Unravelling the thought of Alexander Kluge and Oskar Negt Collaborators for more than four decades, lawyer, author, filmmaker, and multimedia artist Alexander Kluge and social philosopher Oskar Negt are an exceptional duo in the history of Critical Theory precisely because their respective disciplines think so differently. Dark Matter argues that what makes their contributions to the Frankfurt School so remarkable is how they think together in spite of these differences. Kluge and Negt's "gravitational thinking" balances not only the abstractions of theory with the concreteness of the aesthetic, but also their allegiances to Frankfurt School mentors with their fascination for other German, French, and Anglo-American thinkers distinctly outside the Frankfurt tradition. At the core of all their adventures in gravitational thinking is a profound sense that the catastrophic conditions of modern life are not humankind's unalterable fate. In opposition to modernity's disastrous state of affairs, Kluge and Negt regard the huge mass of dark matter throughout the universe as the lodestar for thinking together with others, for dark matter is that absolute guarantee that happier alternatives to our calamitous world are possible. As illustrated throughout Langston's study, dark matter's promise--its critical orientation out of catastrophic modernity--finds its expression, above all, in Kluge's multimedia aesthetic.
Hey, saddle tramp, said Vernon. I dont think I like a bum like you coming in here to drink with us men. Matt turned to face Guthry, spread his feet shoulder wide with his gun hand thumb still hooked in his belt, still three fingers from his .44. The men that stood along the bar, drifted to one side, out of the line of fire. The room grew deadly quiet. Ive had just about all the crap Im going to take from a local loudmouth like you, Matt said. There was a deadly chill to his voice and Vernon shivered slightly from the feel of it. All of a sudden, he realized that he might be biting off a little more than he could chew. Being the braggart that he was, he couldnt back down from the step he had taken. He crouched and went for his pistol. Realization that he didnt even have his gun half way out of leather, and was already looking into the black hole of a barrel, that looked three inches in diameter, he froze and in no time at all he felt the sting of salty sweat in his eyes from the large beads that had popped out on his forehead and trickled down. He swallowed hard, his Adams apple moved up and down but the lump in his throat was just about to choke him and he couldnt swallow it. He lost control of his bladder and pissed down his leg, the warm fluid trickling into his left boot. Dawning on him that he had just pissed in his own whiskey, he sucked in a mountain of air and said with a high pitched, fine toothed comb, squeak, Ohooo, shit. .
Whatever Touches Your Life 1983 By James Richard Langston Listen . . . hear the cricket, In the softness of the night, Stand quietly by a meadow, See the birds taking flight. Hear the whisper of a breeze, Blowing through trees of pine, Let whatever touches your life, Be in tune to touching mine. Touch the velvet of a rose, On an early summer’s day, Smell the sweet aroma, Of a field of new mown hay. Throw caution to the wild wind, Play it loose just one time, Let whatever touches your life, Be in tune to touching mine. Blink your eyes at the sun, As it sets behind the hill, Skip a rock across the pond, By the old rustic mill. Cheer your team on to victory, As it comes from behind. Let whatever touches your life, Be in tune to touching mine. Taste a frosty snowflake, As it falls upon your tongue, See a mother hen fret, As she hovers o’er her young. Stay in tune with mother nature, Give her reason, give her rhyme, Let whatever touches your life, Be in tune to touching mine.
The whistle of the train sounded, bringing his thoughts back to the present. He turned to see if the sound of the whistle had disturbed any of the other passengers. The only one that seemed to be awake was the woman with PC sown on her luggage. He still didnt know what the initials stood for. "Are you restless too?" she asked. A polite smile was written on her lips. Jim tried to warm up a smile and send it back, but he only managed to put one kink in the corner of his mouth. It wasnt that he was not attracted to her; just the sight of her burned him to the core. It was just not the time and, mainly the, place to vent the heat. "If a man wasn't restless every now and then, he said, he would never get anything done, that is, anything worth doing." Well said, Ive always heard that if something is worth doing, it is worth doing well, she said, again with that fantastic smile that penetrated Jims very soul. Is that your aim, to do what you do well, I mean? If it gets done at all, I intend to do it the best that I can, he said. This time, he managed to stretch a smile all the way across his lean face. She smiled again, very small, then turned away to continue her fruitless effort to sleep. She turned once more to glance the man. He looked tight and strangely savage in a gentle way. Pamela Cross was confused. Something about this man disturbed her as if they were destined to meet again. She watched as he went to the door, rubbed the fog from the glass and peered out into the darkness. Then he returned to his seat for a time and sat with his saddlebags and .44-.40 Winchester lying across his lap. The train was in an easy run to the springs. He listened to the chugging sound of the engine as it did its work; looked at the woman and felt a strong stirring in his loins.
Nazi Germany's campaign against 'degenerate art' and its persecution of experimental artists pushed the avant-garde in Germany to the brink of extinction. This book examines how the avant-garde came back after the war, reconfiguring its aesthetics in the light of those years.
