In the summer of 1961, Lichtenstein embarked on a series of iconic images of women, taken directly from newspaper clippings and the romance comic books prevalent in post-war America. The anonymity of mass-produced, cheap comics helped him capture specific impressions of real life, while maintaining the necessary degree of aesthetic distance afforded by what he understood to be the "high restrictive quality of art". The "Girl" paintings, together with the war images (or "Boy" paintings), established him as the major protagonist of the American Pop Art movement. His amalgamation of text and image, high and low culture, and his strategy to involve appropriated images continues to be a rich source of inspiration for subsequent generations of artists, from Richard Prince, Jeff Koons, and Raymond Pettibon to John Currin and Elizabeth Peyton. A conversation between Jeff Koons and Dorothy Lichtenstein opens the catalogue. The publication also brings together and exceptional collection of over 130 images of paintings, drawings, sources, and documentary photographs. Included in these images are 22 full-colored plates of the "Girl" paintings, 18 of which are featured in the exhibition. The catalogue closes with a select chronology of Roy Lichtenstein's life, pinpointing important exhibitions and occasions. An artist's book response to the "Girl" paintings created by Richard Prince is also included as an insert.
This book complements the volume R. Buckminster Fuller, Your Private Sky: Design Art Science and gives an authentic insight into the development of Fuller's architectonic, technical and anthropological concepts. This poet of technology was a poet as engineer, a thinker as designer, an artist as researcher who left an immense testament of writings - including texts of visionary importance, great consistency, penetrating linguistic force and not least of urgent topicality. The book documents various aspects of his widely ramified publications. Fuller spoke to the whole world, indeed to Spaceship Earth, the metaphor that he coined in 1950. He did this as one of the greatest and incomparably original individuals of our time in a genuinely American sense. Some of the texts are published here for the first time, such as his first programmatic manuscript Lightful Houses (1928), an informative lecture text on Dymaxion House (1929), his Letter to Einstein (1944) and the convolute Noah's ArkII (1951) as a commented facsimile. Photographs from Fuller's estate complement the texts.
A broad and deep anthology of critic and art historian Richard Shiff’s most influential writings, which have shaped our understanding of twentieth- and twenty-first-century art. In his engaging and often strikingly deep observations of major modern and contemporary visual art, Shiff has written about an impressive range of artists, including Willem de Kooning, Marlene Dumas, Jasper Johns, Donald Judd, Barnett Newman, Pablo Picasso, and Bridget Riley. A leading scholar and powerful voice, Shiff’s insight into some of the most prominent artistic practices spans generation, place, and approach as seen in this considered selection of essays on twenty-six artists. These writings first appeared in exhibition catalogues for retrospectives at galleries and institutions including the Centre Georges Pompidou, the Solomon R. Guggenheim Museum, The Museum of Modern Art, and Tate Modern. Shiff supplements his unquestionable fluency in art history with insights cultivated from his readings in philosophy, phenomenology, literary theory, and psychoanalysis, among other fields. Shiff’s writing—conceptually rich, meditative, and enjoyable to read—is attuned to the nuances of artistic style and technique, drawing out art’s social implications not merely from broad histories but also directly from artists’ mark making and technical gestures. Actively engaged as a viewer and a writer, Shiff has transformed the act of looking at art into contemplative and captivating writing. Includes essays on Georg Baselitz, Mark Bradford, Georges Braque, Jim Campbell, Chuck Close, Willem de Kooning, Peter Doig, Marlene Dumas, Dan Flavin, Suzan Frecon, Lucian Freud, Ellen Gallagher, Jasper Johns, Donald Judd, Ellsworth Kelly, Brice Marden, Julie Mehretu, Barnett Newman, Pablo Picasso, Bridget Riley, Richard Serra, Joel Shapiro, Richard Tuttle, Cy Twombly, Jack Whitten, and Zeng Fanzhi.
A total of 192 multi-item scales, each presented in a consistent format, on topics such as individual behaviour, consumer psychology, values and attitudes are provided in this 2nd edition. A comprehensive index is included.
