Hidden away in foggy, uncharted rain forest valleys in Northern California are the largest and tallest organisms the world has ever sustained–the coast redwood trees, Sequoia sempervirens. Ninety-six percent of the ancient redwood forests have been destroyed by logging, but the untouched fragments that remain are among the great wonders of nature. The biggest redwoods have trunks up to thirty feet wide and can rise more than thirty-five stories above the ground, forming cathedral-like structures in the air. Until recently, redwoods were thought to be virtually impossible to ascend, and the canopy at the tops of these majestic trees was undiscovered. In The Wild Trees, Richard Preston unfolds the spellbinding story of Steve Sillett, Marie Antoine, and the tiny group of daring botanists and amateur naturalists that found a lost world above California, a world that is dangerous, hauntingly beautiful, and unexplored. The canopy voyagers are young—just college students when they start their quest—and they share a passion for these trees, persevering in spite of sometimes crushing personal obstacles and failings. They take big risks, they ignore common wisdom (such as the notion that there’s nothing left to discover in North America), and they even make love in hammocks stretched between branches three hundred feet in the air. The deep redwood canopy is a vertical Eden filled with mosses, lichens, spotted salamanders, hanging gardens of ferns, and thickets of huckleberry bushes, all growing out of massive trunk systems that have fused and formed flying buttresses, sometimes carved into blackened chambers, hollowed out by fire, called “fire caves.” Thick layers of soil sitting on limbs harbor animal and plant life that is unknown to science. Humans move through the deep canopy suspended on ropes, far out of sight of the ground, knowing that the price of a small mistake can be a plunge to one’s death. Preston’s account of this amazing world, by turns terrifying, moving, and fascinating, is an adventure story told in novelistic detail by a master of nonfiction narrative. The author shares his protagonists’ passion for tall trees, and he mastered the techniques of tall-tree climbing to tell the story in The Wild Trees—the story of the fate of the world’s most splendid forests and of the imperiled biosphere itself.
The sixteenth and seventeenth centuries in France were an epoch of spectacular artistic activity, exemplified by the chateaux of the Loire valley, the palace of Versailles, the paintings of Poussin and Claude, and the sculpture of Coysevox, which echo the political and cultural importance of France and the "Sun King." Anthony Blunt presents major artists and their principal works chronologically, provides an overview of the main projects of the period and of the artistic personalities behind them, and clearly sets the historical context. This new edition, of one of the classics of the Pelican History of Art series, has been revised and updated with color illustrations and a new bibliography.
The complicated life and legacy of John Trumbull, whose paintings portrayed both the struggle and the principles that distinguished America’s founding moment John Trumbull (1756–1843) experienced the American Revolution firsthand—he served as aid to George Washington and Horatio Gates, was shot at, and was jailed as a spy. He made it his mission to record the war, giving visual form to what most citizens of the new United States thought: that they had brought into the world a great and unprecedented political experiment. His purpose, he wrote, was “to preserve and diffuse the memory of the noblest series of actions which have ever presented themselves in the history of man.” Although Trumbull’s contemporaries viewed him as a painter, Trumbull thought of himself as a historian. Richard Brookhiser tells Trumbull’s story of acclaim and recognition, a story complicated by provincialism, war, a messy personal life, and, ultimately, changing fashion. He shows how the artist’s fifty-year project embodied the meaning of American exceptionalism and played a key role in defining the values of the new country. Trumbull depicted the story of self-rule in the modern world—a story as important and as contested today as it was 250 years ago.
The Dashkova Ballet Company - a visiting Russian troupe led by Inspector Gautier's charming Soviet mistress, Princess Sophia - is about to become the toast of Paris when the famous Judge Prudhomme is found with a bullet in his heart in a squalid hotel room. And when the corpse of the beautiful prima ballerina Nicola Stepanova turns up equally cold, the company's once sparkling future pales considerably. Gautier has to solve the murders to save the troupe and salvage his great romance - all of which he undertakes with his customary élan, éclat and joie de vivre.
In 1839, Lydie Fougnies, 20 years old, is attractive, refined, and educated. Her father is a well-to-do businessman. She meets Felippe Van Hendryk, single child of wealthy aristocrats. They fall in love and a two-year chaste affair leads to talk of marriage. However, his class-conscious, bigoted mother severs their relationship because Lydie is not from high society. Unhappy Felippe is sent to university in Switzerland where he marries, and divorces, the wanton daughter of a wealthy Swiss banker. Lydie is angry and resentful. She is a victim of emotion and, bent on revenge, she cannot think rationally. Believing she can wreak revenge on Mme Van Hendryk by proving her worth only if she belongs to the aristocracy, she directs her attention to Count Hippolyte de Bocarm, a farmer who lives in a dreary, desolate 16th century chateau. Unschooled and crude, his size and strength seduce her. Certain that the rustic, prodigal son of a fine family can easily be led to the altar, she mentors him in reading, writing, and manners. Never does she suspect that hes a conscienceless psychopathic felon. He conceals his craving to know her sexually, and plans to steal her familys fortune.