Regard this as a bouquet to ink¿ ¿ this is Richard Langston¿s paean to the world of newspaper to the world of newspaper reporting and reporters. To the gone age of the setting of metal type, the sound of a roomful of typewriters. To the past age of the afternoon city newspaper. This was the age of journalism before it went to university, the time of journalist as character¿
Unparalleled coverage of U.S. political development through a unique chronological framework Encyclopedia of U.S. Political History explores the events, policies, activities, institutions, groups, people, and movements that have created and shaped political life in the United States. With contributions from scholars in the fields of history and political science, this seven-volume set provides students, researchers, and scholars the opportunity to examine the political evolution of the United States from the 1500s to the present day. With greater coverage than any other resource, the Encyclopedia of U.S. Political History identifies and illuminates patterns and interrelations that will expand the reader’s understanding of American political institutions, culture, behavior, and change. Focusing on both government and history, the Encyclopedia brings exceptional breadth and depth to the topic with more than 100 essays for each of the critical time periods covered. With each volume covering one of seven time periods that correspond to key eras in American history, the essays and articles in this authoritative encyclopedia focus on the following themes of political history: The three branches of government Elections and political parties Legal and constitutional histories Political movements and philosophies, and key political figures Economics Military politics International relations, treaties, and alliances Regional histories Key Features Organized chronologically by political eras Reader’s guide for easy-topic searching across volumes Maps, photographs, and tables enhance the text Signed entries by a stellar group of contributors VOLUME 1 ?Colonial Beginnings through Revolution ?1500–1783 ?Volume Editor: Andrew Robertson, Herbert H. Lehman College ?The colonial period witnessed the transformation of thirteen distinct colonies into an independent federated republic. This volume discusses the diversity of the colonial political experience—a diversity that modern scholars have found defies easy synthesis—as well as the long-term conflicts, policies, and events that led to revolution, and the ideas underlying independence. VOLUME 2 ?The Early Republic ?1784–1840 ?Volume Editor: Michael A. Morrison, Purdue University No period in the history of the United States was more critical to the foundation and shaping of American politics than the early American republic. This volume discusses the era of Confederation, the shaping of the U.S. Constitution, and the development of the party system. VOLUME 3 ?Expansion, Division, and Reconstruction ?1841–1877 ?Volume Editor: William Shade, Lehigh University (emeritus) ?This volume examines three decades in the middle of the nineteenth century, which witnessed: the emergence of the debate over slavery in the territories, which eventually led to the Civil War; the military conflict itself from 1861 until 1865; and the process of Reconstruction, which ended with the readmission of all of the former Confederate States to the Union and the "withdrawal" of the last occupying federal troops from those states in 1877. VOLUME 4 ?From the Gilded Age through the Age of Reform ?1878–1920 ?Volume Editor: Robert Johnston, University of Illinois at Chicago With the withdrawal of federal soldiers from Southern states the previous year, 1878 marked a new focus in American politics, and it became recognizably modern within the next 40 years. This volume focuses on race and politics; economics, labor, and capitalism; agrarian politics and populism; national politics; progressivism; foreign affairs; World War I; and the end of the progressive era. VOLUME 5 ?Prosperity, Depression, and War ?1921–1945 ?Volume Editor: Robert Zieger, University of Florida Between 1921 and 1945, the U.S. political system exhibited significant patterns of both continuity and change in a turbulent time marked by racist conflicts, the Great Depression, and World War II. The main topics covered in this volume are declining party identification; the "Roosevelt Coalition"; evolving party organization; congressional inertia in the 1920s; the New Deal; Congress during World War II; the growth of the federal government; Franklin D. Roosevelt’s presidency; the Supreme Court’s conservative traditions; and a new judicial outlook. VOLUME 6 ?Postwar Consensus to Social Unrest ?1946–1975 ?Volume Editor: Thomas Langston, Tulane University This volume examines the postwar era with the consolidation of the New Deal, the onset of the Cold War, and the Korean War. It then moves into the 1950s and early 1960s, and discusses the Vietnam war; the era of John F. Kennedy; the Cuban Missile Crisis; the Civil Rights Act; Martin Luther King and the Voting Rights Act; antiwar movements; The War Powers Act; environmental policy; the Equal Rights Amendment; Roe v. Wade; Watergate; and the end of the Vietnam War. VOLUME 7 ?The Clash of Conservatism and Liberalism ?1976 to present ?Volume Editor: Richard Valelly, Swarthmore College ?The troubled Carter Administration, 1977–1980, proved to be the political gateway for the resurgence of a more ideologically conservative Republican party led by a popular president, Ronald Reagan. The last volume of the Encyclopedia covers politics and national institutions in a polarized era of nationally competitive party politics and programmatic debates about taxes, social policy, and the size of national government. It also considers the mixed blessing of the change in superpower international competition associated with the end of the Cold War. Stateless terrorism (symbolized by the 9/11 attacks), the continuing American tradition of civil liberties, and the broad change in social diversity wrought by immigration and the impact in this period of the rights revolutions are also covered.
Revitalizes Alexander Kluge's classic 1979 film, showing it to be not just great storytelling but also an exploration of the poetic force of Frankfurt School Critical Theory.
