The Cubs were at the end of the best five-season run of any team in history. The team featured Three Finger Brown, the famed double play combination of Tinker to Evers to Chance, and the other players who together won 530 games in the 1906-1910 seasons. They won four National League pennants and were the first team to win consecutive World Series, in 1907 and 1908. After winning 104 games in 1909 and finishing second in the League, the Cubs came back in 1910 to win the pennant again--they seemed unstoppable. Going into the World Series, the Cubs--favored to win--were at the end of a great run and the Philadelphia A's were at the start of one. This book tells the story of the changing of the guard in baseball in 1910, and how these two great teams assembled. The narrative takes in the history of early 20th century baseball, featuring men like Ben Shibe, Connie Mack, Eddie Collins, Frank Baker, Chief Bender, and many others.
This title was first published in 2002: Nietzsche described himself as a godless anti-metaphysician. These writings encourage the student to question any reading that fails to address Nietzsche's sense of irony with respect to his own philosophical claims. The anthology includes the best recent writings on Nietzsche. It covers all the main themes of Nietzsche's philosophy and pays particular attention to Nietzsche's discussion of value and the need for a re-evaluation of values; his critique of metaphysics and the problem of knowledge; and his account of art and politics.
Geistliche Lieder und Psalmen, 1567, was compiled and published by Johann Leisentrit, a Roman Catholic priest who from 1559 to the time of his death in 1586, was Dean at the Cathedral of St. Peter's in Bautzen, a town in southeastern Germany. His hymnbook appeared in three complete editions (1567, 1573, 1584), and in abridged editions in 1575, 1576, and 1589. By adapting the vernacular hymn, a genre created by Protestant reformers, Leisentrit hoped to bring back to the "true church" (wahrglaubiger Christlicher Kirchen) those who had defected to Lutheranism. This was a formidable ambition because his diocese was located adjacent to the Moravian-Bohemian regions where the Protestant movement was born and remained vital. Containing approximately 260 texts set to 175 notated melodies, many borrowed from Protestant sources and adapted to serve Roman Catholic objectives, Leisentrit's book was the second Catholic hymnbook to be published in the sixteenth century. It surpassed its Protestant and Catholic precursors in scope and provided a model for the profusion of hymnbooks of numerous confessions that appeared in Germany in the seventeenth and eighteenth centuries . Wetzel and Heitmeyer present their study in two parts: The first comprises six contextual chapters that survey earlier German achievements in hymnody, provide analyses of the texts and music in Leisentrit's book, and assess his achievement within the volatile environment of the Counter Reformation. The second gives the melodies in modern notation along with the first stanzas of the texts; provides detailed concordances and references to sources that identify textual and musical provenances; and concludes with six appendixes to facilitate scholarly cross-references. Fourteen of the seventy wood engravings from Leisentrit's book, many of which are visual representations of the prevailing confessional conflicts, are given in enlarged reproductions. The authors provide the only comprehensive study in English of a unique religious figure and his efforts to achieve confessional reconciliation in the decades following the Council of Trent. They add to a more accurate interpretation of the relationship between Lutherans and Catholics in the sixteenth century and support the hypothesis that some Lutherans remained more liturgically formal than their Catholic contemporaries.
This significant volume is the first to present in detail the entire prolific vocal repertoire of the late-Romantic German composer Max Reger. The Songs of Max Reger: A Guide and Study begins with a brief introduction discussing the development of German Lied, then journeys through this creative composer's works for voice and piano. With many musical examples, Richard Mercier and Donald Nold present a survey and discussion of Reger's lifetime of song output. The book proceeds through the songs chronologically by opus number, discussing each individually. All entries include details pertinent to the song's particular poem, its musical setting, the date of musical composition, the vocal range required, and discussion of specific vocal and pianistic features. The text also provides the original German poem, word-for-word English translation of the German text, IPA (International Phonetic Alphabet) pronunciation symbols for the German, and a prose version of the poetic text in English for better appreciation of the piece. An index and two appendixes complete this important reference, arranging the songs by title and poet and supplying information on vocal range, level of difficulty, and gender. Designed for the classical vocal music enthusiast and invaluable to the singer and vocal coach, this book, commemorating the 135th anniversary of the composer's birth, will also appeal to accompanists, Reger scholars, and lovers of German Lieder and German art and culture.
