Over the decades, distribution has remained the most elusive aspect of filmmaking. The Web provides filmmakers with a new option for distribution, exhibition, and broadcast. While other media streaming technologies are available, QuickTime remains the most popular option for its versatility, excellent quality, and ease of use. QuickTime for Filmmakers shows filmmakers and videographers how to utilize this industry standard tool and offers advice on how best to shoot a film for Internet delivery. Other topics include: Editing and converting video, adding and editing soundtracks and using text in QT movies, compressing media, and preparing movies for http and RTSP streaming or a combination of both. A chapter on virtual reality explores QuickTime's unique feature for creating 360 panoramas, immersive cubic VR, object movies and VR scenes. A companion CD-ROM demonstrates topics covered in the book and provides samples of film prepared for web delivery.
In the early 1980s, serious American independent films including Stranger Than Paradise, Blood Simple, and She's Gotta Have It attracted ever-widening audiences, culminating with Steven Soderbergh's award-winning sex, lies, and videotape. This film, which won the Cannes Film Festival's top award and took more than $30 million at the box office in the United States alone, capped a remarkable decade for off-Hollywood filmmakers. Outsider Features takes an in-depth look at 10 of the most successful independent feature films made during this decade, from John Sayles's seminal and groundbreaking The Return of the Secaucus Seven to Michael Moore's wry and irreverent Roger & Me, the most lucrative non-music documentary ever made. Outsider Features offers accounts of the genesis of each film, complete synopses and critical analyses, and biographies of each filmmaker.
Filmmakers and videographers must know and understand hundreds of terms to survive in the competitive world of motion picture and television production. This invaluable reference clearly defines and illustrates more than 1000 of the most commonly used terms and phrases. Explained are instruments and accessories such as the C-stand, brute, silver bullet, and bazooka; techniques such as the 'right-hand rule' and the blue-screen process; technical concepts such as the inverse square law and light colour temperature; colourful phrases such as 'beach it', 'shake 'em up', and 'martini shot'; and other popular neologisms often devised by bored grips waiting for the next shot - terms such as sputnik, quacker, branchaloris, and flying moon. Various lighting fixtures and accessories are featured in 70 photographs and illustrations. Far more accessible and readable than most technical books devoted to lighting, Lighting Terms and Concepts contains all of the terms that cinematographers, lighting directors, camera operators and assistants, gaffers, electricians, and grips may encounter during a typical day on the set.
Basic Lighting Worktext for Film and Video guides the film and video student through a series of readings, exercises and projects designed to provide the fundamentals of light science. In addition to up-to-date descriptions of equipment and tips on how to use it properly, the book provides numerous set-ups that illustrate the techniques and thoughts behind proper studio and location lighting. From this book, you will learn: * The fundamentals of light and electricity in film * The fine distinction of lighting for video versus lighting for film * How to identify and filter sources such as daylight, tungsten, fluorescent, arc, HNI and industrial discharge lamps * The use of lensed and open-faced lighting fixtures * How to modify with barndoors, scrims, snoots, nets, cookies, and other accessories * Variations on the basic three-point lighting setup * The duties of each member of a lighting unit * How to light night exteriors, day interiors, and campfires * High-key, low-key, and modulated value lighting * How to scout locations, plan lighting, plots, and pre-rig sets
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