Few spaces remain as central to American consciousness as the western frontier. The vast territory, which for generations fueled the desires and conquests of artists, philosophers, and politicians alike, now offers new discoveries in Richard Lehan's Quest West. Through an intellectual and cultural history of the frontier experience, Lehan details the transformations of ideas and literary forms that occurred as the country expanded to the west and demonstrates how the wilderness, and then by turn the urban frontier, represent an ideological summary of the nation itself. His study involves the foundations of belief and the realms of evolving interpretations, from mythic destiny to the more regional address of historicism. In both instances, the desire is to find meaning in the lost past. By tracing the evolution of Frederick Jackson Turner's famous thesis -- that the unchartered frontier ended in 1890 and was replaced with an equally precarious urban landscape -- Lehan argues that the two spaces became the basis for a division still evident in America today. Historically, the wilderness accommodated conservative thinking, while urban environments proved more conducive to liberal values. Ideologies stemming from the two regions, as Lehan shows, found literary equivalents in fictional narratives ranging from subgenres like the Western and naturalism to modern forms like neorealism and noir, extending even into the postmodern. Lehan offers a view of the West as a cultural phenomenon borne of ideological changes, encompassing historical and literary movements -- from Puritan perspectives to the revisionist claims of Mark Twain and Walt Whitman, from homesteading to imperial ambition. Quest West traces these competing ideas as they appear in the works of major American writers such as James Fenimore Cooper, Walt Whitman, Willa Cather, William Faulkner, F. Scott Fitzgerald, John Dos Passos, Nathanael West, and John Steinbeck. An important work of literary and historical scholarship, Quest West presents compelling evidence that the meaning of America remains inseparable from the march of seminal ideas westward.
[Lehan] has further widened his scope (and deepened his insights) with a sweeping study of modernism and postmodernism.... [Literary Modernism] provides an indispensable overview of literary creation and criticism over the past one-hundred-plus years. It is an engrossing read as well as a useful research tool, its index directing the reader to enlightening looks at particular writers and concepts in the context of their time and its tendencies." -- Studies in American Naturalism In Literary Modernism and Beyond, Richard Lehan tracks the evolution of modernism from its emergence in the late nineteenth century to its recent incarnations. In his wide-ranging study, Lehan demonstrates how and why the "originary vision" of modernism changed radically after it gained prominence. With critical discussions on a variety of modernist writers, intellectuals, and artists and their works -- including Virginia Woolf, Gertrude Stein, T. S. Eliot, Wallace Stevens, Andr? Gide, Franz Kafka, Zora Neale Hurston, Ian Fleming, and J. K. Rowling -- Lehan examines the large-scale changes that came about as critical authority moved from one generation to another.
This sweeping literary encounter with the Western idea of the city moves from the early novel in England to the apocalyptic cityscapes of Thomas Pynchon. Along the way, Richard Lehan gathers a rich entourage that includes Daniel Defoe, Charles Dickens, Emile Zola, Bram Stoker, Rider Haggard, Joseph Conrad, James Joyce, Theodore Dreiser, F. Scott Fitzgerald, and Raymond Chandler. The European city is read against the decline of feudalism and the rise of empire and totalitarianism; the American city against the phenomenon of the wilderness, the frontier, and the rise of the megalopolis and the decentered, discontinuous city that followed. Throughout this book, Lehan pursues a dialectic of order and disorder, of cities seeking to impose their presence on the surrounding chaos. Rooted in Enlightenment yearnings for reason, his journey goes from east to west, from Europe to America. In the United States, the movement is also westward and terminates in Los Angeles, a kind of land's end of the imagination, in Lehan's words. He charts a narrative continuum full of constructs that "represent" a cycle of hope and despair, of historical optimism and pessimism. Lehan presents sharply etched portrayals of the correlation between rationalism and capitalism; of the rise of the city, the decline of the landed estate, and the formation of the gothic; and of the emergence of the city and the appearance of other genres such as detective narrative and fantasy literature. He also mines disciplines such as urban studies, architecture, economics, and philosophy, uncovering material that makes his study a lively read not only for those interested in literature, but for anyone intrigued by the meanings and mysteries of urban life.
