The three plays collected in this volume demonstrate Sheridan's unerring ability to create unrivalled comedy out of ingenious plots, witty repartee, farcical situations and flamboyant characters. And while he never overtly moralizes, Sheridan uses brilliant comedy to deflate hypocrisy and satirize the manners of his age. In The Rivals, Captain Absolute becomes his own rival for the hand of Lydia Languish - wooing her under another name, while her aunt, the verbally inept Mrs Malaprop, wishes her to marry the real Captain. School for Scandal continues the theme of imposture when Sir Oliver tests his nephews by appearing to them in disguise, and learns that reputation and the approval of society are of little value. And The Critic, featuring the pompous Puff and the arrogant Sneer, is a mocking depiction of the theatre, playwrights and, of course, critics.
Offers five plays that feature witty banter, farcical situations, and flamboyant characters, including "The School for Scandal," in which the rumor mill goes into overdrive after a man marries a woman who may be involved in an extramarital affair.
The bulk of Peculiar People tells the fictionalized story of the only married couple mentioned prominently in the New Testament, using real biblical and historical events as a dramatic backdrop for both ordinary and miraculous events in their lives". Unedited from book cover.
Immensely popular comedy of manners featuring such memorable characters as the lovely Lydia Languish, her suitor, Capt. Jack Absolute; and Lydia's aunt — Mrs. Malaprop, cleverly revolves around false identities, romantic entanglements, and parental disapproval.
The world often misunderstands its greatest men while neglecting others entirely. Scipio Africanus, surely the greatest general that Rome produced, suffered both these fates. Today scholars celebrate the importance of Hannibal, even though Scipio defeated the legendary general in the Second Punic War and was the central military figure of his time. In this scholarly and heretofore unmatched military biography of the distinguished Roman soldier, Richard A. Gabriel establishes Scipio's rightful place in military history as the greater of the two generals. Before Scipio, few Romans would have dreamed of empire, and Scipio himself would have regarded such an ambition as a danger to his beloved republic. And yet, paradoxically, Scipio's victories in Spain and Africa enabled Rome to consolidate its hold over Italy and become the dominant power in the western Mediterranean, virtually ensuring a later confrontation with the Greco-Macedonian kingdoms to the east as well as the empire's expansion into North Africa and the Levant. The Roman imperium was being born, and it was Scipio who had sired it. Gabriel draws upon ancient texts, including those from Livy, Polybius, Diodorus, Silius Italicus, and others, as primary sources and examines all additional material available to the modern scholar in French, German, English, and Italian. His book offers a complete bibliography of all extant sources regarding Scipio's life. The result is a rich, detailed, and contextual treatment of the life and career of Scipio Africanus, one of Rome's greatest generals, if not the greatest of them all.
The Rivals and Polly Honeycombe revolve around young women who wish the world would conform to novelistic convention. Unlike most eighteenth-century heroines keen on novel reading, however, Lydia Languish and Polly Honeycombe are neither deluded nor in any real danger. Rather, they inhabit a world in which everyone is engaged in some sort of quixotic performance; the more appealing characters are just willing to admit it. Both farcical and wise, these plays teasingly celebrate the perennial appeal of fiction, while never letting us forget how much it relies upon the everyday rituals of performance. The introduction to this Broadview edition explores the interrelations between print and performance in the eighteenth century, including a detailed and well-illustrated account of what it was like to go to the theater. Appendices include material on the original casts, the often dubious reputation of novel reading and circulating libraries, Sheridan’s high-profile elopement with Elizabeth Linley (which made him a celebrity before he ever staged a word), and the narrative possibilities conjured up by setting The Rivals in the resort city of Bath.
Jesus films arose with cinema itself. Richard Walsh and Jeffrey L. Staley introduce students to these films with a general overview of the Jesus film tradition and with specific analyses of 22 of its most influential exemplars, stretching from La vie du Christ (1906) to Mary Magdalene (2018). The introduction to each film includes discussion of plot, characters, visuals, appeal to authority, and cultural location as well as consideration of the director's (and/or other filmmakers') achievements and style. Several film chapters end with reflections on problematic issues bedeviling the tradition, such as cultural imperialism and patriarchy. To assist teachers and researchers, each chapter includes a listing of DVD chapters and the approximate “time” (for both DVDs and streaming platforms) at which key film moments occur. The book also includes a Gospels Harmony cataloging the time at which key gospel incidents appear in these films. Extensive endnotes point readers to other important work on the tradition and specific films. While the authors strive to set the Jesus film tradition within cinema and its interpretation, the DVD/streaming listing and the Gospels Harmony facilitate the comparison of these films to gospel interpretation and the Jesus tradition.
