Throughout their history, the Guardian and the Observer have avidly reported the worlds of exploration and adventure travel. In the 19th century, they covered the British and European explorers who were trying to fill in the 'blanks on the map' - crossing deserts, racing to the poles, searching for the source of the Nile and trying to be the first to master the peaks of the Alps, and, later, the Himalaya. By the turn of the 20th century, interest turned to Everest, the 'third pole', to the deserts that needed to be conquered, and also to the new ways of exploring that opened up a whole new world of adventure - airships over the North Pole and Citroen driving across the Sahara in the 1920s, to name but two. In the post-war period, explorers upped the ante - who would be the first to row across the great oceans? Travel unsupported to the Poles? Climb Everest without oxygen? Add to this the vogue for recreating great voyages (the most famous being the Kon Tiki and Vinland expedition to Greenland) and soon the newspapers were brimming with tales of derring-do. This collection draws together a unique collection of first person accounts, news reports and - inevitably - obituaries that demonstrate the awe-inspiring lengths to which explorers and adventurers have gone to push back the boundaries of human endeavour. - Gordon Laing's doomed journey to Timbuctoo in 1828 - Captain Webb's epic swim across the English Channel in 1875 - Wilfrid Thesiger's 1940s crossing of the Rub' al Khali, - Aron Ralston's harrowing experience in 2003, when he amputated his lower right arm in order to free himself from a rockfall Capturing not only the adrenaline rush the adventurers feel when stepping out into the unknown but also the fear and trepidation that set in when things start to go wrong, Those Who Dared is an adventure anthology that will satisfy the yearnings of the hardened explorer and armchair traveller alike.
Throughout its history the Guardian has had unparalleled access to mountaineers and climbers, and its coverage of the sport is second to none. From Edward Whymper's conquest of the Matterhorn in 1865 through to the first ever ascent of Everest in 1953, and on to the extreme climbing (and associated apparatus) that dominates the modern-day incarnation of the sport, the paper has chronicled every development with insight and intelligence. This beguiling collection draws together a selection of Guardian writing that is both informative and celebratory, tracking the sport's history and uncovering how public perception has changed over time. - Postings on how cigarettes 'aided breathing' on some of the earliest Everest expeditions - Victorian advice to 'lady climbers': 'Small rings should be sewn inside the seams of the skirt ... [so] that the whole dress may be drawn up at a moment's notice to the requisite height' - Articles on scrambling, fell-running, rock-climbing and rambling. Whether you're a serious mountaineer or a weekend rambler, On the Roof of the World is packed full of insights and stories that make it the perfect bedside companion.
Throughout its history the Guardian has had unparalleled access to mountaineers and climbers, and its coverage of the sport is second to none. From Edward Whymper's conquest of the Matterhorn in 1865 through to the first ever ascent of Everest in 1953, and on to the extreme climbing (and associated apparatus) that dominates the modern-day incarnation of the sport, the paper has chronicled every development with insight and intelligence. This beguiling collection draws together a selection of Guardian writing that is both informative and celebratory, tracking the sport's history and uncovering how public perception has changed over time. - Postings on how cigarettes 'aided breathing' on some of the earliest Everest expeditions - Victorian advice to 'lady climbers': 'Small rings should be sewn inside the seams of the skirt ... [so] that the whole dress may be drawn up at a moment's notice to the requisite height' - Articles on scrambling, fell-running, rock-climbing and rambling. Whether you're a serious mountaineer or a weekend rambler, On the Roof of the World is packed full of insights and stories that make it the perfect bedside companion.
Throughout their history, the Guardian and the Observer have avidly reported the worlds of exploration and adventure travel. In the 19th century, they covered the British and European explorers who were trying to fill in the 'blanks on the map' - crossing deserts, racing to the poles, searching for the source of the Nile and trying to be the first to master the peaks of the Alps, and, later, the Himalaya. By the turn of the 20th century, interest turned to Everest, the 'third pole', to the deserts that needed to be conquered, and also to the new ways of exploring that opened up a whole new world of adventure - airships over the North Pole and Citroen driving across the Sahara in the 1920s, to name but two. In the post-war period, explorers upped the ante - who would be the first to row across the great oceans? Travel unsupported to the Poles? Climb Everest without oxygen? Add to this the vogue for recreating great voyages (the most famous being the Kon Tiki and Vinland expedition to Greenland) and soon the newspapers were brimming with tales of derring-do. This collection draws together a unique collection of first person accounts, news reports and - inevitably - obituaries that demonstrate the awe-inspiring lengths to which explorers and adventurers have gone to push back the boundaries of human endeavour. - Gordon Laing's doomed journey to Timbuctoo in 1828 - Captain Webb's epic swim across the English Channel in 1875 - Wilfrid Thesiger's 1940s crossing of the Rub' al Khali, - Aron Ralston's harrowing experience in 2003, when he amputated his lower right arm in order to free himself from a rockfall Capturing not only the adrenaline rush the adventurers feel when stepping out into the unknown but also the fear and trepidation that set in when things start to go wrong, Those Who Dared is an adventure anthology that will satisfy the yearnings of the hardened explorer and armchair traveller alike.
