In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
Scotland and Southern Appalachia have always shared a strong connection. Many of the first people to permanently settle in the Appalachian mountains came from the Scottish highlands seeking religious and other freedoms. Many descendants of those first settlers from Scotland still make their homes in Southern Appalachia and attribute many aspects of their culture to their Scottish heritage. This book explores the parallels and connections between Scotland and Southern Appalachia, with special attention to the interplay between revivals of folk culture, native languages, and dialects in Scotland and Appalachia since the 1970s. It covers contemporary Scottish and Appalachian cultural movements, particularly the links between cultural revivals and identity politics, and contains substantial references that increase its value as an authoritative scholarly work on the convergence of the cultures.
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