playing a social worker. While Hollywood stars like Lucille Ball, Loretta Young and Donna Reed successfully transitioned to television in its early days, many others tried and failed to become TV regulars. Drawing on contemporary interviews and other sources, this book profiles more than 50 actors--including Joan Crawford, Barbara Stanwyck, Gary Cooper, Alan Ladd and Buster Keaton--and their unsuccessful pilots and short-lived series roles.
From the huge success of the Chords' "Sh-Boom" to the arrival of the Beatles a decade later, rock 'n' roll influenced an entire generation of young Americans. Combining popular culture and social history with a sourcebook of lists and a biographical dictionary, That Old-Time Rock & Roll recreates the fun and excitement of rock's first decade and shows how the music reflected American life and thought in the 1950s and early 1960s. Richard Aquila provides an overview of the birth and growth of this pivotal genre and demonstrates early rock's links to both the youth culture and the dominant culture of the Eisenhower/Kennedy era. Year-by-year timelines and a photo essay place the music in historical perspective by illustrating the decade's top news stories, movies, TV shows, fads, and lifestyles. Complementing this topical summary is a concise biographical dictionary that details all the performers who made the charts between 1954 and 1963, along with the label and chart position of each hit. Both a history of the music and a history of the times, That Old-Time Rock & Roll is an outstanding source of information about the charter members of the baby-boom generation. In a new introduction, Aquila discusses how his long-time interest in rock 'n' roll came to fruition and surveys the progress of rock 'n' roll scholarship since his book's original publication.
In this lavishly illustrated volume, Richard E. McCabe, Bart W. O'Gara and Henry M. Reeves explore the fascinating relationship of pronghorn with people in early America, from prehistoric evidence through the Battle of Little Bighorn in 1876. The only one of fourteen pronghorn-like genera to survive the great extinction brought on by human migration into North America, the pronghorn has a long and unique history of interaction with humans on the continent, a history that until now has largely remained unwritten. With nearly 150 black-and-white photographs, 16 pages of color illustrations, plus original artwork by Daniel P. Metz, Prairie Ghost: Pronghorn and Human Interaction in Early America tells the intriguing story of humans and these elusive big game mammals in an informative and entertaining fashion that will appeal to historians, biologists, sportsmen and the general reader alike.
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