The Shoulder—a title in the AANA Advanced Arthroscopy series—covers advanced and emerging, state-of-the-art arthroscopic techniques—rotator cuff repairs, arthroscopic subcapularis repair, biologic augmentation devices, and more. Richard L. Angelo, MD, Richard K.N. Ryu, MD, and James Esch, MD present their expertise as premiere arthroscopic shoulder surgeons on disease specific options, managing and avoiding complications, and rehabilitation protocols...in print and online. Access the fully searchable text, along with a video library of procedures and links to PubMed online at expertconsult.com. Stay current through coverage of hot topics like rotator cuff repairs, biologic augmentation devices, proximal bicep tendon disorders, anterior and posterior instability, instability with bone loss, and revision instability surgery. Hone your skills thanks to 23 videos of techniques—on arthroscopic biceps tenodesis, arthroscopic subcapularis repair, arthroscopic rotator cuff reconstruction using accelar human dermal matrix, and more—performed by experts. See arthroscopic surgical details in full color and understand nuances through interpretative drawings of technical details. Optimize surgical results and outcomes with an emphasis on advanced and emerging arthroscopic techniques, surgical tips, and pearls.
In the modern world, angels can often seem to be no more than a symbol, but in the Middle Ages men and women thought differently. Some offered prayers intended to secure the angelic assistance for the living and the dead; others erected stone monuments carved with images of winged figures; and still others made angels the subject of poetic endeavour and theological scholarship. This wealth of material has never been fully explored, and was once dismissed as the detritus of a superstitious age. Angels in Medieval England offers a different perspective, by using angels as a prism through which to study the changing religious culture of an unfamiliar age. Focusing on one corner of medieval Europe which produced an abundance of material relating to angels, Richard Sowerby investigates the way that ancient beliefs about angels were preserved and adapted in England during the Anglo-Saxon period. Between the sixth century and the eleventh, the convictions of Anglo-Saxon men and women about the world of the spirits underwent a gradual transformation. This book is the first to explore that transformation, and to show the ways in which the Anglo-Saxons tried to reconcile their religious inheritance with their own perspectives about the world, human nature, and God.
This is a definitive study of Charles the Bold's diplomatic and military relations with the Italian states, taking full account of economic policy. The book makes extensive use not only of the great mass of diplomatic correspondence in the archives of Florence, Mantua, Milan, Modena and Venice, but also of Charles' financial records in the archives of Brussels and Lille. The author's mastery of these primary sources is complemented by judicious use of a wide range of secondary material. Aspects of Charles the Bold's relations with Italy have been considered in earlier literature, but no study has before dealt with them comprehensively at any length. This book fills that gap and places Charles' reign in its wider European context.
In the middle of the conservative 1950s, rock and roll hit popular culture like an explosion a Big Bang, Baby! And the fallout from that explosion is still electrifying music fans today. Popular music expert Richard Crouse has ventured deep into the far reaches of rock history to bring together this dynamic collection of facts and oddities. Big Bang, Baby will entertain and enlighten music fans of all eras and will challenge even experienced rock trivia junkies.
The art and science of sword fighting goes back almost to the dawn of civilization and has been an obsession for much of mankind throughout recorded history. From the Roman arena to feudal Japan and from the duellists of Europe to the development of modern-day Olympic fencing, Richard Cohen traces the course of swordsmanship with wit and erudition in a fascinating and wonderfully discursive account. Packed with anecdote, superbly written and built on a solid foundation of historical research, this is a tribute to a deadly but beautiful skill, the mastery of which for centuries defined a man.
