Dennis Mortimer became Aston Villa's most famous captain when he lifted the Lions' first League Championship trophy in 71 years. That was in 1981, and he achieved a European Cup win the following year, but his time at the club ended controversially. After signing for Coventry City as a teenager in the late 1960s, Mortimer lined up against such legends as Bobby Moore, Geoff Hurst, Franz Beckenbauer and George Best. From there he moved to Villa and became one of manager Ron Saunders' most trusted players. He was in the dressing room for the most successful period in the club's history, but was frozen out by the chairman before his eventual exit. He finished his playing career at Brighton & Hove Albion, Sheffield United and Villa's bitter rivals Birmingham City, then moved into coaching. In this tell-all autobiography, Mortimer lifts the lid on the highs and lows of his decade at Villa and shares stories galore about the many characters he met through his life in football.
“Deep time” is a term which attempts to capture temporal scales far beyond human comprehension. These are stretches of time epitomised by geological and cosmic scale processes, vast enough to make the entirety of human existence appear as little more than a footnote. The past few years have seen a boom in texts dedicated to the study of deep time, extending across a broad range of disciplines which fall markedly outside of its geological roots. These studies are unified by two ideas in particular: that deep time thinking and ecocriticism should be considered in conjunction, and that literature and the arts play a vital role in fostering a deep time awareness. Digressions in Deep Time is the first collection of essays which considers the multifarious representations of deep time across literature and the arts, assembling the work of a wide range of prominent scholars whose research frequently engages with temporality and ecocriticism. Featured contributions include work by the Pulitzer-prize winning author John McPhee, who popularised the term deep time in the late seventies, as well as chapters by Richard Irvine (author of An Anthropology of Deep Time), Benjamin Morgan (author of The Outward Mind) and Andrew Tate (author of Apocalyptic Fiction).
Title first published in 2003. Westminster Abbey occupies a unique position in the religious and royal landscape of the United Kingdom and Commonwealth. As the scene of coronations and other great public occasions, it has been the continuing focus of the nation's religious life for half the Christian era. Yet the building itself would not have survived the upheavals of the Protestant Reformation had the institution running it not been itself 'reformed' from monastery into collegiate church. These nine studies discuss ways in which Westminster's new corporate structure evolved in the first century of its existence, and look at some of the personalities who played a part in that process. New research, much of it in the Abbey's own rich archive, opens up previously unseen views of this great church's internal affairs, its relationship with the Crown, and its place in its own locality.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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