The Ideology of Political Reactionaries offers a new perspective on the beliefs reactionaries share, presenting a theory of reactionary ideology in the process. Rather than taking self-contradictions in the reactionary imagination as a reason for diminishment, complexity is taken as a challenge. The book argues that the features that unite reactionaries lie in rhetoric. Reactionaries make three persuasive appeals: to decadence, conspiracy, and indignation. They also display some recurrent styles. The book’s rhetorical approach entails a critique of the alternative approaches to reactionary politics (dubbed as ‘dispositional’, ‘sociological’, and ‘conceptual’). At the heart of the book is the textual analysis of the writings of a range of figures who are chosen in deliberate diversity and who have interacted with political audiences in different eras and settings: Edmund Burke, Joseph de Maistre, Sarah Palin, Donald Trump, Adolf Hitler, Éric Zemmour, Joe McCarthy, Anders Breivik, and Nigel Farage. Analysis of their writings helps the book to reckon with some particular puzzles of ideologies and rhetoric. These puzzles include the proximity of reactionaries to conservatism, the ambiguity of their nostalgia, the myth of their essential charisma, and the apparent fetishisation of facts. The Ideology of Political Reactionaries ought to interest anyone concerned about current ideological trends and, in particular, students and scholars of politics and history.
Ambassador Richard Swett?s groundbreaking new book investigates the unique civic leadership strengths of the architecture profession. Drawing upon the compelling history of the profession, both past and present,as well as from his own singular experience as the only architect to serve in Congress during the 20th century, Swett has produced an insightful volume that is both inspiring and instructive. He shares Mark Twain?s viewthat ?if the only tool you have is a hammer, after a while every problem begins to look like a nail.? Leadership by Design is an eloquent plea to architects, leaders and citizens alike to expand the tool chest as we seeknew leadership to design new solutions for the complex challenges facing our nation and the world.
100 sumptuously produced essays by Britain’s leading art critic, US born, Richard Dorment. They cover exhibitions of historic and contemporary art world-wide, interpreting and critiquing many of the most important shows of the last 30 years. They offer, in a highly accessible form, the fundamental elements of a history of art, and a beguiling review of recent cultural trends.
Certain that someone is trying to cause the Rocky Mountain Company to lose its trading license when they discover forbidden grain alcohol planted in the hold of their boat, Brokenleg Fitzhugh and his partner, Guy Straus, prepare to argue their case. Reissue.
A major new account of one of the leading philosopher-statesmen of the eighteenth century Edmund Burke (1730–97) lived during one of the most extraordinary periods of world history. He grappled with the significance of the British Empire in India, fought for reconciliation with the American colonies, and was a vocal critic of national policy during three European wars. He also advocated reform in Britain and became a central protagonist in the great debate on the French Revolution. Drawing on the complete range of printed and manuscript sources, Empire and Revolution offers a vivid reconstruction of the major concerns of this outstanding statesman, orator, and philosopher. In restoring Burke to his original political and intellectual context, this book overturns the conventional picture of a partisan of tradition against progress and presents a multifaceted portrait of one of the most captivating figures in eighteenth-century life and thought. A boldly ambitious work of scholarship, this book challenges us to rethink the legacy of Burke and the turbulent era in which he played so pivotal a role.
Updated throughout and with much new material, A History of American Literature, Second Edition, is the most up-to-date and comprehensive survey available of the myriad forms of American Literature from pre-Columbian times to the present. The most comprehensive and up-to-date history of American literature available today Covers fiction, poetry, drama, and non-fiction, as well as other forms of literature including folktale, spirituals, the detective story, the thriller, and science fiction Explores the plural character of American literature, including the contributions made by African American, Native American, Hispanic and Asian American writers Considers how our understanding of American literature has changed over the past?thirty years Situates American literature in the contexts of American history, politics and society Offers an invaluable introduction to American literature for students at all levels, academic and general readers
1775 belonged to Boston but after April of 1776, the Revolutionary War's focus became New York City and the highly strategic Long Island, from Brooklyn's terminal moraine high ground to Queens's Hell Gate. 1776 was the year when revolution came to Long Island, and in particualr the future Long Island City. The failures, defeats and eventual occupation of the area at the hands of the British forged the resolve and strength of character that would later ensure Patriot victories on distant battlegrounds throughout the rest of the colonies. The British did not evacuate western Queens county until November of 1783, but the events of 1776 would not soon be forgotten during the seven long years of occupation afterword. Join author Richard Melnick as he charts the military, political and cultural history 1776 in Long Island City.