Prominent Hellenistic moralists from ca. the first century CE warn that all emotions carry temptation(s) to sin or error. To be guilty of emotional sin is to allow psychosomatic feelings (or rising emotion) free reign to trump godly (rational) guidance of behavioral pursuits. Thus, morally minded Hellenists widely view unemotional behavior as a sign of moral progress. Emotive language peppers the Markan narrative, inviting moral assessments, yet scholarship has seldom delved into a historical-literary analysis of Jesus's emotional characterization. This study proposes a working definition of emotion apropos the narratival nature of Hellenistic emotion theory. It finds that Jesus consistently vanquishes emotional temptations with “battle” techniques similar to those championed by the moralists. Mark characterizes Jesus in the moral tradition of the anti-emotional exemplar, and several minor characters are liberated from destructive emotions through the mercy of Jesus's godly rationale. By recognizing the Markan Jesus as a model, this study outlines a method for persevering in emotional testing that modern readers might also emulate to resist temptation with divine help.
Marcus Aemilius Lepidus was a significant force in Roman political, religious and military affairs during the late Republic. However, in most accounts he is dismissed quickly, made sport of, or bitterly attacked. Through a careful examination of Lepidus's career, Richard Weigel has shown why many of the sources are hostile and how these have created an inaccurate assessment of Lepidus's role in history. Weigel shows that Lepidus was a competent administrator and that he was consistent in serving the Republic's needs as he understood them.
A Harvard professor, an evangelical preacher, a self-described Rabbi, a German dominatrix, and the proprietor of a Scottish donkey refuge walk into bar... The End Times dominate their discussion. Agreeing that Christianity, Judaism, and Islam are all true religions, and recognizing that each faith prophesies a Messiah riding on a donkey, they debate two scenarios: The three-donkey solutionone donkey per Savior with the three racing to see who can get to Jerusalem fi rst. Or the one-donkey solutionthe true Messiah being the one whose devotees can corral the immortal messianic donkey that has previously borne Abraham, Moses, Jesus, and Muhammad. Eight years elapse. The donkey genome is decoded. American evangelicals and Irans messianic President Ahmadinejad deploy secret agents to lay hands on the sacred donkey as identifi ed by its DNA. The reader follows Toots, the feisty daughter of the refuge owner, and her boyfriend Fritz, a student of the dominatrix, as they seek to escape from these nefarious groups. Israeli intelligence and a sweet and devout CIA agent come to realize that the DNA search can be circumvented by getting hold of Fritz, who has actually encountered, and conversed with, the one true messianic donkey: Yafur. And then there is Yafurs evil brother Ufair.
Private associations organized around a common cult, profession, ethnic identity, neighbourhood or family were common throughout the Greco-Roman antiquity, offering opportunities for sociability, cultic activities, mutual support and a context in which to display and recognize virtuous achievement. This volume collects a representative selection of inscriptions from associations in Attica, Central Greece, Macedonia, Thrace, published with English translations, brief explanatory notes, commentaries and full indices. This volume is essential for several areas of study: ancient patterns of social organization; the organization of diasporic communities in the ancient Mediterranean; models for the structure of early Christian groups; and forms of sociability, status-displays, and the vocabularies of virtue.
More than any other book, the Bible offers an amazing collection of fascinating characters ranging from the holiest of the holy to some of the most depraved scoundrels imaginable. Many are mentioned only in passing, yet history and archaeology can often fill in the blanks and flesh them out as exciting human beings. For this reason we have in many cases been able to tell much more about them than the Bible alone reveals." -- Richard R. Losch (from the preface)A comprehensive gathering of persons found in the Bible, including the Apocrypha, All the People in the Bible really delivers on its title: literally all of the Bible's characters appear in this fascinating reference work. From the first article on Aaron to the final entry on Zophar, Richard Losch details each person in a lively narrative style.The bulk of the book consists of Losch's A-Z articles covering the familiar and the not-so-familiar figures in Scripture. Names of people who are found only in genealogies or who had no significant effect on history are included solely in the alphabetical listing starting on page 452. That listing, "All the People in the Bible and Apocrypha," includes pronunciations, brief identifications, and biblical references. Persons covered in greater detail in the main part of the book are identified in bold print.Losch's intriguing look at all the people in the Bible is anything but a dry reference work. This is a book to dip into and enjoy over and over.