This book is a superb reference for counselling skills trainers and students. It presents practical key skills that are described and discussed clearly and concisely' - Dr Margaret E Smith, Programme Leader, University of Derby 'This Third Edition interestingly adds two relevant sub-themes to its impressive range of subject matter. The text offers a sound, practical and accessible introduction that serves to ground the purpose, application and practice of counselling skills' - Gerry Skelton, Social Work and Counselling educator, trainer and practitioner Introduction to Counselling Skills, Third Edition is designed to help readers acquire and develop the counselling skills key to effective helping relationships, using an easy-to-follow, three-stage model. Richard Nelson-Jones details each stage in the helping process, using examples to demonstrate counselling skills in a variety of contexts. Showing how skills work in practice and the diversity of issues they can help to address, this book covers: " what counselling skills are " improving listening skills " assessing feelings, thinking and communication " improving thinking skills and communication skills " conducting sessions " ethical issues. For the Third Edition, Introduction to Counselling Skills has been fully updated, adding new material on relaxation techniques and managing crises. Combining a clear explanation of skills with a host of practical activities, this is the ideal text for introductory courses in counselling skills, counselling and other professional areas including health care, management, education and social work. Richard Nelson-Jones is a Fellow of the British Psychological Society and of the BACP. He divides his time between London and Chiang Mai, Thailand.
The legend of the Swan Knight who rescues a princess from the forces of pagan evil is one of Christian Europe's foundation myths. Lohengrin transformed Wagner into an international figure almost overnight, and it remained his most popular work throughout the nineteenth century. Thomas Grey proposes that this was because it offered a "e;cautious taste"e; of his later works, while preserving some of the familiar traditions of French grand opera. John Deathridge asks why Wagner denied its Christian symbolism, and Janet Nelson argues that his vision of the Christian Middle Ages prefigured a modern historical approach. The English translation is by Amanda Holden.Contents: Wagner's 'Alter Ego', John Deathridge; Wagner's 'Lohengrin': between Grand Opera and Musikdrama, Thomas S. Grey; History, Women's History and beyond History in 'Lohengrin', Janet L. Nelson; Lohengrin in Brabant, Jacob and Wilhelm Grimm; Lohengrin: Poem by Richard Wagner; Lohengrin: English Translation by Amanda Holden
Derrick Storm, the guy the CIA calls on when it wants something investigated domestically, is thirty-three thousand feet in the air, returningfrom a rock climbing vacation in the Swiss Alps, when the plane spirals into anose-dive. Storm uses his climbing gear to tether himself to the wing andheroically save the plane and all the people on board. Sadly, Storm isnot available to come to the aid of the three other planes that have crashedunder similar circumstances, killing everyone on board. Interestingly, many of the victims arepowerful people in politics, business and religious groups. The always elusive Jedidiah Jones, leader of the National ClandestineService that has no name, calls on Storm to investigate. Storm determines that an unknown extremisthas secured enough of the rare earth element promethium to create a laser withthe power to shoot down planes from the ground. The problem swiftlybecomes a global one as four more planes crash in the Arabia Desert. Details, intuition and courage lead Storm to Monaco, Panama City and Egypt as he meets beautiful women, rides angry camels and rescues innocentvictims in his valiant effort to track down the maniacal mind behind the terrorism.
Der fliegende Hollaender is the first of Wagner's operas that the author considered to be representative of his mature style. The Dutchman embodies one of the major themes that recur throughout Wagner's work: that of a central character seeking redemption from a loving woman. Originally taken from a story by Heinrich Heine, Wagner extended and enriched his musical and dramaturgical language to produce an opera of extraordinary power.An essay in the guide places the opera in the context of emerging German Romanticism, and another highlights the musical riches of the score. A further article explores the emerging importance of myth to Wagner and his contemporaries. As well as a detailed description of the work's performance history, the volume contains Wagner's own instructions to his performers and his programme note about the overture. Illustrations, a thematic guide, the full libretto with English translation and reference sections are also included.Contains:Behind Der fliegende Hollaender, John WarrackAn Introduction to Der fliegende Hollaender, John DeathridgeLoneliness, Love and Death, William VaughanHow Wagner Found the Flying Dutchman, Mike AshmanOf Storms and Dreams: Reflections on the Stage History of Der fliegende Hollaender, Katherine SyerThe Overture to Der fliegende Hollaender, Richard WagnerRemarks on Performing the Opera Der fliegende Hollaender, Richard WagnerDer fliegende Hollaender: Poem by Richard WagnerThe Flying Dutchman: English translation by Lionel Salter
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.