This opera has been described as "e;the longest single smile in the German language"e;. But Roland Matthews indicates that violence is not far beneath the surface of this portrait of medieval Nuremberg. Arnold Whittall's analysis gives a bird's-eye view of the complexity of the score. Timothy McFarland explores the significance of the choice of subject: that nostalgia for a pre-industrial community, which was a symptom of the German nationalist movement. The long text has many subtleties which opera audiences can hardly appreciate without reading it, and the musical themes are numbered to indicate where they occur.Contents: 'My most genial creation...', Roland Matthews; A Musical Commentary, Amold Whittall; Wagner's Nuremberg, Timothy McFarland; Die Meistersingers von Nuernberg: Poem by Richard Wagner; The Mastersingers of Nuremberg: English translation by Frederick Jameson, revised by Gordon Kember and Norman Feasey
This work consists of an English translation, alongside the Dutch text, of the new law of property, rights and interests and the law of obligations (Book 3), the law of real rights (Book 5), the general part of the law of obligations (Book 6) and the law of special contracts (Book 7) of the Netherlands Antilles Civil Code, which entered into force in the Netherlands Antilles on 1 January 2001 and in Aruba on 1 January 2002. It also contains the transitional law enacted on introduction of this new legislation. It is published in Kluwer Law International's "Series of Legislation in Translation". For the non-Dutch speaking residents of the Netherlands Antilles and Aruba, practitioners advising on Netherlands Antilles law and persons or companies interested in the regulation of civil law this work will be essential. The authors, who are experienced legal translators, are authors of Netherlands Business Legislation , a Kluwer Law International publication, which contains a translation of the corresponding Dutch law and other statutory regulations.
What does it mean when a radical understanding of National Socialism is inextricably embedded in the work of the twentieth century's most important philosopher? Martin Heidegger's sympathies for the conservative revolution and National Socialism have long been well known. As the rector of the University of Freiburg in the early 1930s, he worked hard to reshape the university in accordance with National Socialist policies. He also engaged in an all-out struggle to become the movement's philosophical preceptor, "to lead the leader." Yet for years, Heidegger's defenders have tried to separate his political beliefs from his philosophical doctrines. They argued, in effect, that he was good at philosophy but bad at politics. But with the 2014 publication of Heidegger's Black Notebooks, it has become clear that he embraced a far more radical vision of the conservative revolution than previously suspected. His dissatisfaction with National Socialism, it turns out, was mainly that it did not go far enough. The notebooks show that far from being separated from Nazism, Heidegger's philosophy was suffused with it. In this book Richard Wolin explores what the notebooks mean for our understanding of arguably the most important philosopher of the twentieth century, and of his ideas--and why his legacy remains radically compromised.
Unravelling the thought of Alexander Kluge and Oskar Negt Collaborators for more than four decades, lawyer, author, filmmaker, and multimedia artist Alexander Kluge and social philosopher Oskar Negt are an exceptional duo in the history of Critical Theory precisely because their respective disciplines think so differently. Dark Matter argues that what makes their contributions to the Frankfurt School so remarkable is how they think together in spite of these differences. Kluge and Negt's "gravitational thinking" balances not only the abstractions of theory with the concreteness of the aesthetic, but also their allegiances to Frankfurt School mentors with their fascination for other German, French, and Anglo-American thinkers distinctly outside the Frankfurt tradition. At the core of all their adventures in gravitational thinking is a profound sense that the catastrophic conditions of modern life are not humankind's unalterable fate. In opposition to modernity's disastrous state of affairs, Kluge and Negt regard the huge mass of dark matter throughout the universe as the lodestar for thinking together with others, for dark matter is that absolute guarantee that happier alternatives to our calamitous world are possible. As illustrated throughout Langston's study, dark matter's promise--its critical orientation out of catastrophic modernity--finds its expression, above all, in Kluge's multimedia aesthetic.
