In this study, Richard Alexander presents a series of original and empirically based case studies of the language and discourse involved in the discussion of environmental and ecological issues. Relying upon a variety of different text types and genres – including company websites, advertisements, press articles, speeches and lectures – Alexander interrogates how in the media, press, corporate and activist circles language is employed to argue for and propagate selected positions on the growing ecological crisis. For example, he asks: How are ecological and environmental concerns articulated in texts? What do we learn about ecological ‘problems’ through texts from differing sources? What language features accompany ecological discourse in differing contexts and registers? Attention is especially directed at where this discourse comes into contact with business, economic and political concerns.
This book tells the fascinating story of William John MacKay, a man who dominated policing in New South Wales for three decades, until his death in 1948. MacKay was fearless, brilliant and ruthless. He was responsible for beating-up striking unionists, but he also smashed the semi-fascist New Guard when it was a threat to democracy. He reformed and modernized the New South Wales Police Force, and he framed innocent men for capital crimes. He cracked down on organized crime and corruption, and he was himself corrupt. Dogged by scandal, he was the subject of no fewer than seven royal commissions. The story of W.J. MacKay is also the story of policing in Australia, from the 1920s through to the corruption-riddled period after the Second World War. This gripping history explores the messy complexities of police power and sheds new light on a fascinating period in Australian police history
The book looks at the history and contemporary position of Cargill Inc. and relates how it has become the largest transnational agri-commodity trader in the world over the years. It surveys some of the agricultural-food products Cargill trades in, including soya, cocoa, palm oil, meat and dairy products. In particular the book analytically examines, whether the company engages in environmentally or ecologically good practice. The discussion of Cargill's producing and trading food globally is framed within a set of ecocritical principles. The book focuses on what Cargill says they do and it investigates the manner in which they say they are doing things. It discusses how the company, Cargill, is keen to present itself as a sustainable corporation. The story it presents to the world maintains that it protects animal welfare, the environment and people, among other things, in all its operations. The language it employs on its corporate websites is subjected to close analysis. The book describes how from an ecological and economic perspective Cargill has enveloped the global food production system with its network of offices and facilities. Along the way, its various activities are held to have contributed immensely to the ecological and environmental degradation of the physical world. Industrial agriculture and the food industry are seen by some observers almost as big a driver of climate change as fossil fuels.
Magical', 'out of this world', 'an experience you'll never forget': Peter Weir's films have enthralled audiences around the globe. Whether in iconic Australian works such as Picnic at Hanging Rock and Gallipoli or international mainstream thrillers such as Witness, Weir has deliberately created mystical movie experiences. Modern cinema studies is used to dissecting films on the basis of gender, class or race: now, for the first time, Richard Leonard shows that a mystical gaze also exists and is exercised in the secular multiplex temples of today. The Mystical Gaze of the Cinema is a meticulous and accessible book that uses a psychoanalytic approach incorporating the insights of Jung, film theory and theology to break new ground in what continues to be a hot topic in cinema studies: the spectator/screen relationship. Leonard provides a fresh and innovative perspective on what happens when we behold a film.
Portrays examples of injury prevention practices that have the potential to reduce the incidence of neurotauma injuries, and by providing a detailed methodology that is effective in identifying innovative best practices.
How did the big banks get away with so much for so long? Why are so many aged-care residents malnourished? And when did arms manufacturers start sponsoring the Australian War Memorial? In this passionate essay, Richard Denniss explores what neoliberalism has done to Australian society. For decades, we have been led to believe that the private sector does everything better, that governments can’t afford to provide the high-quality services they once did, but that security and prosperity for all are just around the corner. In fact, Australians are now less equal, millions of workers have no sick leave or paid holidays, and housing is unaffordable for many. Deregulation, privatisation and trickle-down economics have, we are told, delivered us twenty-seven years of growth ... but to what end? In Dead Right, Denniss looks at ways to renew our democracy and discusses everything from the fragmenting Coalition to an idea of the national interest that goes beyond economics. ‘Neoliberalism, the catch-all term for all things small government, has been the ideal cloak behind which to conceal enormous shifts in Australia’s wealth and culture ... Over the past thirty years, the language, ideas and policies of neoliberalism have transformed our economy and, more importantly, our culture’ —Richard Denniss, Dead Right
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