Co-published with the Arthroscopy Association of North America, The Shoulder: AANA Advanced Arthroscopic Surgical Techniques is a comprehensive technique-based book that presents the latest diagnostic and reconstructive techniques in arthroscopic surgery for the shoulder. The Shoulder: AANA Advanced Arthroscopic Surgical Techniques is authored by premier arthroscopic surgeons Drs. Richard K.N. Ryu, Richard L. Angelo, and Jeffrey S. Abrams, and their international list of expert contributors. This comprehensive resource includes preferred physical examination testing and diagnostic imaging choices in pre-operative planning and patient selection, state-of-the-art step-by-step description of the procedures, detailed surgical equipment lists to perform each procedure, clear and precise indications for surgery and the thoughtful rationale behind stated contraindications, controversial indications, post-operative protocols, and potential complications. The written text is supported by numerous color images and a website with invaluable, narrated video clips depicting disease-specific arthroscopic techniques specific to the shoulder. Features inside The Shoulder: AANA Advanced Arthroscopic Surgical Techniques Narrated video accompanies all surgical techniques, focusing on the stepwise approach to each operation Consistent organization throughout the book results in a bulleted and user-friendly interface for a quick reference or prolonged study Top 5 Technical Pearls for each procedure to enhance outcomes and to avoid common pitfalls and complications High-quality artwork and figures to complement clinical images Equipment and surgical technique checklists for quick reference prior to surgery Each expert contributor was chosen for his or her expertise for a specific topic related to The Shoulder, so the reader benefits by the highest quality and treatment recommendations to provide state-of-the-art care to his or her patient. Some chapter topics include: Arthroscopic Latarjet Stabilization Arthroscopic A-cromioclavicular Joint Reconstruction Arthroscopic Subscapularis Repair: The Extra-Articular Technique Arthroscopic Suprascapular Nerve Release Arthroscopic Suprapectoral Biceps Tenodesis
Dante's Comedy is a puzzling poem because the author wanted to lead his readers to understanding by engaging their curiosity. While many obscure matters are clarified in the course of the poem itself, others have remained enigmas that have fascinated Dantists for centuries. Over the last thirty-five years, Richard Kay has proposed original solutions to many of these puzzles; these are collected in the present volume. Historical context frames Kay's readings, which relate the poem to such standard sources as the Bible, Aristotle, Aquinas, and the Latin classics, but he also goes beyond these Scholastic sources to exploit Dante's use of less familiar aspects of Latin clerical culture, including physiognomy, Vitruvian proportions, and optics, and most especially astrology. Kay explores new ways to read the Comedy. For instance, he argues that Dante has embedded references to his authorities in a continuous series of acrostics formed by the initial letters of each tercet. Again, he shows how Dante returns to the theme of each infernal canto and develops it in the parallel cantos of Purgatorio and Paradiso. Particularly worthy of note are four essays on the poem's finale in the Empyrean.
Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime hardly rivalled by any of his contemporaries. This ten volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts offer the most complete versions available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensive edition of Meyerbeer's libretti, the original text and its translation are placed on facing pages for ease of use. The eleventh volume presents the fourth of Meyerbeer’s grands opéras, and his final work. By 1860 long-imposed labor had started to tell upon the composer’s health: he knew that he must concentrate on the “navigator project” which he had started twenty years earlier if he intended to finish it. Meyerbeer died on 2 May 1864, the day after the completion of the copying of the full score of this his last opera, Vasco da Gama. Minna Meyerbeer and César-Victor Perrin, the director of the Opéra, entrusted the editing of a performing edition to the famous Belgian musicologist François-Joseph Fétis, while the libretto was revised by Mélesville. The original title of L’Africaine was restored out of deference to public expectation. Much of the music and action was suppressed, in spite of the strain this inflicted on the internal logic of the story. While L'Africaine is not lacking in the grandeur of statement and stirring climaxes for which the composer was so famous, there is a new intimacy, a new intensity of melancholic lyricism. Like its famous predecessors, it is basically an historical work, derived from the period of sixteenth-century Renaissance. The account of Vasco da Gama's voyage of discovery around the Cape of Good Hope and conquest of Calicut (1497-98) is subjected to a fictional treatment that raises many interesting issues. The framework is historical, but most of the characters and course of action are not; in fact the end of the opera, in the suicide of the heroine, suddenly leaves the terra firma of reality, and transports us into the mystical realms of the spirit. It is this mixture of modes that is central to the dramaturgy of L'Africaine, a confusion of history and fairytale, ancient certainties and challenging discoveries, in the creation of a new mythology. There is also originality in formal developments, with the great tenor scene in act 4 providing a new malleability in handling the constraints of shape and genre: recitative, arioso and cabaletta have a fluent integration in trying to explore the text more pointedly. L’Africaine was produced on 28 April 1865, a great posthumous tribute to its famous creators. The Ship Scene, the exotic Indian act, and the Scene of the Manchineel Tree exerted a fascination on audiences, and elicited new praise. The work full of melodic beauty and rapturous lyricism, began a triumphal progress through the world, beginning with the big stages of London and Berlin.
Rich with history, splendid in Renaissance beauty, brimming over with the charm embodied by her people, Rome is "The Eternal City". By transforming and adapting herself with each new epoch while steadfastly holding on to her glorious past, Rome brilliantly features the Pantheon, the Colosseum, the Spanish Steps and many more amazing sights, while showcasing some of today's best shops, restaurants and hotels in the world. This 9th edition of ACCESS Rome will be the indispensable guide to discovering the city's every regal sight and romantic ruin.
This volume examines the development and use of the Bible from late Antiquity to the Reformation, tracing both its geographical and its intellectual journeys from its homelands throughout the Middle East and Mediterranean and into northern Europe. Richard Marsden and E. Ann Matter's volume provides a balanced treatment of eastern and western biblical traditions, highlighting processes of transmission and modes of exegesis among Roman and Orthodox Christians, Jews and Muslims and illuminating the role of the Bible in medieval inter-religious dialogue. Translations into Ethiopic, Slavic, Armenian and Georgian vernaculars, as well as Romance and Germanic, are treated in detail, along with the theme of allegorized spirituality and established forms of glossing. The chapters take the study of Bible history beyond the cloisters of medieval monasteries and ecclesiastical schools to consider the influence of biblical texts on vernacular poetry, prose, drama, law and the visual arts of East and West.
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