Spectrum: Ambient/ Industrial/ Experimental Music Culture Magazine was one of the most well respected underground zines dealing with post-industrial music in the late 1990s to early 2000s, with a particular focus on the dark ambient, death industrial, heavy electronics, power electronics, neo-classical, martial industrial and neo-folk genres. This book reproduces all five issues of the rare, out of print Spectrum magazine, plus the unpublished issue No 6. It also includes much new material that puts the music scene and its culture into perspective. Featured interviews: Bad Sector / Black Lung / Brighter Death Now / Caul / Cold Spring / Crowd Control Activities / C17H19No3 / Death In June / Der Blutharsch / Desiderii Marginis / Deutsch Nepal / Dream Into Dust / Endvra / Folkstorm / Genocide Organ / Gruntsplatter / Hazard / House Of Low Culture / I-Burn / Ildfrost / Imminent Starvation / Inade / IRM / Iron Halo Device / Isomer / John Murphy / Kerovnian / Knifeladder / LAW / Malignant Records / Megaptera / Middle Pillar / Militia / MZ.412 / Navicon Torture Technologies / Nový Sv?t / Ordo Equilibrio / The Protagonist / Raison D’être / Sanctum / Schloss Tegal / Shining Vril / Shinjuku Thief / Skincage / Slaughter Productions / Spectre / StateArt / Stone Glass Steel / Stratvm Terror / Terra Sancta / Tertium Non Data / Toroidh / Tribe Of Circle / Warren Mead / Vox Barbara / Yen Pox.
Known as the "World Wrecker" for his galaxy-smashing space operas, Edmond Hamilton wrote intelligent, exciting, and readable science fiction for over 40 years. This first major bibliography of his work covers his enormous output and numerous reprint editions. All students of Hamilton--and all major libraries--will want a copy of this bibliographical labor of love.
This volume contains parallel texts and translations of all Bach's church and secular cantatas that have come down to us complete. They have been translated into an accurate and readable English style that does not attempt to render the rhythm and rhyme scheme of the original German texts but allows the reader to appreciate the beauty and atmosphere of the poetry set by Bach. The volume also includes a short glossary of geographical and mythological names, a list of dedicatees of the secular cantatas, a list of the poets with their dates, and an introduction to the cantatas by Martin Neary, former organist of Winchester Cathedral and Westminster Abbey. This corrected and revised printing incorporates a number of corrections to the text and a new alphabetical index of the cantatas by title.
This impressive compilation offers a nearly complete listing of sound recordings made by American minority artists prior to mid-1942. Organized by national group or language, the seven-volume set cites primary and secondary titles, composers, participating artists, instrumentation, date and place of recording, master and release numbers, and reissues in all formats. Because of its clear arrangements and indexes, it will be a unique and valuable tool for music and ethnic historians, folklorists, and others.
A superb new translation of one of the greatest nineteenth century poems: the libretto to Wagner's Ring cycle The scale and grandeur of Wagner's The Ring of the Nibelung has no precedent and no successor. It preoccupied Wagner for much of his adult life and revolutionized the nature of opera, the orchestra, the demands on singers and on the audience itself. The four operas-The Rhinegold, The Valkyrie, Siegfried and Twilight of the Gods - are complete worlds, conjuring up extraordinary mythological landscapes through sound as much as staging. Wagner wrote the entire libretto before embarking on the music. Discarding the grand choruses and bravura duets central to most operas, he used the largest musical forces in the context often of only a handful of singers on stage. The words were essential: he was telling a story and making an argument in a way that required absolute attention to what was said. The libretto for The Ring lies at the heart of nineteenth century culture. It is in itself a work of power and grandeur and it had an incalculable effect on European and specifically German culture. John Deathridge's superb new translation, with notes and a fascinating introduction, is essential for anyone who wishes to get to grips with one of the great musical experiences.