The Terror of 1793-94, the Paris Commune of 1871, the Dreyfus Affair—explosions of violence punctuated French history from the start of the Revolution until the Liberation at the close of World War II. The distinguished scholar Richard D. E. Burton here offers a stunningly original account of these outbursts, concluding that recourse to political violence was not occasional and abnormal, but rather the usual pattern, in French history. Instead of adhering to conventional chronological lines, Blood in the City is structured topologically around a number of major Parisian "sites of memory," including Place de la Concorde, Sacré Coeur, and the Eiffel Tower. For thirty years Burton has visited and revisited Paris, criss-crossing the streets on foot, and lived with great nineteenth- and twentieth-century literary depictions of the city. Drawing on historical, literary, visual, anthropological, and psychological sources, he develops a wide-ranging account of violence in modern French politics. In so doing, he provides powerful insights into political violence, scapegoating, the idea of sacrifice, and the widespread French obsession with conspiracy. Burton demonstrates that time and again the same basic scenario has been acted out on the streets of Paris: one or more people would be singled out from the community and imprisoned, exiled, or, more often, subjected to violence by the crowd or the state. In particular, he explores how Catholicism—in its extreme, ultrareactionary form—shaped the worldviews of Parisians and how the killing of a sacrificial victim came to be seen as a reenactment of the crucifixion of Christ.
The goal of this book is to make it easier for scientists, especially those new to scientific writing, to write about their results and to get their manuscripts accepted in peer-reviewed journals. The book covers each step throughout the submission process, from organizing and outlining the manuscript, presenting statistical data and results, to what happens during the in-house manuscript review process and what to do if an article is initially rejected. In addition to providing practical exercises on these topics, the book focuses on helping writers distil their research into concise take-home messages for readers, in order to convey information as clearly as possible to the target audience.
This impressive compilation offers a nearly complete listing of sound recordings made by American minority artists prior to mid-1942. Organized by national group or language, the seven-volume set cites primary and secondary titles, composers, participating artists, instrumentation, date and place of recording, master and release numbers, and reissues in all formats. Because of its clear arrangements and indexes, it will be a unique and valuable tool for music and ethnic historians, folklorists, and others.
The first part of the book is an able survey of 'the Enlightenment’ in eighteenth-century Spain. The second part, on ’the Revolution,’ is something more. Originally published in 1958. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
In 1997, twenty-five years after its first publication, Thematic Catalogues in Music-An Annotated Bibliography (Pendragon Press, 1972) appeared in a completely revised and expanded Second Edition. It contains almost twice as many entries as its predecessor; virtually every one of the original entries has been updated; and the following noteworthy features have been added.1. A second introductory essay detailing trends and innovations in thematic cataloguing brought about by the revolution in technology of the past twenty years. 2. Appendices listing thematic catalogues in series; both by national organizations and publishers; a detailed up-to-date, country-by-country report of activities worldwide; a listing of major computerized databanks. 3. New double-column format. 4. Numerous illustrations and reproductions of pages from thematic catalogues of historical significance. The second edition continues the policy of listing all known thematic catalogues and indexes, including those in doctoral dissertations, masters essays, and computer databanks, as well as in-progress and unpublished works, plus reviews, and literature about thematic cataloguing. The original numbering of the 1972 entries has been retained, with new items appearing in proper alphabetical/chronological sequence but with the addition of decimal numbers and/or letters (363.1 or 960a). Lastly, the original historical introduction and special appendices of the first edition have been retained with emendations where needed.
A review of research on the ecology of Lyme disease in North America describes how humans get sick, why some years and places are so risky and others not, and offers a new understanding that embraces the complexity of species and their interactions.
When Andy Warhol cast Paul Swan (1883?1972) in three films in the mid-1960s, he knew that the octogenarian had once been internationally hailed as ?the most beautiful man in the world? and as ?Nijinsky?s successor.? Arthur Hammerstein had advertised Swan as ?a reincarnated Greek God,? and George and Ira Gershwin had celebrated his beauty in their musical Funny Face. What Warhol didn?t know was that Swan had also been called ?America?s Leonardo,? portrait artist of the famous and the infamous, including writer Willa Cather, aviator Charles Lindbergh, British Prime Minister James Ramsay MacDonald, and dictator Benito Mussolini. This book is the first to tell Swan?s story, from his days as a world-famous dancer and artist, through his film career?which ran from silent pictures, including De Mille?s Ten Commandments (1923), to Warhol?s Camp, Paul Swan, and Paul Swan I-IV (1965)?to his portrait painting late in life when Nelson Rockefeller?s children, Malachy McCourt, and Pope Paul VI were among his subjects. With unprecedented access to Swan?s scrapbooks, letters, diaries, and an unpublished memoir that tells the story of a bisexual man trying to build a public life in perilous times, Janis and Richard Londraville reconstruct the intriguing life of this uniquely interesting figure, whose story, although widely glossed in the press, was until now never fully known.
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