Richard Mabey is the author of numerous books on Britain's ecology, including the best-selling Flora Britannica and the Whitbread Prize-winning Gilbert White (Virginia).
Selected Writings includes the bext of Richard Mabey's important and wide-ranging journalism, from nature diaries to writings on travel and environmental art, to full-blown investigations of forestry, farmi ng and developmental scandals. We meet flamingos in the Camargue flamenco singers in Extremaduran cork-oak forest; the sculptor David Nash's 'Wooden Boulder' and the biologist James Lovelock's theory of Gaia; the grim environmental imagery of the Gulf War and the inspiration of the recovery of our woodland from the devastation of the great storms of 1987 and 1990: an archetypal village in Middle England, and the teeming cosmopolitan wildlife of London's East End. Through the many disparate pieces run the common threads of creativity and autonomy of nature, the importance of the sense of locality, and our thraldom to the seasons. And as the national debate about the future of the coutnryside moves ever more centre stage, so the themes which have been explored in Mabey's writings take on a new relevance.
In his trademark style, Richard Mabey weaves together science, art and memoirs (including his own) to show the weather's impact on our culture and national psyche. He rambles through the myths of Golden Summers and our persistent state of denial about the winter; the Impressionists' love affair with London smog, seasonal affective disorder (SAD - do we all get it?) and the mysteries of storm migraines; herrings falling like hail in Norfolk and Saharan dust reddening south-coast cars; moonbows, dog-suns, fog-mirages and Constable's clouds; the fact that English has more words for rain than Inuit has for snow; the curious eccentricity of country clothing and the mathematical behaviour of umbrella sales. We should never apologise for our obsession with the weather. It is one of the most profound influences on the way we live, and something we all experience in common. No wonder it's the natural subject for a greeting between total strangers: 'Turned out nice again.
In The Cabaret of Plants, Mabey explores the plant species which have challenged our imaginations, awoken our wonder, and upturned our ideas about history, science, beauty and belief. Picked from every walk of life, they encompass crops, weeds, medicines, religious gathering-places and a water lily named after a queen. Beginning with pagan cults and creation myths, the cultural significance of plants has burst upwards, sprouting into forms as diverse as the panacea (the cure-all plant ginseng, a single root of which can cost up to $10,000), Newton's apple, the African 'vegetable elephant' or boabab - and the mystical, night-flowering Amazonian cactus, the moonflower. Ranging widely across science, art and cultural history, poetry and personal experience, Mabey puts plants centre stage, and reveals a true botanical cabaret, a world of tricksters, shape-shifters and inspired problem-solvers, as well as an enthralled audience of romantics, eccentric amateur scientists and transgressive artists. The Cabaret of Plants celebrates the idea that plants are not simply 'the furniture of the planet', but vital, inventive, individual beings worthy of respect - and that to understand this may be the best way of preserving life together on Earth.
Highly entertaining…Mabey gets us to look at life from the plants’ point of view." —Constance Casey, New York Times The Cabaret of Plants is a masterful, globe-trotting exploration of the relationship between humans and the kingdom of plants by the renowned naturalist Richard Mabey. A rich, sweeping, and wonderfully readable work of botanical history, The Cabaret of Plants explores dozens of plant species that for millennia have challenged our imaginations, awoken our wonder, and upturned our ideas about history, science, beauty, and belief. Going back to the beginnings of human history, Mabey shows how flowers, trees, and plants have been central to human experience not just as sources of food and medicine but as objects of worship, actors in creation myths, and symbols of war and peace, life and death. Writing in a celebrated style that the Economist calls “delightful and casually learned,” Mabey takes readers from the Himalayas to Madagascar to the Amazon to our own backyards. He ranges through the work of writers, artists, and scientists such as da Vinci, Keats, Darwin, and van Gogh and across nearly 40,000 years of human history: Ice Age images of plant life in ancient cave art and the earliest representations of the Garden of Eden; Newton’s apple and gravity, Priestley’s sprig of mint and photosynthesis, and Wordsworth’s daffodils; the history of cultivated plants such as maize, ginseng, and cotton; and the ways the sturdy oak became the symbol of British nationhood and the giant sequoia came to epitomize the spirit of America. Complemented by dozens of full-color illustrations, The Cabaret of Plants is the magnum opus of a great naturalist and an extraordinary exploration of the deeply interwined history of humans and the natural world.
From ash die-back to the Great Storm of 1987 to Dutch elm disease, our much-loved woodlands seem to be under constant threat from a procession of natural challenges. Just when we need trees most, to help combat global warming and to provide places of retreat for us and our wildlife, they seem at greatest peril. But these dangers force us to reconsider the narrative we construct about trees and the roles we press on them. In this now classic book, Richard Mabey looks at how, for more than a thousand years, we have appropriated and humanised trees, turning them into arboreal pets, status symbols, expressions of fashionable beauty - anything rather than allow them lives of their own. And in the poetic and provocative style he has made his signature, Mabey argues that respecting trees' independence and ancient powers of survival may be the wisest response to their current crises. Originally published with the title Beechcombings, this updated edition includes a new foreword and afterword by the author.
Described as 'Britain's greatest living nature writer', Richard Mabey has revealed his passion for the natural world in eloquent stories for BBC Wildlife Magazine. This volume features his favourite pieces and presents a fascinating and inspiring view of the changing natural landscape in which we live. Peppered throughout with references to the heritage of nature writing, and great writers from Richard Jefferies and John Clare to Roger Deakin and Robert MacFarlane, A Brush With Nature is part memoir, part nature journal, part social history, giving us a unique insight into a nature lover's reflections over a quarter of a century.