This unique volume contains, in parallel translation, a thousand of the most frequently performed Lieder, both piano-accompanied and orchestral. Composers are arranged alphabetically, with their songs appearing under poet in chronological order of composition - thus allowing the reader to engage in depth with a particular poet and at the same time to follow the composer's development. Richard Stokes, whose work in this field is already widely acclaimed, provides illuminating short essays on each of the fifty composers' approach to Lieder composition, as well as well as notes on all the poets who inspired the songs.The volume is notable for the accuracy and elegance of its translations, and for its fidelity to the German verse: every care has been taken to print the words of the sung text, while adhering to the versification and punctuation of the original poem.Beethoven, Schubert and Schumann, Goethe, Heine and Schiller are among the highlights of a book which illuminates one of the great musical traditions and will be an indispensable handbook for every music lover.
One of the best managers in the early years of professional baseball, Frank Selee (1859-1909) built two great teams. The Boston Beaneaters of the 1890s won five National League pennants during his tenure. The Chicago Cubs won four National League pennants and two World Series immediately after his period as manager--mostly with players he assembled. Selee's teams earned reputations for sportsmanship during an era known for dirty play, and Selee himself was known as a congenial man at a time when many managers and players had were considered loutish or combative. This biography tells the story of one of baseball's notable nice guys, who honed his craft to succeed in a ruthlessly competitive business.
The Complete Songs of Hugo Wolf gathers together for the first time every poem Wolf set to music. Alongside the original German texts are translations by leading Lieder expert Richard Stokes, who also provides illuminating commentary. The 36 poets set by Wolf are each given their own chapter: a brief essay on the poet is followed by a note on Wolf's connection with the writer, extracts from letters that throw light on the Songs and convey his mood at the time of composition, and the texts and translations. Short biographies of all Wolf's correspondents flesh out the extraordinary life of this genius. This will be an indispensable volume for all lovers of Lieder.
A reflection on the past and present of city life, and a bold proposal for its future “Constantly stimulating ideas from a veteran of urban thinking.”—Jonathan Meades, The Guardian In this sweeping work, the preeminent sociologist Richard Sennett traces the anguished relation between how cities are built and how people live in them, from ancient Athens to twenty-first-century Shanghai. He shows how Paris, Barcelona, and New York City assumed their modern forms; rethinks the reputations of Jane Jacobs, Lewis Mumford, and others; and takes us on a tour of emblematic contemporary locations, from the backstreets of Medellín, Colombia, to Google headquarters in Manhattan. Through it all, Sennett laments that the “closed city”—segregated, regimented, and controlled—has spread from the Global North to the exploding urban centers of the Global South. He argues instead for a flexible and dynamic “open city,” one that provides a better quality of life, that can adapt to climate change and challenge economic stagnation and racial separation. With arguments that speak directly to our moment—a time when more humans live in urban spaces than ever before—Sennett forms a bold and original vision for the future of cities.
Things like this are written only for people who have good powers of endurance (so really for nobody!)', wrote Wagner about Die Walkuere. Yet, as Geoffrey Skelton points out, the opera has enjoyed a separate popularity and existence from the Ring Cycle. George Gillespie shows just how the string of mythical events was converted into a drama remarkable for its concentrated excitement and fine construction. Barry Millington introduces the web of motifs in the complex score. The English version, with Elizabeth Forbes's translation of the verses that Wagner did not eventually set to music but retained as footnotes to his published version, is by acclaimed translator Andrew Porter.Contents: A Conflict of Power and Love, Geoffrey Skelton; Chronology of the Composition of 'The Valkyrie'; An Introduction to the Music of 'The Valkyrie', Barry Millington; New Myths for Old, George Gillespie; Translating 'The Ring', Andrew Porter; Die Walkuere: Poem by Richard Wagner; The Valkyrie: English translation by Andrew Porter
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