From 1810 to 1811, the English stonemason and amateur naturalist George Perry published a lavishly illustrated magazine on natural history. The Arcana or Museum of Nature ran to 22 monthly parts, with 84 extraordinary hand-colored plates and over 300 text pages describing mammals, birds, reptiles, fish, mollusks, echinoderms, insects, trilobites and plants, alongside travelogues from far-off lands. It presented the first published illustration of the koala and many new genera and species, but astonishingly was then largely forgotten for nearly two hundred years. Perry’s work was deliberately ignored by his contemporaries in England, as he was a supporter of Lamarck rather than of Linnaeus, and the Arcana’s rarity—only thirteen complete copies are known to have survived—has helped maintain its shroud of mystery. Now at last this neglected gem has been revived for scientists, students, and aficionados of natural history. New scholarship is combined with modern digital reproduction techniques to do full justice to the beautiful plates. An up-to-date account of all the species is given, along with a full collation and extensive notes, by the eminent natural historian Richard E. Petit. The Arcana is technically interesting too, as its glowing plates were printed with variously colored inks to suppress their outlines. Its appeal will extend not only to academic libraries and scholars specializing in various branches of natural history and the history of science, but also to collectors of beautiful natural history books and enthusiasts of Regency Britain.
The personal computer has revolutionized communication, and digitized text has introduced a radically new medium of expression. Interactive, volatile, mixing word and image, the electronic word challenges our assumptions about the shape of culture itself. This highly acclaimed collection of Richard Lanham's witty, provocative, and engaging essays surveys the effects of electronic text on the arts and letters. Lanham explores how electronic text fulfills the expressive agenda of twentieth-century visual art and music, revolutionizes the curriculum, democratizes the instruments of art, and poses anew the cultural accountability of humanism itself. Persuading us with uncommon grace and power that the move from book to screen gives cause for optimism, not despair, Lanham proclaims that "electronic expression has come not to destroy the Western arts but to fulfill them." The Electronic Word is also available as a Chicago Expanded Book for your Macintosh®. This hypertext edition allows readers to move freely through the text, marking "pages," annotating passages, searching words and phrases, and immediately accessing annotations, which have been enhanced for this edition. In a special prefatory essay, Lanham introduces the features of this electronic edition and gives a vividly applied critique of this dynamic new edition.
The ultimate field guide to the birds of the Middle East, an indispensable companion for any traveller to the region The Middle East – the region stretching from Cyprus and the Levant to Iran, including Turkey and the Arabian Peninsula, plus Socotra – has a wonderfully broad and diverse avifauna, featuring a host of wintering and passage migrants, enigmatic breeders, and even a few endemics that occur nowhere else. This authoritative book covers more than 895 species recorded in the Middle East, including details of all regular visitors and breeding species, from the Purple Sunbird to the Northern Bald Ibis. Featuring 180 stunning colour plates by three of the world's leading bird illustrators, this practical guide also includes concise species accounts describing key identification features, status, range, habitat and voice with fully updated distribution maps for each species. Written by three of the leading lights in regional ornithology and conservation, this fully revised and expanded guide is an essential reference for any birder living in or visiting the Middle East.
If economics is about the allocation of resources, then what is the most precious resource in our new information economy? Certainly not information, for we are drowning in it. No, what we are short of is the attention to make sense of that information. With all the verve and erudition that have established his earlier books as classics, Richard A. Lanham here traces our epochal move from an economy of things and objects to an economy of attention. According to Lanham, the central commodity in our new age of information is not stuff but style, for style is what competes for our attention amidst the din and deluge of new media. In such a world, intellectual property will become more central to the economy than real property, while the arts and letters will grow to be more crucial than engineering, the physical sciences, and indeed economics as conventionally practiced. For Lanham, the arts and letters are the disciplines that study how human attention is allocated and how cultural capital is created and traded. In an economy of attention, style and substance change places. The new attention economy, therefore, will anoint a new set of moguls in the business world—not the CEOs or fund managers of yesteryear, but new masters of attention with a grounding in the humanities and liberal arts. Lanham’s The Electronic Word was one of the earliest and most influential books on new electronic culture. The Economics of Attention builds on the best insights of that seminal book to map the new frontier that information technologies have created.
For this American edition of his legendary arts dictionary of information and opinion, the distinguished critic and arts historian Richard Kostelanetz has selected from the fuller third edition his entries on North Americans, including Canadians, Mexicans, and resident immigrants. Typically, he provides intelligence unavailable anywhere else, no less in print than online, about a wealth of subjects and individuals. Focused upon what is truly innovative and excellent, Kostelanetz also ranges widely with insight and surprise, including appreciations of artistic athletes such as Muhammad Ali and the Harlem Globetrotters, and such collective creations as Las Vegas and his native New York City. Continuing the traditions of cheeky high-style Dictionarysts, honoring Ambrose Bierce and Nicolas Slonimsky (both with individual entries), Kostelanetz offers a "reference book" to be treasured not only in bits and chunks, but continuously as one of the ten books someone would take if they planned to be stranded on a desert isle.
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