Bert Rawlings, he called. Rawlings turned in his seat and slowly rose to his feet. He knew he, himself, was fast with a gun and it had come down to who was faster, him or Johnson. When he was fully erect, he kicked the chair from him. With a smirk of a smile on one corner of his mouth, he spoke. Well, what can I do for you Mr. Johnson? There was a mocking tone to his voice. Ive come to settle a debt with you for killing five of my men and for your violation of a good woman in Amarillo. The room became so quiet you could have heard a bug burp. All eyes were moving from one to the other of the two men facing each other. Sweat beads popped out on the forehead of both. Finally Rawlings shrugged his shoulders as if giving up the fight when his hand swept for the butt of his gun. He was fast. Like lightening he had his weapon clear of the holster and coming up to face a .44 that was more like greased lightning. JBs first bullet tagged Rawlings just above the belt buckle and his physical reaction was just enough to pull his shot off and his slug hit JB in the upper left shoulder. JBs second shot punched a hole in the center of Rawlings breastbone exploding bone fragments all through his lungs and upper body, ventilating his heart. The chunk of hot lead continued on, taking out Rawlings spine as it zinged into the wall behind. Rawlings was dead when he hit the floor. JB stood there for a second to make sure, Rawlings was through. He replaced his empties, holstered his gun and held his shoulder. Joe rushed over and helped JB to a chair. He looked up at the barkeep and asked him to send for a doctor. By the time the doctor arrived on the scene, JB had passed out from both shock and loss of blood.
Cherokee Teardrops 1985 By James Richard Langston Cherokee teardrops, Soft, dark and deep, Shed by Cherokee women, Every time they weep. The tears of Cherokee women, Rolled down their cheeks, They cried for their nation, Their braves lay at their feet. Their homes all in ashes, Their children standing bare, They wiped Cherokee teardrops, With their long raven hair. A defeated Cherokee nation, Submitting to their fate, Were moved to Oklahoma, In the winter of thirty eight. Proud Cherokee teardrops, Shed on every hand, All because the white man, Found gold on Cherokee land. Cherokee teardrops, From southern mountains grand, Spread across this nation, To a wasted, dusty land. Cherokee teardrops, Falling on two stones, Left a trail of sadness, From their southern mountain homes.
JJ Byrider was taken by surprise when his cattle were rustled and most of his crew killed in the process but he recovered and carried on. But when Bert Haskins, an old enemy, beat and raped the woman JJ intended to marry, anger built up in him and exploded like steam bursting from a locomotive release valve. A vengeance trail took him across the state of Texas to a showdown.
»Die poetische Kraft der Theorie« bezieht sich für Alexander Kluge weniger auf reine »Philosophie« oder die abgesonderte »Lust am Denken« als vielmehr auf die altgriechische Praxis der »Theoria«. Wie der antike Theoretiker namens Theoros, der als Gesandter aus fremden Ländern heimkehrte, um von anderen Völkern und Kulturen zu erzählen, strebt Kluges Interesse an der poetischen Kraft der Theorie nach der Anreicherung der menschlichen Wesenskräfte, die subjektive Erfahrung von Differenz in einer Krisenzeit auszudrücken, in der die Werkzeuge des Erzählens verarmt sind. Diese Ausgabe des Jahrbuchs erkundet Kluges Theorie dieses narrativen Potenzials im stürmischen Zeitalter der Digitalität, das von Algorithmen regiert, mit Informationen überflutet und von sozialen Unruhen zerrüttet ist. "The poetic power of theory" has for Alexander Kluge less to do with pure "philosophy" or the solitary "pleasures in thinking" than with the ancient Greek practice of "theoria". Like the ancient theoretician called theoros, who returned home from foreign lands to tell of other peoples and cultures, Kluge's interest in the poetic force of theory seeks to fortify humankind's essential powers for expressing the subjective experience of difference at a time of crisis when the necessary tools for narration have become impoverished. The sixth volume of the yearbook queries Kluge's theory of narrative's potential in the stormy age of digitality governed by algorithms, flooded with information, and disrupted by social conflict.
Love and loyalty in the heyday of the 1930's Harlem renaissance, a tale set to a bubbling jazz score, won rave reviews Off Broadway. The downtown mob is threatening to take over the uptown numbers game. Only Hamlet Hitchcock Jones, known as Little Ham, stands in their way. A smooth operator with big dreams and fast feet, he rallies his neighbors and wins his lady love.
A journey of self-expression through some of America most turbulent times. "My Life as A Poet" is collections of poems and articles. Along with quotes which reflect my self-expression as a poet from the times I grew up in and all throughout my life. A product of the thoughts that went through my mind growing up in Harlem, doing one of the most turbulent ages in America history. Poetry helped me make sense of my life and the world around me. It kept me from destroying myself because of the frustrations doing that period. It also gave my life a new direction which continues to benefit me right up until today. I hope you enjoy where it has taken me so far and you'll join me for the rest of my journey. Richard Melvin, Poet
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