Absolutely enchanting' ISABELLA TREE We regard gardens as our personal dominions, where we can create whatever worlds we desire. But they are also occupied by myriads of other organisms, all with their own lives to lead. The conflict between these two power bases, Richard Mabey suggests, is a microcosm of what is happening in the larger world. In this provocative book, rooted in the daily dramas of his own Norfolk garden, Mabey offers a different scenario, where nature becomes an equal partner, a 'gardener' itself. Against a background of disordered seasons he watches his 'accidental' garden reorganising itself. Ants sow cowslip seeds in the parched grass. Moorhens take to nesting in trees. A spectacular self-seeded rose springs up in the gravel. The garden becomes a place of cultural and ecological fusion, and perhaps a metaphor for the troubled planet. This is vintage Mabey, maverick, intensely observed, and written with an unquenchable sense of wonder.
An outstanding natural history writer. . . SELECTED WRITINGS is a treasure, even for his admirers who have been reading him for years. . Honest, perceptive, informed and humble before the history nature represents, Mabey is a gentle wonder, and so is his book. Eileen Battersby, IRISH TIMES. Richard Mabey is one of our most gifted and evocative writers on nature and the environment. This single - volume collection of the best of his writings shows the range and quality of his thinking over a quarter of a century. It includes nature diaries, writings on travel and environmental art, and full-blown investigations of forestry, farming and development scandals. Here, too, are personal meditations, on the nature of landscape, the mythology of woodlands and the appeal of wilderness.
“[A] witty and beguiling meditation on weeds and their wily ways….You will never look at a weed, or flourish a garden fork, in the same way again.” —Richard Holmes, author of The Age of Wonder “In this fascinating, richly detailed book, Richard Mabey gives weeds their full due.” —Carl Zimmer, author of Evolution Richard Mabey, Great Britain’s Britain’s “greatest living nature writer” (London Times), has written a stirring and passionate defense of nature’s most unloved plants. Weeds is a fascinating, eye-opening, and vastly entertaining appreciation of the natural world’s unappreciated wildflowers that will appeal to fans of David Attenborough, Robert Sullivan’s Rats, Amy Stewart’s Wicked Plants, and to armchair gardeners, horticulturists, green-thumbs, all those who stop to smell the flowers.
This fully updated special edition of the classic complete guide to the edible species that grow around us includes a new foreword from the author and a plate section with identification guides for all major species.
The definitive collection of Richard Mabey's column written especially for BBC Wildlife Magazine over 25 years. Offering Richard's emotive observations on the wildlife and landscape that surrounded him during his childhood in the Chilterns and his eventual home in Norfolk, these pieces are also clarion calls about the issues that concern him, from conservation to climate change, as well as love letters to the birds and animals that surround him.
Described as 'Britain's greatest living nature writer', Richard Mabey has revealed his passion for the natural world in eloquent stories for BBC Wildlife Magazine. This volume features his favourite pieces and presents a fascinating and inspiring view of the changing natural landscape in which we live. Peppered throughout with references to the heritage of nature writing, and great writers from Richard Jefferies and John Clare to Roger Deakin and Robert MacFarlane, A Brush With Nature is part memoir, part nature journal, part social history, giving us a unique insight into a nature lover's reflections over a quarter of a century.
In this remarkable journal of visits to Eden, Mabey transports his reader from Cornwall to the Mediterranean to the Tropics, from Old World to New, from present to personal memory, to new perspectives on our collective artistic and emotional past. Sensuous and evocative, exquisitely written, his new book challenges the reader to look differently at the world, and our place in the landscape. At the same time, Mabey is controversial in his views about what we mean by buzz words like 'renewable', or 'sustainable', and he is highly provocative in his final response to the Eden Project itself.
Weeds survive, entombed in the soil, for centuries. They are as persistent and pervasive as myths. They ride out ice ages, agricultural revolutions, global wars. They mark the tracks of human movements across continents as indelibly as languages. Yet to humans they are the scourge of our gardens, saboteurs of our best-laid plans. They rob crops of nourishment, ruin the exquisite visions of garden designers, and make unpleasant and impenetrable hiding places for urban ne'er-do-wells. Weeds can be destructive and troubling, but they can also be beautiful, and they are the prototypes of most of the plants that keep us alive. Humans have grappled with their paradox for thousands of years, and with characteristic verve and lyricism, Richard Mabey uncovers some of the deeper cultural reasons behind the attitudes we have to such a huge section of the plant world.
When the pioneering naturalist Gilbert White (1720-93) wrote The Natural History of Selborne (1789), he created one of the greatest and most influential natural history works of all time, his detailed observations about birds and animals providing the cornerstones of modern ecology. In this award-winning biography, Richard Mabey tells the wonderful story of the clergyman - England's first ecologist - whose inspirational naturalist's handbook has become an English classic.
This illustrated book is a celebration of the wild flowers of Britain and the part they have played in British culture for 8000 years. The author investigates the history, legends and distribution of some of Britain's best-known flowers.
The most complete, most authoritative, most lavishly illustrated compendium of herbs available today. Offers a comprehensive, illustrated glossary of over 200 herbs and is supplemented with chapters on healing, body care, nutrition, and gardening.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.