Few spaces remain as central to American consciousness as the western frontier. The vast territory, which for generations fueled the desires and conquests of artists, philosophers, and politicians alike, now offers new discoveries in Richard Lehan's Quest West. Through an intellectual and cultural history of the frontier experience, Lehan details the transformations of ideas and literary forms that occurred as the country expanded to the west and demonstrates how the wilderness, and then by turn the urban frontier, represent an ideological summary of the nation itself. His study involves the foundations of belief and the realms of evolving interpretations, from mythic destiny to the more regional address of historicism. In both instances, the desire is to find meaning in the lost past. By tracing the evolution of Frederick Jackson Turner's famous thesis -- that the unchartered frontier ended in 1890 and was replaced with an equally precarious urban landscape -- Lehan argues that the two spaces became the basis for a division still evident in America today. Historically, the wilderness accommodated conservative thinking, while urban environments proved more conducive to liberal values. Ideologies stemming from the two regions, as Lehan shows, found literary equivalents in fictional narratives ranging from subgenres like the Western and naturalism to modern forms like neorealism and noir, extending even into the postmodern. Lehan offers a view of the West as a cultural phenomenon borne of ideological changes, encompassing historical and literary movements -- from Puritan perspectives to the revisionist claims of Mark Twain and Walt Whitman, from homesteading to imperial ambition. Quest West traces these competing ideas as they appear in the works of major American writers such as James Fenimore Cooper, Walt Whitman, Willa Cather, William Faulkner, F. Scott Fitzgerald, John Dos Passos, Nathanael West, and John Steinbeck. An important work of literary and historical scholarship, Quest West presents compelling evidence that the meaning of America remains inseparable from the march of seminal ideas westward.
A dynamic reappraisal of a neglected period in African American cultural history from the early 1930s to the cold war, and the first comprehensive critical study of the creative awakenting that occurred on Chicago's South Side -- from cover.
Framing his study with two cases of violence involving children in Chicago, he notes the degree to which violence in the novels is perpetrated by adults against children or, even more shockingly, by children against children.".
Giles (English, Northern Illinois U.) examines the novels of the American author, Nelson Algren, and places them in the traditions of American literary naturalism, existential modernism, and the American urban novel. Annotation copyrighted by Book News, Inc., Portland, OR
Confronted with rising citizen discontent, the Reinventing Government movement, and new technological challenges, public organizations everywhere are seeking means of improving their performance. Their quest is not new, rather, the concern with improving the performance of government organizations has existed since the Scientific Management Movement. Public Sector Performance brings together in a single volume the classic, enduring principles and processes that have defined the field of public sector performance, as written in the words of leading practitioners and scholars. Taken as a whole, this volume provides a performance compass for today's public managers, helping them to reconstruct the public's confidence in, and support of, government.Defined here as managing public organizations for outcomes, performance is examined in all its varied dimensions: organizing work, managing workers, measuring performance, and overcoming resistance to performance-enhancing innovations. The selected articles are interesting, thought provoking, and instructive. They are classics in that they have been widely cited in the scholarly literature and have enduring value to public managers who seek to understand the many dimensions of performance. The book is organized into three sections: Performance Foundations, Performance Strategies, and Performance Measurement. Excerpts from additional selected articles feature special topics and wisdom from performance experts.
In this intellectual and literary history of American, British, and Continental novels of realism and naturalism from 1850 to 1950, Richard Lehan argues that literary naturalism is a narrative mode that creates its own reality. Employing this strategy allows and encourages intertextuality - one novel talking or responding to another.
This new collection updates, integrates, and contextualizes Richard Sheppard's essays on the historical avant-garde. Sheppard examines responses of modernist writers, artists, and philosophers to a changed sense of reality and human nature. With its combination of previously published and new essays and its perspective on the theoretical avant-garde-modernism debate in the U.S., the volume provides the specialist and the general reader insight into European scholarly discourse on this hotly debated subject.
Later, as a result of his involvement with the National Advisory Commission on Civil Disobedience, his role as chairman of the Democratic National Committee, and his work in the burgeoning peace movement, Fred Harris began to articulate his plans for New Populism - a program designed for millions of Americans who believed that government should serve the people and not special interests. In 1972 and 1976, Harris launched New Populist campaigns for the presidency, but, in both instances, inadequate funding forced him to abandon his efforts.
Sports Ethics for Sports Management Professionals provides students with the necessary tools to make ethical decisions in the sports management field. It presents several ethical models that the sports management professional can use as a guide to making ethical decisions. The text contains numerous case studies which allow students to apply the ethical decision-making process to a sports-related ethical dispute.
Covering both surgical and non-surgical pain, Acute Pain Management Essentials is a comprehensive, clinically oriented reference for the entire acute pain management team. Edited by Drs. Alan David Kaye and Richard D. Urman, this new title brings together the expertise of contributing authors from anesthesiology, medicine, surgery, and allied health professions to offer an interdisciplinary approach to this complex and fast-changing field. Beginning with an overview of basic principles, it then approaches pain management by organ system, by patient population, and by treatment modality, ending with review of subspecialty considerations and related topics.