Movies about the life of Jesus continue to be a fascinating way to consider how the Gospels present an image and a narrative of Jesus. In Jesus, the Gospels, and Cinematic Imagination, Jeffrey Staley and Richard Walsh use their biblical knowledge and admiration for films to summarize eighteen popular Jesus movies and to show exactly where each movie parallels the Gospel accounts of Jesus's life. The authors provide teachers and students easy access to both Gospel and film parallels, enhancing the value of these select films as teaching tools and useful resources for pastors, those leading discussions of films, and libraries.
On March 15th, 44 BC a group of senators stabbed Julius Caesar, the dictator of Rome. By his death, they hoped to restore Rome's Republic. Instead, they unleashed a revolution. By December of that year, Rome was plunged into a violent civil war. Three men--Mark Antony, Lepidus, and Octavian--emerged as leaders of a revolutionary regime, which crushed all opposition. In time, Lepidus was removed, Antony and Cleopatra were dispatched, and Octavian stood alone as sole ruler of Rome. He became Augustus, Rome's first emperor, and by the time of his death in AD 14 the 500-year-old republic was but a distant memory and the birth of one of history's greatest empires was complete. Rome's Revolution provides a riveting narrative of this tumultuous period of change. Historian Richard Alston digs beneath the high politics of Cicero, Caesar, Antony, and Octavian to reveal the experience of the common Roman citizen and soldier. He portrays the revolution as the crisis of a brutally competitive society, both among the citizenry and among the ruling class whose legitimacy was under threat. Throughout, he sheds new light on the motivations that drove men to march on their capital city and slaughter their compatriots. He also shows the reasons behind and the immediate legacy of the awe inspiringly successful and ruthless reign of Emperor Augustus. An enthralling story of ancient warfare, social upheaval, and personal betrayal, Rome's Revolution offers an authoritative new account of an epoch which still haunts us today.
This novel is a testament and tribute to the existence of the Holy Grail and its passage through time. It is a tale of historical fiction that will capture your mind and hold you till the last page. Harmony of Spheres is a devastatingly powerful book that details the forces of good and evil that has ripped apart the fabric of mankind down through the ages. The central theme of the story is a sea voyage Jesus takes as a teenager traveling from his home to the tin mines of England. The young Jesus encounters an ambiguous world of deceit, illusion, treachery and loneliness. Yet, he is also with men and women who are sympathetic, descent and courageous who help him develop as the man he would become. The last chapters of the story take place in modern rural Vermont where the Holy Grail is about to fall into Satan's possession. The reader will be mesmerized and fascinated by the mysterious shadows evil can cast over humanity. The complex ending of the scheme unfolds in its breathless final. The storyline is ingeniously plotted and compellingly displayed before the reader.
Badly treated by his father, Leonardo spends the evening hiding away only to find his entire family brutally murdered the next morning. That night, he'd had a dream about monsters, but it had only been a dream, right? Perhaps not, as his family is now dead, and Leonardo is thrust into work as a slave, living a life of solitude as he plots revenge. Unbeknownst to young Leonardo, a dark and mysterious entity has been watching him carefully, waiting for the opportune moment to take him away from his life of abuse and mistreatment. Boris is a reckless, seductive vampire who sees great promise in Leonardo, so one night in the woods, he takes his life-but gives him another. Boris teaches him the immortal ways through the Vampyr Law. However, as a newborn vampire, Leonardo fights a battle between his mortal past and immortal future. He must choose to embrace the darkness or fight against those who came before, while still seeking vengeance for his family's massacre and even becoming a killer himself.
Apuleius of Madauros, writing in the latter half of the second century CE in Roman North Africa, is best known to us today for his Latin fiction, the Metamorphoses aka The Golden Ass, about a man who turned into a donkey and back again. However, he was also a Platonic philosopher, who, even though many of his writings are lost, wrote a range of rhetorical and philosophical works which survive to this day. This book examines these works to reveal how Apuleius' Platonism is a result of his 'impersonation of philosophy', that is, a rhetorically powerful methodological tool that allows him to 'speak' on behalf of Plato and his philosophy. This book is the first exploration of the full scope of his idiosyncratic brand of Platonism across his multifarious literary corpus and is a major contribution to the study of the dynamic between literature and philosophy in antiquity and beyond.
Lucius is a young Centurion in the time of Hadrian, serving at Trimontium, modern-day Melrose in southern Scotland. Trista is a Roman patrician girl, living in Gaul. She is orphaned and becomes a vagrant when her parents are killed by traitors plotting to overthrow the emperor. Following the death of his wife, Lucius becomes an imperial agent, operating beyond the borders of the Empire as a trader, seeking signs of invasion. He meets Trista who is under threat of assassination. The story follows their flight across Gaul, pursued by evil forces, to the German forests in a race to avert invasion and the death of the emperor. ,
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