Expatriation, the sense of being "outside" or exposed, is a central theme in the life and work of Paul Bowles. Beginning with Bowles' account of a frightening childhood memory, A World Outside explores how the dichotomies of inside and outside, safety and danger, enclosure and exposure—fundamental dualities in Bowles' fiction—have their deepest origin in the fabric of Bowles' own life and also mark his kinship with other twentieth-century writers. Like V. S. Naipaul, Paul Bowles is one of those writers who have an uncanny grasp of what it is like never to feel "at home." In this much-needed study, Richard Patteson explores how this sense of "outsidedness" characterizes one's experience in a world in which many of the traditional shelters—social, familial, religious—seem to have lost their ability to protect. He discovers that storytelling is the vehicle by which both Bowles and his characters attempt to domesticate inchoate experience, bringing it into the familiar interior of human comprehension. The music world has for decades recognized Paul Bowles' stature as a composer, but his fiction is only recently receiving the close attention it has long deserved from students of American and contemporary literature. Bowles is an author who neither sought nor received the kind of publicity often lavished on his contemporaries but one whom an ever-growing audience regards as a commanding figure of twentieth-century American literature.
This edition of Politics in the New South takes the remarkable story of the transformation of southern politics in the twentieth century up through the virtual triumph of southern Republicanism in the mid-1990s. The book explores not only the fundamental changes that have occurred - in party politics, political leadership, voting rights and black participation - but also the strong continuities in the political culture of the South despite a reversal of party allegiances. There is no richer or more readable introduction to the politics of the South - a region that shows us important aspects of both our past and our future.
Fanaroff and Martin’s Neonatal-Perinatal Medicine covers everything you need to improve the quality of life and long-term outcomes of your patients. Drs. Richard J. Martin, Avroy A. Fanaroff, and Michele C. Walsh, along with a multi-disciplinary team of contributors guide you through the sweeping developments in diagnosis and treatment of the mother fetus, and neonate. The completely updated 9th edition keeps you current on the late preterm infant, the fetal origins of adult disease, neonatal anemia, genetic disorders, and more. Get comprehensive guidance on treating patients through a dual focus on neonatology and perinatology. See nuances and details in over 800 illustrations that depict disorders in the clinical setting and explain complex information. Find the information you need easily with indexing in both volumes that provides quick access to specific guidance. Spot genetic problems early and advise parents of concerns thanks to completely new section on this topic. Tackle the health problems associated with preterm births through a new chapter on The Late Preterm Infant. Understand the fetal origins of adult disease through a new chapter that focuses on conditions that originate in the womb. Stay current on the developments and research surrounding neonatal anemia from the entirely new chapter on Blood and Hematopoietic System highlights. Obtain more global perspectives and best practices from an increased number of international contributions in this edition.
This sweeping literary encounter with the Western idea of the city moves from the early novel in England to the apocalyptic cityscapes of Thomas Pynchon. Along the way, Richard Lehan gathers a rich entourage that includes Daniel Defoe, Charles Dickens, Emile Zola, Bram Stoker, Rider Haggard, Joseph Conrad, James Joyce, Theodore Dreiser, F. Scott Fitzgerald, and Raymond Chandler. The European city is read against the decline of feudalism and the rise of empire and totalitarianism; the American city against the phenomenon of the wilderness, the frontier, and the rise of the megalopolis and the decentered, discontinuous city that followed. Throughout this book, Lehan pursues a dialectic of order and disorder, of cities seeking to impose their presence on the surrounding chaos. Rooted in Enlightenment yearnings for reason, his journey goes from east to west, from Europe to America. In the United States, the movement is also westward and terminates in Los Angeles, a kind of land's end of the imagination, in Lehan's words. He charts a narrative continuum full of constructs that "represent" a cycle of hope and despair, of historical optimism and pessimism. Lehan presents sharply etched portrayals of the correlation between rationalism and capitalism; of the rise of the city, the decline of the landed estate, and the formation of the gothic; and of the emergence of the city and the appearance of other genres such as detective narrative and fantasy literature. He also mines disciplines such as urban studies, architecture, economics, and philosophy, uncovering material that makes his study a lively read not only for those interested in literature, but for anyone intrigued by the meanings and mysteries of urban life.
In this intellectual and literary history of American, British, and Continental novels of realism and naturalism from 1850 to 1950, Richard Lehan argues that literary naturalism is a narrative mode that creates its own reality. Employing this strategy allows and encourages intertextuality - one novel talking or responding to another.
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